| 6:45 PM | Bästard | | | 4:07 | strumento |
| 6EQUJ5 | Eduardo Manso | | | 2:31 | strumento (come “cassettes”) |
| 007B1+Ah Corps | Merzbow | | | 11:45 | strumento (come “tapes”), strumento (come “tape loop”), strumento (come “broken tape recorder”) |
| 8 Min Improv | Ironing / Carl Kruger | | | 8:04 | strumento (come “tapes”) |
| 13 Miniaturen: Miniatur 1 | Katharina Klement | | | 2:29 | strumento |
| 13 Miniaturen: Miniatur 2 | Katharina Klement | | | 2:02 | strumento |
| 13 Miniaturen: Miniatur 3 | Katharina Klement | | | 5:16 | strumento |
| 13 Miniaturen: Miniatur 4 | Katharina Klement | | | 5:06 | strumento |
| 13 Miniaturen: Miniatur 5 | Katharina Klement | | | 5:40 | strumento |
| 13 Miniaturen: Miniatur 6 | Katharina Klement | | | 3:17 | strumento |
| 13 Miniaturen: Miniatur 7 | Katharina Klement | | | 6:33 | strumento |
| 13 Miniaturen: Miniatur 8 | Katharina Klement | | | 6:11 | strumento |
| 13 Miniaturen: Miniatur 9 | Katharina Klement | | | 5:11 | strumento |
| 13 Miniaturen: Miniatur 10 | Katharina Klement | | | 4:52 | strumento |
| 13 Miniaturen: Miniatur 11 | Katharina Klement | | | 2:49 | strumento |
| 13 Miniaturen: Miniatur 12 | Katharina Klement | | | 6:20 | strumento |
| 13 Miniaturen: Miniatur 13 | Katharina Klement | | | 4:14 | strumento |
| 23 November 1979 | Merzbow | | | 41:03 | strumento (come “tapes”) |
| 23 November 1979 (B), Part 1 | Merzbow | | | 20:23 | strumento |
| 23 November 1979 (B), Part 2 | Merzbow | | | 15:09 | strumento |
| 24-24 | Cabaret Voltaire | | | 5:55 | strumento (come “tapes”) |
| 24,000 Years Is Forever | Masaoka Orchestra | | | 14:41 | strumento |
| 50 – 144 | Peril | | | 1:47 | strumento (come “tapes”) |
| 50 Ways | Telekinesis | | | 3:30 | strumento (come “backwards tape manipulation”) |
| 77UP | Hanatarash | | | 3:10 | strumento (come “8tr open reel deck (TASCAM)”) |
| 163.08-165.07 | Conspirators Of Pleasure | | | 5:27 | strumento |
| 200 Miles From Hanoï | Bästard | | | 4:26 | strumento |
| 326 Pulse | Merzbow | | | 3:24 | strumento (come “tapes”) |
| 1420.46 MHz | Eduardo Manso | | | 2:38 | strumento (come “cassettes”) |
| 1930 | Merzbow | | | 19:39 | strumento (come “tapes”) |
| 1931 | Merzbow | | | ?:?? | strumento (come “tapes”) |
| 1931 | Merzbow | | | ?:?? | strumento (come “tapes”) |
| 1952 | Gemma Ray | | | 3:42 | strumento (come “Yamaha MT50”) |
| 1983 | Soft Machine | | | 15:33 | strumento |
| 1987 | Seattle Chamber Players | | | 8:03 | strumento |
| 2017-12-22: Boiler Room × Dommune, CIRCUS Osaka, Osaka, Japan | YPY | | | 42:54 | strumento |
| 4625 kHz | Eduardo Manso | | | 4:16 | strumento (come “cassettes”) |
| A | Merzbow | | | 22:34 | strumento (come “tapes”) |
| A Bag for Bags | Pencilneck | | | 3:31 | strumento (come “tapes”) |
| A Distant Life | The Murder Capital | | 5 | 2:40 | strumento |
| A Dream | Faxed Head | | | 2:15 | strumento (come “tapes”) |
| A Face Full of Drunken Ticks | Of Thread & Mist | | | 32:08 | strumento (come “tape loop”) |
| A Figure Walks | The Fall | | | 6:09 | strumento |
| A Geometry of Landscape | Fragile – Luca Perciballi & Mattia Scappini | | | 8:36 | strumento (come “Revox”) |
| A Howl in the Park | Sorry for Laughing | | | 3:57 | strumento (come “field recordings”), strumento (come “tapes”) |
| A Human Invention | Controlled Bleeding | | | 18:43 | strumento (come “tapes”) |
| A Map is not the Territory | I.A.M. Umbrella | | | 9:10 | strumento |
| A presto | Neo Zelanda | | | 1:12 | strumento (come “cintas”) |
| A Quip for My True Love Buried Beneath a Thousand Tiny Feet | Kevin Tomkins | | | 10:42 | strumento |
| A Ritual, More or Less Defined | Gonçalo Almeida | | | 15:11 | strumento |
| A Shadow in Time | William Basinski | | | 22:59 | strumento (come “tape loop”) |
| A Sort of Foreknowledge of the Coming Series of Events | Anelli Beauchamp Cauduro | | | 10:34 | strumento |
| A Thousand Ways | Cabaret Voltaire | | 5 | 10:35 | strumento (come “tape recorder”) |
| A Touch of Evil | Cabaret Voltaire | | 3.5 | 3:11 | strumento (come “tape recorder”) |
| A Touch of Evil (reprise) | Cabaret Voltaire | | 5 | 1:34 | strumento (come “tape recorder”) |
| A Vaporized Dance | Electric Orange | | | 6:42 | strumento (come “tapes”) |
| Aaffluss | Giuseppe Morrocchi | | | 21:45 | strumento |
| Abandoned Ship | After the Flood | | | 5:10 | strumento |
| Absence of Colour | Dresden’45 | | | ?:?? | strumento |
| Absent Water | コサカイ フミオ | | | 4:55 | strumento |
| Absent Water | Fumio Kosakai | | | 5:18 | strumento |
| Absent Water/Drive to Universe | Fumio Kosakai | | | 22:41 | strumento |
| Absolute Equinox | Thessalonians | | | 9:37 | strumento |
| Aby Road | Yellow Swans | | | 6:04 | strumento (come “tapes”) |
| Accidentally Hoddle St. | Peril | | | 4:07 | strumento (come “tapes”) |
| Accompagnement | Merzbow | | | ?:?? | strumento (come “tapes”) |
| Active Life | yelworC | | | 5:39 | strumento |
| Acts of Devotion | Ear Trumpet | | | ?:?? | strumento |
| Adam at Docetic Mountain | Current 93 | | | 19:45 | strumento |
| Addis Abeba | Pseudocode | | | 3:05 | strumento |
| Adrenaline | Throbbing Gristle | | | 3:56 | strumento |
| Adveniat | Vladimír Hirsch | | | 3:28 | strumento |
| Aether 2 | The Amal Gamal Ensemble | | | 57:24 | strumento |
| Aether 3 | The Amal Gamal Ensemble | | | 1:03:20 | strumento |
| Age of 369, Part 1 | Merzbow | | | 18:01 | strumento (come “loops”) |
| Age of 369, Part 2 | Merzbow | | | 12:35 | strumento (come “loops”) |
| Age of 369, Part 3 | Merzbow | | | 24:14 | strumento (come “loops”) |
| Age of 369, Part 4 | Merzbow | | | 5:53 | strumento (come “loops”) |
| Agni Hotra | Merzbow | | | 18:27 | strumento (come “tape reel”), strumento (come “tapes”), strumento (come “distorted tape loops”) |
| Agog | Vladimír Hirsch | | | 4:09 | strumento |
| Agone | Sorry For Laughing | | | 3:51 | strumento (come “tapes”), strumento (come “field recordings”) |
| Agony | İlhan Mimaroğlu | | | 9:24 | strumento |
| Ai Jin | The Gerogerigegege | | | 3:48 | strumento (come “tapes”) |
| Ai‐Da‐Ho | Merzbow | | | 10:19 | strumento (come “tapes”) |
| Akonel II | Ulf Bergström, Tamás Ungváry | | | 9:19 | strumento |
| Akuma no Kuma | Sunn O))) & Boris | | 2 | 7:53 | strumento (come “Echoplex”) |
| Alan’s Psychedelic Breakfast: a) Rise and Shine / b) Sunny Side Up / c) Morning Glory | Pink Floyd | | | 13:00 | strumento, strumento (come “tape effects”), strumento (come “sound effects”), strumento (come “tape collage”) |
| Alan’s Psychedelic Breakfast: a) Rise and Shine / b) Sunny Side Up / c) Morning Glory | Pink Floyd | | 3.45 | 13:00 | strumento (come “tape effects”), strumento (come “tape collage”), strumento (come “sound effects”) |
| Alarm Twist | Parasite Jazz | | | 2:44 | strumento |
| Alemana mix | Neo Zelanda | | | 3:06 | strumento (come “cintas”) |
| Algorithms I, Version I: 1. The Decay of Information | Lejaren Hiller | | | 2:05 | strumento (come “tape recorder”) |
| Algorithms I, Version I: 2. Icosahedron | Lejaren Hiller | | | 3:08 | strumento (come “tape recorder”) |
| Algorithms I, Version I: 3. The Incorporation of Constraints | Lejaren Hiller | | | 4:12 | strumento (come “tape recorder”) |
| Algorithms I, Version IV: 1. The Decays of Information | Lejaren Hiller | | | 2:07 | strumento (come “tape recorder”) |
| Algorithms I, Version IV: 2. Icosahedron | Lejaren Hiller | | | 3:09 | strumento (come “tape recorder”) |
| Algorithms I, Version IV: 3. The Incorporation of Constraints | Lejaren Hiller | | | 4:17 | strumento (come “tape recorder”) |
| Alison Creaking | Daniel Figgis | | | 3:22 | strumento |
| Alive and Well in Vienna (Past Tense) | Kevin Tomkins | | | 7:14 | strumento |
| All Day Day Light | The Morning Benders | | 4 | 3:38 | strumento (come “tapes”) |
| All You Need to Know | Medicine | | | 3:35 | strumento |