| 4 Gesänge, op. 43: Nr. 3. Ich schell' mein Horn | | | | | Song | | | |
| 4 Lieder, op. 46: Nr. 1. Die Kränze | | | | | Song | | | |
| 4 Lieder, op. 46: Nr. 2. Magyarisch | | | | | Song | | | |
| 4 Lieder, op. 46: Nr. 3. Die Schale der Vergessenheit | | | | | Song | | | |
| 5 Gesänge, op. 72: Nr. 5. Unüberwindlich | | | | | Song | | | |
| 5 Lieder, op. 71: Nr. 2. An den Mond | | | | | Song | | | |
| 5 Lieder, op. 71: Nr. 4. Willst du, dass ich geh'? | | | | | Song | | | |
| 5 Lieder, op. 71: Nr. 5. Minnelied | | | | | Song | | | |
| 5 Lieder, op. 94: Nr. 1. Mit vierzig Jahren | | | | | Song | | | |
| 5 Lieder, op. 94: Nr. 2. Steig auf, geliebter Schatten | | | | | Song | | | |
| 5 Lieder, op. 94: Nr. 3. Mein Herz ist schwer | | | | | Song | | | |
| 5 Lieder, op. 94: Nr. 5. Kein Haus, keine Heimat | | | | | Song | | | |
| 5 Lieder, op. 105: Nr. 5. Verrat | | | | | Song | | | |
| 5 Lieder, op. 106: Nr. 5. Ein Wanderer | | | | | Song | | | |
| 5 Lieder, op. 107: Nr. 1. An die Stolze | | | | | Song | | | |
| 6 Gesänge, op. 3: Nr. 2. Liebe und Frühling I "Wie sich Rebenranken schwingen" | | | | | Song | | | |
| 6 Gesänge, op. 3: Nr. 3. Liebe und Fruhling II "Ich muß hinaus, ich muß zu dir" | | | | | Song | | | |
| 6 Gesänge, op. 3: Nr. 5. In der Fremde | | | | | Song | | | |
| 6 Lieder, op. 85: Nr. 5. Frühlingslied | | | | | Song | | | |
| 6 Lieder, op. 86: Nr. 3. Nachtwandler | | | | | Song | | | |
| 6 Lieder, op. 86: Nr. 5. Versunken | | | | | Song | | | |
| 7 Lieder, op. 48: Nr. 6. Vergangen ist mir Glück und Heil | | | | | Song | | | |
| 8 Lieder und Romanzen, op. 14: Nr. 3. Murrays Ermordung | | | | | Song | | | |
| 9 Lieder und Gesänge, op. 32: Nr. 1. Wie rafft' ich mich auf in der Nacht | | | | | Song | | | |
| 9 Lieder und Gesänge, op. 32: Nr. 4. Der Strom, der neben mir verrauschte | | | | | Song | | | |
| No. 1. Comfort Ye, My People | | | | | Oratorio | | | |
| No. 2. Ev'ry Valley Shall Be Exalted | | | | | Oratorio | | | |
| No. 3. And The Glory Of The Lord | | | | | Oratorio | | | |
| No. 4. Thus Saith The Lord | | | | | Oratorio | | | |
| No. 5. But Who May Abide | | | | | Oratorio | | | |
| No. 6 And He Shalt Purify | | | | | Oratorio | | | |
| No. 7. Behold, A Virgin Shall Concieve | | | | | Oratorio | | | |
| No. 8. O Thou That Tellest Good Tidings To Sion | | | | | Oratorio | | | |
| No. 9. For Behold, Darkness Shall Cover The Earth | | | | | Oratorio | | | |
| No. 10. The People That Walked In Darkness | | | | | Oratorio | | | |
| No. 11. For Unto Us A Child Is Born | | | | | Oratorio | | | |
| No. 12. There Were Shepherds Abiding In The Field | | | | | Oratorio | | | |
| No. 13. Glory To God In The Highest | | | | | Oratorio | | | |
| No. 14. Rejoice Greatly, O Daughter Of Sion | | | | | Oratorio | | | |
| No. 15. Then Shall The Eyes Of The Blind Shall Be Open'd | | | | | Oratorio | | | |
| No. 16. He Shall Feed His Flock Like A Shepherd | | | | | Oratorio | | | |
| No. 17. His Yoke Is Easy | | | | | Oratorio | | | |
| No. 18. Behold The Lamb Of God | | | | | Oratorio | | | |
| No. 19. He Was Despised And Rejected | | | | | Oratorio | | | |
| No. 20. Surely He Hath Borne Our Griefs | | | | | Oratorio | | | |
| No. 21. And With His Stripes We Are Healed | | | | | Oratorio | | | |
| No. 22. All We, Like Sheep, Have Gone Astray | | | | | Oratorio | | | |
| No. 23. All They That See Him | | | | | Oratorio | | | |
| No. 24. He Trusted In God | | | | | Oratorio | | | |
| No. 25. Thy Rebuke Hath Broken His Heart | | | | | Oratorio | | | |
| No. 26. Behold, And See | | | | | Oratorio | | | |
| No. 27. He Was Cut Off The Land | | | | | Oratorio | | | |
| No. 28. But Thou Didst Not Leave His Soul | | | | | Oratorio | | | |
| No. 29. Lift Up Your Heads, O Ye Gates | | | | | Oratorio | | | |
| No. 30. Unto Which Of The Angels | | | | | Oratorio | | | |
| No. 31. Let All The Angels Of God Worship Him | | | | | Oratorio | | | |
| No. 32. Thou Art Gone Up On High | | | | | Oratorio | | | |
| No. 34. How Beautiful Are The Feet Of Them | | | | | Oratorio | | | |
| No. 35. Their Sound Is Gone Out | | | | | Oratorio | | | |
| No. 36. Why Do The Nations | | | | | Oratorio | | | |
| No. 37. Let Us Break Their Bonds | | | | | Oratorio | | | |
| No. 38. He That Dwelleth In Heaven | | | | | Oratorio | | | |
| No. 39. Thou Shalt Break Them | | | | | Oratorio | | | |
| No. 40 Halleluja | | | | | Oratorio | | | |
| No. 41 I Know That My Redeemer Liveth | | | | | Oratorio | | | |
| No. 42. Since By Man Came Death | | | | | Oratorio | | | |
| No. 43. Behold, I Tell You A Mystery | | | | | Oratorio | | | |
| No. 44. The Trumpet Shall Sound | | | | | Oratorio | | | |
| No. 45. Then Shall Be Brought To Pass | | | | | Oratorio | | | |
| No. 46. O Death, Where Is Thy Sting? | | | | | Oratorio | | | |
| No. 47. But Thanks Be To God | | | | | Oratorio | | | |
| No. 48. If God Be For Us, Who Can Be Against Us? | | | | | Oratorio | | | |
| No. 49. Worthy Is The Lamb | | | | | Oratorio | | | |
| No. 50. Amen | | | | | Oratorio | | | |
| No.33. The Lord Gave The Word | | | | | Oratorio | | | |
| Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus”: a. Veni creator spiritus (Chor) | | | | | | | | |
| Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus”: b. Imple superna gratia (7 Soli, Chor) | | - Heather Harper, Lucia Popp, Yvonne Minton, Helen Watts, René Kollo, John Shirley‐Quirk, Martti Talvela, Wiener Singverein, Wiener Staatsopernchor, Chicago Symphony Orchestra, Sir Georg Solti
- Wiener Philharmoniker, Leonard Bernstein
- Berliner Philharmoniker, Claudio Abbado
- Concertgebouworkest, Bernard Haitink
- (show 49 more)
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| Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus”: c. Infirma nostri corporis (7 Soli, Chor) | | | | | | | | |
| Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus”: d. Tempo I (Allegro, etwas hastig) | | | | | | | | |
| Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus”: e. Infirma nostri corporis (7 Soli) | | | | | | | | |
| Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus”: f. Accende lumen sensibus, infunde amorem cordibus (7 Soli, Chor, Knaben Chor) | | | | | | | | |
| Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus”: g. Veni creator spiritus (reprise) (7 Soli, Chor, Knaben Chor) | | | | | | | | |
| Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus”: h. Gloria sit Patri Domino (7 Soli, Chor, Knaben Chor) | | | | | | | | |
| Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: d. Ewiger Wonnebrand (Pater Ecstaticus) | | | | | | | | |
| Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: p. "Alles Vergängliche ist nur ein Gleichnis" (Chorus Mysticus, soloists) | | - Wiener Philharmoniker, Leonard Bernstein
- Sir Georg Solti, Chicago Symphony Orchestra
- London Symphony Chorus, Juliane Banse, David Wilson-Johnson, City of Birmingham Symphony Orchestra Chorus, Jane Henschel, Soile Isokoski, Christine Brewer, John Relyea, Birgit Remmert, Toronto Children's Chorus, Jon Villars, City of Birmingham Symphony Orchestra, Sir Simon Rattle
- Berliner Philharmoniker, Claudio Abbado
- (show 60 more)
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| Vier Präludien und Ernste Gesänge: I. Denn es gehet dem Menschen | | | | | | | | |
| Vier Präludien und Ernste Gesänge: II. Ich wandte mich | | | | | | | | |
| Vier Präludien und Ernste Gesänge: III. O Tod, wie bitter bist du | | | | | | | | |
| Vier Präludien und Ernste Gesänge: IV. Wenn ich mit Menschen- und mit Engelszungen redete | | | | | | | | |
| Weihnachts-Oratorium, BWV 248: Teil I, VII. Choral (Soprano) con Recitativo (Basso) „Er ist auf Erden kommen arm“ | | | | | | | | |
| Weihnachts-Oratorium, BWV 248: Teil I, VIII. Aria (Basso) „Großer Herr, o starker König“ | | | | | Aria | | | |
| Weihnachts-Oratorium, BWV 248: Teil II, XIV. Recitativo (Basso) „Was Gott dem Abraham verheißen“ | | | | | | | | |
| Weihnachts-Oratorium, BWV 248: Teil II, XVIII. Recitativo (Basso) „So geht denn hin“ | | | | | | | | |
| Weihnachts-Oratorium, BWV 248: Teil III, XXIX. Aria duetto (Soprano, Basso) „Herr, dein Mitleid“ | | - English Baroque Soloists, John Eliot Gardiner
- Gundula Janowitz, Franz Crass, Münchener Bach‐Orchester, Karl Richter
- Siegmund Nimsgern, Concentus Musicus Wien, Nikolaus Harnoncourt
- Klaus Häger, RIAS Kammerchor, Dorothea Röschmann, Akademie für Alte Musik Berlin, René Jacobs
- (show 57 more)
| | | Aria | | | |
| Weihnachts-Oratorium, BWV 248: Teil III, XXVII. Recitativo (Basso) „Er hat sein Volk getröst“ | | | | | | | | |
| Weihnachts-Oratorium, BWV 248: Teil IV, XL. Recitativo (Basso) con Chorale (Soprano) „Wohlan, dein Name soll allein“ | | - English Baroque Soloists, John Eliot Gardiner
- Franz Crass, Münchener Bach‐Chor, Münchener Bach‐Orchester, Karl Richter
- Klaus Häger, RIAS Kammerchor, Dorothea Röschmann, Akademie für Alte Musik Berlin, René Jacobs
- Siegmund Nimsgern, Concentus Musicus Wien, Nikolaus Harnoncourt
- (show 52 more)
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| Weihnachts-Oratorium, BWV 248: Teil IV, XXXVIII. Recitativo (Basso) con Chorale (Soprano) „Immanuel, o süßes Wort“ | | - Münchener Bach‐Orchester, Franz Crass, Münchener Bach‐Orchester, Karl Richter
- English Baroque Soloists, John Eliot Gardiner
- Klaus Häger, RIAS Kammerchor, Dorothea Röschmann, Akademie für Alte Musik Berlin, René Jacobs
- Hans Gillesberger, Chorus Viennensis, Siegmund Nimsgern, Wiener Sängerknaben, Concentus Musicus Wien, Nikolaus Harnoncourt
- (show 50 more)
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| Weihnachts-Oratorium, BWV 248: Teil V, XLVII. Aria (Basso) „Erleucht auch meine finstre Sinnen“ | | | | | Aria | | | |
| Weihnachts-Oratorium, BWV 248: Teil VI, LV. Recitativo „Da berief Herodes die Weisen heimlich“ (Evangelista) | | | | | | | | |
| Weihnachts-Oratorium, BWV 248: Teil VI, LXIII. Recitativo (Soprano, Alto, Tenore, Basso) „Was will der Höllen Schrecken nun“ | | - Münchener Bach‐Chor, Münchener Bach‐Orchester, Karl Richter
- English Baroque Soloists, John Eliot Gardiner
- Werner Güra, Klaus Häger, RIAS Kammerchor, Dorothea Röschmann, Andreas Scholl, Akademie für Alte Musik Berlin, René Jacobs
- Michael Chance, Howard Crook, Peter Kooij, Barbara Schlick, Collegium Vocale Gent, Philippe Herreweghe
- (show 53 more)
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