| # | Title | Rating | Length |
|---|
| 1 | Kantate, BWV 210 „O holder Tag, erwünschte Zeit“: I. Recitativo (Sopran) „O holder Tag, erwünschte Zeit“- soprano vocals:
- Sibylla Rubens
- orchestra:
- Bach‐Collegium Stuttgart
- conductor:
- Helmuth Rilling
- recorded at:
- Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany (in 1998-01)
- recording of:
- Kantate, BWV 210 "O holder Tag, erwünschte Zeit": I. Recitativo (Sopran) "O holder Tag, erwünschte Zeit" (in 1996-05)
- premiered in:
- Leipzig, Sachsen , Germany
- composed in:
- Leipzig, Sachsen , Germany
- composer:
- Johann Sebastian Bach (from 1740 until 1750)
- librettist:
- [anonymous]
- part of:
- Kantate, BWV 210 "O holder Tag, erwünschte Zeit"
| | 1:01 |
| 2 | Kantate, BWV 210 „O holder Tag, erwünschte Zeit“: II. Aria (Sopran) „Spielet, ihr beseelten Lieder“- soprano vocals:
- Sibylla Rubens
- orchestra:
- Bach‐Collegium Stuttgart
- conductor:
- Helmuth Rilling
- recorded at:
- Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany (in 1998-01)
- recording of:
- Kantate, BWV 210 "O holder Tag, erwünschte Zeit": II. Aria (Sopran) "Spielet, ihr beseelten Lieder" (in 1996-05)
- premiered in:
- Leipzig, Sachsen , Germany
- composed in:
- Leipzig, Sachsen , Germany
- composer:
- Johann Sebastian Bach (from 1740 until 1750)
- librettist:
- [anonymous]
- part of:
- Kantate, BWV 210 "O holder Tag, erwünschte Zeit"
| | 6:21 |
| 3 | Kantate, BWV 210 „O holder Tag, erwünschte Zeit“: III. Recitativo (Sopran) „Doch, haltet ein, ihr muntern Saiten“- soprano vocals:
- Sibylla Rubens
- orchestra:
- Bach‐Collegium Stuttgart
- conductor:
- Helmuth Rilling
- recorded at:
- Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany (in 1998-01)
- recording of:
- Kantate, BWV 210 "O holder Tag, erwünschte Zeit": III. Recitativo (Sopran) "Doch, haltet ein, ihr muntern Saiten" (in 1996-05)
- premiered in:
- Leipzig, Sachsen , Germany
- composed in:
- Leipzig, Sachsen , Germany
- composer:
- Johann Sebastian Bach (from 1740 until 1750)
- librettist:
- [anonymous]
- part of:
- Kantate, BWV 210 "O holder Tag, erwünschte Zeit"
| | 1:07 |
| 4 | Kantate, BWV 210 „O holder Tag, erwünschte Zeit“: IV. Aria (Sopran) „Ruhet hie, matte Töne“- soprano vocals:
- Sibylla Rubens
- orchestra:
- Bach‐Collegium Stuttgart
- conductor:
- Helmuth Rilling
- recorded at:
- Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany (in 1998-01)
- recording of:
- Kantate, BWV 210 "O holder Tag, erwünschte Zeit": IV. Aria (Sopran) "Ruhet hie, matte Töne" (in 1996-05)
- premiered in:
- Leipzig, Sachsen , Germany
- composed in:
- Leipzig, Sachsen , Germany
- composer:
- Johann Sebastian Bach (from 1740 until 1750)
- librettist:
- [anonymous]
- part of:
- Kantate, BWV 210 "O holder Tag, erwünschte Zeit"
| | 5:32 |
| 5 | Kantate, BWV 210 „O holder Tag, erwünschte Zeit“: V. Recitativo (Sopran) „So glaubt man denn, daß die Musik verführe“- soprano vocals:
- Sibylla Rubens
- orchestra:
- Bach‐Collegium Stuttgart
- conductor:
- Helmuth Rilling
- recorded at:
- Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany (in 1998-01)
- recording of:
- Kantate, BWV 210 "O holder Tag, erwünschte Zeit": V. Recitativo (Sopran) "So glaubt man denn, daß die Musik verführe" (in 1996-05)
- premiered in:
- Leipzig, Sachsen , Germany
- composed in:
- Leipzig, Sachsen , Germany
- composer:
- Johann Sebastian Bach (from 1740 until 1750)
- librettist:
- [anonymous]
- part of:
- Kantate, BWV 210 "O holder Tag, erwünschte Zeit"
| | 2:07 |
| 6 | Kantate, BWV 210 „O holder Tag, erwünschte Zeit“: VI. Aria (Sopran) „Schweigt, ihr Flöten, schweigt, ihr Töne“- soprano vocals:
- Sibylla Rubens
- orchestra:
- Bach‐Collegium Stuttgart
- conductor:
- Helmuth Rilling
- recorded at:
- Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany (in 1998-01)
- recording of:
- Kantate, BWV 210 "O holder Tag, erwünschte Zeit": VI. Aria (Sopran) "Schweigt, ihr Flöten, schweigt, ihr Töne" (in 1996-05)
- premiered in:
- Leipzig, Sachsen , Germany
- composed in:
- Leipzig, Sachsen , Germany
- composer:
- Johann Sebastian Bach (from 1740 until 1750)
- librettist:
- [anonymous]
- part of:
- Kantate, BWV 210 "O holder Tag, erwünschte Zeit"
| | 3:53 |
| 7 | Kantate, BWV 210 „O holder Tag, erwünschte Zeit“: VII. Recitativo (Sopran) „Was Luft? was Grab?“- soprano vocals:
- Sibylla Rubens
- orchestra:
- Bach‐Collegium Stuttgart
- conductor:
- Helmuth Rilling
- recorded at:
- Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany (in 1998-01)
- recording of:
- Kantate, BWV 210 "O holder Tag, erwünschte Zeit": VII. Recitativo (Sopran) "Was Luft? was Grab?" (in 1996-05)
- premiered in:
- Leipzig, Sachsen , Germany
- composed in:
- Leipzig, Sachsen , Germany
- composer:
- Johann Sebastian Bach (from 1740 until 1750)
- librettist:
- [anonymous]
- part of:
- Kantate, BWV 210 "O holder Tag, erwünschte Zeit"
| | 1:38 |
| 8 | Kantate, BWV 210 „O holder Tag, erwünschte Zeit“: VIII. Aria (Sopran) „Großer Gönner, dein Vergnügen“- soprano vocals:
- Sibylla Rubens
- orchestra:
- Bach‐Collegium Stuttgart
- conductor:
- Helmuth Rilling
- recorded at:
- Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany (in 1998-01)
- recording of:
- Kantate, BWV 210 "O holder Tag, erwünschte Zeit": VIII. Aria (Sopran) "Großer Gönner, dein Vergnügen" (in 1996-05)
- premiered in:
- Leipzig, Sachsen , Germany
- composed in:
- Leipzig, Sachsen , Germany
- composer:
- Johann Sebastian Bach (from 1740 until 1750)
- librettist:
- [anonymous]
- part of:
- Kantate, BWV 210 "O holder Tag, erwünschte Zeit"
| | 2:47 |
| 9 | Kantate, BWV 210 „O holder Tag, erwünschte Zeit“: IX. Recitativo (Sopran) „Hochteurer Mann, so fahre ferner fort“- soprano vocals:
- Sibylla Rubens
- orchestra:
- Bach‐Collegium Stuttgart
- conductor:
- Helmuth Rilling
- recorded at:
- Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany (in 1998-01)
- recording of:
- Kantate, BWV 210 "O holder Tag, erwünschte Zeit": IX. Recitativo (Sopran) "Hochteurer Mann, so fahre ferner fort" (in 1996-05)
- premiered in:
- Leipzig, Sachsen , Germany
- composed in:
- Leipzig, Sachsen , Germany
- composer:
- Johann Sebastian Bach (from 1740 until 1750)
- librettist:
- [anonymous]
- part of:
- Kantate, BWV 210 "O holder Tag, erwünschte Zeit"
| | 1:22 |
| 10 | Kantate, BWV 210 „O holder Tag, erwünschte Zeit“: X. Aria (Sopran) „Seid beglückt, edle beide“- soprano vocals:
- Sibylla Rubens
- orchestra:
- Bach‐Collegium Stuttgart
- conductor:
- Helmuth Rilling
- recorded at:
- Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany (in 1998-01)
- recording of:
- Kantate, BWV 210 "O holder Tag, erwünschte Zeit": X. Aria (Sopran) "Seid beglückt, edle beide" (in 1996-05)
- premiered in:
- Leipzig, Sachsen , Germany
- composed in:
- Leipzig, Sachsen , Germany
- composer:
- Johann Sebastian Bach (from 1740 until 1750)
- librettist:
- [anonymous]
- part of:
- Kantate, BWV 210 "O holder Tag, erwünschte Zeit"
| | 5:56 |
| 11 | Kantate, BWV 211 „Schweigt stille, plaudert nicht“: I. Recitativo (Tenor) „Schweigt stille, plaudert nicht“- tenor vocals:
- James Taylor
- orchestra:
- Bach‐Collegium Stuttgart
- conductor:
- Helmuth Rilling
- recorded at:
- Stiftskirche Herrenberg in Herrenberg, Baden-Württemberg, Germany (in 1996-05)
- recording of:
- Kantate, BWV 211 "Schweigt stille, plaudert nicht": I. Recitativo (Tenor) "Schweigt stille, plaudert nicht" (in 1996-05)
- premiered in:
- Leipzig, Sachsen , Germany
- composed in:
- Leipzig, Sachsen , Germany (from 1734 until 1735)
- composer:
- Johann Sebastian Bach (from 1734 until 1735)
- librettist:
- Christian Friedrich Henrici
- premiered at:
- Zimmermannsches Kaffeehaus in Leipzig, Sachsen , Germany
- part of:
- Kantate, BWV 211 "Schweigt stille, plaudert nicht"
| | 0:39 |
| 12 | Kantate, BWV 211 „Schweigt stille, plaudert nicht“: II. Aria (Bass) „Hat man nicht mit seinen Kindern“- bass vocals:
- Thomas Quasthoff
- orchestra:
- Bach‐Collegium Stuttgart
- conductor:
- Helmuth Rilling
- recorded at:
- Stiftskirche Herrenberg in Herrenberg, Baden-Württemberg, Germany (in 1996-05)
- recording of:
- Kantate, BWV 211 "Schweigt stille, plaudert nicht": II. Aria (Bass) "Hat man nicht mit seinen Kindern" (in 1996-05)
- premiered in:
- Leipzig, Sachsen , Germany
- composed in:
- Leipzig, Sachsen , Germany (from 1734 until 1735)
- composer:
- Johann Sebastian Bach (from 1734 until 1735)
- librettist:
- Christian Friedrich Henrici
- premiered at:
- Zimmermannsches Kaffeehaus in Leipzig, Sachsen , Germany
- part of:
- Kantate, BWV 211 "Schweigt stille, plaudert nicht"
| | 2:46 |
| 13 | Kantate, BWV 211 „Schweigt stille, plaudert nicht“: III. Recitativo (Bass, Sopran) „Du böses Kind, du loses Mädchen“- bass vocals:
- Thomas Quasthoff
- soprano vocals:
- Christine Schäfer
- orchestra:
- Bach‐Collegium Stuttgart
- conductor:
- Helmuth Rilling
- recorded at:
- Stiftskirche Herrenberg in Herrenberg, Baden-Württemberg, Germany (in 1996-05)
- recording of:
- Kantate, BWV 211 "Schweigt stille, plaudert nicht": III. Recitativo (Bass, Sopran) "Du böses Kind, du loses Mädchen" (in 1996-05)
- premiered in:
- Leipzig, Sachsen , Germany
- composed in:
- Leipzig, Sachsen , Germany (from 1734 until 1735)
- composer:
- Johann Sebastian Bach (from 1734 until 1735)
- librettist:
- Christian Friedrich Henrici
- premiered at:
- Zimmermannsches Kaffeehaus in Leipzig, Sachsen , Germany
- part of:
- Kantate, BWV 211 "Schweigt stille, plaudert nicht"
| | 0:39 |
| 14 | Kantate, BWV 211 „Schweigt stille, plaudert nicht“: IV. Aria (Sopran) „Ei, wie schmeckt der Coffee süße“- soprano vocals:
- Christine Schäfer
- orchestra:
- Bach‐Collegium Stuttgart
- conductor:
- Helmuth Rilling
- recorded at:
- Stiftskirche Herrenberg in Herrenberg, Baden-Württemberg, Germany (in 1996-05)
- recording of:
- Kantate, BWV 211 "Schweigt stille, plaudert nicht": IV. Aria (Sopran) "Ei, wie schmeckt der Coffee süße" (in 1996-05)
- premiered in:
- Leipzig, Sachsen , Germany
- composed in:
- Leipzig, Sachsen , Germany (from 1734 until 1735)
- composer:
- Johann Sebastian Bach (from 1734 until 1735)
- librettist:
- Christian Friedrich Henrici
- premiered at:
- Zimmermannsches Kaffeehaus in Leipzig, Sachsen , Germany
- part of:
- Kantate, BWV 211 "Schweigt stille, plaudert nicht"
| | 4:32 |
| 15 | Kantate, BWV 211 „Schweigt stille, plaudert nicht“: V. Recitativo (Bass, Sopran) „Wenn du mir nicht den Coffee läßt“- bass vocals:
- Thomas Quasthoff
- soprano vocals:
- Christine Schäfer
- orchestra:
- Bach‐Collegium Stuttgart
- conductor:
- Helmuth Rilling
- recorded at:
- Stiftskirche Herrenberg in Herrenberg, Baden-Württemberg, Germany (in 1996-05)
- recording of:
- Kantate, BWV 211 "Schweigt stille, plaudert nicht": V. Recitativo (Bass, Sopran) "Wenn du mir nicht den Coffee läßt" (in 1996-05)
- premiered in:
- Leipzig, Sachsen , Germany
- composed in:
- Leipzig, Sachsen , Germany (from 1734 until 1735)
- composer:
- Johann Sebastian Bach (from 1734 until 1735)
- librettist:
- Christian Friedrich Henrici
- premiered at:
- Zimmermannsches Kaffeehaus in Leipzig, Sachsen , Germany
- part of:
- Kantate, BWV 211 "Schweigt stille, plaudert nicht"
| | 1:29 |
| 16 | Kantate, BWV 211 „Schweigt stille, plaudert nicht“: VI. Aria (Bass) „Mädchen, die von harten Sinnen“- bass vocals:
- Thomas Quasthoff
- orchestra:
- Bach‐Collegium Stuttgart
- conductor:
- Helmuth Rilling
- recorded at:
- Stiftskirche Herrenberg in Herrenberg, Baden-Württemberg, Germany (in 1996-05)
- recording of:
- Kantate, BWV 211 "Schweigt stille, plaudert nicht": VI. Aria (Bass) "Mädchen, die von harten Sinnen" (in 1996-05)
- premiered in:
- Leipzig, Sachsen , Germany
- composed in:
- Leipzig, Sachsen , Germany (from 1734 until 1735)
- composer:
- Johann Sebastian Bach (from 1734 until 1735)
- librettist:
- Christian Friedrich Henrici
- premiered at:
- Zimmermannsches Kaffeehaus in Leipzig, Sachsen , Germany
- part of:
- Kantate, BWV 211 "Schweigt stille, plaudert nicht"
| | 2:42 |
| 17 | Kantate, BWV 211 „Schweigt stille, plaudert nicht“: VII. Recitativo (Bass, Sopran) „Nun folge, was dein Vater spricht“- bass vocals:
- Thomas Quasthoff
- soprano vocals:
- Christine Schäfer
- orchestra:
- Bach‐Collegium Stuttgart
- conductor:
- Helmuth Rilling
- recorded at:
- Stiftskirche Herrenberg in Herrenberg, Baden-Württemberg, Germany (in 1996-05)
- recording of:
- Kantate, BWV 211 "Schweigt stille, plaudert nicht": VII. Recitativo (Bass, Sopran) "Nun folge, was dein Vater spricht" (in 1996-05)
- premiered in:
- Leipzig, Sachsen , Germany
- composed in:
- Leipzig, Sachsen , Germany (from 1734 until 1735)
- composer:
- Johann Sebastian Bach (from 1734 until 1735)
- librettist:
- Christian Friedrich Henrici
- premiered at:
- Zimmermannsches Kaffeehaus in Leipzig, Sachsen , Germany
- part of:
- Kantate, BWV 211 "Schweigt stille, plaudert nicht"
| | 1:04 |
| 18 | Kantate, BWV 211 „Schweigt stille, plaudert nicht“: VIII. Aria (Sopran) „Heute noch, lieber Vater, tut es doch“- soprano vocals:
- Christine Schäfer
- orchestra:
- Bach‐Collegium Stuttgart
- conductor:
- Helmuth Rilling
- recorded at:
- Stiftskirche Herrenberg in Herrenberg, Baden-Württemberg, Germany (in 1996-05)
- recording of:
- Kantate, BWV 211 "Schweigt stille, plaudert nicht": VIII. Aria (Sopran) "Heute noch, lieber Vater, tut es doch" (in 1996-05)
- premiered in:
- Leipzig, Sachsen , Germany
- composed in:
- Leipzig, Sachsen , Germany (from 1734 until 1735)
- composer:
- Johann Sebastian Bach (from 1734 until 1735)
- librettist:
- Christian Friedrich Henrici
- premiered at:
- Zimmermannsches Kaffeehaus in Leipzig, Sachsen , Germany
- part of:
- Kantate, BWV 211 "Schweigt stille, plaudert nicht"
| | 6:47 |
| 19 | Kantate, BWV 211 „Schweigt stille, plaudert nicht“: IX. Recitativo (Tenor) „Nun geht und sucht der alte Schlendrian“- tenor vocals:
- James Taylor
- orchestra:
- Bach‐Collegium Stuttgart
- conductor:
- Helmuth Rilling
- recorded at:
- Stiftskirche Herrenberg in Herrenberg, Baden-Württemberg, Germany (in 1996-05)
- recording of:
- Kantate, BWV 211 "Schweigt stille, plaudert nicht": IX. Recitativo (Tenor) "Nun geht und sucht der alte Schlendrian" (in 1996-05)
- premiered in:
- Leipzig, Sachsen , Germany
- composed in:
- Leipzig, Sachsen , Germany (from 1734 until 1735)
- composer:
- Johann Sebastian Bach (from 1734 until 1735)
- librettist:
- [anonymous]
- premiered at:
- Zimmermannsches Kaffeehaus in Leipzig, Sachsen , Germany
- part of:
- Kantate, BWV 211 "Schweigt stille, plaudert nicht"
| | 0:45 |
| 20 | Kantate, BWV 211 „Schweigt stille, plaudert nicht“: X. Chorus (Sopran, Tenor, Bass) „Die Katze läßt das Mausen nicht“- bass vocals:
- Thomas Quasthoff
- choir vocals:
- Gächinger Kantorei Stuttgart
- soprano vocals:
- Christine Schäfer
- tenor vocals:
- James Taylor
- orchestra:
- Bach‐Collegium Stuttgart
- conductor:
- Helmuth Rilling
- recorded at:
- Stiftskirche Herrenberg in Herrenberg, Baden-Württemberg, Germany (in 1996-05)
- recording of:
- Kantate, BWV 211 "Schweigt stille, plaudert nicht": X. Chorus (Sopran, Tenor, Bass) "Die Katze läßt das Mausen nicht" (in 1996-05)
- premiered in:
- Leipzig, Sachsen , Germany
- composed in:
- Leipzig, Sachsen , Germany (from 1734 until 1735)
- composer:
- Johann Sebastian Bach (from 1734 until 1735)
- librettist:
- [anonymous]
- premiered at:
- Zimmermannsches Kaffeehaus in Leipzig, Sachsen , Germany
- part of:
- Kantate, BWV 211 "Schweigt stille, plaudert nicht"
| | 4:35 |
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