Mastermix Professional Engineered for DJs: Decades

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▶CD: 60s – Disc 1
2▶CD: 60s – Disc 2
3▶CD: 60s – Disc 3
4▶CD: 60s – Disc 4
5▶CD: 60s – Disc 5
6▶CD: 60s – Disc 6
7▶CD: 70s – Disc 1
8▶CD: 70s – Disc 2
9▶CD: 70s – Disc 3
10▶CD: 70s – Disc 4
11▶CD: 70s – Disc 5
12▶CD: 70s – Disc 6
13▶CD: 80s – Disc 1
14▶CD: 80s – Disc 2
15▶CD: 80s – Disc 3
16▶CD: 80s – Disc 4
17▶CD: 80s – Disc 5
18▶CD: 80s – Disc 6
19▶CD: 90s – Disc 1
20▶CD: 90s – Disc 2
21▶CD: 90s – Disc 3
22▼CD: 90s – Disc 4
Nr.TitelKünstlerBewertungLänge
1Get Here
Produzent(in):
David Bascombe und Roland Orzabal (UK musician, songwriter and producer)
Bass:
Pino Palladino
Keyboard und Klavier:
Oleta Adams
Perkussion:
Luís Jardim
Schlagzeug:
John Cushon
phonographisches Urheberrecht (℗) von:
Phonogram Ltd. (London) (company name, NOT a label!), Mercury Records Ltd. (not for release label use!) (in 1990) und Mercury Records Ltd. (London) (for copyrights use only) (in 1990)
Teil von:
The Downloader’s Music Source Book (Nummer: 191)
cover recording of:
Get Here
Texter und Komponist(in):
Brenda Russell (US singer-songwriter & keyboardist)
publisher:
Rutland Road Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell North America und WB Music Corp. (1929–2019)
Oleta Adams44:35
2You’re Gorgeous
Cagedbaby3:42
3Baby I Love Your Way
recording engineer und Produzent(in):
Ron Fair (veteran A&R executive, record producer arranger, recording engineer and songwriter)
Programmierung:
Aaron Zigman (American score composer)
zusätzliche Programmierung:
Erik Hansen
leitende(r) Produzent(in):
Jeff Aldrich (A&R)
assistierende(r) Mix:
Dave Betancourt (engineer)
Mix:
Tom Lord Alge
Akustikgitarre:
John Goux
Bassgitarre:
Abraham Laboriel
flute und Tenorsaxophon:
Larry Williams (jazz keyboard, sax, flute & clarinet; producer, composer, arranger, and multi‐instrumentalist)
Gitarre [“Duane Eddy” guitar]:
Ron Fair (veteran A&R executive, record producer arranger, recording engineer and songwriter)
Gitarre [skank guitar]:
Tony Chin
Keyboard:
Aaron Zigman (American score composer)
Perkussion:
Steve Forman (US percussionist)
Posaune:
Bill Reichenbach (jazz trombonist)
Schlagzeug:
Abraham Laboriel Jr. und John Robinson (session drummer)
Solo-alto saxophone:
Warren Hill
Trompete:
Jerry Hey
Hintergrundgesang:
James McWhinney
Hintergrundgesang und Sologesang:
Quino (of Big Mountain)
arranger:
Ron Fair (veteran A&R executive, record producer arranger, recording engineer and songwriter) und Aaron Zigman (American score composer)
phonographisches Urheberrecht (℗) von:
Giant Records ("a division of Warner Music Sweden AB", not for release label use! use “Giant”) (in 1994)
mixed at:
Encore Recording Studios in Burbank, California (Kalifornien), Vereinigte Staaten
cover recording of:
Baby, I Love Your Way
Texter und Komponist(in):
Peter Frampton
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), EMI U Catalog Inc. (publisher; do NOT use as release label), Nuages Artists Music Ltd., Rondor Music (London) Ltd., Universal Music Publishing, Synch Division und Yamaha Music EH(CM)
Big Mountain4:28
4Mulder & Scully
recording of:
Mulder and Scully
Texter und Komponist(in):
Cerys Matthews (lead singer, Catatonia) und Mark Roberts (Welsh guitarist, Catatonia)
Catatonia3:40
5Twist & Shout
zusätzliche(r) Produzent(in):
Jon Kelly (engineer at Air London Studios)
Mix:
Michael Brauer (engineer)
Hintergrundgesang:
Lorraine McIntosh (vocalist for Deacon Blue) (von 1989-07 bis 1990-05)
Sologesang:
Ricky Ross (Scottish singer-songwriter) (von 1989-07 bis 1990-05)
recording of:
Twist and Shout (von 1989-07 bis 1990-05)
Texter und Komponist(in):
Ricky Ross (Scottish singer-songwriter)
publisher:
The Poor Music Company Limited
Deacon Blue33:34
6My Lovin’
recording of:
My Lovin’ (You’re Never Gonna Get It)
Verfasser(in):
Denzil Foster (songwriter, musician, producer) und Thomas McElroy (songwriter, musician, producer)
publisher:
EMI Blackwood Music Inc., Two Tuff Enuff Publishing und Irving Music (BMI) (vom 1992 bis heute)
En Vogue3:58
7What’s Up
recording engineer:
David Tickle (in 1992)
Mastering:
Stephen Marcussen (mastering engineer)
Techniker(in):
Mark Hensley
zusätzliche(r) Techniker(in):
Jessie Kanner (1980s–90s assistant engineer/mixer, Lion Share Recording Studios), Kent Mactke, Laurent Tardy und Paul Dieter (American sound engineer and producer.)
Produzent(in) und Mix:
David Tickle
Akustikgitarre und E-Gitarre:
Linda Perry (rock singer‐songwriter & producer) (in 1992)
Bass:
Christa Hillhouse (in 1992)
Gitarre:
Louis Metoyer (in 1992) und Roger Rocha (in 1992)
Schlagzeug:
Dawn Richardson (in 1992)
vocals:
Christa Hillhouse (in 1992) und Linda Perry (rock singer‐songwriter & producer) (in 1992)
phonographisches Urheberrecht (℗) von:
Interscope Records (part of UMG Recordings, Inc.) (in 1992, in 1993)
aufgenommen bei:
Groove Masters in Santa Monica, California (Kalifornien), Vereinigte Staaten (in 1992), The Bunker (in 1992) und The Plant Studios (1981–2008) in Sausalito, California (Kalifornien), Vereinigte Staaten (in 1992)
mixed at:
The Bunker
recording of:
What’s Up? (in 1992)
Texter und Komponist(in):
Linda Perry (rock singer‐songwriter & producer)
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Famous Music Publishing Germany GmbH & Co. KG, Sony Music Publishing (US) LLC (since 2021; fka Sony/ATV Music Publishing LLC), Sony/ATV Harmony, Sony/ATV Harmony UK, Stuck in the Throat und Stuck in the Throat Music
4 Non Blondes4.154:16
8Freed From Desire
Produzent(in) und Mix:
DJ Molella (Italian DJ and producer Maurizio Molella) und Phil Jay
vocals:
Gala (Italian singer & dance act)
DJ-Mixer:
Matteo Epis
phonographisches Urheberrecht (℗) von:
Do It Yourself (Italian, 1993–2003; use Do It Yourself Entertainment (or another related label) for later releases) (in 1996) und ZYX Music (in 1996)
recording of:
Freed from Desire
Verfasser(in):
Filippo Carmeni (Italian producer Phil Jay), Gala Rizzatto (Italian singer & dance act) und Maurizio Molella (Italian DJ and producer Maurizio Molella)
publisher:
Baby Angel Music S.r.l., Do It Yourself SAS (Italian company, active until 1997), Grand H. Music und Mollyville Publishing S.r.l.
Gala3.93:35
9What Is Love
Produzent(in):
Dee Dee Halligan und Junior Torello
phonographisches Urheberrecht (℗) von:
Coconut Records (Canadian) (in 1992)
recording of:
What Is Love
Texter:
Junior Torello
Komponist(in):
Dee Dee Halligan
publisher:
A la Carte Music, EMI Music Publishing Ltd. (PRS‐affiliated), Hanseatic Musikverlag GmbH (1964–2001) und Warner/Chappell Music Australia Pty. Ltd.
Haddaway2.93:58
10This Is How It Feels
Musikvideos:
This Is How It Feels von Inspiral Carpets
recording of:
This Is How It Feels
Verfasser(in):
Clint Boon, Craig Gill, Tom Hingley, Graham Lambert und Martyn Walsh
Inspiral Carpets3.353:10
11Together Again
recording of:
Together Again
Verfasser(in):
René Elizondo Jr., Janet Jackson, James Harris III (James Harris of Jam & Lewis) und Terry Lewis (US hip-hop/soul songwriter, producer & label owner)
publisher:
Black Ice Publ. Comp., EMI April Music Inc. und Flyte Tyme Tunes Inc.
Janet Jackson24:10
12Are You Gonna Go My Way
assistierende(r) Techniker(in):
Greg DiGesu
Techniker(in) und Mix:
Henry Hirsch
zusätzliche(r) Techniker(in):
David Domanich
Produzent(in):
Lenny Kravitz
Akustikgitarre und E-Gitarre:
Craig Ross (guitarist) (in 1998-12)
Bass:
Lenny Kravitz (in 1998-01) und Tony Breit (in 1998-12)
Schlagzeug, Schlagzeug [junkanoo] und Hintergrundgesang und Sologesang:
Lenny Kravitz (in 1998-12)
Synthesizer [arp string ensemble]:
Henry Hirsch (in 1998-12)
phonographisches Urheberrecht (℗) von:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1993) und Virgin Records America, Inc. (for copyrights use only; for release labels, please refer to either “Virgin” or “Virgin America”) (in 1993)
recording of:
Are You Gonna Go My Way (in 1998-12)
Texter:
Lenny Kravitz
Komponist(in):
Henry Hirsch, Lenny Kravitz und Craig Ross (guitarist)
publisher:
BMG Gold Songs, Miss Bessie Music, Shukat Arrow Hafer Weber & Herbsman, LLP und Wigged Music
sub-publisher:
EMI Music Publishing Scandinavia AB, Warner/Chappell Music Scandinavia AB, ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), フジパシフィック音楽出版 BMG事業部 (bis 2014-12-31) und フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division) (vom 2015-01-01 bis heute)
Lenny Kravitz3.853:34
13Living on My Own (re‐mix)
recording of:
Living on My Own
Texter, Verfasser(in) und Komponist(in):
Freddie Mercury
publisher:
Beechwood Music Corp., EMI Music Publishing Ltd. (PRS‐affiliated) und Queen Music Ltd.
Freddie Mercury3:38
14It’s Too Late
Gast vocals:
Dina Carroll
cover recording of:
It’s Too Late
Texter:
Toni Stern
Komponist(in):
Carole King (US singer-songwriter)
gewidmet:
James Taylor (singer-songwriter and guitarist)
publisher:
Colgems-EMI Music Inc., イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (vom 2021-07-01 bis heute)
Quartz & Dina Carroll44:02
15I Like to Move It
Produzent(in):
Erick Morillo und Ralphie Muniz
Gast Sologesang:
The Mad Stuntman
vocals und Interpret(in):
The Mad Stuntman
remixer:
Erick Morillo
phonographisches Urheberrecht (℗) von:
Strictly Rhythm Records (in 1993)
sonstige Unterstützung:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (Aufgabe: under exclusive license to)
recording of:
I Like to Move It
Verfasser(in):
Erick Morillo und Mark Quashie
publisher:
global (imprint of Global Media & Entertainment Group) und Warner/Chappell Music Australia Pty. Ltd.
Reel 2 Real feat. The Mad Stuntman3.13:50
16Wind of Change
assistierende(r) Techniker(in):
Shay Baby, Attie Bauw, Albert Boekholt und Tom Fletcher (engineer)
Techniker(in):
Erwin Musper und Keith Olsen (US producer and engineer)
Produzent(in):
Keith Olsen (US producer and engineer) und Scorpions (German rock band)
Mix:
Shay Baby, Erwin Musper und Keith Olsen (US producer and engineer)
Akustikgitarre:
Rudolf Schenker (in 1990)
Bassgitarre:
Francis Buchholz (in 1990)
E-Gitarre [lead guitar] und E-Gitarre [rhythm guitar]:
Matthias Jabs (in 1990) und Rudolf Schenker (in 1990)
Gast-Keyboard:
Koen van Baal (in 1990)
Perkussion und Schlagzeug:
Herman Rarebell (drummer, Germany) (in 1990)
Slide-Gitarre:
Matthias Jabs (in 1990)
Hintergrundgesang:
Francis Buchholz (in 1990), Matthias Jabs (in 1990), Klaus Meine (in 1990), Herman Rarebell (drummer, Germany) (in 1990) und Rudolf Schenker (in 1990)
Sologesang:
Klaus Meine (in 1990)
phonographisches Urheberrecht (℗) von:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1990, in 1991) und The Island Def Jam Music Group (American holding company, not normally a release label) (in 1990)
aufgenommen bei:
Goodnight LA Studios in Van Nuys, California (Kalifornien), Vereinigte Staaten (in 1990) und Wisseloord Studios in Hilversum, Noord-Holland (Provinz Nordholland), Niederlande, Kingdom of the Netherlands (in 1990)
mixed at:
Wisseloord Studios in Hilversum, Noord-Holland (Provinz Nordholland), Niederlande, Kingdom of the Netherlands
recording of:
Wind of Change (in 1990)
Texter und Komponist(in):
Klaus Meine
publisher:
BMG Rights Management GmbH (not for release label use! file releases under its imprint “BMG” (2008–present)), Copyright Control (not for release label use! this is only for copyrights and publishing relationships), PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998), Polygram Music, PRI Music, Inc. und Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
Scorpions3.45:12
17Hippychick
recording of:
Hippychick
Verfasser(in):
Johnny Marr und Tim Brinkhurst
Soho3:15
18Ice Ice Baby
phonographisches Urheberrecht (℗) von:
Capitol Records Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1990)
recording of:
Ice Ice Baby
Texter:
Floyd Brown (Floyd Brown), Mario Lavell Johnson (90s US rapper) und Vanilla Ice
Komponist(in):
David Bowie (English singer‐songwriter), Floyd Brown (Floyd Brown), John R. Deacon, Mario Lavell Johnson (90s US rapper), Brian May (Queen guitarist), Freddie Mercury, Roger Taylor (Queen drummer) und Vanilla Ice
publisher:
Aftershock Music, EMI Blackwood Music Inc., EMI Music Publishing (do not use as a release label!), Fernhill Publishing, Ice Baby Music, Knightlife Productions, MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), QPM Music Inc., Queen Music Ltd., Sony/ATV Music Publishing Ltd. und Sony/ATV Songs LLC
basiert auf:
Under Pressure
Vanilla Ice4.53:50
19Shake Your Head
Produzent(in):
David Was und Don Was
Bass-Synthesizer:
Felix Morris
elektronisches Schlagzeug / E-Drums:
Don Was
Gitarre:
Randy Jacobs (guitarist and songwriter)
Moog und Vocoder:
Luis Resto
Perkussion:
Larry Fratangelo (American percussionist)
Saxophon:
David McMurray (American jazz musician and saxophonist)
Synthesizer [Oberheim OB-XA]:
Luis Resto und Don Was
Gast vocals:
Ozzy Osbourne
vocals:
Kim Basinger und Ozzy Osbourne
recording of:
Shake Your Head (Let’s Go to Bed)
Verfasser(in):
Jarvis Carothers Stroud, David Was und Don Was
publisher:
BMG Gold Songs und Los was cosmopolitanos
Was (Not Was)2.54:00
20Sunshine on a Rainy Day
recording of:
Sunshine on a Rainy Day
Verfasser(in):
Martin Glover und Zoë Pollock
Zo!3:59
23▶CD: 90s – Disc 5
24▶CD: 90s – Disc 6
25▶CD: 00s – Disc 1
26▶CD: 00s – Disc 2
27▶CD: 00s – Disc 3
28▶CD: 00s – Disc 4
29▶CD: 00s – Disc 5
30▶CD: 00s – Disc 6