Jazz 'Round Midnight: Clifford Brown

~ Release by Clifford Brown (see all versions of this release, 2 available)

Tracklist

1▼CD
#TitleRatingLength
1Lands End
double bass:
George Morrow (on 1955-02-23)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (on 1955-02-23)
piano:
Richie Powell (on 1955-02-23)
tenor saxophone:
Harold Land (US jazz tenor saxophonist) (on 1955-02-23)
trumpet:
Clifford Brown (trumpet) (on 1955-02-23)
recorded at:
Capitol Studios (New York City) in New York, New York, United States (on 1955-02-23)
recording of:
Land’s End (on 1955-02-23)
composer:
Harold Land (US jazz tenor saxophonist)
4:57
2(I Don't Stand A) Ghost of a Chance
instrumental recording of:
(I Don’t Stand) A Ghost of a Chance
lyricist:
Bing Crosby and Ned Washington
composer:
Victor Young (American composer, arranger, violinist & conductor)
publisher:
Chappell & Co., EMI Harmonies Ltd., Mills Music Limited and Mills Music, Inc.
7:21
3Willow Weep for Me
3:27
4September Song
producer:
Bob Shad
double bass:
Joe Benjamin (US jazz bassist) (on 1954-12-16)
drums (drum set):
Roy Haynes (American jazz drummer and bandleader) (on 1954-12-16)
flute:
Herbie Mann (on 1954-12-16)
piano:
Jimmy Jones (jazz pianist, active years 1936-1975) (on 1954-12-16)
tenor saxophone:
Paul Quinichette (on 1954-12-16)
trumpet:
Clifford Brown (trumpet) (on 1954-12-16)
vocals:
Sarah Vaughan (on 1954-12-16)
conductor:
Ernie Wilkins (on 1954-12-16)
arranger:
Ernie Wilkins
recorded at:
Fine Sound Studios (1953–1956; fka WMGM Studios until 1953) in New York, New York, United States (on 1954-12-16)
recording of:
Knickerbocker Holiday: September Song (on 1954-12-16)
lyricist:
Maxwell Anderson
composer:
Kurt Weill (composer)
publisher:
DeSylva, Brown and Henderson, Inc., Hampshire House Publishing Corp., Warner/Chappell (Warner/Chappell Music, Inc.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), Chappell & Co. (in 1938), TRO-Hampshire House Publishing Corp. (in 1938) and Crawford Music Corp. (on 1938-09-24)
part of:
Knickerbocker Holiday (Kurt Weill musical)
5:47
5Where or When
3:31
6Born to Be Blue
vocals:
Helen Merrill
recording of:
Born to Be Blue
writer:
Mel Tormé (“The Velvet Fog”) and Robert Wells (songwriter)
publisher:
Arc Music Corp. (U.S. rock & blues publisher), Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label) and PW 3 ASCAP Songs
sub-publisher:
BMG Rights Management (France) (not for release label use! file releases under its imprint BMG (2008–present)) (ended), Universal Music Publishing France (not for release label use!) and ロックンロール ミュージック (Rock ’n’ Roll Music)
5:16
7Portrait of Jennie
3:28
8No More
vocals:
Dinah Washington
3:16
9Smoke Gets in Your Eyes
double bass:
George Morrow (on 1955-01-18)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (on 1955-01-18)
guitar:
Barry Galbraith (on 1955-01-18)
piano:
Richie Powell (on 1955-01-18)
trumpet:
Clifford Brown (trumpet) (on 1955-01-18)
arranger:
Neal Hefti
recorded at:
Fine Sound Studios (1953–1956; fka WMGM Studios until 1953) in New York, New York, United States (on 1955-01-18)
recording of:
Smoke Gets in Your Eyes
lyricist:
O. Harbach
composer:
J. Kern
publisher:
Chappell & Co Ltd., Chappell & Co., Chappell Music (UK), Chappell Music Ltd., PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998), PolyGram Music Publishing Ltd., Redwood Music, T.B. Harms Co., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
part of:
Roberta
instrumental recording of:
Smoke Gets in Your Eyes
lyricist:
O. Harbach
composer:
J. Kern
publisher:
Chappell & Co Ltd., Chappell & Co., Chappell Music (UK), Chappell Music Ltd., PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998), PolyGram Music Publishing Ltd., Redwood Music, T.B. Harms Co., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
part of:
Roberta
3:16
10Lullaby of Birdland
vocals:
Sarah Vaughan
recording of:
Lullaby of Birdland (George Shearing/George David Weiss (as B. Y. Forster) jazz standard)
lyricist:
B. Y. Forster (pseudonym of George David Weiss)
composer:
George Shearing (British jazz pianist)
publisher:
EMI Longitude Music, Good Music Limited, Pat Music and Planetary Nom (London) Ltd.
sub-publisher:
ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works)
4:01
11Laura
3:29
12April in Paris
vocals:
Sarah Vaughan
recording of:
April in Paris
lyricist:
Yip Harburg (in 1932)
composer:
Vernon Duke (Russian-American composer and songwriter) (in 1932)
publisher:
Chappell Music Ltd. and Harms, Inc.
included in:
The Real Book (compilation of jazz standards, volume I)
6:21
13Time
recorded in:
New York, New York, United States (on 1956-02-17)
producer:
Bob Shad
celesta and piano:
Richie Powell (on 1956-02-17)
double bass:
George Morrow (on 1956-02-17)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (on 1956-02-17)
tenor saxophone:
Sonny Rollins (American saxophonist) (on 1956-02-17)
trumpet:
Clifford Brown (trumpet) (on 1956-02-17)
recorded at:
Capital Studios (New York) in New York, New York, United States (on 1956-02-17)
recording of:
Time (on 1956-02-17)
writer:
Richie Powell
5:09
14You'd Be So Nice to Come Home To
vocals:
Helen Merrill
recording of:
You’d Be So Nice to Come Home To
lyricist and composer:
Cole Porter (composer) (in 1943)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., 1968‐09‐19–1999‐11‐09)
part of:
The 16th Academy Award for Best Original Song (number: 2)
4:18