100 Meisterwerke der klassischen Musik

~ Release by Various Artists (see all versions of this release, 5 available)

Annotation

5 Jewel Cases in a cardboard slipcase.

Cat# / Barcode (CD 1): 19 476 / 4006408194767
Cat# / Barcode (CD 2): 19 477 / 4006408194774
Cat# / Barcode (CD 3): 19 478 / 4006408194781
Cat# / Barcode (CD 4): 19 479 / 4006408194798
Cat# / Barcode (CD 5): 19 480 / 4006408194804

Annotation last modified on 2026-09-09 01:14 UTC.

Tracklist

1▶CD: Vol. 1
2▶CD: Vol. 2
3▼CD: Vol. 3
#TitleArtistRatingLength
1Toccata in d-Moll
organ and pipe organ:
Hannes Kästner (German organist and cembalist)
recording of:
Toccata in D minor (unspecified)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
recording of:
Toccata und Fuge d-Moll, BWV 565: I. Toccata
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Classic 100: Piano (2025) (number: 30)
part of:
Toccata und Fuge d-Moll, BWV 565 (Toccata and Fugue in D minor, BWV 565)
Bach32:44
2Air
bassoon:
Gerd Schulze (bassoonist) (from 1982 until 1984)
cello:
Burkhard Schmidt (cellist) (from 1982 until 1984)
double bass:
Rainer Hucke (double bass player) (from 1982 until 1984)
harpsichord:
Walter Heinz Bernstein (harpsichordist and organist) (from 1982 until 1984)
oboe:
Günter Heidrich (oboist) (from 1982 until 1984) and Uwe Kleinsorge (oboist) (from 1982 until 1984)
timpani:
Werner Legutke (percussionist) (from 1982 until 1984)
trumpet:
Ludwig Güttler (trumpet player) (from 1982 until 1984), Roland Rudolph (trumpet player) (from 1982 until 1984) and Heinz Stiefel (from 1982 until 1984)
violin:
Eberhard Palm (violinist) (from 1982 until 1984)
orchestra:
Neues Bachisches Collegium Musicum (New Bach Collegium Musicum) (from 1982 until 1984)
conductor:
Max Pommer (conductor) (from 1982 until 1984)
phonographic copyright (℗) by:
Delta Music GmbH (not for release label use! 1970–2007, succeeded in 2008 by Delta Music & Entertainment GmbH & Co. KG) (in 1985)
recorded at:
Paul-Gerhardt-Kirche in Leipzig, Sachsen (Saxony), Germany (from 1982 until 1984)
recording of:
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (Orchestral Suite no. 3 in D major, BWV 1068: II. Air, Air on the G string) (from 1982 until 1984)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1730)
part of:
Orchestersuite Nr. 3 D-Dur, BWV 1068 (Orchestral Suite no. 3 in D major, BWV 1068)
Bach4:03
3Kontretanz KV 609
partial recording of:
5 Contredanses for Orchestra, K. 609
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Köchelverzeichnis (Köchel catalogue, original numbering) (number: 609) and Köchelverzeichnis (Köchel catalogue, sixth edition, 1964, K⁶) (number: K. 609)
Mozart1:01
4Serenade
Haydn4:39
5Eine kleine Nachtmusik (Allegro)
orchestra:
Camerata Academica des Mozarteums Salzburg (Austrian chamber orchestra) (in 1986-10)
conductor:
Sándor Végh (violinist/conductor/teacher) (in 1986-10)
recorded at:
Mozarteum (foundation) in Salzburg, Salzburg, Austria (in 1986-10)
recording of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“: I. Allegro (in 1986-10)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1787)
part of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“
Mozart45:36
6Träumerei
orchestra:
Budapest Strings (Budapest String Orchestra; Budapest Strings)
recording of:
Kinderszenen, op. 15: Träumerei (catch-all for arrangements)
composer:
Robert Schumann (German classical composer) (in 1838)
arrangement of:
Kinderszenen, op. 15: No. 7. Träumerei (Scenes from Childhood: Dreaming, original for piano)
Schubert3:06
7Marsch („Fidelio“)
orchestra:
Magyar Rádió Szimfonikus Zenekara (Budapest Symphony Orchestra)
conductor:
Tamás Pál (conductor)
recording of:
Fidelio, op. 72: Act I, Scene II, no. 6a. Marsch
composer:
Ludwig van Beethoven (German composer) (in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt I
Beethoven2:26
8Temporale („Der Barbier von Sevilla“)
orchestra:
Budapest Philharmonic Orchestra
conductor:
András Kórodi (conductor)
recording of:
Il barbiere di Siviglia: Atto II, No. 15. Temporale (Thunderstorm)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto II
Rossini3:17
9Arabischer Tanz („Peer Gynt“)
orchestra:
Amsterdam Symphony Orchestra (Alfred Scholz pseudonym) and Wiener Symphoniker (Vienna Symphony Orchestra)
conductor:
Peter Stern (fictitious conductor, Alfred Scholz pseudonym) and Yuri Ahronovitch (conductor)
recording of:
Peer Gynt Suite no. 2, op. 55: II. Arabisk dans (Peer Gynt Suite no. 2, op. 55: II. Arabian Dance)
composer:
Edvard Grieg (composer) (in 1875)
revised by:
Edvard Grieg (composer) (in 1891)
version of:
Peer Gynt, op. 23: 4. akt: Arabisk dans
part of:
Peer Gynt Suite no. 2, op. 55
Grieg4:30
10Pariser Leben
orchestra:
Budapesti Filharmóniai Társaság Zenekara (Budapest Philharmonic Orchestra)
conductor:
János Sándor (conductor)
recording of:
La Vie parisienne : Ouverture
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
librettist:
Ludovic Halévy (French librettist) and Henri Meilhac
translator:
Karl Treumann (german librettist)
part of:
La Vie parisienne
part of:
La Vie parisienne (English lyrics)
part of:
Pariser Leben
Offenbach1:47
11Ungarische Rhapsodie No. 2
orchestra:
Magyar Rádió Szimfonikus Zenekara (Budapest Symphony Orchestra)
conductor:
András Kórodi (conductor)
recording of:
Hungarian Rhapsody for Orchestra no. 2 in C minor, S. 359/2 (orch. Liszt/Doppler)
orchestrator:
Franz Doppler and Franz Liszt (Hungarian composer, pianist and conductor)
composer:
Franz Liszt (Hungarian composer, pianist and conductor)
orchestration of:
19 Hungarian Rhapsodies, S. 244 / R. 106: No. 12 in C‐sharp minor
part of:
6 Hungarian Rhapsodies for Orchestra, S. 359
Liszt5:15
12Walzer
solo cello:
Károly Botvay (cellist and conductor)
solo violin:
Béla Bánfalvi (violinist, concert master of Budapest strings)
orchestra:
Budapest Strings (Budapest String Orchestra; Budapest Strings)
concertmaster:
Béla Bánfalvi (violinist, concert master of Budapest strings)
recording of:
Waltz, op. 39 no. 15 (catch-all for unknown arrangements)
composer:
Johannes Brahms (German composer) (in 1865)
arrangement of:
16 Waltzes, op. 39: No. 15 in A-flat major (for piano four hands)
recording of:
Walzer, op. 39: Nr. 15 As-dur (Zu zwei Händen; for piano two hands)
composer:
Johannes Brahms (German composer) (in 1865)
arrangement of:
16 Waltzes, op. 39: No. 15 in A-flat major (for piano four hands)
version of:
16 Waltzes, op. 39: No. 15 in A-flat major (for piano four hands)
part of:
16 Walzer, op. 39 (16 Waltzes, op. 39, Zu zwei Händen)
Brahms2:22
13Furiant („Die verkaufte Braut“)
orchestra:
Magyar Rádió Szimfonikus Zenekara (Budapest Symphony Orchestra)
conductor:
András Kórodi (conductor) and Tamás Pál (conductor)
recording of:
Die verkaufte Braut: II. Furiant (The Bartered Bride: II. Furiant)
composer:
Bedřich Smetana (composer) (from 1863 until 1870)
part of:
Three Dances from "The Bartered Bride"
Smetana2:09
14Melodie
orchestra:
Budapest Strings (Budapest String Orchestra; Budapest Strings)
conductor:
Béla Bánfalvi (violinist, concert master of Budapest strings)
recording of:
Gipsy Songs, op. 55: IV. Songs My Mother Taught Me (catch-all for arrangements)
composer:
Antonín Dvořák (composer) (from 1880-01 until 1880-02)
arrangement of:
Cigánské melodie, op. 55: IV. Když mne stará matka (Gypsy Songs: Songs My Mother Taught Me, for voice and piano)
Dvořák2:13
15Walzer („Dornröschen“)
orchestra:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.), Amsterdam Symphony Orchestra (Alfred Scholz pseudonym), Deutsches Symphonie‐Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993), The English Philharmonic Orchestra (an Alfred Scholz pseudonym assocated with Simon Addison, not the orchestra founded in 1998), London Festival Orchestra (Alfred Scholz pseudonym), Musici di San Marco (an Alfred Scholz pseudonym), New Philharmonia Orchestra London (Alfred Scholz related, not the London Philharmonic, the Philharmonia or the New Philharmonia), New Philharmonic Orchestra (Alfred Scholz related orchestra used on budget recordings), New Philharmonic Orchestra London (bogus name used on budget releases, not the London Philharmonic or the New Philharmonia), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Philharmonic Orchestra London (Alfred Scholz pseudonym), Radio Symphony Orchestra Ljubljana (RTV Slovenia Symphony Orchestra), Royal Philharmonic Orchestra and Russian State Symphony Orchestra (State Academic Symphony Orchestra of Russia “Evgeny Svetlanov”, “Evgeny Svetlanov” / GASO)
conductor:
L. Siegel (fictitious conductor, Alfred Scholz pseudonym), Alfred Scholz, Peter Stern (fictitious conductor, Alfred Scholz pseudonym), Serge Tchaikov (conductor, unknown pseudonym, probably Alfred Scholz related), George Ralph Warren and Peter Wohlert (conductor, Alfred Scholz related)
recording of:
The Sleeping Beauty Suite, op. 66a: III. Pas de caractère
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
The Sleeping Beauty, op. 66a (Suite)
recording of:
The Sleeping Beauty Suite, op. 66a: IV. Panorama
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
The Sleeping Beauty, op. 66a (Suite)
recording of:
The Sleeping Beauty Suite, op. 66a: V. Valse
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
The Sleeping Beauty, op. 66a (Suite)
partial recording of:
The Sleeping Beauty Suite, op. 66a: V. Valse
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
The Sleeping Beauty, op. 66a (Suite)
Tchaikovsky4:24
16Pizzicato-Polka
orchestra:
People's Opera Orchestra, Vienna, Stauss-Orchester Wien (Alfred Scholz pseudonym; also Vienna Strauss Orchestra) and Strauss-Orchester Wien
conductor:
Joseph Francek (conductor, pseudonym for Alfred Scholz) and Alfred Scholz
performer:
Orchester der Wiener Volksoper
recording of:
Pizzicato-Polka
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son) (in 1869) and Josef Strauss (Austrian composer) (in 1869)
J. Strauß2:43
17Zapateado
violin:
Szenthelyi Miklós (Miklós Szenthelyi, violinist)
orchestra:
Hungarian State Orchestra (probably fictitious, or Alfred Scholz related) and Nemzeti Filharmonikus Zenekar (Hungarian National Philharmonic)
conductor:
Győriványi Ráth György
recording of:
Spanish Dances, op. 23, no. 2: Zapateado
composer:
Pablo de Sarasate (violinist and composer)
part of:
Spanish Dances, op. 23 (for violin and piano)
Sarasate3:29
18Ungarischer Tanz No. 6
orchestra:
Wiener Symphoniker (Vienna Symphony Orchestra)
conductor:
Yuri Ahronovitch (conductor)
phonographic copyright (℗) by:
Delta Music GmbH (not for release label use! 1970–2007, succeeded in 2008 by Delta Music & Entertainment GmbH & Co. KG) (in 1987)
recording of:
21 Hungarian Dances for Orchestra, WoO 1: No. 6 in D major (Vivace) (catch-all for unknown and one-off orchestrations)
composer:
Johannes Brahms (German composer) (from 1858 until 1868)
orchestration of:
Hungarian Dances for piano, 4 hands, WoO 1, Book 2, No. 6 in D-flat major: Vivace
part of:
21 Hungarian Dances for Orchestra, WoO 1 (catch-all for unknown and one-off orchestrations)
recording of:
Hungarian Dances for orchestra, WoO 1, Book 2, no. 6 in D major: Vivace (orchestrated by Schmeling)
orchestrator:
Martin Schmeling
composer:
Johannes Brahms (German composer)
publisher:
Breitkopf & Härtel
orchestration of:
Hungarian Dances for piano, 4 hands, WoO 1, Book 2, No. 6 in D-flat major: Vivace
part of:
Hungarian Dances for orchestra (Schmeling orchestration)
Brahms3:58
19Festtanz und Stundenwalzer
orchestra:
Berlin Radio Symphony Orchestra (East Berlin, 1923–)
conductor:
Heinz Fricke (conductor) and Peter Wohlert (conductor, Alfred Scholz related)
performer:
Heinz Fricke (conductor)
recording of:
Coppélia : Ballet Suite: Festival of the Clocks and Dance of the Hours
composer:
Léo Delibes (French composer)
part of:
Coppélia : Ballet Suite
recording of:
Coppélia : Tableau III, No. 20g. (7b) Danse de fête
composer:
Léo Delibes (French composer)
part of:
Coppélia : Tableau III
Delibes6:18
20Italienische Sinfonie (Allegro)
orchestra:
London Symphony Orchestra
conductor:
János Sándor (conductor)
recording of:
Symphony no. 4 in A major, op. 90 “Italian”: I. Allegro vivace
composer:
Felix Mendelssohn (composer) (in 1833)
part of:
Symphony no. 4 in A major, op. 90 “Italian”
part of:
Symphony no. 4 in A major, op. 90 “Italian” (1834 revision, uncommon)
Mendelssohn8:16
4▶CD: Vol. 4
5▶CD: Vol. 5

Credits

Release

phonographic copyright (℗) by:Delta Music GmbH (not for release label use! 1970–2007, succeeded in 2008 by Delta Music & Entertainment GmbH & Co. KG) (in 1987)
Discogs:https://www.discogs.com/release/7479098 [info]