Complete Beethoven Edition, Volume 19: Large Choral Works

~ Release by Ludwig van Beethoven (see all versions of this release, 1 available)

Annotation

Orchestre Révolutionnaire et Romantique performs here on authentic instruments.

Missa solemnis:
Jessye Norman performed parts prescribed for Alto with a Soprano voice.
Gert Frischmuth concert master for Rundfunkchor Leipziger.
Gustav Sjökvist concert master for Swedish Radio Chorus & Eric Ericson Chamber Choir

Tracks 1-6 (Op. 136):
Soprano (Vienna): Luba Orgonasova
Mezz-soprano (Seherin): Iris Vermillion
Tenor (Genius): Timothy Robinson
Bass (Führer des Volkes): Franz Hawlata
Coro di voci bianche dell'Arcum Chorus Master: Paolo Lucci
Coro e Orchestra dell'Accademia Nazionale di Santa Cecilia Chorus Master: Norbert Balatsch

Tracks 7-12 (Op. 80):
Soprano: Cheryl Studer, Kristina Clemenz
Mezzo-soprano: Camille Capasso
Tenor: John aler, Hiroshi Oshima
Bass: Friedrich Molsberger
RIAS Kammerchor Chorus Master: Marcus Creed

Tracks 1-7 (WoO 87):
Soprano: Charlotte Margiono
Bass: William Shimell
Soprano-solo: Veronica Verebély
Alto-solo: Ulrike Helzel
Tenor: Clemens Bieber

Tracks 8-13 (WoO 88):
Soprano: Christine Schäfer
Tenor: Clemens Bieber
Bass: Victor von Halem
Alto-solo: Ulrike Helzel

Annotation last modified on 2008-02-27 05:55 UTC.

Tracklist

1▶CD
2▼CD
#TitleRatingLength
1Cantata for 4 Solo Voices, Chorus, and Orchestra, op. 136 “The Moment of Glory”: I. Choir “Europa stet!”
choir vocals:
Coro dell’Accademia Nazionale di Santa Cecilia (Chorus of the National Academy of Santa Cecilia) and Coro di voci bianche dell’Arcum
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia)
conductor:
정명훈 (Myung-Whun Chung, pianist and conductor)
chorus master:
Norbert Balatsch (baritone, chorus master and conductor) and Paolo Lucci (chorus master)
recording of:
Cantata for 4 Solo Voices, Chorus, and Orchestra, op. 136 "The Moment of Glory": I. Choir "Europa stet!"
composer:
Ludwig van Beethoven (German composer) (in 1814)
part of:
Der glorreiche Augenblick, op. 136
3:49
2Cantata for 4 Solo Voices, Chorus, and Orchestra, op. 136 “The Moment of Glory”: II. Recitative “O seht sie nah und näher treten!” (Führer des Volkes) - Choir “Vienna, Vienna, Vienna!”
choir vocals:
Coro dell’Accademia Nazionale di Santa Cecilia (Chorus of the National Academy of Santa Cecilia) and Coro di voci bianche dell’Arcum
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia)
conductor:
정명훈 (Myung-Whun Chung, pianist and conductor)
chorus master:
Norbert Balatsch (baritone, chorus master and conductor) and Paolo Lucci (chorus master)
recording of:
Cantata for 4 Solo Voices, Chorus, and Orchestra, op. 136 "The Moment of Glory": II. Recitative "O seht sie nah und näher treten!" (Führer des Volkes) - Choir "Vienna, Vienna, Vienna!"
composer:
Ludwig van Beethoven (German composer) (in 1814)
part of:
Der glorreiche Augenblick, op. 136
3:32
3Cantata for 4 Solo Voices, Chorus, and Orchestra, op. 136 “The Moment of Glory”: III. Recitative “O Himmel, wlch’ Entzüchekn!” (Vienna) - Aria with Choir “Alle die Herrscher darf ich grüssen” (Vienna)
choir vocals:
Coro dell’Accademia Nazionale di Santa Cecilia (Chorus of the National Academy of Santa Cecilia) and Coro di voci bianche dell’Arcum
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia)
conductor:
정명훈 (Myung-Whun Chung, pianist and conductor)
chorus master:
Norbert Balatsch (baritone, chorus master and conductor) and Paolo Lucci (chorus master)
recording of:
Cantata for 4 Solo Voices, Chorus, and Orchestra, op. 136 "The Moment of Glory": III. Recitative "O Himmel, welch' Entzücken!" (Vienna) - Aria with Choir "Alle die Herrscher darf ich grüssen" (Vienna)
composer:
Ludwig van Beethoven (German composer) (in 1814)
part of:
Der glorreiche Augenblick, op. 136
9:19
4Cantata for 4 Solo Voices, Chorus, and Orchestra, op. 136 “The Moment of Glory”: IV. Recitative “Das Auge schaut” (Seherin) - Kavatine with Choir “Dem die erste Zähre” (Seherin)
choir vocals:
Coro dell’Accademia Nazionale di Santa Cecilia (Chorus of the National Academy of Santa Cecilia) and Coro di voci bianche dell’Arcum
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia)
conductor:
정명훈 (Myung-Whun Chung, pianist and conductor)
chorus master:
Norbert Balatsch (baritone, chorus master and conductor) and Paolo Lucci (chorus master)
recording of:
Cantata for 4 Solo Voices, Chorus, and Orchestra, op. 136 "The Moment of Glory": IV. Recitative "Das Auge schaut" (Seherin) - Kavatine with Choir "Dem die erste Zähre" (Seherin)
composer:
Ludwig van Beethoven (German composer) (in 1814)
part of:
Der glorreiche Augenblick, op. 136
7:09
5Cantata for 4 Solo Voices, Chorus, and Orchestra, op. 136 “The Moment of Glory”: V. Recitative “Der den Bund im Sturme festgehalten” - Quartet “In meinen Mauern bauen sich neue Zeiten auf” (Vienna, Genius, Führer des Volkes, Seherin)
choir vocals:
Coro dell’Accademia Nazionale di Santa Cecilia (Chorus of the National Academy of Santa Cecilia) and Coro di voci bianche dell’Arcum
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia)
conductor:
정명훈 (Myung-Whun Chung, pianist and conductor)
chorus master:
Norbert Balatsch (baritone, chorus master and conductor) and Paolo Lucci (chorus master)
recording of:
Cantata for 4 Solo Voices, Chorus, and Orchestra, op. 136 "The Moment of Glory": V. Recitative "Der den Bund im Sturme festgehalten" - Quartet "In meinen Mauern bauen sich neue Zeiten auf" (Vienna, Genius, Führer des Volkes, Seherin)
composer:
Ludwig van Beethoven (German composer) (in 1814)
part of:
Der glorreiche Augenblick, op. 136
6:20
6Cantata for 4 Solo Voices, Chorus, and Orchestra, op. 136 “The Moment of Glory”: VI. Choir “Es treten vor die Scharen der Frauen”
choir vocals:
Coro dell’Accademia Nazionale di Santa Cecilia (Chorus of the National Academy of Santa Cecilia) and Coro di voci bianche dell’Arcum
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia)
conductor:
정명훈 (Myung-Whun Chung, pianist and conductor)
chorus master:
Norbert Balatsch (baritone, chorus master and conductor) and Paolo Lucci (chorus master)
recording of:
Cantata for 4 Solo Voices, Chorus, and Orchestra, op. 136 "The Moment of Glory": VI. Choir "Es treten vor die Scharen der Frauen"
composer:
Ludwig van Beethoven (German composer) (in 1814)
part of:
Der glorreiche Augenblick, op. 136
4:04
7Fantasy for Piano, Choir, and Orchestra in C minor, op. 80 “Choral Fantasy”: I. Adagio (live)
piano:
Evgeny Kissin (Russian classical pianist)
choir vocals:
RIAS Kammerchor (German chamber choir)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra)
conductor:
Claudio Abbado (conductor)
chorus master:
Marcus Creed (conductor)
live recording of:
Fantasia for Piano, Chorus, and Orchestra in C minor, op. 80 “Choral Fantasy”: I. Adagio
composer:
Ludwig van Beethoven (German composer) (in 1808)
revised by:
Ludwig van Beethoven (German composer) (in 1809)
version of:
Fantasia for Piano, Chorus, and Orchestra in C minor, op. 80 “Choral Fantasy”: Original introduction (Original introduction, not part of standard repertoire)
part of:
Fantasia for Piano, Chorus, and Orchestra in C minor, op. 80 “Choral Fantasy”
3:19
8Fantasy for Piano, Choir, and Orchestra in C minor, op. 80 “Choral Fantasy”: II‐i. Finale. Allegro - Meno allegro - Allegro molto (live)
piano:
Evgeny Kissin (Russian classical pianist)
choir vocals:
RIAS Kammerchor (German chamber choir)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra)
conductor:
Claudio Abbado (conductor)
chorus master:
Marcus Creed (conductor)
performer:
Claudio Abbado (conductor), John Aler (tenor), Berliner Philharmoniker (Berlin Philharmonic Orchestra), Camille Capasso, Kristina Clemenz, Friedrich Molsberger (german operatic bass and medical scientist), Hiroshi Oshima (operatic tenor), RIAS Kammerchor (German chamber choir) and Cheryl Studer (soprano)
recording of:
Fantasia for Piano, Chorus, and Orchestra in C minor, op. 80 “Choral Fantasy”: II. Finale: Allegro – Meno allegro (Allegretto) – Allegro molto – Adagio ma non troppo – Marcia, assai vivace – Allegro – Allegretto ma non troppo quasi andante con moto »Schmeichelnd hold und liebliech klingen« – Presto (on 1991-12-31)
composer:
Ludwig van Beethoven (German composer) (in 1808)
revised by:
Ludwig van Beethoven (German composer) (in 1809)
part of:
Fantasia for Piano, Chorus, and Orchestra in C minor, op. 80 “Choral Fantasy”
live partial recording of:
Fantasia for Piano, Chorus, and Orchestra in C minor, op. 80 “Choral Fantasy”: II. Finale: Allegro – Meno allegro (Allegretto) – Allegro molto – Adagio ma non troppo – Marcia, assai vivace – Allegro – Allegretto ma non troppo quasi andante con moto »Schmeichelnd hold und liebliech klingen« – Presto
composer:
Ludwig van Beethoven (German composer) (in 1808)
revised by:
Ludwig van Beethoven (German composer) (in 1809)
part of:
Fantasia for Piano, Chorus, and Orchestra in C minor, op. 80 “Choral Fantasy”
6:18
9Fantasy for Piano, Choir, and Orchestra in C minor, op. 80 “Choral Fantasy”: II‐ii. Adagio ma non troppo (live)
piano:
Evgeny Kissin (Russian classical pianist)
choir vocals:
RIAS Kammerchor (German chamber choir)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra)
conductor:
Claudio Abbado (conductor)
chorus master:
Marcus Creed (conductor)
performer:
Claudio Abbado (conductor), John Aler (tenor), Berliner Philharmoniker (Berlin Philharmonic Orchestra), Camille Capasso, Kristina Clemenz, Friedrich Molsberger (german operatic bass and medical scientist), Hiroshi Oshima (operatic tenor), RIAS Kammerchor (German chamber choir) and Cheryl Studer (soprano)
recording of:
Fantasia for Piano, Chorus, and Orchestra in C minor, op. 80 “Choral Fantasy”: II. Finale: Allegro – Meno allegro (Allegretto) – Allegro molto – Adagio ma non troppo – Marcia, assai vivace – Allegro – Allegretto ma non troppo quasi andante con moto »Schmeichelnd hold und liebliech klingen« – Presto (on 1991-12-31)
composer:
Ludwig van Beethoven (German composer) (in 1808)
revised by:
Ludwig van Beethoven (German composer) (in 1809)
part of:
Fantasia for Piano, Chorus, and Orchestra in C minor, op. 80 “Choral Fantasy”
live partial recording of:
Fantasia for Piano, Chorus, and Orchestra in C minor, op. 80 “Choral Fantasy”: II. Finale: Allegro – Meno allegro (Allegretto) – Allegro molto – Adagio ma non troppo – Marcia, assai vivace – Allegro – Allegretto ma non troppo quasi andante con moto »Schmeichelnd hold und liebliech klingen« – Presto
composer:
Ludwig van Beethoven (German composer) (in 1808)
revised by:
Ludwig van Beethoven (German composer) (in 1809)
part of:
Fantasia for Piano, Chorus, and Orchestra in C minor, op. 80 “Choral Fantasy”
2:52
10Fantasy for Piano, Choir, and Orchestra in C minor, op. 80 “Choral Fantasy”: II‐iii. Marcia, assai vivace - Allegro (live)
piano:
Evgeny Kissin (Russian classical pianist)
choir vocals:
RIAS Kammerchor (German chamber choir)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra)
conductor:
Claudio Abbado (conductor)
chorus master:
Marcus Creed (conductor)
performer:
Claudio Abbado (conductor), John Aler (tenor), Berliner Philharmoniker (Berlin Philharmonic Orchestra), Camille Capasso, Kristina Clemenz, Friedrich Molsberger (german operatic bass and medical scientist), Hiroshi Oshima (operatic tenor), RIAS Kammerchor (German chamber choir) and Cheryl Studer (soprano)
recording of:
Fantasia for Piano, Chorus, and Orchestra in C minor, op. 80 “Choral Fantasy”: II. Finale: Allegro – Meno allegro (Allegretto) – Allegro molto – Adagio ma non troppo – Marcia, assai vivace – Allegro – Allegretto ma non troppo quasi andante con moto »Schmeichelnd hold und liebliech klingen« – Presto (on 1991-12-31)
composer:
Ludwig van Beethoven (German composer) (in 1808)
revised by:
Ludwig van Beethoven (German composer) (in 1809)
part of:
Fantasia for Piano, Chorus, and Orchestra in C minor, op. 80 “Choral Fantasy”
live partial recording of:
Fantasia for Piano, Chorus, and Orchestra in C minor, op. 80 “Choral Fantasy”: II. Finale: Allegro – Meno allegro (Allegretto) – Allegro molto – Adagio ma non troppo – Marcia, assai vivace – Allegro – Allegretto ma non troppo quasi andante con moto »Schmeichelnd hold und liebliech klingen« – Presto
composer:
Ludwig van Beethoven (German composer) (in 1808)
revised by:
Ludwig van Beethoven (German composer) (in 1809)
part of:
Fantasia for Piano, Chorus, and Orchestra in C minor, op. 80 “Choral Fantasy”
2:09
11Fantasy for Piano, Choir, and Orchestra in C minor, op. 80 “Choral Fantasy”: II‐iv. Allegretto, ma non troppo quasi andante con moto “Schmeichelnd hold un liblich klingen” (live)
piano:
Evgeny Kissin (Russian classical pianist)
choir vocals:
RIAS Kammerchor (German chamber choir)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra)
conductor:
Claudio Abbado (conductor)
chorus master:
Marcus Creed (conductor)
live partial recording of:
Fantasia for Piano, Chorus, and Orchestra in C minor, op. 80 “Choral Fantasy”: II. Finale: Allegro – Meno allegro (Allegretto) – Allegro molto – Adagio ma non troppo – Marcia, assai vivace – Allegro – Allegretto ma non troppo quasi andante con moto »Schmeichelnd hold und liebliech klingen« – Presto
composer:
Ludwig van Beethoven (German composer) (in 1808)
revised by:
Ludwig van Beethoven (German composer) (in 1809)
part of:
Fantasia for Piano, Chorus, and Orchestra in C minor, op. 80 “Choral Fantasy”
2:18
12Fantasy for Piano, Choir, and Orchestra in C minor, op. 80 “Choral Fantasy”: II‐v. Presto (live)
piano:
Evgeny Kissin (Russian classical pianist)
choir vocals:
RIAS Kammerchor (German chamber choir)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra)
conductor:
Claudio Abbado (conductor)
chorus master:
Marcus Creed (conductor)
live partial recording of:
Fantasia for Piano, Chorus, and Orchestra in C minor, op. 80 “Choral Fantasy”: II. Finale: Allegro – Meno allegro (Allegretto) – Allegro molto – Adagio ma non troppo – Marcia, assai vivace – Allegro – Allegretto ma non troppo quasi andante con moto »Schmeichelnd hold und liebliech klingen« – Presto
composer:
Ludwig van Beethoven (German composer) (in 1808)
revised by:
Ludwig van Beethoven (German composer) (in 1809)
part of:
Fantasia for Piano, Chorus, and Orchestra in C minor, op. 80 “Choral Fantasy”
1:37
3▶CD
4▶CD
5▶CD

Credits

Release

chorus master:Karl Kamper
alto vocals:Ulrike Helzel
bass vocals:Victor von Halem (operatic bass)
Franz Hawlata (bass-baritone)
Friedrich Molsberger (german operatic bass and medical scientist)
William Shimell (baritone)
mezzo-soprano vocals:Camille Capasso
Iris Vermillion (mezzo-soprano)
soprano vocals:Kristina Clemenz
Charlotte Margiono (soprano)
Ľuba Orgonášová (soprano)
Christine Schäfer (soprano)
Cheryl Studer (soprano)
Veronica Verebély
tenor vocals:John Aler (tenor)
Clemens Bieber (german operatic tenor)
Hiroshi Oshima (operatic tenor)
Timothy Robinson (tenor)
part of:Complete Beethoven Edition (Deutsche Grammophon) (number: 19) (order: 22)
ASIN:US: B000001GZM [info]

Release group

part of:Complete Beethoven Edition (Deutsche Grammophon, release groups) (number: 19) (order: 19)