Légendes, les musiques enchantées

~ Release by Various Artists (see all versions of this release, 2 available)

Annotation

Copyright: ℗ 2017 Warner Music France, A Warner Music Group Company

Annotation last modified on 2026-10-21 21:40 UTC.

Tracklist

1▼Digital Media
#TitleArtistRatingLength
1Carmina Burana, Conclusion, Fortuna Imperatrix Mundi: O Fortuna
choir vocals:
Orfeón Donostiarra (Spanish choir)
conductor:
Michel Plasson (conductor)
recording of:
Carmina Burana: Fortuna imperatrix mundi: I. O Fortuna
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
version of:
O Fortuna (Poem, CB 17)
part of:
Carmina Burana: Fortuna Imperatrix Mundi
Carl Orff2:30
2Also sprach Zarathustra, Op. 30: Introduction
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra)
conductor:
Rudolf Kempe (conductor)
recording of:
Also sprach Zarathustra, op. 30: I. Einleitung (Sonnenaufgang)
composer:
Richard Strauss (German composer) (in 1896)
publisher:
Peters Edition Ltd.
part of:
Also sprach Zarathustra, op. 30 (TrV 176)
partial recording of:
Also sprach Zarathustra, op. 30: I. Einleitung (Sonnenaufgang)
composer:
Richard Strauss (German composer) (in 1896)
publisher:
Peters Edition Ltd.
part of:
Also sprach Zarathustra, op. 30 (TrV 176)
Richard Strauss1:52
3A Midsummer Night's Dream, Op. 61, MWV M13: No. 1, Scherzo
producer:
Christopher Bishop (conductor/producer)
orchestra:
London Symphony Orchestra (from 1976-12-08 until 1976-12-09)
conductor:
André Previn (pianist, conductor, composer, arranger) (from 1976-12-08 until 1976-12-09)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1976-12-08 until 1976-12-09)
recording of:
Ein Sommernachtstraum, op. 61: 1. Scherzo. Allegro vivace (from 1976-12-08 until 1976-12-09)
composer:
Felix Mendelssohn (composer) (in 1842)
part of:
Ein Sommernachtstraum, op. 61 (A Midsummer Night's Dream, op. 61)
Felix Mendelssohn4:52
4Oberon, J. 306: Overture
orchestra:
London Classical Players
conductor:
Sir Roger Norrington (conductor)
recording of:
Oberon, J. 306: Overture
composer:
Carl Maria von Weber (composer)
part of:
Oberon, J. 306
Carl Maria von Weber9:01
5Tristan und Isolde, Act 3: Isoldes Liebestod. "Mild und leise" (instrumental version)
orchestra:
Oslo Philharmonic Orchestra (Oslo Philharmonic) (from 1991-08-14 until 1991-08-24)
conductor:
Mariss Jansons (Latvian conductor) (from 1991-08-14 until 1991-08-24)
recorded at:
Oslo Konserthus (The Oslo Concert Hall) in Oslo, Norway (from 1991-08-14 until 1991-08-24)
recording of:
Tristan und Isolde: Prelude and Liebestod (concert piece) (from 1991-08-14 until 1991-08-24)
composer:
Richard Wagner (composer)
arrangement of:
Excerpt from Tristan und Isolde, WWV 90: Akt III, Szene III. Liebestod. “Mild und leise wie er lächelt”
arrangement of:
Tristan und Isolde, WWV 90: Akt I, Vorspiel
Richard Wagner6:18
6Die Walküre, Act 3: Ride of the Valkyries
producer:
John Fraser (UK producer)
orchestra:
Oslo Philharmonic Orchestra (Oslo Philharmonic) (from 1991-08-14 until 1991-08-24)
conductor:
Mariss Jansons (Latvian conductor) (from 1991-08-14 until 1991-08-24)
balance engineer:
Mark Vigars (engineer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1992)
recorded at:
Oslo Konserthus (The Oslo Concert Hall) in Oslo, Norway (from 1991-08-14 until 1991-08-24)
recording of:
Excerpt from Die Walküre, WWV 86B: Akt III, Scene I, Walkürenritt (The Valkyrie: Ride of the Valkyries) (from 1991-08-14 until 1991-08-24)
composer:
Richard Wagner (composer) (from 1854 until 1856)
publisher:
Schott Music International (publisher; do not use as label)
part of:
Die Walküre, WWV 86B: Akt III, Scene I "Hojotoho! Hojotoho!"
Richard Wagner4:47
7Die Zauberflöte, K. 620: Overture
orchestra:
Sinfonie-Orchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra) (from 1981-04-01 until 1981-04-13)
conductor:
Bernard Haitink (conductor) (from 1981-04-01 until 1981-04-13)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1981-04-01 until 1981-04-13)
recording of:
Die Zauberflöte: Ouvertüre (The Magic Flute, K. 620: Overture) (from 1981-04-01 until 1981-04-13)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Die Zauberflöte, K. 620 (The Magic Flute, K. 620)
Wolfgang Amadeus Mozart7:33
8Piano Trio No. 5 in D Major, Op. 70 No. 1 "Ghost": II. Largo assai ed espressivo
piano trio:
Haydn Trio Wien
recording of:
Trio for Piano, Violin, and Cello no. 5 in D major, op. 70 no. 1 “Ghost”: II. Largo assai e espressivo
composer:
Ludwig van Beethoven (German composer) (in 1808)
part of:
Trio for Piano, Violin, and Cello no. 5 in D major, op. 70 no. 1 “Ghost”
Ludwig van Beethoven8:41
9Erlkönig, D. 328 (Arr. Liszt for Piano Solo)
piano:
Setrak (French pianist Setrak Yavruyan)
recording of:
Erlkönig, S. 558 Nr. 4 (for piano solo, Liszt)
composer:
Franz Schubert (composer)
piano arranger:
Franz Liszt (Hungarian composer, pianist and conductor) (from 1837 until 1838)
arrangement of:
Erlkönig, D. 328
part of:
12 Lieder von Franz Schubert, S. 558
Franz Schubert, Franz Liszt4:31
10Hänsel und Gretel, Act 2: "Abends, will ich schlafen geh'n" (Gretel, Hänsel)
soprano vocals:
Brigitte Lindner (soprano)
vocals:
Eugen Hug (Boy soprano)
conductor:
Heinz Wallberg (conductor)
recording of:
Hänsel und Gretel: Akt II, 2. Szene. “Abends, will ich schlafen gehn” (Hänsel, Gretel) (Hansel and Gretel: Evening Prayer, Nachtgebet / Evening Prayer / Prière du soir)
composer:
Engelbert Humperdinck (German composer) (from 1891 until 1892)
librettist:
Adelheid Wette (German lyricist)
part of:
Hänsel und Gretel (original german lyrics)
Engelbert Humperdinck2:58
11Till Eulenspiegels lustige Streiche, Op. 28
conductor:
Wolfgang Sawallisch (conductor, pianist)
recording of:
Till Eulenspiegels lustige Streiche (Till Eulenspiegel’s Merry Pranks, op. 28; TrV 171)
composer:
Richard Strauss (German composer) (from 1894 until 1895)
part of:
Works of Richard Strauss by opus number (number: op. 28) and Werkverzeichnis (Richard Strauss TrV) (number: TrV 171)
Richard Strauss15:22
12L'apprenti sorcier
conductor:
Armin Jordan (conductor)
recording of:
L’Apprenti sorcier (The Sorcerer's Apprentice)
composer:
Paul Dukas (French composer) (from 1896 until 1897)
Paul Dukas11:42
13Symphonie fantastique, Op. 14, H 48: V. Songe d'une nuit du sabbat. Larghetto - Allegro
orchestra:
London Classical Players
conductor:
Sir Roger Norrington (conductor)
recording of:
Symphonie fantastique, op. 14: V. Songe d’une nuit du sabbat
composer:
Hector Berlioz (French composer) (in 1830)
quotes music from:
Missa pro defunctis: Sequentia “Dies irae” (plainchant)
part of:
Symphonie fantastique, op. 14 : Épisode de la vie d’un artiste … en cinq parties
Hector Berlioz10:41
14La damnation de Faust, Op. 24, H 111, Pt. 1: Marche hongroise
conductor:
Kent Nagano (conductor)
recording of:
La Damnation de Faust : Première Partie : Scène 3. Marche Hongroise (Orchestre) (Rákóczi March)
composer:
Hector Berlioz (French composer)
part of:
La Damnation de Faust, op. 24: Première Partie
Hector Berlioz4:42
15Ma mère l'Oye, M. 60: III. Laideronnette, impératrice des pagodes
orchestra:
Rotterdams Philharmonisch Orkest (Rotterdam Philharmonic Orchestra)
conductor:
Yannick Nézet‐Séguin (Canadian conductor)
recording of:
Ma mère l’Oye: III. Laideronnette, impératrice des pagodes (pour orchestre)
orchestrator:
Maurice Ravel (French composer) (in 1911)
composer:
Maurice Ravel (French composer) (from 1908 until 1910)
orchestration of:
Ma mère l’Oye: III. Laideronnette, impératrice des pagodes (pour piano à quatre mains)
part of:
Ma mère l’Oye (suite pour orchestre)
Maurice Ravel3:28
16Ma mère l'Oye, M. 60: IV. Les entretiens de la Belle et de la Bête
orchestra:
Rotterdams Philharmonisch Orkest (Rotterdam Philharmonic Orchestra)
conductor:
Yannick Nézet‐Séguin (Canadian conductor)
recording of:
Ma mère l’Oye: IV. Les Entretiens de la Belle et de la Bête (pour orchestre)
orchestrator:
Maurice Ravel (French composer) (in 1911)
composer:
Maurice Ravel (French composer) (from 1908 until 1910)
orchestration of:
Ma mère l’Oye: IV. Les Entretiens de la Belle et de la Bête (pour piano à quatre mains)
part of:
Ma mère l’Oye (suite pour orchestre)
Maurice Ravel4:28
17Danse macabre, Op. 40
violin:
Renaud Capuçon (violinist)
orchestra:
Deutsche Kammerphilharmonie Bremen
conductor:
Daniel Harding (conductor)
recording of:
Danse macabre, op. 40 (symphonic poem for orchestra)
composer:
Camille Saint‐Saëns (Camille Saint-Saëns, composer) (in 1874)
part of:
Classic 100: Music of France (2012) (number: 16) and Works of Camille Saint-Saëns by opus number (number: op. 40)
is based on:
Danse macabre (song for voice and piano)
quotes music from:
Missa pro defunctis: Sequentia “Dies irae” (plainchant)
Camille Saint‐Saëns6:30
18Suite bergamasque, CD 82, L. 75: III. Clair de lune
piano:
Aldo Ciccolini (Italian pianist who became a naturalized French)
recording of:
Suite bergamasque, L. 75, CD 82 : III. Clair de lune (for piano)
composer:
Claude Debussy (French composer) (from 1890 until 1905)
part of:
Classic 100: Piano (2004) (number: 3)
included in:
Granblue Fantasy (video game soundtrack)
part of:
Suite bergamasque, L. 75, CD 82 (for piano)
Claude Debussy4:42
19Faust, Act 5, Ballet: Les Troyennes
orchestra:
Orchestre national du Capitole de Toulouse
conductor:
Michel Plasson (conductor)
recording of:
Faust : Acte V. Ballet V. Les Troyens: Moderato con moto
composer:
Charles Gounod (French composer)
part of:
Faust : Acte V. Ballet (La Nuit de Walpurgis)
part of:
Faust : Acte V. Ballet (La Nuit de Walpurgis)
Charles Gounod2:07
20Suite de Pelléas et Mélisande, Op. 80: III. Sicilienne
orchestra:
Orchestre national du Capitole de Toulouse
conductor:
Michel Plasson (conductor)
recording of:
Pelléas et Mélisande, op. 80: III. Sicilienne
composer:
Gabriel Fauré (French composer)
part of:
Pelléas et Mélisande, op. 80
Gabriel Fauré3:27
21Les Djinns, FWV 45
conductor:
André Cluytens (Belgian-born French conductor)
recording of:
Les Djinns, poème symphonique pour piano et orchestre, FWV 45, CFF 136
composer:
César Franck (Belgian‐born French composer) (in 1884)
part of:
Franck Werke Verzeichnis (number: 45) and Catalogue of the works of César Franck by Joël-Marie Fauquet (CFF) (number: CFF 136)
César Franck12:06
22Les contes d'Hoffmann, Act 3: Barcarolle
conductor:
Sir Neville Marriner (conductor)
recording of:
Les Contes d’Hoffmann : Acte IV. No. 17 Barcarolle « Belle nuit, ô nuit d’amour » (Nicklausse, Giulietta, les invités)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Les Contes d'Hoffmann: Acte IV (Giulietta) (Offenbach order; critical Oeser edition)
Jacques Offenbach3:05
23The Enchanted Lake, Op. 62
conductor:
Antonio Pappano (conductor and pianist)
recording of:
The Enchanted Lake, op. 62
composer:
Anatoly Lyadov (Russian composer) (in 1909)
part of:
Works of Anatoly Lyadov by opus number (number: op. 62)
Анатолий Константинович Лядов6:26
24La Péri: I. Fanfare
orchestra:
Orchestre de la Suisse Romande (OSR)
conductor:
Armin Jordan (conductor)
recording of:
Fanfare pour précéder La Péri
composer:
Paul Dukas (French composer) (in 1912)
part of:
La Péri
Paul Dukas2:13
25Swan Lake, Op. 20, Act 1: No. 2, Waltz
orchestra:
London Symphony Orchestra
conductor:
André Previn (pianist, conductor, composer, arranger)
recording of:
Swan Lake, op. 20: Act I, no. 2: Valse, Tempo di valse
composer:
Pyotr Ilyich Tchaikovsky (Russian romantic composer)
part of:
Swan Lake, op. 20: Act I
part of:
Swan Lake, op. 20: Act I (ed. Drigo)
Пётр Ильич Чайковский7:17
26Swan Lake, Op. 20, Act 2: No. 14, Scene. Moderato
orchestra:
London Symphony Orchestra
conductor:
André Previn (pianist, conductor, composer, arranger)
recording of:
Swan Lake, op. 20: Act II, no. 10: Scene: Moderato
composer:
Pyotr Ilyich Tchaikovsky (Russian romantic composer)
part of:
Swan Lake, op. 20: Act II
part of:
Swan Lake, op. 20: Act II (ed. Drigo)
Пётр Ильич Чайковский3:01
27Peer Gynt, Op. 23, Act 3: No. 12, The Death of Åse
conductor:
Paavo Järvi (conductor)
recording of:
Peer Gynt, op. 23: 3. akt: Åses død
composer:
Edvard Grieg (composer) (in 1875)
librettist:
Henrik Ibsen (in 1867)
part of:
Peer Gynt, op. 23
Edvard Grieg5:03
28Peer Gynt, Op. 23, Act 4: No. 13, Prelude. Morning Mood
conductor:
Paavo Järvi (conductor)
recording of:
Peer Gynt, op. 23: 4. akt, prelude: Morgenstemning
composer:
Edvard Grieg (composer) (in 1875)
librettist:
Henrik Ibsen (in 1867)
part of:
Peer Gynt, op. 23
Edvard Grieg4:12
29Scheherazade, Op. 35: I. The Sea and Sinbad's Ship
conductor:
Armin Jordan (conductor)
recording of:
Scheherazade, op. 35: I. The Sea and Sinbad’s Ship
composer:
Николай Андреевич Римский‐Корсаков (Nikolai Rimsky‐Korsakov, Russian composer) (in 1888)
part of:
Scheherazade, op. 35
Николай Андреевич Римский‐Корсаков10:07
30The Nutcracker, Op. 71, Act 1: No. 6, Clara and the Nutcracker
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra)
conductor:
Simon Rattle (conductor)
recording of:
Щелкунчик, op. 71: Действие II, Картина III, no. 11. Прибытие Мари и Щелкунчика (The Nutcracker, op. 71: Act II, Scene III. No. 11, Scene: Clara and the Prince, Arrival of Clara and the Nutcracker)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
Щелкунчик, op. 71: Действие II (The Nutcracker, op. 71: Act II, The Nutcracker, op. 71: Act 2)
Пётр Ильич Чайковский6:19
31The Nutcracker, Op. 71, Act 2: No. 14c, Pas de deux. Variation II "Dance of the Sugar Plum Fairy"
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra)
conductor:
Simon Rattle (conductor)
recording of:
Щелкунчик, op. 71: Действие II, Картина III, no. 14a. Па-де-де: Танец Принца Оршада и Феи Драже (The Nutcracker, op. 71: Act II, Scene III. Pas de deux: Intrada, Dance of the Prince & the Sugar-Plum Fairy)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
Щелкунчик, op. 71: Действие II (The Nutcracker, op. 71: Act II, The Nutcracker, op. 71: Act 2)
Пётр Ильич Чайковский2:25
32Romeo and Juliet, Op. 64, Act 1: Dance of the Knights
conductor:
André Previn (pianist, conductor, composer, arranger)
recording of:
Romeo and Juliet, op. 64: Act I, Scene II. No. 13. Dance of the Knights
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer)
part of:
Romeo and Juliet, op. 64: Act I
Сергей Сергеевич Прокофьев5:42
33Lemminkäinen Suite, Op. 22 "Legends of the Kalevala": No. 2, The Swan of Tuonela
conductor:
Paavo Berglund (conductor) and Bournemouth Symphony Orchestra
recording of:
Lemminkäis-sarja (Neljä legendaa), op. 22: II. Tuonelan joutsen (Lemminkäinen Suite, op. 22: II. The Swan of Tuonela)
composer:
Jean Sibelius (Finnish composer) (in 1895)
part of:
Lemminkäis-sarja (Neljä legendaa), op. 22 (Lemminkäinen Suite, op. 22)
Jean Sibelius8:44
34Guillaume Tell: Overture
cello:
Gabriele Gemignani (cellist)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia)
conductor:
Antonio Pappano (conductor and pianist)
recording of:
Guillaume Tell : Ouverture (William Tell: Overture)
composer:
Gioachino Rossini (composer)
librettist:
Hippolyte Louis-Florent Bis (librettist) and Étienne de Jouy
part of:
Guglielmo Tell (italian version by Calisto Bassi)
part of:
Guillaume Tell
Gioachino Rossini5:49
35The Tale of Tsar Saltan, Act 3: The Flight of the Bumblebee
orchestra:
New York Philharmonic
conductor:
Kurt Masur (conductor)
recording of:
Le Conte du Tsar Saltan: Act III. Tableau 1: Gvidon, la Princesse-Cygne. Le vol du Bourdon
part of:
The Tale of Tsar Saltan: Act III
Николай Андреевич Римский‐Корсаков1:23
36A Night on the Bare Mountain (Orch. Rimsky-Korsakov)
conductor:
Georges Prêtre (French conductor)
recording of:
Une nuit sur le mont chauve: Fantaisie pour l’orchestre (Night on Bald Mountain, orchestrated by Rimsky-Korsakov)
orchestrator:
Nikolai Rimsky-Korsakov (Nikolai Rimsky‐Korsakov, Russian composer) (in 1886)
composer:
Modest Mussorgsky (composer) (from 1867-06-12 until 1867-06-23)
dedicated to:
Wladimir Stassoff (Vladimir Vasilievich Stasov)
publisher:
W. Bessel & Cie (in 1886)
is based on:
St. John’s Night on the Bare Mountain (original version)
Модест Петрович Мусоргский, Николай Андреевич Римский‐Корсаков9:43
37Scherzo fantastique, Op. 25 "La ronde des lutins"
piano:
Itamar Golan (pianist)
violin:
Maxim Vengerov (violinist)
recording of:
Scherzo fantastique, op. 25 "La Ronde des lutins"
composer:
Antonio Bazzini (Italian violinist and composer) (in 1852)
part of:
Works of Antonio Bazzini by opus number (number: op. 25)
Antonio Bazzini5:34
38King Arthur, Z. 628, Act 3: Prelude While Cold Genius Rises - Frost Scene. "What Power Art Thou" (Cold Genius)
bass vocals:
Stephen Varcoe (bass-baritone)
conductor:
John Eliot Gardiner
recording of:
King Arthur, Z. 628: Act III, 20. “What power art thou, who from below…” (Cold Genius)
composer:
Henry Purcell (Baroque composer)
librettist:
John Dryden (English poet)
part of:
King Arthur, Z. 628: Act III
Henry Purcell2:52