The Vocal Works: Cantatas / Passions / Oratorios / Masses / Motets

~ Release by Johann Sebastian Bach; Bach Collegium Japan, Masaaki Suzuki (see all versions of this release, 1 available)

Tracklist

1▶Hybrid SACD: The Sacred Cantatas disc 1
2▶Hybrid SACD: The Sacred Cantatas disc 2
3▶Hybrid SACD: The Sacred Cantatas disc 3
4▶Hybrid SACD: The Sacred Cantatas disc 4
5▼Hybrid SACD: The Sacred Cantatas disc 5
#TitleArtistRatingLength
1Cantata, BWV 18 "Gleichwie der Regen und Schnee vom Himmel fällt": I. Sinfonia
sound engineer:
Jens Braun (classical engineer) (from 1997-02 until 1997-07) and Hans Kipfer (from 1997-02 until 1997-07)
producer:
Robert von Bahr
conductor:
Masaaki Suzuki (keyboardist, conductor) (from 1997-02 until 1997-07)
performer:
Bach Collegium Japan (from 1997-02 until 1997-07)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (from 1997-02 until 1997-07)
recording of:
Kantate, BWV 18.1 "Gleichwie der Regen und Schnee vom Himmel fällt": I. Sinfonia (Weimar version) (from 1997-02 until 1997-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Kantate, BWV 18.1 "Gleichwie der Regen und Schnee vom Himmel fällt" (Weimar version)
Johann Sebastian Bach2:49
2Cantata, BWV 18 "Gleichwie der Regen und Schnee vom Himmel fällt": II. Rezitativ "Gleichwie der Regen und Schnee vom Himmel fällt"
sound engineer:
Jens Braun (classical engineer) (from 1997-02 until 1997-07) and Hans Kipfer (from 1997-02 until 1997-07)
producer:
Robert von Bahr
bass vocals:
Peter Kooij (Peter Kooy, baritone) (from 1997-02 until 1997-07)
conductor:
Masaaki Suzuki (keyboardist, conductor) (from 1997-02 until 1997-07)
performer:
Bach Collegium Japan (from 1997-02 until 1997-07)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (from 1997-02 until 1997-07)
recording of:
Kantate, BWV 18.1 "Gleichwie der Regen und Schnee vom Himmel fällt": II. Recitativo (Basso) "Gleichwie der Regen und Schnee" (Weimar version) (from 1997-02 until 1997-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Kantate, BWV 18.1 "Gleichwie der Regen und Schnee vom Himmel fällt" (Weimar version)
Johann Sebastian Bach1:09
3Cantata, BWV 18 "Gleichwie der Regen und Schnee vom Himmel fällt": III. Choral und Rezitativ (Litanei) "Mein Gott, hier wird mein Herze sein"
sound engineer:
Jens Braun (classical engineer) (from 1997-02 until 1997-07) and Hans Kipfer (from 1997-02 until 1997-07)
producer:
Robert von Bahr
bass vocals:
Peter Kooij (Peter Kooy, baritone) (from 1997-02 until 1997-07)
tenor vocals:
Makoto Sakurada (from 1997-02 until 1997-07)
conductor:
Masaaki Suzuki (keyboardist, conductor) (from 1997-02 until 1997-07)
performer:
Bach Collegium Japan (from 1997-02 until 1997-07)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (from 1997-02 until 1997-07)
recording of:
Kantate, BWV 18.1 "Gleichwie der Regen und Schnee vom Himmel fällt": III. Recitativo (Tenore, Basso, Coro) "Mein Gott, hier wird mein Herze sein" (Weimar version) (from 1997-02 until 1997-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Kantate, BWV 18.1 "Gleichwie der Regen und Schnee vom Himmel fällt" (Weimar version)
Johann Sebastian Bach5:39
4Cantata, BWV 18 "Gleichwie der Regen und Schnee vom Himmel fällt": IV. Arie "Mein Seelenschatz ist Gottes Wort"
sound engineer:
Jens Braun (classical engineer) (from 1997-02 until 1997-07) and Hans Kipfer (from 1997-02 until 1997-07)
producer:
Robert von Bahr
bass vocals:
Peter Kooij (Peter Kooy, baritone) (from 1997-02 until 1997-07)
soprano vocals:
Midori Suzuki (vocalist) (from 1997-02 until 1997-07)
conductor:
Masaaki Suzuki (keyboardist, conductor) (from 1997-02 until 1997-07)
performer:
Bach Collegium Japan (from 1997-02 until 1997-07)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (from 1997-02 until 1997-07)
recording of:
Kantate, BWV 18.1 "Gleichwie der Regen und Schnee vom Himmel fällt": IV. Aria (Soprano) "Mein Seelenschatz ist Gottes Wort" (Weimar version) (from 1997-02 until 1997-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Kantate, BWV 18.1 "Gleichwie der Regen und Schnee vom Himmel fällt" (Weimar version)
Johann Sebastian Bach3:16
5Cantata, BWV 18 "Gleichwie der Regen und Schnee vom Himmel fällt": V. Choral "Ich bitt, o Herr, aus Herzensgrund"
sound engineer:
Jens Braun (classical engineer) (from 1997-02 until 1997-07) and Hans Kipfer (from 1997-02 until 1997-07)
producer:
Robert von Bahr
conductor:
Masaaki Suzuki (keyboardist, conductor) (from 1997-02 until 1997-07)
performer:
Bach Collegium Japan (from 1997-02 until 1997-07)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (from 1997-02 until 1997-07)
recording of:
Kantate, BWV 18.1 "Gleichwie der Regen und Schnee vom Himmel fällt": V. Chorale "Ich bitt, o Gott, aus Herzensgrund" (Weimar version) (from 1997-02 until 1997-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Kantate, BWV 18.1 "Gleichwie der Regen und Schnee vom Himmel fällt" (Weimar version)
Johann Sebastian Bach1:22
6Cantata, BWV 152 "Tritt auf die Glaubensbahn": I. Sinfonia
sound engineer:
Jens Braun (classical engineer) (from 1997-02 until 1997-07) and Hans Kipfer (from 1997-02 until 1997-07)
producer:
Robert von Bahr
conductor:
Masaaki Suzuki (keyboardist, conductor) (from 1997-02 until 1997-07)
performer:
Bach Collegium Japan (from 1997-02 until 1997-07)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (from 1997-02 until 1997-07)
recording of:
Kantate, BWV 152 "Tritt auf die Glaubensbahn": I. Sinfonia (from 1997-02 until 1997-07)
premiered in:
Weimar, Thüringen (Thuringia), Germany (on 1714-12-30)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
librettist:
Salomon Franck
part of:
Kantate, BWV 152 "Tritt auf die Glaubensbahn"
Johann Sebastian Bach3:18
7Cantata, BWV 152 "Tritt auf die Glaubensbahn": II. Arie "Tritt auf die Glaubensbahn"
sound engineer:
Jens Braun (classical engineer) (from 1997-02 until 1997-07) and Hans Kipfer (from 1997-02 until 1997-07)
producer:
Robert von Bahr
bass vocals:
Peter Kooij (Peter Kooy, baritone) (from 1997-02 until 1997-07)
conductor:
Masaaki Suzuki (keyboardist, conductor) (from 1997-02 until 1997-07)
performer:
Bach Collegium Japan (from 1997-02 until 1997-07)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (from 1997-02 until 1997-07)
recording of:
Kantate, BWV 152 "Tritt auf die Glaubensbahn": II. Aria (Basso) "Tritt auf die Glaubensbahn" (from 1997-02 until 1997-07)
premiered in:
Weimar, Thüringen (Thuringia), Germany (on 1714-12-30)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
librettist:
Salomon Franck
part of:
Kantate, BWV 152 "Tritt auf die Glaubensbahn"
Johann Sebastian Bach2:34
8Cantata, BWV 152 "Tritt auf die Glaubensbahn": III. Rezitativ "Der Heiland ist gesetzt"
sound engineer:
Jens Braun (classical engineer) (from 1997-02 until 1997-07) and Hans Kipfer (from 1997-02 until 1997-07)
producer:
Robert von Bahr
bass vocals:
Peter Kooij (Peter Kooy, baritone) (from 1997-02 until 1997-07)
conductor:
Masaaki Suzuki (keyboardist, conductor) (from 1997-02 until 1997-07)
performer:
Bach Collegium Japan (from 1997-02 until 1997-07)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (from 1997-02 until 1997-07)
recording of:
Kantate, BWV 152 "Tritt auf die Glaubensbahn": III. Recitativo (Basso) "Der Heiland ist gesetzt" (from 1997-02 until 1997-07)
premiered in:
Weimar, Thüringen (Thuringia), Germany (on 1714-12-30)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
librettist:
Salomon Franck
part of:
Kantate, BWV 152 "Tritt auf die Glaubensbahn"
Johann Sebastian Bach1:45
9Cantata, BWV 152 "Tritt auf die Glaubensbahn": IV. Arie "Stein, der uber alle Schatze"
sound engineer:
Jens Braun (classical engineer) (from 1997-02 until 1997-07) and Hans Kipfer (from 1997-02 until 1997-07)
producer:
Robert von Bahr
soprano vocals:
Midori Suzuki (vocalist) (from 1997-02 until 1997-07)
conductor:
Masaaki Suzuki (keyboardist, conductor) (from 1997-02 until 1997-07)
performer:
Bach Collegium Japan (from 1997-02 until 1997-07)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (from 1997-02 until 1997-07)
recording of:
Kantate, BWV 152 "Tritt auf die Glaubensbahn": IV. Aria (Sopran) "Stein, der über alle Schätze" (from 1997-02 until 1997-07)
premiered in:
Weimar, Thüringen (Thuringia), Germany (on 1714-12-30)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
librettist:
Salomon Franck
part of:
Kantate, BWV 152 "Tritt auf die Glaubensbahn"
Johann Sebastian Bach4:33
10Cantata, BWV 152 "Tritt auf die Glaubensbahn": V. Rezitativ "Es argre sich die kluge Welt"
sound engineer:
Jens Braun (classical engineer) (from 1997-02 until 1997-07) and Hans Kipfer (from 1997-02 until 1997-07)
producer:
Robert von Bahr
bass vocals:
Peter Kooij (Peter Kooy, baritone) (from 1997-02 until 1997-07)
soprano vocals:
Midori Suzuki (vocalist) (from 1997-02 until 1997-07)
conductor:
Masaaki Suzuki (keyboardist, conductor) (from 1997-02 until 1997-07)
performer:
Bach Collegium Japan (from 1997-02 until 1997-07)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (from 1997-02 until 1997-07)
recording of:
Kantate, BWV 152 "Tritt auf die Glaubensbahn": V. Recitativo (Bass) "Es ärgre sich die kluge Welt" (from 1997-02 until 1997-07)
premiered in:
Weimar, Thüringen (Thuringia), Germany (on 1714-12-30)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
librettist:
Salomon Franck
part of:
Kantate, BWV 152 "Tritt auf die Glaubensbahn"
Johann Sebastian Bach1:24
11Cantata, BWV 152 "Tritt auf die Glaubensbahn": VI. Arie (Duett) "Wie soll ich dich, Liebster der Seelen, umfassen"
sound engineer:
Jens Braun (classical engineer) (from 1997-02 until 1997-07) and Hans Kipfer (from 1997-02 until 1997-07)
producer:
Robert von Bahr
soprano vocals:
Midori Suzuki (vocalist) (from 1997-02 until 1997-07)
conductor:
Masaaki Suzuki (keyboardist, conductor) (from 1997-02 until 1997-07)
performer:
Bach Collegium Japan (from 1997-02 until 1997-07)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (from 1997-02 until 1997-07)
recording of:
Kantate, BWV 152 "Tritt auf die Glaubensbahn": VI. Duetto (Soprano, Basso) "Wie soll ich dich, Liebster der Seelen, umfassen?" (from 1997-02 until 1997-07)
premiered in:
Weimar, Thüringen (Thuringia), Germany (on 1714-12-30)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
librettist:
Salomon Franck
part of:
Kantate, BWV 152 "Tritt auf die Glaubensbahn"
Johann Sebastian Bach4:10
12Cantata, BWV 155 "Mein Gott, wie lang, ach lange": I. Rezitativ "Mein Gott, wie lang, ach lange"
sound engineer:
Jens Braun (classical engineer) (from 1997-02 until 1997-07) and Hans Kipfer (from 1997-02 until 1997-07)
producer:
Robert von Bahr
soprano vocals:
Midori Suzuki (vocalist) (from 1997-02 until 1997-07)
conductor:
Masaaki Suzuki (keyboardist, conductor) (from 1997-02 until 1997-07)
performer:
Bach Collegium Japan (from 1997-02 until 1997-07)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (from 1997-02 until 1997-07)
recording of:
Kantate, BWV 155 "Mein Gott, wie lang, ach lange": I. Recitativo "Mein Gott, wie lang, ach lange" (from 1997-02 until 1997-07)
premiered in:
Weimar, Thüringen (Thuringia), Germany (on 1716-01-19)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1716)
librettist:
Salomon Franck (in 1715)
part of:
Kantate, BWV 155 "Mein Gott, wie lang, ach lange"
Johann Sebastian Bach1:59
13Cantata, BWV 155 "Mein Gott, wie lang, ach lange": II. Arie (Duett) "Du mußt glauben, du mußt hoffen"
sound engineer:
Jens Braun (classical engineer) (from 1997-02 until 1997-07) and Hans Kipfer (from 1997-02 until 1997-07)
producer:
Robert von Bahr
alto vocals:
Yoshikazu Mera (Japanese countertenor) (from 1997-02 until 1997-07)
tenor vocals:
Makoto Sakurada (from 1997-02 until 1997-07)
conductor:
Masaaki Suzuki (keyboardist, conductor) (from 1997-02 until 1997-07)
performer:
Bach Collegium Japan (from 1997-02 until 1997-07)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (from 1997-02 until 1997-07)
recording of:
Kantate, BWV 155 "Mein Gott, wie lang, ach lange": II. Aria (Duetto Alt, Tenor) "Du mußt glauben, du mußt hoffen" (from 1997-02 until 1997-07)
premiered in:
Weimar, Thüringen (Thuringia), Germany (on 1716-01-19)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1716)
librettist:
Salomon Franck (in 1715)
part of:
Kantate, BWV 155 "Mein Gott, wie lang, ach lange"
Johann Sebastian Bach5:07
14Cantata, BWV 155 "Mein Gott, wie lang, ach lange": III. Rezitativ "So sei, o Seele, sei zufrieden!"
sound engineer:
Jens Braun (classical engineer) (from 1997-02 until 1997-07) and Hans Kipfer (from 1997-02 until 1997-07)
producer:
Robert von Bahr
conductor:
Masaaki Suzuki (keyboardist, conductor) (from 1997-02 until 1997-07)
performer:
Bach Collegium Japan (from 1997-02 until 1997-07)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (from 1997-02 until 1997-07)
recording of:
Kantate, BWV 155 "Mein Gott, wie lang, ach lange": III. Recitativo (Bass) "So sei, o Seele! sei zufrieden!" (from 1997-02 until 1997-07)
premiered in:
Weimar, Thüringen (Thuringia), Germany (on 1716-01-19)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1716)
librettist:
Salomon Franck (in 1715)
part of:
Kantate, BWV 155 "Mein Gott, wie lang, ach lange"
Johann Sebastian Bach2:14
15Cantata, BWV 155 "Mein Gott, wie lang, ach lange": IV. Arie "Wirf, mein Herze, wirf dich noch"
sound engineer:
Jens Braun (classical engineer) (from 1997-02 until 1997-07) and Hans Kipfer (from 1997-02 until 1997-07)
producer:
Robert von Bahr
soprano vocals:
Midori Suzuki (vocalist) (from 1997-02 until 1997-07)
conductor:
Masaaki Suzuki (keyboardist, conductor) (from 1997-02 until 1997-07)
performer:
Bach Collegium Japan (from 1997-02 until 1997-07)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (from 1997-02 until 1997-07)
recording of:
Kantate, BWV 155 "Mein Gott, wie lang, ach lange": IV. Aria (Sopran) "Wirf, mein Herze, wirf dich noch" (from 1997-02 until 1997-07)
premiered in:
Weimar, Thüringen (Thuringia), Germany (on 1716-01-19)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1716)
librettist:
Salomon Franck (in 1715)
part of:
Kantate, BWV 155 "Mein Gott, wie lang, ach lange"
Johann Sebastian Bach2:38
16Cantata, BWV 155 "Mein Gott, wie lang, ach lange": V. Choral "Ob sichs anließ, als wollt er nicht"
sound engineer:
Jens Braun (classical engineer) (from 1997-02 until 1997-07) and Hans Kipfer (from 1997-02 until 1997-07)
producer:
Robert von Bahr
conductor:
Masaaki Suzuki (keyboardist, conductor) (from 1997-02 until 1997-07)
performer:
Bach Collegium Japan (from 1997-02 until 1997-07)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (from 1997-02 until 1997-07)
recording of:
Kantate, BWV 155 "Mein Gott, wie lang, ach lange": V. Choral "Ob sichs anließ, als wollt er nicht" (from 1997-02 until 1997-07)
premiered in:
Weimar, Thüringen (Thuringia), Germany (on 1716-01-19)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1716)
librettist:
Paul Speratus (in 1524)
part of:
Breitkopf 389 Choralgesänge (number: 88)
part of:
Kantate, BWV 155 "Mein Gott, wie lang, ach lange"
Johann Sebastian Bach1:14
17Cantata, BWV 161 "Komm, du süße Todesstunde": I. Arie mit Choral "Komm, du süße Todesstunde"
sound engineer:
Jens Braun (classical engineer) (from 1997-02 until 1997-07) and Hans Kipfer (from 1997-02 until 1997-07)
producer:
Robert von Bahr
alto vocals:
Yoshikazu Mera (Japanese countertenor) (from 1997-02 until 1997-07)
orchestra:
Bach Collegium Japan
conductor:
Masaaki Suzuki (keyboardist, conductor) (from 1997-02 until 1997-07)
performer:
Bach Collegium Japan (from 1997-02 until 1997-07)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (from 1997-02 until 1997-07)
recording of:
Kantate, BWV 161 "Komm, du süße Todesstunde": I. Aria (Alt) "Komm, du süße Todesstunde" (from 1997-02 until 1997-07)
premiered in:
Weimar, Thüringen (Thuringia), Germany (on 1716-09-27)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1715)
librettist:
Salomon Franck
part of:
Kantate, BWV 161 "Komm, du süße Todesstunde"
Johann Sebastian Bach5:24
18Cantata, BWV 161 "Komm, du süße Todesstunde": II. Rezitativ "Welt, deine Lust ist Last"
sound engineer:
Jens Braun (classical engineer) (from 1997-02 until 1997-07) and Hans Kipfer (from 1997-02 until 1997-07)
producer:
Robert von Bahr
tenor vocals:
Makoto Sakurada (in 1997-02)
conductor:
Masaaki Suzuki (keyboardist, conductor) (from 1997-02 until 1997-07)
performer:
Bach Collegium Japan (from 1997-02 until 1997-07)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (from 1997-02 until 1997-07)
recording of:
Kantate, BWV 161 "Komm, du süße Todesstunde": II. Recitativo (Tenor) "Welt! deine Lust ist Last" (from 1997-02 until 1997-07)
premiered in:
Weimar, Thüringen (Thuringia), Germany (on 1716-09-27)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1715)
librettist:
Salomon Franck
part of:
Kantate, BWV 161 "Komm, du süße Todesstunde"
Johann Sebastian Bach2:03
19Cantata, BWV 161 "Komm, du süße Todesstunde": III. Arie "Mein Verlangen ist, den Heiland zu umfangen"
sound engineer:
Jens Braun (classical engineer) (from 1997-02 until 1997-07) and Hans Kipfer (from 1997-02 until 1997-07)
producer:
Robert von Bahr
tenor vocals:
Makoto Sakurada (from 1997-02 until 1997-07)
conductor:
Masaaki Suzuki (keyboardist, conductor) (from 1997-02 until 1997-07)
performer:
Bach Collegium Japan (from 1997-02 until 1997-07)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (from 1997-02 until 1997-07)
recording of:
Kantate, BWV 161 "Komm, du süße Todesstunde": III. Aria (Tenor) "Mein Verlangen ist, den Heiland zu umfangen" (from 1997-02 until 1997-07)
premiered in:
Weimar, Thüringen (Thuringia), Germany (on 1716-09-27)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1715)
librettist:
Salomon Franck
part of:
Kantate, BWV 161 "Komm, du süße Todesstunde"
Johann Sebastian Bach5:00
20Cantata, BWV 161 "Komm, du süße Todesstunde": IV. Rezitativ "Der Schluß ist schon gemacht"
sound engineer:
Jens Braun (classical engineer) (from 1997-02 until 1997-07) and Hans Kipfer (from 1997-02 until 1997-07)
producer:
Robert von Bahr
alto vocals:
Yoshikazu Mera (Japanese countertenor) (from 1997-02 until 1997-07)
conductor:
Masaaki Suzuki (keyboardist, conductor) (from 1997-02 until 1997-07)
performer:
Bach Collegium Japan (from 1997-02 until 1997-07)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (from 1997-02 until 1997-07)
recording of:
Kantate, BWV 161 "Komm, du süße Todesstunde": IV. Recitativo (Alt) "Der Schluß ist schon gemacht" (from 1997-02 until 1997-07)
premiered in:
Weimar, Thüringen (Thuringia), Germany (on 1716-09-27)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1715)
librettist:
Salomon Franck
part of:
Kantate, BWV 161 "Komm, du süße Todesstunde"
Johann Sebastian Bach2:28
21Cantata, BWV 161 "Komm, du süße Todesstunde": V. Chor "Wenn es meines Gottes Wille"
sound engineer:
Jens Braun (classical engineer) (from 1997-02 until 1997-07) and Hans Kipfer (from 1997-02 until 1997-07)
producer:
Robert von Bahr
conductor:
Masaaki Suzuki (keyboardist, conductor) (from 1997-02 until 1997-07)
performer:
Bach Collegium Japan (from 1997-02 until 1997-07)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (from 1997-02 until 1997-07)
recording of:
Kantate, BWV 161 "Komm, du süße Todesstunde": V. Coro "Wenn es meines Gottes Wille" (from 1997-02 until 1997-07)
premiered in:
Weimar, Thüringen (Thuringia), Germany (on 1716-09-27)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1715)
librettist:
Salomon Franck
part of:
Kantate, BWV 161 "Komm, du süße Todesstunde"
Johann Sebastian Bach2:52
22Cantata, BWV 161 "Komm, du süße Todesstunde": VI. Choral "Der Leib zwar in der Erden"
sound engineer:
Jens Braun (classical engineer) (from 1997-02 until 1997-07) and Hans Kipfer (from 1997-02 until 1997-07)
producer:
Robert von Bahr
conductor:
Masaaki Suzuki (keyboardist, conductor) (from 1997-02 until 1997-07)
performer:
Bach Collegium Japan (from 1997-02 until 1997-07)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (from 1997-02 until 1997-07)
recording of:
Kantate, BWV 161 "Komm, du süße Todesstunde": VI. Choral "Der Leib zwar in der Erden" (from 1997-02 until 1997-07)
premiered in:
Weimar, Thüringen (Thuringia), Germany (on 1716-09-27)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1715)
librettist:
Christoph Knoll
part of:
Breitkopf 389 Choralgesänge (number: 161)
part of:
Kantate, BWV 161 "Komm, du süße Todesstunde"
Johann Sebastian Bach1:37
23Cantata, BWV 143 "Lobe den Herrn, meine Seele": I. Chor "Lobe den Herrn, meine Seele"
sound engineer:
Jens Braun (classical engineer) (from 1997-02 until 1997-07) and Hans Kipfer (from 1997-02 until 1997-07)
producer:
Marion Schwebel
conductor:
Masaaki Suzuki (keyboardist, conductor) (from 1997-02 until 1997-07)
performer:
Bach Collegium Japan (from 1997-02 until 1997-07)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (from 1997-02 until 1997-07)
recording of:
Kantate, BWV 143 "Lobe den Herrn, meine Seele": I. Coro "Lobe den Herrn, meine Seele" (from 1997-02 until 1997-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1708)
part of:
Kantate, BWV 143 "Lobe den Herrn, meine Seele"
Johann Sebastian Bach1:17
24Cantata, BWV 143 "Lobe den Herrn, meine Seele": II. Choral "Du Friedefürst, Herr Jesu Christ"
sound engineer:
Jens Braun (classical engineer) (from 1997-02 until 1997-07) and Hans Kipfer (from 1997-02 until 1997-07)
producer:
Marion Schwebel
soprano vocals:
Ingrid Schmithüsen (Sopran) (from 1997-02 until 1997-07)
conductor:
Masaaki Suzuki (keyboardist, conductor) (from 1997-02 until 1997-07)
performer:
Bach Collegium Japan (from 1997-02 until 1997-07)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (from 1997-02 until 1997-07)
recording of:
Kantate, BWV 143 "Lobe den Herrn, meine Seele": II. Choral (Sopran) "Du Friedefürst, Herr Jesu Christ" (from 1997-02 until 1997-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1708)
part of:
Kantate, BWV 143 "Lobe den Herrn, meine Seele"
Johann Sebastian Bach1:54
25Cantata, BWV 143 "Lobe den Herrn, meine Seele": III. Rezitativ "Wohl dem, des Hilfe der Gott Jakobs ist"
sound engineer:
Jens Braun (classical engineer) (from 1997-02 until 1997-07) and Hans Kipfer (from 1997-02 until 1997-07)
producer:
Marion Schwebel
tenor vocals:
Makoto Sakurada (from 1997-02 until 1997-07)
conductor:
Masaaki Suzuki (keyboardist, conductor) (from 1997-02 until 1997-07)
performer:
Bach Collegium Japan (from 1997-02 until 1997-07)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (from 1997-02 until 1997-07)
recording of:
Kantate, BWV 143 "Lobe den Herrn, meine Seele": III. Recitativo (Tenor) "Wohl dem, des Hülfe der Gott Jakob ist" (from 1997-02 until 1997-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1708)
part of:
Kantate, BWV 143 "Lobe den Herrn, meine Seele"
Johann Sebastian Bach0:23
26Cantata, BWV 143 "Lobe den Herrn, meine Seele": IV. Arie "Tausendfaches Ungluck, Schrecken"
sound engineer:
Jens Braun (classical engineer) (from 1997-02 until 1997-07) and Hans Kipfer (from 1997-02 until 1997-07)
producer:
Marion Schwebel
tenor vocals:
Makoto Sakurada (from 1997-02 until 1997-07)
conductor:
Masaaki Suzuki (keyboardist, conductor) (from 1997-02 until 1997-07)
performer:
Bach Collegium Japan (from 1997-02 until 1997-07)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (from 1997-02 until 1997-07)
recording of:
Kantate, BWV 143 "Lobe den Herrn, meine Seele": IV. Aria "Tausendfaches Unglück, Schrecken" (from 1997-02 until 1997-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Kantate, BWV 143 "Lobe den Herrn, meine Seele"
Johann Sebastian Bach3:12
27Cantata, BWV 143 "Lobe den Herrn, meine Seele": V. Arie "Der Herr ist König ewiglich"
sound engineer:
Jens Braun (classical engineer) (from 1997-02 until 1997-07) and Hans Kipfer (from 1997-02 until 1997-07)
producer:
Marion Schwebel
bass vocals:
Peter Kooij (Peter Kooy, baritone) (from 1997-02 until 1997-07)
conductor:
Masaaki Suzuki (keyboardist, conductor) (from 1997-02 until 1997-07)
performer:
Bach Collegium Japan (from 1997-02 until 1997-07)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (from 1997-02 until 1997-07)
recording of:
Kantate, BWV 143 "Lobe den Herrn, meine Seele": V. Aria (Bass) "Der Herr ist König ewiglich" (from 1997-02 until 1997-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1708)
part of:
Kantate, BWV 143 "Lobe den Herrn, meine Seele"
Johann Sebastian Bach1:43
28Cantata, BWV 143 "Lobe den Herrn, meine Seele": VI. Arie (mit Choral): "Jesu, Retter deiner Herde"
sound engineer:
Jens Braun (classical engineer) (from 1997-02 until 1997-07) and Hans Kipfer (from 1997-02 until 1997-07)
producer:
Marion Schwebel
tenor vocals:
Makoto Sakurada (from 1997-02 until 1997-07)
conductor:
Masaaki Suzuki (keyboardist, conductor) (from 1997-02 until 1997-07)
performer:
Bach Collegium Japan (from 1997-02 until 1997-07)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (from 1997-02 until 1997-07)
recording of:
Kantate, BWV 143 "Lobe den Herrn, meine Seele": VI. Aria (Tenor) "Jesu, Retter deiner Herde" (from 1997-02 until 1997-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1708)
part of:
Kantate, BWV 143 "Lobe den Herrn, meine Seele"
Johann Sebastian Bach2:09
29Cantata, BWV 143 "Lobe den Herrn, meine Seele": VII. Chor und Choral "Gedenk, Herr, jetzund an dein Amt"
sound engineer:
Jens Braun (classical engineer) (from 1997-02 until 1997-07) and Hans Kipfer (from 1997-02 until 1997-07)
producer:
Marion Schwebel
conductor:
Masaaki Suzuki (keyboardist, conductor) (from 1997-02 until 1997-07)
performer:
Bach Collegium Japan (from 1997-02 until 1997-07)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (from 1997-02 until 1997-07)
recording of:
Kantate, BWV 143 "Lobe den Herrn, meine Seele": VII. Coro "Alleluja. Gedenk Herr, jetzund an dein Amt" (from 1997-02 until 1997-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1708)
part of:
Kantate, BWV 143 "Lobe den Herrn, meine Seele"
Johann Sebastian Bach2:50
6▶Hybrid SACD: The Sacred Cantatas disc 6
7▶Hybrid SACD: The Sacred Cantatas disc 7
8▶Hybrid SACD: The Sacred Cantatas disc 8
9▶Hybrid SACD: The Sacred Cantatas disc 9
10▶Hybrid SACD: The Sacred Cantatas disc 10
11▶Hybrid SACD: The Sacred Cantatas disc 11
12▶Hybrid SACD: The Sacred Cantatas disc 12
13▶Hybrid SACD: The Sacred Cantatas disc 13
14▶Hybrid SACD: The Sacred Cantatas disc 14
15▶Hybrid SACD: The Sacred Cantatas disc 15
16▶Hybrid SACD: The Sacred Cantatas disc 16
17▶Hybrid SACD: The Sacred Cantatas disc 17
18▶Hybrid SACD: The Sacred Cantatas disc 18
19▶Hybrid SACD: The Sacred Cantatas disc 19
20▶Hybrid SACD: The Sacred Cantatas disc 20
21▶Hybrid SACD: The Sacred Cantatas disc 21
22▶Hybrid SACD: The Sacred Cantatas disc 22
23▶Hybrid SACD: The Sacred Cantatas disc 23
24▶Hybrid SACD: The Sacred Cantatas disc 24
25▶Hybrid SACD: The Sacred Cantatas disc 25
26▶Hybrid SACD: The Sacred Cantatas disc 26
27▶Hybrid SACD: The Sacred Cantatas disc 27
28▶Hybrid SACD: The Sacred Cantatas disc 28
29▶Hybrid SACD: The Sacred Cantatas disc 29
30▶Hybrid SACD: The Sacred Cantatas disc 30
31▶Hybrid SACD: The Sacred Cantatas disc 31
32▶Hybrid SACD: The Sacred Cantatas disc 32
33▶Hybrid SACD: The Sacred Cantatas disc 33
34▶Hybrid SACD: The Sacred Cantatas disc 34
35▶Hybrid SACD: The Sacred Cantatas disc 35
36▶Hybrid SACD: The Sacred Cantatas disc 36
37▶Hybrid SACD: The Sacred Cantatas disc 37
38▶Hybrid SACD: The Sacred Cantatas disc 38
39▶Hybrid SACD: The Sacred Cantatas disc 39
40▶Hybrid SACD: The Sacred Cantatas disc 40
41▶Hybrid SACD: The Sacred Cantatas disc 41
42▶Hybrid SACD: The Sacred Cantatas disc 42
43▶Hybrid SACD: The Sacred Cantatas disc 43
44▶Hybrid SACD: The Sacred Cantatas disc 44
45▶Hybrid SACD: The Sacred Cantatas disc 45
46▶Hybrid SACD: The Sacred Cantatas disc 46
47▶Hybrid SACD: The Sacred Cantatas disc 47
48▶Hybrid SACD: The Sacred Cantatas disc 48
49▶Hybrid SACD: The Sacred Cantatas disc 49
50▶Hybrid SACD: The Sacred Cantatas disc 50
51▶Hybrid SACD: The Sacred Cantatas disc 51
52▶Hybrid SACD: The Sacred Cantatas disc 52
53▶Hybrid SACD: The Sacred Cantatas disc 53
54▶Hybrid SACD: The Sacred Cantatas disc 54
55▶Hybrid SACD: The Sacred Cantatas disc 55
56▶Hybrid SACD: The Secular Cantatas disc 1
57▶Hybrid SACD: The Secular Cantatas disc 2
58▶Hybrid SACD: The Secular Cantatas disc 3
59▶Hybrid SACD: The Secular Cantatas disc 4
60▶Hybrid SACD: The Secular Cantatas disc 5
61▶Hybrid SACD: The Secular Cantatas disc 6
62▶Hybrid SACD: The Secular Cantatas disc 7
63▶Hybrid SACD: The Secular Cantatas disc 8
64▶Hybrid SACD: The Secular Cantatas disc 9
65▶Hybrid SACD: The Secular Cantatas disc 10
66▶Hybrid SACD: St. John Passion
67▶Hybrid SACD: St. John Passion
68▶Hybrid SACD: St. Matthew Passion
69▶Hybrid SACD: St. Matthew Passion
70▶Hybrid SACD: Weihnachts-Oratorium
71▶Hybrid SACD: Weihnachts-Oratorium
72▶Hybrid SACD: Mass in B minor
73▶Hybrid SACD: Mass in B minor
74▶Hybrid SACD: Lutheran Masses I
75▶Hybrid SACD: Lutheran Masses II
76▶Hybrid SACD: Easter Oratorio / Ascension Oratorio
77▶Hybrid SACD: Motets
78▶Hybrid SACD: Various Vocal Works

Credits