Music for the Millions, Vol. 3

~ Release by Georges Bizet (see all versions of this release, 1 available)

Tracklist

1▼CD
#	Title	Rating	Length
1	Carmen Suite no. 1: I. Prélude orchestra: Radio Symphony Orchestra (pseudonym used on Alfred Scholz Recordings) conductor: Loic Bertrand (fictitious conductor, Alfred Scholz pseudonym) recording of: Carmen Suite no. 1: I. Prélude. Allegro giocoso – Andante moderato composer: Georges Bizet (French composer) part of: Carmen Suite no. 1		1:22
2	Carmen Suite no. 1: II. Aragonaise orchestra: Radio Symphony Orchestra (pseudonym used on Alfred Scholz Recordings) conductor: Loic Bertrand (fictitious conductor, Alfred Scholz pseudonym) recording of: Carmen Suite no. 1: II. Aragonaise. Allegro vivo (based on Carmen: Entr’acte between Acts III and IV) composer: Georges Bizet (French composer) is based on: Carmen : Acte III. Entr’acte (intermission between Acts III & IV) part of: Carmen Suite no. 1		2:14
3	Carmen Suite no. 1: III. Intermezzo orchestra: Radio Symphony Orchestra (pseudonym used on Alfred Scholz Recordings) conductor: Loic Bertrand (fictitious conductor, Alfred Scholz pseudonym) recording of: Carmen Suite no. 1: III. Intermezzo. Andantino quasi allegretto (based on Carmen: Entr’acte between Acts II and III) composer: Georges Bizet (French composer) is based on: Carmen : Acte II. Entr’acte (intermission between Acts II & III) part of: Carmen Suite no. 1		2:40
4	Carmen Suite no. 1: IV. Séguedille orchestra: Radio Symphony Orchestra (pseudonym used on Alfred Scholz Recordings) conductor: Loic Bertrand (fictitious conductor, Alfred Scholz pseudonym) recording of: Carmen Suite no. 1 : IV. Séguedille. Allegretto (based on Carmen: Act I. Séguedille et Duo « Près des remparts de Séville ») composer: Georges Bizet (French composer) arranger: Ernest Guiraud (French composer) is based on: Carmen : Acte I. No. 10 Séguedille « Près des remparts de Séville » (Carmen, Don José) part of: Carmen Suite no. 1		1:53
5	Carmen Suite no. 1: V. Les Dragons d’Alcala orchestra: Radio Symphony Orchestra (pseudonym used on Alfred Scholz Recordings) conductor: Loic Bertrand (fictitious conductor, Alfred Scholz pseudonym) recording of: Carmen Suite no. 1: V. Les Dragons d’Alcala. Allegro moderato (based on Carmen: Entr’acte between Acts I and II) composer: Georges Bizet (French composer) is based on: Carmen : Acte I. Entr’acte (intermission between Acts I & II) part of: Carmen Suite no. 1		1:37
6	Carmen Suite no. 1: VI. Les Toréadors orchestra: Radio Symphony Orchestra (pseudonym used on Alfred Scholz Recordings) conductor: Loic Bertrand (fictitious conductor, Alfred Scholz pseudonym) recording of: Carmen Suite no. 1: VI. Les Toréadors. Allegro giocoso (theme from Carmen: Prelude to Act I and Carmen: Act IV. « Les voici ! Voici la quadrille ! ») composer: Georges Bizet (French composer) is based on: Carmen : Acte IV. No. 26 « Les voici ! Voici la quadrille ! » (Chœur, les gamins, Escamillo, Carmen, Frasquita, Mercédès) is based on: Carmen : Prélude part of: Carmen Suite no. 1		2:19
7	Carmen Suite no. 2: I. Marche des contrebandiers orchestra: Radio Symphony Orchestra (pseudonym used on Alfred Scholz Recordings) conductor: Loic Bertrand (fictitious conductor, Alfred Scholz pseudonym) recording of: Carmen Suite no. 2: I. Marche des contrebandiers composer: Georges Bizet (French composer) is based on: Carmen : Acte III, No. 19. Sextuor et Chœur « Écoute, écoute, compagnon, écoute » (Les contrebandiers, Le Dancaïre, Le Remendado, Don José, Carmen, Mercédès, Frasquita) (Chœur des contrebandiers) part of: Carmen Suite no. 2		3:58
8	Carmen Suite no. 2: II. Habanera from Carmen orchestra: Radio Symphony Orchestra (pseudonym used on Alfred Scholz Recordings) conductor: Loic Bertrand (fictitious conductor, Alfred Scholz pseudonym) recording of: Carmen Suite no. 2: II. Habanera composer: Georges Bizet (French composer) arranger: Ernest Guiraud (French composer) is based on: Carmen : Acte I. No. 5 Habanera « L’amour est un oiseau rebelle » (Carmen, chœur) part of: Carmen Suite no. 2		2:11
9	Carmen Suite no. 2: III. Nocturne orchestra: Radio Symphony Orchestra (pseudonym used on Alfred Scholz Recordings) conductor: Loic Bertrand (fictitious conductor, Alfred Scholz pseudonym) recording of: Carmen Suite no. 2: III. Nocturne composer: Georges Bizet (French composer) is based on: Carmen : Acte III. No. 22. Air « Je dis que rien ne m’épouvante » (Micaëla) part of: Carmen Suite no. 2		4:10
10	Carmen Suite no. 2 : IV. Chant du toréador orchestra: Radio Symphony Orchestra (pseudonym used on Alfred Scholz Recordings) conductor: Loic Bertrand (fictitious conductor, Alfred Scholz pseudonym) recording of: Carmen Suite no. 2: IV. Chanson du toréador composer: Georges Bizet (French composer) is based on: Carmen : Acte II. No. 14 Couplets « Votre toast, je peux vous le rendre » … « Toréador, en garde ! » (Escamillo, Mercédès, Frasquita, Carmen, Moralès, Zuniga, Lillas Pastia, chœur d’hommes) (“Chanson du toréador”) part of: Carmen Suite no. 2		2:40
11	Carmen Suite no. 2 : V. La Garde montante orchestra: Radio Symphony Orchestra (pseudonym used on Alfred Scholz Recordings) conductor: Loic Bertrand (fictitious conductor, Alfred Scholz pseudonym) recording of: Carmen Suite no. 2: V. La Garde montante composer: Georges Bizet (French composer) is based on: Carmen : Acte I. No. 3 Marche et chœur des gamins : « Avec la garde montante » (Chœur des gamins, Zuniga) part of: Carmen Suite no. 2		3:53
12	Carmen Suite no. 2 : VI. Bohemian Dance orchestra: Radio Symphony Orchestra (pseudonym used on Alfred Scholz Recordings) conductor: Loic Bertrand (fictitious conductor, Alfred Scholz pseudonym) recording of: Carmen Suite no. 2: VI. Danse bohème composer: Georges Bizet (French composer) is based on: Carmen : Acte II. No. 12 Chanson bohème « Les tringles des sistres tintaient » (Frasquita, Mercédès, Carmen) part of: Carmen Suite no. 2		4:36
13	Symphony no. 1 in C major: I. Allegro vivo orchestra: Radio Symphony Orchestra (pseudonym used on Alfred Scholz Recordings) conductor: Loic Bertrand (fictitious conductor, Alfred Scholz pseudonym) recording of: Symphonie no. 1 en ut majeur : I. Allegro vivo (Symphony no. 1 in C major: I. Allegro vivo) composer: Georges Bizet (French composer) (from 1855-10 until 1855-11) part of: Symphonie no. 1 en ut majeur (Symphony in C major, WD 33)		6:53
14	Symphony no. 1 in C major: II. Adagio orchestra: Radio Symphony Orchestra (pseudonym used on Alfred Scholz Recordings) conductor: Loic Bertrand (fictitious conductor, Alfred Scholz pseudonym) recording of: Symphonie no. 1 en ut majeur : II. Andante (Adagio) (Symphony No. 1 in C major: II. Adagio) composer: Georges Bizet (French composer) (from 1855-10 until 1855-11) part of: Symphonie no. 1 en ut majeur (Symphony in C major, WD 33)		9:57
15	Symphony no. 1 in C major: III. Allegro vivace orchestra: Radio Symphony Orchestra (pseudonym used on Alfred Scholz Recordings) conductor: Loic Bertrand (fictitious conductor, Alfred Scholz pseudonym) recording of: Symphony no. 1 in C major, op. 21: III. Menuetto. Allegro molto e vivace composer: Ludwig van Beethoven (German composer) (from 1799 until 1800) part of: Symphony no. 1 in C major, op. 21		5:40
16	Symphony no. 1 in C major: IV. Allegro vivace orchestra: Radio Symphony Orchestra (pseudonym used on Alfred Scholz Recordings) conductor: Loic Bertrand (fictitious conductor, Alfred Scholz pseudonym) recording of: Symphony no. 1 in C major, op. 21: IV. Adagio – Allegro molto e vivace composer: Ludwig van Beethoven (German composer) (from 1799 until 1800) part of: Symphony no. 1 in C major, op. 21		6:12

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Release information

Barcode:: 4002587744717
Format:: CD
Length:: 1:02:15

Additional details

Type:: Album
Status:: Official
Language:: English
Script:: Latin
Data quality:: Normal

Labels

SONIA classic
CD 74471

Release events

Germany
1990

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Last updated on 2026-08-15 00:35 UTC