Musik um uns: Sekundarbereich II

~ Release by [unknown] (see all versions of this release, 1 available)

Annotation

4. Auflage 2008

ISBN-13: 978-3-507-02581-3

Annotation last modified on 2024-09-30 18:34 UTC.

Tracklist

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1▼CD
#TitleArtistRatingLength
1The Vancouver Soundscapes
partial recording of:
The Vancouver Soundscape
composer:
R. Murray Schafer (Canadian composer & environmentalist, 1933-2021)
R. Murray Schafer1:04
2Alleluja
[unknown]0:21
3Techno: Demosong „TechnoTrance“ aus MAGIX Music Maker 2007 de Luxe
[unknown]0:22
4Fuge, F-Dur WTK I
harpsichord:
Ton Koopman (conductor, organist and harpsichordist)
recording of:
The Well-Tempered Clavier, Book I: Prelude and Fugue no. 11 in F major, BWV 856.2/856: Fugue
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1722)
part of:
The Well-Tempered Clavier, Book I: Prelude and Fugue no. 11 in F major, BWV 856.2/856
Johann Sebastian Bach0:18
5Klavierkonzert
John Cage0:22
6Variationen über ein Thema von Mozart, Fuge
Max Reger0:21
7Orchesterstück Nr. 2 op. 6
Anton Webern0:21
8Ave Maria
recording of:
Ave Maria (unspecified version)
composer:
Josquin des Prez (Franco-Flemish renaissance composer)
version of:
Ave Maria
Josquin des Prez0:30
9FM (aus Stria)
John Chowning0:22
10Wanderers Nachtlied
Franz Schubert0:34
11Intabulatura
[unknown]0:17
12Now’s the time
Charlie Parker0:22
13Sonate B-Dur KV 570, 3. Satz
piano:
András Schiff (Hungarian-born British classical pianist)
partial recording of:
Sonata for Piano no. 17 in B-flat major, K. 570: III. Allegretto
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Sonata for Piano no. 17 in B-flat major, K. 570
Wolfgang Amadeus Mozart0:15
14Orfeo
Claudio Monteverdi0:45
15Roll with me, Henry (The Wallflower)
Etta James0:25
16Viderunt omnes
Pérotin0:19
17Viderunt omnes
Pérotin3:29
18Kalenda maya
Raimbaut de Vaqueiras1:14
19Under der linden
Walther von der Vogelweide3:17
20De toutes flours
Guillaume de Machaut0:48
21Ce moys de may
recording of:
Ce moys de may
composer:
Guillaume Dufay (French 15th century composer)
Guillaume Dufay0:45
22Ave Maria (vierstimmige Motette)
recording of:
Ave Maria (unspecified version)
composer:
Josquin des Prez (Franco-Flemish renaissance composer)
version of:
Ave Maria
Josquin des Prez2:23
23Moro lasso
Carlo Gesualdo0:32
24Italienische Lautentabulatur
[unknown]0:17
25Sonata pian’ e forte
Giovanni Gabrieli4:04
26Music for the Royal Fireworks HWV 351: Ouvertüre (Ausschnitt)
George Frideric Handel3:50
27Kantate „Weinen, Klagen, Sorgen, Zagen“ BWV 12: Coro: „Weinen, Klagen, Sorgen, Zagen“ (Beginn)
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
edit of:
Kantate, BWV 12 „Weinen, Klagen, Sorgen, Zagen“: II. Coro „Weinen, Klagen, Sorgen, Zagen“ by Gächinger Kantorei Stuttgart, Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble), Helmuth Rilling (conductor)
recording of:
Kantate, BWV 12 “Weinen, Klagen, Sorgen, Zagen”: II. Coro “Weinen, Klagen, Sorgen, Zagen”
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen"
Johann Sebastian Bach1:36
28Kantate „Weinen, Klagen, Sorgen, Zagen“ BWV 12: Recitativo (Alto): „Wir müssen durch viel Trübsal“
recording engineer:
Teije van Geest (engineer/producer)
producer:
Richard Hauck (engineer/producer) (task: recording supervisor) and recording supervisor (German chorus master and conductor)
alto vocals:
Helen Watts (contralto)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1972-02)
recording of:
Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen": III. Recitativo (Alto) "Wir müssen durch viel Trübsal" (in 1972-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen"
Johann Sebastian Bach0:46
29Kantate „Weinen, Klagen, Sorgen, Zagen“ BWV 12: Choral (Coro): „Was Gott tut, das ist wohlgetan“
recording engineer:
Teije van Geest (engineer/producer)
producer:
Richard Hauck (engineer/producer) (task: recording supervisor) and recording supervisor (German chorus master and conductor)
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1972-02)
recording of:
Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen": VII. Choral "Was Gott tut, das ist wohlgetan" (in 1972-02)
lyricist:
Samuel Rodigast (German poet)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Breitkopf 389 Choralgesänge (number: 340)
part of:
Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen"
Johann Sebastian Bach0:57
30Brandenburgisches Konzert Nr. 2 F-Dur BWV 1047: I. Allegro Beginn (T. 1–8)
orchestra:
English Chamber Orchestra (in 1974-11)
conductor:
Raymond Leppard (conductor and harpsichordist) (in 1974-11)
edit of:
Brandenburg Concerto No. 2 in F major: I. Allegro by English Chamber Orchestra, Raymond Leppard (conductor and harpsichordist)
partial recording of:
Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047: I. (in 1974-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047 (Brandenburg Concerto No. 2 in F major, BWV 1047)
Johann Sebastian Bach0:23
31Brandenburgisches Konzert Nr. 2 F-Dur BWV 1047: I. Allegro T. 9 –10 Concertino- Thema (Violine)
orchestra:
English Chamber Orchestra (in 1974-11)
conductor:
Raymond Leppard (conductor and harpsichordist) (in 1974-11)
edit of:
Brandenburg Concerto No. 2 in F major: I. Allegro by English Chamber Orchestra, Raymond Leppard (conductor and harpsichordist)
partial recording of:
Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047: I. (in 1974-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047 (Brandenburg Concerto No. 2 in F major, BWV 1047)
Johann Sebastian Bach0:07
32Brandenburgisches Konzert Nr. 2 F-Dur BWV 1047: I. Allegro 1. Satz vollständig
oboe:
Neil Black (oboist) (in 1974-10)
recorder:
David Munrow (UK early music historian & musician) (in 1974-10)
trumpet:
John Wilbraham (trumpet player) (in 1974-10)
violin:
José‐Luis García (violinist & conductor) (in 1974-10)
orchestra:
English Chamber Orchestra (in 1974-11)
conductor:
Raymond Leppard (conductor and harpsichordist) (in 1974-11)
recording of:
Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047: I. (in 1974-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047 (Brandenburg Concerto No. 2 in F major, BWV 1047)
partial recording of:
Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047: I. (in 1974-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047 (Brandenburg Concerto No. 2 in F major, BWV 1047)
Johann Sebastian Bach4:59
33Musikalisches Opfer, Canon 3d
Johann Sebastian Bach1:23
34Sinfonia in A-Dur, 1. Satz Exposition (ohne Wiederholung)
Anton Filtz1:25
35Sinfonia D-Dur op. 3 Nr. 2, Beginn 1. Satz (Presto)
Johann Stamitz1:23
36Sonata G-Dur Wq 50/2, 2. Satz (Poco adagio), Beginn
producer:
Dr. Thomas Gallia and Klaus L. Neumann
editor:
Paul Dery
clavichord:
Linda Nicholson (classical keyboardist) (from 1988-02-21 until 1988-02-22)
harpsichord:
Linda Nicholson (classical keyboardist)
recorded at:
Forde Abbey in Dorset, England, United Kingdom (from 1988-02-21 until 1988-02-22)
recording of:
Sonata in G major, Wq. 50 no. 2, H 137: II. Poco adagio (from 1988-02-21 until 1988-02-22)
composer:
Carl Philipp Emanuel Bach (German classical composer) (in 1759)
part of:
Sonata in G major, Wq. 50 no. 2, H 137
partial recording of:
Sonata in G major, Wq. 50 no. 2, H 137: II. Poco adagio
composer:
Carl Philipp Emanuel Bach (German classical composer) (in 1759)
part of:
Sonata in G major, Wq. 50 no. 2, H 137
Carl Philipp Emanuel Bach2:28
37Sonata d-Moll Wq 50/4, 1. Satz (Allegretto grazioso), Beginn
harpsichord:
Linda Nicholson (classical keyboardist)
partial recording of:
Sonata in D minor, Wq. 50 no. 4, H 139: I. Allegretto grazioso
composer:
Carl Philipp Emanuel Bach (German classical composer) (in 1759)
part of:
Sonata in D minor, Wq. 50 no. 4, H 139
Carl Philipp Emanuel Bach1:46
38Divertimento C-Dur für Streicher, 2. Satz (Menuetto I und II)
orchestra:
Camerata Bern
conductor:
Thomas Füri (violinist and conductor)
recording of:
Divertimento C-Dur: II. Menuetto I/II
composer:
Josef Starzer
part of:
Divertimento C-Dur
Josef Starzer2:13
39Klaviersonate B-Dur KV 570: 3. Satz, Beginn (Thema) 1. Satz, Exposition
piano:
András Schiff (Hungarian-born British classical pianist)
partial recording of:
Sonata for Piano no. 17 in B-flat major, K. 570: III. Allegretto
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Sonata for Piano no. 17 in B-flat major, K. 570
Wolfgang Amadeus Mozart0:15
40Klaviersonate Es-Dur Hob. XVI/49: 1. Satz, Exposition
Joseph Haydn1:31
41Sinfonie C-Dur KV 551 („Jupiter“): 4. Satz, Coda T. 357 m. A. bis Schluss
Wolfgang Amadeus Mozart1:02
42Die Entführung aus dem Serail KV 384: 1. Akt Nr. 3 Aria Osmin: „Solche hergelauf’nen Laffen“, T. 134 Mitte ff/Dialog/ Schluss Arie
Wolfgang Amadeus Mozart1:05
4315 Variationen und Fuge Es-Dur op. 35 (Eroica- Variationen): Introduzione, a due, a tre, a quattro, Tema
Ludwig van Beethoven3:45
44Etüde Nr. 1. op. 740 C-Dur
Carl Czerny1:04
45Der Dichter spricht aus „Kinderszenen“ op. 15
recorded in:
London (Greater London), England, United Kingdom (in 1980-08)
piano:
Alfred Brendel (Austrian pianist) (in 1980-08)
recording of:
Kinderszenen, op. 15: No. 13. Der Dichter spricht (in 1980-08)
composer:
Robert Schumann (German classical composer) (in 1838)
part of:
Kinderszenen, op. 15
Robert Schumann2:14
46Nocturne f-Moll op. 55 Nr. 1: Beginn
Fryderyk Chopin2:37
47Nocturne f-Moll op. 55 Nr. 1: T. 48 ff.
Fryderyk Chopin2:06
48Symphonie fantastique: Der Marsch zum Richtplatz „Höllenfahrtsthema“
Hector Berlioz0:35
49Symphonie fantastique: Der Marsch zum Richtplatz „Marschthema“
Hector Berlioz0:31
50Symphonie fantastique: Der Marsch zum Richtplatz „Ideé fixe“
Hector Berlioz0:37
51„Verklärte Nacht“ Streichsextett op. 4: „Bei einem Spaziergang Arnold Schönberg im Park …“
Arnold Schönberg1:15
52„Verklärte Nacht“ Streichsextett op. 4: „… in einer klaren, kalten Mondnacht …“
Arnold Schönberg1:41
53„Verklärte Nacht“ Streichsextett op. 4: … bekennt die Frau dem Mann …“
Arnold Schönberg0:27
54Das Lied von der Erde: „Der Abschied“
recording of:
Das Lied von der Erde: VI. Der Abschied (The Song of the Earth: VI. The Farewell)
composed in:
Toblach, Bolzano (South Tyrol), Trentino-Alto Adige, Italy (from 1908 until 1909)
additional lyricist:
Gustav Mahler (Austro‐Bohemian Romantic composer)
lyricist:
孟浩然 (Mèng Hàorán) and 王維 (Wang Wei, 8th century poet)
composer:
Gustav Mahler (Austro‐Bohemian Romantic composer) (from 1908 until 1909)
translator:
Hans Bethge (in 1907)
publisher:
Universal Edition A. G., WIen (publisher; do NOT use as release label)
is based on:
宿業師山房待丁大不至
is based on:
送別 (Chinese poem by Wang Wei)
part of:
Das Lied von der Erde (The Song of the Earth)
Gustav Mahler2:07
55Prélude à l’ après-midi d’ un faune: Ausschnitt 1
partial recording of:
Prélude à l’après‐midi d’un faune, L. 86, CD 87 (Prelude to the Afternoon of a Faun, L. 86, CD 87, original version for orchestra)
composer:
Claude Debussy (French composer) (from 1891 until 1894-09)
dedicated to:
Raymond Bonheur (composer, 1861-1939)
premiered at:
[concert] (1894-12-22)
publisher:
Eugène Fromont (in 1895-10)
part of:
Classic 100: Music of France (2012) (number: 6), Catalogue François Lesure des œuvres de Claude Debussy (Version de 1977 “L.”) (number: L. 86) and Catalogue François Lesure des œuvres de Claude Debussy (Version révisée en 2001 “CD”) (number: CD 87)
Claude Debussy0:54
56Prélude à l’ après-midi d’ un faune: Ausschnitt 2
partial recording of:
Prélude à l’après‐midi d’un faune, L. 86, CD 87 (Prelude to the Afternoon of a Faun, L. 86, CD 87, original version for orchestra)
composer:
Claude Debussy (French composer) (from 1891 until 1894-09)
dedicated to:
Raymond Bonheur (composer, 1861-1939)
premiered at:
[concert] (1894-12-22)
publisher:
Eugène Fromont (in 1895-10)
part of:
Classic 100: Music of France (2012) (number: 6), Catalogue François Lesure des œuvres de Claude Debussy (Version de 1977 “L.”) (number: L. 86) and Catalogue François Lesure des œuvres de Claude Debussy (Version révisée en 2001 “CD”) (number: CD 87)
Claude Debussy0:22
57Prélude à l’ après-midi d’ un faune: Ausschnitt 3
partial recording of:
Prélude à l’après‐midi d’un faune, L. 86, CD 87 (Prelude to the Afternoon of a Faun, L. 86, CD 87, original version for orchestra)
composer:
Claude Debussy (French composer) (from 1891 until 1894-09)
dedicated to:
Raymond Bonheur (composer, 1861-1939)
premiered at:
[concert] (1894-12-22)
publisher:
Eugène Fromont (in 1895-10)
part of:
Classic 100: Music of France (2012) (number: 6), Catalogue François Lesure des œuvres de Claude Debussy (Version de 1977 “L.”) (number: L. 86) and Catalogue François Lesure des œuvres de Claude Debussy (Version révisée en 2001 “CD”) (number: CD 87)
Claude Debussy0:29
58Voiles: Ausschnitt 1
partial recording of:
Préludes, Livre I, L. 117, CD 125: II. Voiles. Modéré
composer:
Claude Debussy (French composer) (from 1909-12 until 1910-02)
premiered at:
[concert] (1910-05-25)
part of:
Préludes, Livre I, L. 117, CD 125
Claude Debussy0:44
59Voiles: Ausschnitt 2
partial recording of:
Prélude à l’après‐midi d’un faune, L. 86, CD 87 (Prelude to the Afternoon of a Faun, L. 86, CD 87, original version for orchestra)
composer:
Claude Debussy (French composer) (from 1891 until 1894-09)
dedicated to:
Raymond Bonheur (composer, 1861-1939)
premiered at:
[concert] (1894-12-22)
publisher:
Eugène Fromont (in 1895-10)
part of:
Classic 100: Music of France (2012) (number: 6), Catalogue François Lesure des œuvres de Claude Debussy (Version de 1977 “L.”) (number: L. 86) and Catalogue François Lesure des œuvres de Claude Debussy (Version révisée en 2001 “CD”) (number: CD 87)
Claude Debussy0:19
60Voiles: Ausschnitt 3
partial recording of:
Prélude à l’après‐midi d’un faune, L. 86, CD 87 (Prelude to the Afternoon of a Faun, L. 86, CD 87, original version for orchestra)
composer:
Claude Debussy (French composer) (from 1891 until 1894-09)
dedicated to:
Raymond Bonheur (composer, 1861-1939)
premiered at:
[concert] (1894-12-22)
publisher:
Eugène Fromont (in 1895-10)
part of:
Classic 100: Music of France (2012) (number: 6), Catalogue François Lesure des œuvres de Claude Debussy (Version de 1977 “L.”) (number: L. 86) and Catalogue François Lesure des œuvres de Claude Debussy (Version révisée en 2001 “CD”) (number: CD 87)
Claude Debussy0:26
616 kleine Klavierstücke op. 19: Nr. 2: Langsam
Arnold Schönberg0:53
626 kleine Klavierstücke op. 19: Nr. 4: Rasch, aber leicht
Arnold Schönberg0:27
636 kleine Klavierstücke op. 19: Nr. 6: Sehr langsam
Arnold Schönberg1:10
646 Stücke für großes Orchester op. 6: Nr. 1
Anton Webern1:09
656 Stücke für großes Orchester op. 6: Nr. 2
Anton Webern1:29
666 Stücke für großes Orchester op. 6: Nr. 3
producer:
Roy Emerson (producer, engineer, classical)
orchestra:
London Symphony Orchestra
conductor:
Pierre Boulez (composer and conductor)
recorded at:
Barking Town Hall in London (Greater London), England, United Kingdom (on 1969-02-01)
edit of:
Sechs Stücke für großes Orchestrer, op. 6 by London Symphony Orchestra, Pierre Boulez (composer and conductor)
recording of:
Six Pieces for Orchestra, op. 6: III. Zart bewegt (1909 version)
composer:
Anton Webern (composer) (in 1909)
part of:
Six Pieces for Orchestra, op. 6 (1909 version)
Anton Webern0:55
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