Oldies Selection: The Ultimate the Collection

~ Release by Cecil Taylor (see all versions of this release, 1 available)

Annotation

Copyright: © 2021 Pipe Dublin/Copyright Control
℗ 2021 Pipe Dublin under esclusive license to Zoroty Distribution Srls

Annotation last modified on 2026-09-17 14:24 UTC.

Tracklist

1▼Digital Media
#TitleRatingLength
1African Violets
double bass:
Buell Neidlinger (on 1958-06-09)
drums (drum set):
Denis Charles (drums) (on 1958-06-09)
piano:
Cecil Taylor (on 1958-06-09)
vibraphone:
Earl Griffith (vibraphonist, organist) (on 1958-06-09)
recorded at:
Nola’s Penthouse (Nola's Penthouse, NYC) in New York, New York, United States (on 1958-06-09)
recording of:
African Violets
composer:
Earl Griffith (vibraphonist, organist) and Cecil Taylor
5:12
2Air
engineer:
Bob d’Orleans
double bass:
Buell Neidlinger (from 1960-10-12 until 1960-10-13)
drums (drum set):
Denis Charles (drums) (from 1960-10-12 until 1960-10-13)
piano:
Cecil Taylor (from 1960-10-12 until 1960-10-13)
tenor saxophone:
Archie Shepp (from 1960-10-12 until 1960-10-13)
recorded at:
Nola’s Penthouse (Nola's Penthouse, NYC) in New York, New York, United States (from 1960-10-12 until 1960-10-13)
recording of:
Air (in 1960-12)
composer:
Cecil Taylor
publisher:
Jay Bee Music Corp. and Syndicore
8:39
3Azure
recorded in:
Boston, Massachusetts, United States (on 1956-09-14)
double bass:
Buell Neidlinger (on 1956-09-14)
drums (drum set):
Denis Charles (drums) (on 1956-09-14)
piano:
Cecil Taylor (on 1956-09-14)
cover recording of:
Azure (on 1956-09-14)
lyricist:
Irving Mills (in 1937)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1937)
7:29
4Bemsha Swing
recorded in:
Boston, Massachusetts, United States (on 1956-09-14)
double bass:
Buell Neidlinger (on 1956-09-14)
drums (drum set):
Denis Charles (drums) (on 1956-09-14)
piano:
Cecil Taylor (on 1956-09-14)
cover recording of:
Bemsha Swing (instrumental) (on 1956-09-14)
composer:
Denzil Best and Thelonious Monk
publisher:
Bayes Music Corporation, Bocu Music Ltd., Embassy Music Corporation, Second Floor Music and Thelonious Music
sub-publisher:
ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment) and 日音 Synch事業部 (NICHION, INC. Synch Division)
7:27
5Bulbs
producer:
Gil Evans (Canadian‐American jazz pianist and composer)
alto saxophone:
Jimmy Lyons (saxophone player) (on 1961-10-10)
double bass [bass]:
Henry Grimes (US free jazz bassist) (on 1961-10-10)
drums (drum set):
Sunny Murray (on 1961-10-10)
piano:
Cecil Taylor (on 1961-10-10)
tenor saxophone:
Archie Shepp (on 1961-10-10)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1961-10-10)
recording of:
Bulbs (on 1961-10-10)
composer:
Cecil Taylor
6:52
6Charge ’Em Blues
recorded in:
Boston, Massachusetts, United States (on 1956-09-14)
double bass:
Buell Neidlinger (on 1956-09-14)
drums (drum set):
Denis Charles (drums) (on 1956-09-14)
piano:
Cecil Taylor (on 1956-09-14)
soprano saxophone:
Steve Lacy (jazz saxophonist and composer 1934–2004) (on 1956-09-14)
recording of:
Charge ’Em Blues (on 1956-09-14)
composer:
Cecil Taylor
11:08
7Double Clutching
recorded in:
New York, New York, United States (on 1958-10-13)
recording engineer:
Fernando Vargas (on 1958-10-13)
producer:
Tom Wilson (producer, worked with Dylan, Simon & Garfunkel, Zappa, VU, etc.)
double bass:
Chuck Israels (on 1958-10-13)
drums (drum set):
Louis Hayes (on 1958-10-13)
piano:
Cecil Taylor (on 1958-10-13)
tenor saxophone:
John Coltrane (on 1958-10-13)
trumpet:
Kenny Dorham (US jazz trumpeter, singer, and composer) (on 1958-10-13)
recording of:
Double Clutching (on 1958-10-13)
composer:
Chuck Israels
publisher:
EMI Unart Catalog Inc.
8:19
8E.B.
engineer:
Bob d’Orleans
double bass:
Buell Neidlinger (from 1960-10-12 until 1960-10-13)
drums (drum set):
Denis Charles (drums) (from 1960-10-12 until 1960-10-13)
piano:
Cecil Taylor (from 1960-10-12 until 1960-10-13)
recorded at:
Nola’s Penthouse (Nola's Penthouse, NYC) in New York, New York, United States (from 1960-10-12 until 1960-10-13)
recording of:
E.B. (in 1960-12)
composer:
Cecil Taylor
publisher:
Jay Bee Music Corp.
9:57
9Excursion on a Wobbly Rail
double bass:
Buell Neidlinger (on 1958-06-09)
drums (drum set):
Denis Charles (drums) (on 1958-06-09)
piano:
Cecil Taylor (on 1958-06-09)
vibraphone:
Earl Griffith (vibraphonist, organist) (on 1958-06-09)
recorded at:
Nola’s Penthouse (Nola's Penthouse, NYC) in New York, New York, United States (on 1958-06-09)
recording of:
Excursion on a Wobbly Rail
composer:
Cecil Taylor
9:01
10Get Out of Town
recording engineer:
Lewis Merritt (on 1959-04-15)
double bass:
Buell Neidlinger (on 1959-04-15)
drums (drum set):
Denis Charles (drums) (on 1959-04-15)
piano:
Cecil Taylor (on 1959-04-15)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1998)
recorded at:
Nola’s Penthouse (Nola's Penthouse, NYC) in New York, New York, United States (on 1959-04-15)
instrumental cover recording of:
Get Out of Town (on 1959-04-15)
lyricist and composer:
Cole Porter (composer) (in 1938)
part of:
Leave It to Me!
9:13
11I Love Paris
recording engineer:
Lewis Merritt (on 1959-04-15)
double bass:
Buell Neidlinger (on 1959-04-15)
drums (drum set):
Denis Charles (drums) (on 1959-04-15)
piano:
Cecil Taylor (on 1959-04-15)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1998)
recorded at:
Nola’s Penthouse (Nola's Penthouse, NYC) in New York, New York, United States (on 1959-04-15)
instrumental cover recording of:
I Love Paris (Can-Can [Pistache, Company]) (on 1959-04-15)
lyricist and composer:
Cole Porter (composer) (in 1953)
publisher:
Chappell (library/production music), Chappell & Co., Inc. (USA) and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., 1968‐09‐19–1999‐11‐09)
part of:
Can‐Can
part of:
Can‐Can (1960 musical film)
part of:
High Society (stage musical)
5:12
12Johnny Come Lately
double bass:
Buell Neidlinger (on 1957-07-06)
drums (drum set):
Denis Charles (drums) (on 1957-07-06)
piano:
Cecil Taylor (on 1957-07-06)
soprano saxophone:
Steve Lacy (jazz saxophonist and composer 1934–2004) (on 1957-07-06)
recorded at:
Newport Jazz Festival in Newport, Rhode Island, United States (on 1957-07-06)
live cover recording of:
Stomp (Johnny Come Lately) (on 1957-07-06)
composer:
Billy Strayhorn
7:14
13Just Friends
recorded in:
New York, New York, United States (on 1958-10-13)
recording engineer:
Fernando Vargas (on 1958-10-13)
producer:
Tom Wilson (producer, worked with Dylan, Simon & Garfunkel, Zappa, VU, etc.)
double bass:
Chuck Israels (on 1958-10-13)
drums (drum set):
Louis Hayes (on 1958-10-13)
piano:
Cecil Taylor (on 1958-10-13)
tenor saxophone:
John Coltrane (on 1958-10-13)
trumpet:
Kenny Dorham (US jazz trumpeter, singer, and composer) (on 1958-10-13)
instrumental cover recording of:
Just Friends (on 1958-10-13)
lyricist:
Sam M. Lewis (1930s lyricist)
composer:
John Klenner
publisher:
EMI Robbins Catalog Inc. (ASCAP)
6:13
14Lazy Afternoon
engineer:
Bob d’Orleans
double bass:
Buell Neidlinger (from 1960-10-12 until 1960-10-13)
drums (drum set):
Denis Charles (drums) (from 1960-10-12 until 1960-10-13)
piano:
Cecil Taylor (from 1960-10-12 until 1960-10-13)
tenor saxophone:
Archie Shepp (from 1960-10-12 until 1960-10-13)
recorded at:
Nola’s Penthouse (Nola's Penthouse, NYC) in New York, New York, United States (from 1960-10-12 until 1960-10-13)
cover recording of:
Lazy Afternoon (The Golden Apple, 1954) (in 1960-12)
orchestrator and composer:
Jerome Moross (American composer and conductor)
lyricist:
John Latouche
publisher:
Chappell & Co., Inc. (USA), Sony/ATV Tunes LLC and Warner Chappell Music, Inc.
part of:
The Golden Apple (musical)
14:52
15Like Someone in Love
recorded in:
New York, New York, United States (on 1958-10-13)
recording engineer:
Fernando Vargas (on 1958-10-13)
producer:
Tom Wilson (producer, worked with Dylan, Simon & Garfunkel, Zappa, VU, etc.)
double bass:
Chuck Israels (on 1958-10-13)
drums (drum set):
Louis Hayes (on 1958-10-13)
piano:
Cecil Taylor (on 1958-10-13)
tenor saxophone:
John Coltrane (on 1958-10-13)
trumpet:
Kenny Dorham (US jazz trumpeter, singer, and composer) (on 1958-10-13)
instrumental cover recording of:
Like Someone in Love (on 1958-10-13)
lyricist:
Johnny Burke (American lyricist, 1908–1964) (in 1944)
composer:
Jimmy Van Heusen (in 1944)
publisher:
Bourne Co. (not for release label use, this is a music publisher), Chappell Morris Ltd., Dorsey Brothers Music, Harms, Inc. and Music Sales Corporation (American copyright holder in both popular and classical music)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
8:08
16Little Lees
recording engineer:
Lewis Merritt (on 1959-04-15)
double bass:
Buell Neidlinger (on 1959-04-15)
drums (drum set):
Denis Charles (drums) (on 1959-04-15)
piano:
Cecil Taylor (on 1959-04-15)
tenor saxophone:
Bill Barron (on 1959-04-15)
trumpet:
Ted Curson (on 1959-04-15)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1998)
recorded at:
Nola’s Penthouse (Nola's Penthouse, NYC) in New York, New York, United States (on 1959-04-15)
recording of:
Little Lees (Louise) (on 1959-04-15)
composer:
Cecil Taylor
9:05
17Love for Sale
recording engineer:
Lewis Merritt (on 1959-04-15)
double bass:
Buell Neidlinger (on 1959-04-15)
drums (drum set):
Denis Charles (drums) (on 1959-04-15)
piano:
Cecil Taylor (on 1959-04-15)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1998)
recorded at:
Nola’s Penthouse (Nola's Penthouse, NYC) in New York, New York, United States (on 1959-04-15)
cover recording of:
Love for Sale (on 1959-04-15)
lyricist and composer:
Cole Porter (composer) (in 1930)
publisher:
Chappell & Co., Chappell Music Ltd., Harms, Inc. and Warner Bros., Inc. (not for release label use!)
8:15
18Luyah! The Glorius Step
double bass:
Buell Neidlinger (on 1958-06-09)
drums (drum set):
Denis Charles (drums) (on 1958-06-09)
piano:
Cecil Taylor (on 1958-06-09)
vibraphone:
Earl Griffith (vibraphonist, organist) (on 1958-06-09)
recorded at:
Nola’s Penthouse (Nola's Penthouse, NYC) in New York, New York, United States (on 1958-06-09)
recording of:
Luyah! The Glorious Step
composer:
Cecil Taylor
6:26
19Matie’s Trophies
recording engineer:
Lewis Merritt (on 1959-04-15)
double bass:
Buell Neidlinger (on 1959-04-15)
drums (drum set):
Denis Charles (drums) (on 1959-04-15)
piano:
Cecil Taylor (on 1959-04-15)
tenor saxophone:
Bill Barron (on 1959-04-15)
trumpet:
Ted Curson (on 1959-04-15)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1998)
recorded at:
Nola’s Penthouse (Nola's Penthouse, NYC) in New York, New York, United States (on 1959-04-15)
recording of:
Matie’s Trophies (Motystrophe) (on 1959-04-15)
composer:
Cecil Taylor
10:14
20Mixed
producer:
Gil Evans (Canadian‐American jazz pianist and composer)
alto saxophone:
Jimmy Lyons (saxophone player) (on 1961-10-10)
double bass [bass]:
Henry Grimes (US free jazz bassist) (on 1961-10-10)
drums (drum set):
Sunny Murray (on 1961-10-10)
piano:
Cecil Taylor (on 1961-10-10)
tenor saxophone:
Archie Shepp (on 1961-10-10)
trombone:
Roswell Rudd (American jazz trombonist and composer) (on 1961-10-10)
trumpet:
Ted Curson (on 1961-10-10)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1961-10-10)
recording of:
Mixed (on 1961-10-10)
composer:
Cecil Taylor
10:12
21Nonah’s Blues
double bass:
Buell Neidlinger (on 1957-07-06)
drums (drum set):
Denis Charles (drums) (on 1957-07-06)
piano:
Cecil Taylor (on 1957-07-06)
soprano saxophone:
Steve Lacy (jazz saxophonist and composer 1934–2004) (on 1957-07-06)
recorded at:
Newport Jazz Festival in Newport, Rhode Island, United States (on 1957-07-06)
live recording of:
Nona’s Blues (on 1957-07-06)
composer:
Cecil Taylor
7:40
22Of What
double bass:
Buell Neidlinger (on 1958-06-09)
drums (drum set):
Denis Charles (drums) (on 1958-06-09)
piano:
Cecil Taylor (on 1958-06-09)
recorded at:
Nola’s Penthouse (Nola's Penthouse, NYC) in New York, New York, United States (on 1958-06-09)
recording of:
Of What
composer:
Massimo Bottini and Cecil Taylor
8:18
23Port of Call
engineer:
Bob d’Orleans
double bass:
Buell Neidlinger (from 1960-10-12 until 1960-10-13)
drums (drum set):
Denis Charles (drums) (from 1960-10-12 until 1960-10-13)
piano:
Cecil Taylor (from 1960-10-12 until 1960-10-13)
recorded at:
Nola’s Penthouse (Nola's Penthouse, NYC) in New York, New York, United States (from 1960-10-12 until 1960-10-13)
recording of:
Port of Call (in 1960-12)
composer:
Cecil Taylor
publisher:
Jay Bee Music Corp.
4:19
24Pots
producer:
Gil Evans (Canadian‐American jazz pianist and composer)
alto saxophone:
Jimmy Lyons (saxophone player) (on 1961-10-10)
double bass [bass]:
Henry Grimes (US free jazz bassist) (on 1961-10-10)
drums (drum set):
Sunny Murray (on 1961-10-10)
piano:
Cecil Taylor (on 1961-10-10)
tenor saxophone:
Archie Shepp (on 1961-10-10)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1961-10-10)
recording of:
Pots (on 1961-10-10)
composer:
Cecil Taylor
5:44
25Rick Kick Shaw
recorded in:
Boston, Massachusetts, United States (on 1956-09-14)
double bass:
Buell Neidlinger (on 1956-09-14)
drums (drum set):
Denis Charles (drums) (on 1956-09-14)
piano:
Cecil Taylor (on 1956-09-14)
recording of:
Rick Kick Shaw (on 1956-09-14)
composer:
Cecil Taylor
6:05
26Shifting Down
recorded in:
New York, New York, United States (on 1958-10-13)
recording engineer:
Fernando Vargas (on 1958-10-13)
producer:
Tom Wilson (producer, worked with Dylan, Simon & Garfunkel, Zappa, VU, etc.)
double bass [bass]:
Chuck Israels (on 1958-10-13)
drums (drum set):
Louis Hayes (on 1958-10-13)
piano:
Cecil Taylor (on 1958-10-13)
tenor saxophone:
John Coltrane (on 1958-10-13)
trumpet:
Kenny Dorham (US jazz trumpeter, singer, and composer) (on 1958-10-13)
recording of:
Shifting Down (on 1958-10-13)
composer:
Kenny Dorham (US jazz trumpeter, singer, and composer)
10:39
27Song
recorded in:
Boston, Massachusetts, United States (on 1956-09-14)
double bass:
Buell Neidlinger (on 1956-09-14)
drums (drum set):
Denis Charles (drums) (on 1956-09-14)
piano:
Cecil Taylor (on 1956-09-14)
soprano saxophone:
Steve Lacy (jazz saxophonist and composer 1934–2004) (on 1956-09-14)
recording of:
Song (on 1956-09-14)
composer:
Cecil Taylor
5:19
28This Nearly Was Mine
engineer:
Bob d’Orleans
double bass:
Buell Neidlinger (from 1960-10-12 until 1960-10-13)
drums (drum set):
Denis Charles (drums) (from 1960-10-12 until 1960-10-13)
piano:
Cecil Taylor (from 1960-10-12 until 1960-10-13)
recorded at:
Nola’s Penthouse (Nola's Penthouse, NYC) in New York, New York, United States (from 1960-10-12 until 1960-10-13)
instrumental recording of:
This Nearly Was Mine (South Pacific) (in 1960-10)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein)
composer:
Richard Rodgers (composer)
publisher:
Williamson Music Company
part of:
South Pacific (Rodgers & Hammerstein musical)
cover recording of:
This Nearly Was Mine (South Pacific) (in 1960-12)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein)
composer:
Richard Rodgers (composer)
publisher:
Williamson Music Company
part of:
South Pacific (Rodgers & Hammerstein musical)
10:49
29Toll
double bass:
Buell Neidlinger (on 1958-06-09)
drums (drum set):
Denis Charles (drums) (on 1958-06-09)
piano:
Cecil Taylor (on 1958-06-09)
vibraphone:
Earl Griffith (vibraphonist, organist) (on 1958-06-09)
recorded at:
Nola’s Penthouse (Nola's Penthouse, NYC) in New York, New York, United States (on 1958-06-09)
recording of:
Toll
composer:
Cecil Taylor
7:40
30Tune 2
10:23
31Wallering
double bass:
Buell Neidlinger (on 1958-06-09)
drums (drum set):
Denis Charles (drums) (on 1958-06-09)
piano:
Cecil Taylor (on 1958-06-09)
vibraphone:
Earl Griffith (vibraphonist, organist) (on 1958-06-09)
recorded at:
Nola’s Penthouse (Nola's Penthouse, NYC) in New York, New York, United States (on 1958-06-09)
recording of:
Wallering
composer:
Cecil Taylor
5:23
32You’d Be So Nice to Come Home To
recorded in:
Boston, Massachusetts, United States (on 1956-09-14)
piano:
Cecil Taylor (on 1956-09-14)
cover recording of:
You’d Be So Nice to Come Home To (on 1956-09-14)
lyricist and composer:
Cole Porter (composer) (in 1943)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., 1968‐09‐19–1999‐11‐09)
part of:
The 16th Academy Award for Best Original Song (number: 2)
9:17
33Cell Walk for Celeste
double bass:
Buell Neidlinger (from 1961-01-09 until 1961-01-10)
drums (drum set):
Denis Charles (drums) (from 1961-01-09 until 1961-01-10)
piano:
Cecil Taylor (from 1961-01-09 until 1961-01-10)
tenor saxophone:
Archie Shepp (from 1961-01-09 until 1961-01-10)
recorded at:
Nola’s Penthouse (Nola's Penthouse, NYC) in New York, New York, United States (from 1961-01-09 until 1961-01-10)
11:38
34Cindy’s Main Mood
producer:
Nat Hentoff
bass and double bass:
Buell Neidlinger (from 1961-01-09 until 1961-01-10)
drums (drum set) and timpani:
Billy Higgins (US jazz drummer) (from 1961-01-09 until 1961-01-10)
piano:
Cecil Taylor (from 1961-01-09 until 1961-01-10)
recorded at:
Nola’s Penthouse (Nola's Penthouse, NYC) in New York, New York, United States (from 1961-01-09 until 1961-01-10)
recording of:
Cindy’s Main Mood (in 1961-01)
composer:
Billy Higgins (US jazz drummer), Buell Neidlinger and Cecil Taylor
5:13
35O.P.
producer:
Nat Hentoff
bass and double bass:
Buell Neidlinger (from 1961-01-09 until 1961-01-10)
drums (drum set) and timpani:
Billy Higgins (US jazz drummer) (from 1961-01-09 until 1961-01-10)
piano:
Cecil Taylor (from 1961-01-09 until 1961-01-10)
recorded at:
Nola’s Penthouse (Nola's Penthouse, NYC) in New York, New York, United States (from 1961-01-09 until 1961-01-10)
recording of:
O.P. (in 1961-01)
composer:
Buell Neidlinger
9:13
36Things Ain’t What They Used to Be
producer:
Nat Hentoff
baritone saxophone:
Charles Davis (saxophone player) (from 1961-01-09 until 1961-01-10)
bass and double bass:
Buell Neidlinger (from 1961-01-09 until 1961-01-10)
drums (drum set):
Billy Higgins (US jazz drummer) (from 1961-01-09 until 1961-01-10)
piano:
Cecil Taylor (from 1961-01-09 until 1961-01-10)
soprano saxophone:
Steve Lacey (from 1961-01-09 until 1961-01-10) and Steve Lacy (jazz saxophonist and composer 1934–2004) (from 1961-01-09 until 1961-01-10)
tenor saxophone:
Archie Shepp (from 1961-01-09 until 1961-01-10)
trombone:
Roswell Rudd (American jazz trombonist and composer) (from 1961-01-09 until 1961-01-10)
trumpet:
Clark Terry (American swing trumpeter) (from 1961-01-09 until 1961-01-10)
recorded at:
Nola’s Penthouse (Nola's Penthouse, NYC) in New York, New York, United States (from 1961-01-09 until 1961-01-10)
instrumental recording of:
Things Ain’t What They Used to Be (in 1961-01)
lyricist:
Ted Persons
composer:
Mercer Ellington (in 1942)
publisher:
Tempo Music, Inc. (Duke Ellington’s music publishing company)
10:10