Too Marvelous for Words: 24 Songs of Johnny Mercer

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

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Nr.TitelKünstlerBewertungLänge
1Too Marvelous for Words
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1937-03-03)
alto saxophone:
Jack Stacey (am 1937-03-03)
Gitarre:
Roc Hillman (songwriter, arranger) (am 1937-03-03)
Klavier:
Bobby Van Eps (American composer, arranger, jazz pianist) (am 1937-03-03)
Kontrabass:
Slim Taft (am 1937-03-03)
Posaune:
Bobby Byrne (am 1937-03-03), Don Matteson (am 1937-03-03) und Joe Yukl (am 1937-03-03)
Rohrblattinstrumente:
Jimmy Dorsey (am 1937-03-03)
Saxophon:
Fud Livingston (am 1937-03-03)
Schlagzeug:
Ray McKinley (am 1937-03-03)
Tenorsaxophon:
Skeets Herfurt (am 1937-03-03)
Trompete:
Tutti Camarata (am 1937-03-03) und George Thow (am 1937-03-03)
Sologesang:
Bing Crosby (am 1937-03-03)
Orchester:
Jimmy Dorsey’s Orchestra
conductor:
Jimmy Dorsey
phonographisches Urheberrecht (℗) von:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.)
recording of:
Too Marvelous for Words (am 1937-03-03)
Texter:
Johnny Mercer (in 1937)
Komponist(in):
Richard A. Whiting (composer) (in 1937)
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Victoria Music Ltd., Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division) und Harms, Inc. (am 1937-01-25)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Bing Crosby with Jimmy Dorsey & His Orchestra3:08
2Out of Breath and Scared to Death of You
Frank Luther3:21
3Lazy Bones
recording of:
Lazy Bones
Texter:
Johnny Mercer
Komponist(in):
Hoagy Carmichael
publisher:
Songs of Peer, Ltd. (ASCAP)
The Mills Brothers3:03
4I’m an Old Cowhand
alto saxophone:
Jack Stacey (am 1936-07-17)
Gitarre:
Roc Hillman (songwriter, arranger) (am 1936-07-17)
Klavier:
Bobby Van Eps (American composer, arranger, jazz pianist) (am 1936-07-17)
Kontrabass:
Slim Taft (am 1936-07-17)
Posaune:
Bobby Byrne (am 1936-07-17), Don Matteson (am 1936-07-17) und Joe Yukl (am 1936-07-17)
Rohrblattinstrumente:
Jimmy Dorsey (am 1936-07-17)
Saxophon:
Fud Livingston (am 1936-07-17)
Schlagzeug:
Ray McKinley (am 1936-07-17)
Tenorsaxophon:
Skeets Herfurt (am 1936-07-17)
Trompete:
Tutti Camarata (am 1936-07-17) und George Thow (am 1936-07-17)
vocals:
Bing Crosby (am 1936-07-17)
Orchester:
Jimmy Dorsey and His Orchestra (am 1936-07-17)
conductor:
Jimmy Dorsey
phonographisches Urheberrecht (℗) von:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.)
recording of:
I’m an Old Cowhand (From the Rio Grande) (am 1936-07-17)
Texter und Komponist(in):
Johnny Mercer
publisher:
The Johnny Mercer Foundation und WC Music Corp.
Bing Crosby with Jimmy Dorsey & His Orchestra32:43
5Jeepers Creepers
recording of:
Jeepers Creepers
Texter:
Johnny Mercer (in 1938)
Verfasser(in):
Richard A. Whiting (composer)
Komponist(in):
Harry Warren (US composer and lyricist) (in 1938)
publisher:
B. Feldman & Co. Ltd. (publisher est. 1946) und Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Teil von:
The 11th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1938 nominee)
The Mills Brothers2:35
6You Must Have Been a Beautiful Baby
recorded in:
Chicago, Illinois, Vereinigte Staaten (am 1938-10-04)
alto saxophone:
Joe Kearns (American jazz saxophonist) (am 1938-10-04)
Gitarre:
Nappy Lamare (am 1938-10-04)
Klarinette:
Irving Fazola (am 1938-10-04)
Klavier:
Bob Zurke (am 1938-10-04)
Kontrabass:
Bob Haggart (am 1938-10-04)
Posaune:
Ward Silloway (US jazz trombonist) (am 1938-10-04) und Warren Smith (jazz trombonist) (am 1938-10-04)
Rohrblattinstrumente:
Matty Matlock (am 1938-10-04) und Eddie Miller (US jazz saxophonist) (am 1938-10-04)
Schlagzeug:
Ray Bauduc (am 1938-10-04)
Tenorsaxophon:
Gil Rodin (am 1938-10-04)
Trompete:
Sterling Bose (am 1938-10-04), Billy Butterfield (am 1938-10-04) und Rubin "Zeke" Zarchy (am 1938-10-04)
vocals:
Bing Crosby (am 1938-10-04)
conductor:
Bob Crosby (am 1938-10-04)
phonographisches Urheberrecht (℗) von:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.)
recording of:
You Must Have Been a Beautiful Baby (am 1938-10-04)
Texter:
Johnny Mercer
Komponist(in):
Harry Warren (US composer and lyricist)
Bing Crosby with Bob Crosby and His Orchestra3.52:57
7And the Angels Sing
recording of:
And the Angels Sing
Texter:
Johnny Mercer
Komponist(in):
Ziggy Elman
publisher:
Francis, Day & Hunter Ltd. und WC Music Corp.
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Benny Goodman and His Orchestra3:14
8Fools Rush In
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”)
Orchester:
The Nelson Riddle Orchestra
aufgenommen bei:
Capitol Tower in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (von 1960-03 bis 1960-04)
recording of:
Fools Rush In (Where Angels Fear to Tread)
Texter:
Johnny Mercer
Verfasser(in):
Johnny Mercer
Komponist(in):
Rube Bloom (American songwriter, pianist and vocalist)
publisher:
Bregman, Vocco & Conn, Inc., Commander Publications, Warner Bros. Music (publisher; do NOT use as release label), Warner Bros. Music Corp., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), WB Music Corp. (1929–2019) (bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
Frank Sinatra & The Tommy Dorsey Orchestra3:18
9Mister Meadowlark
recording of:
Mister Meadowlark
Texter:
Johnny Mercer
Komponist(in):
Walter Donaldson
Bing Crosby & Johnny Mercer2:46
10The Waiter and the Porter and the Upstairs Maid
alto saxophone:
Tony Antonelli (jazz saxophonist) (am 1941-05-26) und Joe Ferdinando (am 1941-05-26)
Gitarre:
Perry Botkin (am 1941-05-26)
Klavier:
Ernie Hughes (am 1941-05-26)
Kontrabass:
Arnold Fishkind (am 1941-05-26)
Posaune:
Joe Ferrall (am 1941-05-26), Seymour Goldfinger (am 1941-05-26) und Jose Gutierrez (jazz trombonist) (am 1941-05-26)
Rohrblattinstrumente:
Danny Polo (saxophonist / clarinetist) (am 1941-05-26)
Schlagzeug:
Paul Collins (jazz drummer) (am 1941-05-26)
Tenorsaxophon:
Art Moore (indie rock) (am 1941-05-26) und Art Beck (am 1941-05-26)
Trompete:
Pokey Carriere (am 1941-05-26), John Fallstitch (am 1941-05-26) und Truman Quigley (am 1941-05-26)
vocals:
Bing Crosby (am 1941-05-26), Mary Martin (US film and musical actor/singer) (am 1941-05-26) und Jack Teagarden (am 1941-05-26)
conductor:
Jack Teagarden (am 1941-05-26)
phonographisches Urheberrecht (℗) von:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.)
recording of:
The Waiter and the Porter and the Upstairs Maid (am 1941-05-26)
Texter und Komponist(in):
Johnny Mercer
Mary Martin & Bing Crosby with Jack Teagarden and His Orchestra3:13
11This Time the Dream’s on Me
recording of:
This Time the Dream’s on Me
Texter:
Johnny Mercer (in 1941)
Komponist(in):
Harold Arlen (in 1941)
Ray Eberle & The Modernaires with Glenn Miller & His Orchestra3:07
12Tangerine
recording of:
Tangerine (1941 song)
Texter:
Johnny Mercer
Komponist(in):
Victor Schertzinger
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
Helen O’Connell & Bob Eberly with Jimmy Dorsey & His Orchestra3:12
13Blues in the Night
Sologesang:
Dinah Shore
recording of:
Blues in the Night (My Mama Done Tol’ Me) (am 1942-01-12)
Texter:
Johnny Mercer (in 1941)
Komponist(in):
Harold Arlen (in 1941)
publisher:
Warner Bros., Inc. (not for release label use!) und WB Music Corp. (1929–2019)
Teil von:
The 14th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1941 nominee)
Dinah Shore3:13
14That Old Black Magic
recording of:
That Old Black Magic
Texter:
Johnny Mercer (in 1942)
Komponist(in):
Harold Arlen (in 1942)
publisher:
Famous Chappell und Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
Teil von:
The 16th Academy Award for Best Original Song (Nummer: 2)
The Glenn Miller Orchestra3:07
15Skylark
recording of:
Skylark
Texter:
Johnny Mercer
Komponist(in):
Hoagy Carmichael (in 1941)
publisher:
Frank Music Corp., George Simon Music Co., George Simon, Inc., Hoagy Publishing Co., Songs of Peer, Ltd. (ASCAP), The Johnny Mercer Foundation, Warner Bros. Music (publisher; do NOT use as release label), WB Music Corp. (1929–2019) (bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
sub-publisher:
日音 Synch事業部 (NICHION, INC. Synch Division)
Dinah Shore3:24
16I’m Old Fashioned
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1942-07-27)
vocals:
Fred Astaire (am 1942-07-27)
Orchester:
John Scott Trotter and His Orchestra (am 1942-07-27)
recording of:
I’m Old Fashioned (from “You Were Never Lovelier”) (am 1942-07-27)
Texter:
Johnny Mercer (in 1942)
Komponist(in):
Jerome Kern (in 1942)
publisher:
T.B. Harms Co., The Johnny Mercer Foundation und Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Fred Astaire with John Scott Trotter and His Orchestra2:26
17The Old Music Master
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1942-06-12)
alto saxophone:
Danny d'Andrea (am 1942-04-12) und Alvy West (am 1942-04-12)
baritone saxophone:
Tommy Mace (am 1942-04-12)
Gitarre:
Mike Pingitore
Klavier:
Buddy Weed (am 1942-06-12)
Kontrabass:
Arthur "Artie" Shapiro (am 1942-06-12)
Posaune:
Skip Layton (am 1942-06-12) und Murray McEachern (am 1942-06-12)
Saiteninstrumente:
Harry Azen (am 1942-06-12), Sol Blumenthal (am 1942-06-12) und David Bowman (strings) (am 1942-06-12)
Schlagzeug:
Willie Rodriguez (Latin jazz drummer and percussionist) (am 1942-06-12)
Tenorsaxophon:
King Guion (jazz tenor saxophonist, clarinetist and bass clarinetist) (am 1942-06-12) und Lenny Hartman (am 1942-06-12)
Trompete:
Monty Kelly (am 1942-06-12), Larry Neil (am 1942-06-12) und Don Waddilove (am 1942-06-12)
vocals:
Johnny Mercer und Jack Teagarden (am 1942-06-12)
Orchester:
Paul Whiteman and His Orchestra
recording of:
The Old Music Master (am 1942-06-12)
Texter:
Johnny Mercer
Komponist(in):
Hoagy Carmichael
Johnny Mercer & Jack Teagarden with Paul Whiteman & His Orchestra2:58
18Dearly Beloved
recording of:
Dearly Beloved (from “You Were Never Lovelier”) (am 1942-07-26)
Texter:
Johnny Mercer
Komponist(in):
Jerome Kern
Teil von:
The 15th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1942 nominee)
Fred Astaire with John Scott Trotter and His Orchestra2:40
19One for My Baby (and One More for the Road)
recording of:
One for My Baby (and One More for the Road)
Texter:
Johnny Mercer (in 1943)
Komponist(in):
Harold Arlen (in 1943)
publisher:
Chappell/Morris Ltd. und Harwin Music
Teil von:
The Sky’s the Limit (1943 film)
Lena Horne with Horace Henderson and his Orchestra3:23
20Ac-Cent-Tchu-Ate the Positive
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1944-12-08)
vocals:
The Andrews Sisters (am 1944-12-08) und Bing Crosby (am 1944-12-08)
Orchester:
Vic Schoen’s Orchestra (am 1944-12-08)
conductor:
Vic Schoen (am 1944-12-08)
phonographisches Urheberrecht (℗) von:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.)
recording of:
Ac‐cent‐tchu‐ate the Positive (am 1944-12-08)
Texter:
Johnny Mercer (in 1944)
Komponist(in):
Harold Arlen (in 1944)
publisher:
Harwin Music Corporation, Warner/Chappell Music, Hong Kong Limited (華納音樂版權香港有限公司, 1995–2019), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Teil von:
The 18th Academy Award for Best Original Song (Nummer: 2)
The Andrews Sisters with Bing Crosby and Vic Schoen and His Orchestra42:45
21Laura
recording of:
Laura (1945 song)
Texter:
Johnny Mercer (in 1945)
Komponist(in):
David Raksin (in 1944)
publisher:
EMI Robbins Catalog Inc. (ASCAP), EMI United Partnership Ltd., Robbins Music Corp., Twentieth Century Music Corp. und United Partnership Ltd.
Version von:
Laura (original 1944 film theme)
Dick Haymes & Victor Young and His Orchestra3:10
22On the Atchison, Topeka and the Santa Fe
Chorgesang:
Kay Thompson Chorus (am 1945-09-10)
vocals:
Judy Garland (am 1945-09-10)
conductor:
Lennie Hayton (am 1945-09-10)
Orchestrator(in):
Conrad Salinger
recording of:
On the Atchison, Topeka and the Santa Fe (The Harvey Girls, 1946 film) (am 1945-09-10)
Texter:
Johnny Mercer
Komponist(in):
Harry Warren (US composer and lyricist)
Teil von:
The 19th Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 1946 winner)
Teil von:
The Harvey Girls (1946 film)
Judy Garland with Lennie Hayton & His Orchestra3:15
23Come Rain or Come Shine
cover recording of:
Come Rain or Come Shine
Texter:
Johnny Mercer (in 1946)
Komponist(in):
Harold Arlen (in 1946)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), S.A. Music Co. und Warner/Chappell Music Scandinavia AB
Dick Haymes & Helen Forrest with Victor Young & His Orchestra2:53
24Hit the Road to Dreamland
recording of:
Hit the Road to Dreamland
Texter:
Johnny Mercer
Komponist(in):
Harold Arlen
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
Margaret Whiting with Freddie Slack and His Orchestra2:30