Cantata BWV 212 "Mer hahn en neue Oberkeet": X. Arie: "Es nehme zehntausend Dukaten"
~ Opname van David Thomas, Emma Kirkby, Academy of Ancient Music, Christopher Hogwood
Staat op uitgaven
| # | Titel | Duur | Nummerartiest | Titel van de uitgave | Artiest van de uitgave | Type uitgavegroep | Land/Datum | Platenmaatschappij | Catalogus# |
|---|---|---|---|---|---|---|---|---|---|
| Officieel | |||||||||
| 1.14 | Cantata BWV 212 "Mer hahn en neue Oberkeet": X. Arie: "Es nehme zehntausend Dukaten" | 0:58 | Johann Sebastian Bach | Coffee Cantata BWV 211 / Peasant Cantata BWV 212 | Johann Sebastian Bach; Christopher Hogwood, Academy of Ancient Music | Album |
| London Records (UK, 1947–1999, re-launched 2011–present) | 417 621-2 |
| 1.14 | Cantata BWV 212 "Mer hahn en neue Oberkeet": X. Arie: "Es nehme zehntausend Dukaten" | 0:58 | Johann Sebastian Bach | Coffee Cantata BWV 211 / Peasant Cantata BWV 212 | Johann Sebastian Bach; Christopher Hogwood, Academy of Ancient Music | Album |
| Decca Records | 417 621-2 |
| 7.14 | "Mer hahn en neue Oberkeet" Cantata, BWV 212 - "Peasant Cantata": 16-17. Es nehme zehntausend Dukaten...Das klingt zu liederlich | 0:58 | Johann Sebastian Bach | Masterworks: The Original Jackets Collection | Johann Sebastian Bach | Album + Compilation |
| Deutsche Grammophon | 4791043 |
| 6.14 | Kantate, BWV 212 "Mer hahn en neue Oberkeet": 16-17: Es nehme zehntausend Dukaten | 0:58 | Johann Sebastian Bach | The Complete Recitals | Emma Kirkby | Album |
| Decca Classics (“DECCA” in white uppercase on a blue‐over‐red rectangular block; until 1999, for use outside of North America only) | 478 7863 |
| 13.14 | Peasant Cantata, BWV 212 16-17. Es Nehme Zehntausend Dukaten | 0:58 | The Academy Of Ancient Music, Christopher Hogwood | The Bach Recordings | The Academy Of Ancient Music, Christopher Hogwood | Album + Compilation |
| Decca Classics (“DECCA” in white uppercase on a blue‐over‐red rectangular block; until 1999, for use outside of North America only) | 0289 482 1736 6 |
| 81.24 | "Mer hahn en neue Oberkeet", BWV 212: 16. Aria col come de Chasse: "Es nehme zehntausend Dukaten" / 17. Recitative: "Das klingt zu liederlich" | 0:58 | Johann Sebastian Bach | Bach 333 - J.S. Bach The New Complete Edition | Johann Sebastian Bach | Album + Compilation |
| Decca Classics (“DECCA” in white uppercase on a blue‐over‐red rectangular block; until 1999, for use outside of North America only), Deutsche Grammophon | 4798000 |
| 1.14 | Peasant Cantata, BWV 212: Es nehme zehntausend Dukaten (Arie) | 0:58 | Johann Sebastian Bach | Coffee Cantata, BWV 211 / Peasant Cantata, BWV 212 | Johann Sebastian Bach; Emma Kirkby, David Thomas, The Academy of Ancient Music, Christopher Hogwood | Album | L’Oiseau‐Lyre | 417 621-2 | |
| Pseudo-uitgave | |||||||||
| 6.24 | "Mer hahn en neue Oberkeet", BWV 212: 16. Aria col come de Chasse: "Es nehme zehntausend Dukaten" / 17. Recitative: "Das klingt zu liederlich" | 0:58 | Johann Sebastian Bach | Bach 333: Sacred & secular vocal (second half) | Johann Sebastian Bach | Album + Compilation | |||
Relaties
| producent: | Peter Wadland (producer) |
|---|---|
| creatieve leiding op: | Christopher Hogwood (conductor, harpsichordist) |
| basvocalen: | David Thomas (British operatic bass) (van 1986-09-09 tot 1986-09-11) |
| sopraanvocalen: | Emma Kirkby (soprano) (van 1986-09-09 tot 1986-09-11) |
| orkest: | Academy of Ancient Music (van 1986-09-09 tot 1986-09-11) |
| was dirigent: | Christopher Hogwood (conductor, harpsichordist) (van 1986-09-09 tot 1986-09-11) |
| balanstechnicus: | John Pellowe (audio engineer) (van 1986-09-09 tot 1986-09-11) |
| opgenomen bij: | St. Barnabas Church (Woodside Park, Finchley, London N12) in Finchley, Barnet, London (Greater London), England, Verenigd Koninkrijk (van 1986-09-09 tot 1986-09-11) |
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| is een opname van: | Kantate, BWV 212 "Mer hahn en neue Oberkeet": XVI. Aria (Bass) "Es nehme zehntausend Dukaten" (van 1986-09-09 tot 1986-09-11) Kantate, BWV 212 "Mer hahn en neue Oberkeet": XVII. Recitativo (Sopran) "Das klingt zu liederlich" (van 1986-09-09 tot 1986-09-11) |
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Gerelateerde composities
Kantate, BWV 212 "Mer hahn en neue Oberkeet": XVI. Aria (Bass) "Es nehme zehntausend Dukaten"
| had de première in: | Leipzig, Sachsen (Saxony), Duitsland (op 1742-08-30) |
|---|---|
| gecomponeerd in: | Leipzig, Sachsen (Saxony), Duitsland (in 1742) |
| componist: | Johann Sebastian Bach (German Baroque period composer & musician) (in 1742) |
|---|---|
| librettist: | Christian Friedrich Henrici |
| deel van: | Kantate, BWV 212 "Mer hahn en neue Oberkeet" (volgorde: 16) |
|---|
Kantate, BWV 212 "Mer hahn en neue Oberkeet": XVII. Recitativo (Sopran) "Das klingt zu liederlich"
| had de première in: | Leipzig, Sachsen (Saxony), Duitsland (op 1742-08-30) |
|---|---|
| gecomponeerd in: | Leipzig, Sachsen (Saxony), Duitsland (in 1742) |
| componist: | Johann Sebastian Bach (German Baroque period composer & musician) (in 1742) |
|---|---|
| librettist: | Christian Friedrich Henrici |
| deel van: | Kantate, BWV 212 "Mer hahn en neue Oberkeet" (volgorde: 17) |
|---|
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