| Kleine Sonate op. 25,2 for Viola d'amore and Piano (1922): I. Mäßig schnell. Lustig | Ivo Bauer, Kalle Randalu | | | 1:26 | instrument |
| Kleine Sonate op. 25,2 for Viola d'amore and Piano (1922): II. Sehr langsam | Ivo Bauer, Kalle Randalu | | | 6:58 | instrument |
| Kleine Sonate op. 25,2 for Viola d'amore and Piano (1922): III. Sehr lebhaft | Ivo Bauer, Kalle Randalu | | | 3:34 | instrument |
| Konzert d-moll für Viola d’amore, Laute und Zupforchester: Allegro | Antonio Vivaldi | | | 5:21 | instrument |
| Konzert d-moll für Viola d’amore, Laute und Zupforchester: Allegro | Antonio Vivaldi | | | 3:20 | instrument |
| Konzert d-moll für Viola d’amore, Laute und Zupforchester: Largo | Antonio Vivaldi | | | 3:13 | instrument |
| Konzert d-moll für Viola d’amore, Laute, Streicher und Basso continuo, RV 540: 1. Allegro | Eduard Melkus, Konrad Ragossnig, Capella Academica Wien | | | 5:56 | instrument |
| Konzert d-moll für Viola d’amore, Laute, Streicher und Basso continuo, RV 540: 2. Largo | Eduard Melkus, Konrad Ragossnig, Capella Academica Wien | | | 2:56 | instrument |
| Konzert d-moll für Viola d’amore, Laute, Streicher und Basso continuo, RV 540: 3. Allegro | Eduard Melkus, Konrad Ragossnig, Capella Academica Wien | | | 3:23 | instrument |
| Konzert für viola d'amore, Laute und Streicher d-Moll | Anthony Bailes, Wim ten Have, Danske Violon-Bande | | | 3:59 | instrument |
| Konzert für Viola d’amore in a-Moll, RV 397: I. Allegro | Wolfram Christ, Berliner Barock Solisten, Rainer Kussmaul | | | 3:23 | instrument |
| Konzert für Viola d’amore in a-Moll, RV 397: II. Largo | Wolfram Christ, Berliner Barock Solisten, Rainer Kussmaul | | | 3:10 | instrument |
| Konzert für Viola d’amore in a-Moll, RV 397: III. Allegro | Wolfram Christ, Berliner Barock Solisten, Rainer Kussmaul | | | 3:10 | instrument |
| Konzert für Viola d’amore, Laute (gespielt mit Gitarre), Streicher und basso continuo Nr. 2, d‐moll (PV 266): 1. Allegro | Antonio Vivaldi | | | 5:34 | instrument (als “Viola d’amore”) |
| Konzert für Viola d’amore, Laute (gespielt mit Gitarre), Streicher und basso continuo Nr. 2, d‐moll (PV 266): 2. Largo | Antonio Vivaldi | | | 4:14 | instrument (als “Viola d’amore”) |
| Konzert für Viola d’amore, Laute (gespielt mit Gitarre), Streicher und basso continuo Nr. 2, d‐moll (PV 266): 3. Allegro | Antonio Vivaldi | | | 3:31 | instrument (als “Viola d’amore”) |
| Konzert für Viola d’amore, Streicher und Continuo A‐dur, RV 396: Allegro | Antonio Vivaldi | | | 3:46 | instrument (als “Viola d’amore”) |
| Konzert für Viola d’amore, Streicher und Continuo A‐dur, RV 396: Allegro | Antonio Vivaldi | | | 4:01 | instrument (als “Viola d’amore”) |
| Konzert für Viola d’amore, Streicher und Continuo A‐dur, RV 396: Andante | Antonio Vivaldi | | | 4:37 | instrument (als “Viola d’amore”) |
| L'âge de notre ombre | Jean-Luc Menet, Pierre-Henri Xuereb, Véronique Ghesquière | | | 14:51 | instrument |
| La bassa Castiglya / Falla con Misuras | Atrium Musicæ de Madrid, Atrium Musicæ de Madrid | | | 1:47 | instrument |
| La Mort de Tintagiles, op. 6 | Delphine Dupuy, Basque National Orchestra, Robert Treviño | | | 26:02 | instrument |
| la Spagna | Atrium Musicæ de Madrid, Gregorio Paniagua | | | 3:17 | instrument |
| la Spagna a 5 | Atrium Musicæ de Madrid, Gregorio Paniagua | | | 3:32 | instrument |
| Lezione I in E flat major: Allegro | Attilio Ariosti | | | 3:13 | instrument |
| Lezione I in E flat major: Largo | Attilio Ariosti | | | 3:46 | instrument |
| Lezione I in E flat major: Tempo Giusto | Attilio Ariosti | | | 3:19 | instrument |
| Lezione II in A major: Cantabile: Grave | Attilio Ariosti | | | 1:32 | instrument |
| Lezione II in A major: Menuet | Attilio Ariosti | | | 1:55 | instrument |
| Lezione II in A major: Sarabande: Adagio | Attilio Ariosti | | | 3:08 | instrument |
| Lezione II in A major: Vivace | Attilio Ariosti | | | 2:14 | instrument |
| Lezione III in E minor: Adagio | Attilio Ariosti | | | 4:49 | instrument |
| Lezione III in E minor: Adagio | Attilio Ariosti | | | 2:05 | instrument |
| Lezione III in E minor: Allemanda | Attilio Ariosti | | | 2:39 | instrument |
| Lezione III in E minor: Giga (guitar) | Attilio Ariosti | | | 3:29 | instrument |
| Lezione IV in F major: Adagio | Attilio Ariosti | | | 3:02 | instrument |
| Lezione IV in F major: Andante | Attilio Ariosti | | | 3:01 | instrument |
| Lezione IV in F major: Corrente | Attilio Ariosti | | | 2:29 | instrument |
| Lezione IV in F major: Giga (guitar) | Attilio Ariosti | | | 2:50 | instrument |
| Lezione V in E minor: [Giga] (guitar) | Attilio Ariosti | | | 3:10 | instrument |
| Lezione V in E minor: Largo | Attilio Ariosti | | | 2:58 | instrument |
| Lezione V in E minor: Vivace | Attilio Ariosti | | | 2:24 | instrument |
| Mantra (feat. Lama Gyurme) | Jasser Haj Youssef | | | 4:22 | instrument |
| Memories | Jasser Haj Youssef | | | 4:53 | instrument |
| Minuet (excerpt) | Kjellströmskvartetten | | | 1:02 | instrument |
| Muhabbettin Dilimi Dağ Dağ Eder Bir Gün | Doğan Dikmen | | | 3:59 | instrument |
| Music for a while | Garth Knox, Agnès Vesterman | | | 3:30 | instrument |
| Nana | Simin Tander | | | ?:?? | instrument |
| Nargees | Simin Tander | | | ?:?? | instrument |
| Ne Bülbül-suz Ne Giriftar-ı Reng ü Bu Oluruz | Doğan Dikmen | | | 2:46 | instrument |
| Neva Kar "Gülbin-i Iyş Midemed Saki-i Gül'izar Ku?" | Doğan Dikmen | | | 12:27 | instrument |
| Nevruz Erişti Bağa Şarab İstemez Misin? | Doğan Dikmen | | | 4:05 | instrument |
| Nisi Dominus, RV 608 (Psalmus 126): Gloria Patri (Larghetto) | Jochen Kowalski, Raphael Alpermann, John Constable, Pieter Roosenschoon, Concertgebouw Kamerorkest, Vittorio Negri | | | 4:24 | instrument |
| Nisi Dominus, RV 608: 1. Nisi Dominus | Gérard Lesne, Il Seminario Musicale | | | 2:53 | instrument |
| Nisi Dominus, RV 608: 2. Vanum est vobis | Gérard Lesne, Il Seminario Musicale | | | 1:12 | instrument |
| Nisi Dominus, RV 608: 3. Surgite | Gérard Lesne, Il Seminario Musicale | | | 1:36 | instrument |
| Nisi Dominus, RV 608: 4. Cum dederit | Gérard Lesne, Il Seminario Musicale | | | 4:54 | instrument |
| Nisi Dominus, RV 608: 5. Sicut sagittae | Gérard Lesne, Il Seminario Musicale | | | 1:35 | instrument |
| Nisi Dominus, RV 608: 6. Beatus vir | Gérard Lesne, Il Seminario Musicale | | | 1:01 | instrument |
| Nisi Dominus, RV 608: 7. Gloria Patri | Gérard Lesne, Il Seminario Musicale | | | 4:09 | instrument |
| Nisi Dominus, RV 608: 8. Sicut erat in principio | Gérard Lesne, Il Seminario Musicale | | | 1:09 | instrument |
| Nisi Dominus, RV 608: 9. Amen | Gérard Lesne, Il Seminario Musicale | | | 1:45 | instrument |
| Nisi Dominus, RV 608: Gloria Patri | Klára Takács, László Barsony, Hungarian State Orchestra, Ferenc Szekeres | | | 5:17 | instrument |
| Nisi Dominus, RV 608: VII. Gloria | Nathalie Stutzmann, The King’s Consort, Robert King | | | 5:06 | instrument |
| Nisi Dominus, RV 608: VII. Gloria Patri | Jakub Burzyński, La Tempesta | | | 3:05 | instrument |
| Nisi Dominus, RV 608: VII. Larghetto "Gloria Patri" | Andreas Scholl, Paul Dyer, Australian Brandenburg Orchestra | | | 4:50 | instrument |
| Nisi Dominus, RV 803: Allegro “Nisi Dominus custodierit civitatem” | Renata Pokupić, La Serenissima, Adrian Chandler | | | 2:49 | instrument |
| Nocturne (Samai) | Jasser Haj Youssef | | | 6:11 | instrument |
| Ouverture A-Dur für 2 Violen d’amore und B.c.: Bourée | Anne Schumann, Klaus Voigt, Petra Burmann, Alison McGillivray, Sebastian Knebel | | | 0:46 | instrument |
| Ouverture A-Dur für 2 Violen d’amore und B.c.: Chaccone | Anne Schumann, Klaus Voigt, Petra Burmann, Alison McGillivray, Sebastian Knebel | | | 2:41 | instrument |
| Ouverture A-Dur für 2 Violen d’amore und B.c.: Gavotte | Anne Schumann, Klaus Voigt, Petra Burmann, Alison McGillivray, Sebastian Knebel | | | 1:27 | instrument |
| Ouverture A-Dur für 2 Violen d’amore und B.c.: Gigue | Anne Schumann, Klaus Voigt, Petra Burmann, Alison McGillivray, Sebastian Knebel | | | 1:39 | instrument |
| Ouverture A-Dur für 2 Violen d’amore und B.c.: Hornepipe | Anne Schumann, Klaus Voigt, Petra Burmann, Alison McGillivray, Sebastian Knebel | | | 1:10 | instrument |
| Ouverture A-Dur für 2 Violen d’amore und B.c.: Menuet | Anne Schumann, Klaus Voigt, Petra Burmann, Alison McGillivray, Sebastian Knebel | | | 1:06 | instrument |
| Ouverture A-Dur für 2 Violen d’amore und B.c.: Overture / Passepied | Anne Schumann, Klaus Voigt, Petra Burmann, Alison McGillivray, Sebastian Knebel | | | 3:56 | instrument |
| Ouverture for 3 Oboes, Strings, and Basso Continuo in C major: I. Ouverture | Jürgen Kussmaul, Peter Masseurs, Paul Verhey, Rob Visser, Amsterdam Bach Soloists | | | 5:46 | instrument |
| Ouverture for 3 Oboes, Strings, and Basso Continuo in C major: II. Harlequinade | Jürgen Kussmaul, Peter Masseurs, Paul Verhey, Rob Visser, Amsterdam Bach Soloists | | | 3:10 | instrument |
| Ouverture for 3 Oboes, Strings, and Basso Continuo in C major: III. Espagniol | Jürgen Kussmaul, Peter Masseurs, Paul Verhey, Rob Visser, Amsterdam Bach Soloists | | | 2:47 | instrument |
| Ouverture for 3 Oboes, Strings, and Basso Continuo in C major: IV. Bourrée en trompette | Jürgen Kussmaul, Peter Masseurs, Paul Verhey, Rob Visser, Amsterdam Bach Soloists | | | 1:41 | instrument |
| Ouverture for 3 Oboes, Strings, and Basso Continuo in C major: V. Sommeille | Jürgen Kussmaul, Peter Masseurs, Paul Verhey, Rob Visser, Amsterdam Bach Soloists | | | 3:51 | instrument |
| Ouverture for 3 Oboes, Strings, and Basso Continuo in C major: VI. Rondeau | Jürgen Kussmaul, Peter Masseurs, Paul Verhey, Rob Visser, Amsterdam Bach Soloists | | | 1:37 | instrument |
| Ouverture for 3 Oboes, Strings, and Basso Continuo in C major: VII. Menuet I & II | Jürgen Kussmaul, Peter Masseurs, Paul Verhey, Rob Visser, Amsterdam Bach Soloists | | | 4:27 | instrument |
| Ouverture for 3 Oboes, Strings, and Basso Continuo in C major: VIII. Gigue | Jürgen Kussmaul, Peter Masseurs, Paul Verhey, Rob Visser, Amsterdam Bach Soloists | | | 3:01 | instrument |
| Overture in F major, GWV 451: I. Ouverture | Nova Stravaganza, Siegbert Rampe | | | 11:03 | instrument |
| Overture in F major, GWV 451: II. Air | Nova Stravaganza, Siegbert Rampe | | | 4:59 | instrument |
| Overture in F major, GWV 451: III. Sarabande | Nova Stravaganza, Siegbert Rampe | | | 3:42 | instrument |
| Overture in F major, GWV 451: IV. Menuet 1-4 | Nova Stravaganza, Siegbert Rampe | | | 6:29 | instrument |
| Overture in F major, GWV 451: V. Marche | Nova Stravaganza, Siegbert Rampe | | | 1:11 | instrument |
| Overture in F major, GWV 451: VI. Chaconne | Nova Stravaganza, Siegbert Rampe | | | 5:15 | instrument |
| Parthia VII in C minor for 2 Violas d’amore: Allamande | Lina Tur Bonet, Musica Alchemica | | | 2:12 | instrument |
| Parthia VII in C minor for 2 Violas d’amore: Aria | Lina Tur Bonet, Musica Alchemica | | | 2:00 | instrument |
| Parthia VII in C minor for 2 Violas d’amore: Arietta variata | Lina Tur Bonet, Musica Alchemica | | | 6:54 | instrument |
| Parthia VII in C minor for 2 Violas d’amore: Gigue – Presto | Lina Tur Bonet, Musica Alchemica | | | 2:07 | instrument |
| Parthia VII in C minor for 2 Violas d’amore: Praeludium. Grave – Presto | Lina Tur Bonet, Musica Alchemica | | | 2:58 | instrument |
| Parthia VII in C minor for 2 Violas d’amore: Sarabande | Lina Tur Bonet, Musica Alchemica | | | 1:14 | instrument |
| Parthia VII in C minor for 2 Violas d’amore: Trezza | Lina Tur Bonet, Musica Alchemica | | | 0:49 | instrument |
| Partita A-Dur für Viola d’amore: Allemande | Anne Schumann | | | 2:02 | instrument |
| Partita A-Dur für Viola d’amore: Aria | Anne Schumann | | | 2:42 | instrument |
| Partita A-Dur für Viola d’amore: Bourée | Anne Schumann | | | 0:53 | instrument |
| Partita A-Dur für Viola d’amore: Courante | Anne Schumann | | | 1:14 | instrument |