Patience / Irish Symphony

~ Release by Gilbert & Sullivan; Sir Malcolm Sargent, Sir Charles Groves (see all versions of this release, 1 available)

Tracklist

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1▼CD
#TitleArtistRatingLength
1Patience: Overture
orchestra:
Pro Arte Orchestra (UK orchestra 1955–1970: do not use for anonymous budget compilations) (in 1961)
conductor:
Sir Malcolm Sargent (English conductor) (in 1961)
recording of:
Patience: Overture (in 1961)
composer:
Eugen d’Albert (Scottish-German composer) and Arthur Sullivan (Sir Arthur Sullivan, composer)
part of:
Patience
Gilbert & Sullivan5:37
2Patience. Act I. “Twenty lovesick maidens we” (Maidens, Angela, Ella)
choir vocals:
Glyndebourne Festival Chorus
orchestra:
Pro Arte Orchestra (UK orchestra 1955–1970: do not use for anonymous budget compilations)
conductor:
Sir Malcolm Sargent (English conductor)
chorus master:
Peter Gellhorn (conductor/composer/pianist)
recording of:
Patience: Act I. “Twenty Love-Sick Maidens We” (Chorus of Maidens) (in 1961)
composer:
Arthur Sullivan (Sir Arthur Sullivan, composer)
librettist:
William Gilbert (English dramatist, librettist, poet and illustrator)
part of:
Patience: Act I
Gilbert & Sullivan5:00
3Patience. Act I. “Still brooding on their mad infatuation” (Patience, Saphir, Angela, Maidens)
choir vocals:
Glyndebourne Festival Chorus
contralto vocals [Lady Angela]:
Marjorie Thomas (contralto)
soprano vocals [Lady Saphir]:
Elizabeth Harwood (soprano)
soprano vocals [Patience]:
Elsie Morison (soprano)
orchestra:
Pro Arte Orchestra (UK orchestra 1955–1970: do not use for anonymous budget compilations)
conductor:
Sir Malcolm Sargent (English conductor)
chorus master:
Peter Gellhorn (conductor/composer/pianist)
recording of:
Patience: Act I. 2. “Still Brooding on Their Mad Infatuation” (Patience, Saphir, Angela, Chorus) (in 1961)
composer:
Arthur Sullivan (Sir Arthur Sullivan, composer)
librettist:
William Gilbert (English dramatist, librettist, poet and illustrator)
part of:
Patience: Act I
Gilbert & Sullivan1:08
4Patience. Act I. “I cannot tell what this love may be” (Patience, Maidens)
choir vocals:
Glyndebourne Festival Chorus
soprano vocals [Patience]:
Elsie Morison (soprano)
orchestra:
Pro Arte Orchestra (UK orchestra 1955–1970: do not use for anonymous budget compilations)
conductor:
Sir Malcolm Sargent (English conductor)
chorus master:
Peter Gellhorn (conductor/composer/pianist)
recording of:
Patience: Act I. 2a. “I Cannot Tell What This Love May Be” (Patience, Chorus) (in 1961)
composer:
Arthur Sullivan (Sir Arthur Sullivan, composer)
librettist:
William Gilbert (English dramatist, librettist, poet and illustrator)
part of:
Patience: Act I
Gilbert & Sullivan2:54
5Patience. Act I. “The soldiers of our Queen” (Dragoons, Colonel Calverley)
choir vocals:
Glyndebourne Festival Chorus
orchestra:
Pro Arte Orchestra (UK orchestra 1955–1970: do not use for anonymous budget compilations)
conductor:
Sir Malcolm Sargent (English conductor)
chorus master:
Peter Gellhorn (conductor/composer/pianist)
recording of:
Patience: Act 1, No. 3, The Soldiers of our Queen (Chorus of Dragoons) (in 1961)
lyricist:
William Gilbert (English dramatist, librettist, poet and illustrator)
composer:
Arthur Sullivan (Sir Arthur Sullivan, composer)
part of:
Patience: Act I
Gilbert & Sullivan3:25
6Patience. Act I. “In a doleful train… Twenty lovesick maidens we” (Ella, Angela, Saphir, Maidens, Dragoons, Bunthorne)
baritone vocals [Bunthorne]:
George Baker (English baritone)
choir vocals:
Glyndebourne Festival Chorus
contralto vocals [Lady Angela]:
Marjorie Thomas (contralto)
soprano vocals [Lady Ella]:
Heather Harper (soprano)
soprano vocals [Lady Saphir]:
Elizabeth Harwood (soprano)
orchestra:
Pro Arte Orchestra (UK orchestra 1955–1970: do not use for anonymous budget compilations)
conductor:
Sir Malcolm Sargent (English conductor)
chorus master:
Peter Gellhorn (conductor/composer/pianist)
recording of:
Patience: Act I. 4. “In a Doleful Train Two and Two We Walk” (Angela, Ella, Saphir, Bunthorne, Chorus of Maidens and Dragoons) (in 1961)
composer:
Arthur Sullivan (Sir Arthur Sullivan, composer)
librettist:
William Gilbert (English dramatist, librettist, poet and illustrator)
part of:
Patience: Act I
Gilbert & Sullivan5:46
7Patience. Act I. “When I first put this uniform on” (Colonel Calverley)
baritone vocals [Colonel]:
John Shaw (baritone)
choir vocals:
Glyndebourne Festival Chorus
orchestra:
Pro Arte Orchestra (UK orchestra 1955–1970: do not use for anonymous budget compilations)
conductor:
Sir Malcolm Sargent (English conductor)
chorus master:
Peter Gellhorn (conductor/composer/pianist)
recording of:
Patience: Act I. 5. “When I First Put This Uniform On” (Colonel, Chorus of Dragoons) (in 1961)
composer:
Arthur Sullivan (Sir Arthur Sullivan, composer)
librettist:
William Gilbert (English dramatist, librettist, poet and illustrator)
Gilbert & Sullivan1:25
8Patience. Act I. “Am I alone and unobserved?” (Bunthorne)
baritone vocals [Bunthorne]:
George Baker (English baritone)
orchestra:
Pro Arte Orchestra (UK orchestra 1955–1970: do not use for anonymous budget compilations)
conductor:
Sir Malcolm Sargent (English conductor)
recording of:
Patience: Act I. 6. “Am I Alone and Unobserved?…” (Bunthorne) (in 1961)
composer:
Arthur Sullivan (Sir Arthur Sullivan, composer)
librettist:
William Gilbert (English dramatist, librettist, poet and illustrator)
part of:
Patience: Act I
Gilbert & Sullivan4:36
9Patience. Act I. “Long years ago, fourteen maybe” (Patience, Angela)
contralto vocals [Lady Angela]:
Marjorie Thomas (contralto)
soprano vocals [Patience]:
Elsie Morison (soprano)
orchestra:
Pro Arte Orchestra (UK orchestra 1955–1970: do not use for anonymous budget compilations)
conductor:
Sir Malcolm Sargent (English conductor)
recording of:
Patience: Act I. 7. “Long Years Ago, Fourteen Maybe” (Patience, Angela) (in 1961)
composer:
Arthur Sullivan (Sir Arthur Sullivan, composer)
librettist:
William Gilbert (English dramatist, librettist, poet and illustrator)
part of:
Patience: Act I
Gilbert & Sullivan2:10
10Patience. Act I. “Prithee pretty maiden” (Grosvenor, Patience)
baritone vocals [Grosvenor]:
John Cameron (baritone)
soprano vocals [Patience]:
Elsie Morison (soprano)
orchestra:
Pro Arte Orchestra (UK orchestra 1955–1970: do not use for anonymous budget compilations)
conductor:
Sir Malcolm Sargent (English conductor)
recording of:
Patience: Act I. 8. “Prithee, Pretty Maiden” (Patience, Grosvenor) (in 1961)
composer:
Arthur Sullivan (Sir Arthur Sullivan, composer)
librettist:
William Gilbert (English dramatist, librettist, poet and illustrator)
part of:
Patience: Act I
Gilbert & Sullivan2:33
11Patience. Act I. “Let the merry cymbals sound” (Maidens)
choir vocals:
Glyndebourne Festival Chorus
orchestra:
Pro Arte Orchestra (UK orchestra 1955–1970: do not use for anonymous budget compilations)
conductor:
Sir Malcolm Sargent (English conductor)
chorus master:
Peter Gellhorn (conductor/composer/pianist)
recording of:
Patience: Act I. Finale. 9. “Let the Merry Cymbals Sound” (Maidens) (first part only of Act I Finale) (in 1961)
composer:
Arthur Sullivan (Sir Arthur Sullivan, composer)
librettist:
William Gilbert (English dramatist, librettist, poet and illustrator)
part of:
Patience: Act I. Finale. 9. “Let the Merry Cymbals Sound…” (Ensemble)
Gilbert & Sullivan2:14
12Patience. Act I. “Now tell us, we pray you” (Duke, Colonel, Major, Dragoons, Bunthorne, Maidens)
baritone vocals [Bunthorne]:
George Baker (English baritone)
baritone vocals [Colonel]:
John Shaw (baritone)
bass vocals [Major]:
William Trevor Anthony (operatic bass)
choir vocals:
Glyndebourne Festival Chorus
tenor vocals [Duke]:
Alexander Young (tenor)
orchestra:
Pro Arte Orchestra (UK orchestra 1955–1970: do not use for anonymous budget compilations)
conductor:
Sir Malcolm Sargent (English conductor)
chorus master:
Peter Gellhorn (conductor/composer/pianist)
recording of:
Patience: Act I. Finale. 9. “Now Tell Us, We Pray You…” (Duke, Colonel, Major, Dragoons, Bunthorne, Maidens) (second part of Act I Finale) (in 1961)
composer:
Arthur Sullivan (Sir Arthur Sullivan, composer)
librettist:
William Gilbert (English dramatist, librettist, poet and illustrator)
part of:
Patience: Act I. Finale. 9. “Let the Merry Cymbals Sound…” (Ensemble)
Gilbert & Sullivan2:31
13Patience. Act I. “Your maiden hearts” (Duke, Dragoons, Maidens)
choir vocals:
Glyndebourne Festival Chorus
tenor vocals [Duke]:
Alexander Young (tenor)
orchestra:
Pro Arte Orchestra (UK orchestra 1955–1970: do not use for anonymous budget compilations)
conductor:
Sir Malcolm Sargent (English conductor)
chorus master:
Peter Gellhorn (conductor/composer/pianist)
recording of:
Patience: Act I. Finale. 9. “Your Maiden Hearts, Ah, Do Not Steel” (Duke, Dragoons, Maidens) (third part of Act I Finale) (in 1961)
composer:
Arthur Sullivan (Sir Arthur Sullivan, composer)
librettist:
William Gilbert (English dramatist, librettist, poet and illustrator)
part of:
Patience: Act I. Finale. 9. “Let the Merry Cymbals Sound…” (Ensemble)
Gilbert & Sullivan1:35
14Patience. Act I. “Come walk up and purchase with avidity” (Bunthorne, Maidens, Dragoons, Jane, Patience)
baritone vocals [Bunthorne]:
George Baker (English baritone)
choir vocals:
Glyndebourne Festival Chorus
contralto vocals [Lady Jane]:
Monica Sinclair (contralto)
soprano vocals [Patience]:
Elsie Morison (soprano)
orchestra:
Pro Arte Orchestra (UK orchestra 1955–1970: do not use for anonymous budget compilations)
conductor:
Sir Malcolm Sargent (English conductor)
chorus master:
Peter Gellhorn (conductor/composer/pianist)
recording of:
Patience: Act I. Finale. 9. “Come, Walk Up, and Purchase With Avidity…” (Bunthorne, Maidens, Dragoons, Jane, Patience) (fourth part of Act I Finale) (in 1961)
composer:
Arthur Sullivan (Sir Arthur Sullivan, composer)
librettist:
William Gilbert (English dramatist, librettist, poet and illustrator)
part of:
Patience: Act I. Finale. 9. “Let the Merry Cymbals Sound…” (Ensemble)
Gilbert & Sullivan4:32
15Patience. Act I. “True love must single-hearted be” (Patience, Bunthorne, Colonel, Major, Saphir, Angela)
baritone vocals [Bunthorne]:
George Baker (English baritone)
baritone vocals [Colonel]:
John Shaw (baritone)
bass vocals [Major]:
William Trevor Anthony (operatic bass)
contralto vocals [Lady Angela]:
Marjorie Thomas (contralto)
soprano vocals [Lady Saphir]:
Elizabeth Harwood (soprano)
soprano vocals [Patience]:
Elsie Morison (soprano)
orchestra:
Pro Arte Orchestra (UK orchestra 1955–1970: do not use for anonymous budget compilations)
conductor:
Sir Malcolm Sargent (English conductor)
recording of:
Patience: Act I. Finale. 9. “True Love Must Single-hearted Be” (Patience, Bunthorne, Colonel, Major, Saphir, Angela) (fifth part of Act I finale) (in 1961)
composer:
Arthur Sullivan (Sir Arthur Sullivan, composer)
librettist:
William Gilbert (English dramatist, librettist, poet and illustrator)
part of:
Patience: Act I. Finale. 9. “Let the Merry Cymbals Sound…” (Ensemble)
Gilbert & Sullivan1:26
16Patience. Act I. “I hear the soft note… But who is this?” (All)
baritone vocals [Bunthorne]:
George Baker (English baritone)
baritone vocals [Colonel]:
John Shaw (baritone)
bass vocals [Major]:
William Trevor Anthony (operatic bass)
choir vocals:
Glyndebourne Festival Chorus
contralto vocals [Lady Angela]:
Marjorie Thomas (contralto)
contralto vocals [Lady Jane]:
Monica Sinclair (contralto)
soprano vocals [Lady Ella]:
Heather Harper (soprano)
soprano vocals [Lady Saphir]:
Elizabeth Harwood (soprano)
soprano vocals [Patience]:
Elsie Morison (soprano)
orchestra:
Pro Arte Orchestra (UK orchestra 1955–1970: do not use for anonymous budget compilations)
conductor:
Sir Malcolm Sargent (English conductor)
chorus master:
Peter Gellhorn (conductor/composer/pianist)
recording of:
Patience: Act I. Finale. 9. “I Hear the Soft Note of the Echoing Voice…” (Ensemble) (final part of Act I Finale) (in 1961)
composer:
Arthur Sullivan (Sir Arthur Sullivan, composer)
librettist:
William Gilbert (English dramatist, librettist, poet and illustrator)
part of:
Patience: Act I. Finale. 9. “Let the Merry Cymbals Sound…” (Ensemble)
Gilbert & Sullivan5:41
2▼CD
#TitleArtistRatingLength
1Patience. Act II. “On such eyes as maidens cherish” (Maidens)
choir vocals:
Glyndebourne Festival Chorus
orchestra:
Pro Arte Orchestra (UK orchestra 1955–1970: do not use for anonymous budget compilations)
conductor:
Sir Malcolm Sargent (English conductor)
chorus master:
Peter Gellhorn (conductor/composer/pianist)
recording of:
Patience: Act II. 10. “On Such Eyes as Maidens Cherish” (Chorus of Maidens) (in 1961)
composer:
Arthur Sullivan (Sir Arthur Sullivan, composer)
librettist:
William Gilbert (English dramatist, librettist, poet and illustrator)
part of:
Patience: Act II
Gilbert & Sullivan1:27
2Patience. Act II. “Sad is that woman’s lot” (Jane)
contralto vocals [Lady Jane]:
Monica Sinclair (contralto)
orchestra:
Pro Arte Orchestra (UK orchestra 1955–1970: do not use for anonymous budget compilations)
conductor:
Sir Malcolm Sargent (English conductor)
recording of:
Patience: Act II. 11. “Sad Is That Woman’s Lot…” (Jane) (in 1961)
composer:
Arthur Sullivan (Sir Arthur Sullivan, composer)
librettist:
William Gilbert (English dramatist, librettist, poet and illustrator)
part of:
Patience: Act II
Gilbert & Sullivan4:48
3Patience. Act II. “Turn, oh turn in this direction” (Maidens)
choir vocals:
Glyndebourne Festival Chorus
orchestra:
Pro Arte Orchestra (UK orchestra 1955–1970: do not use for anonymous budget compilations)
conductor:
Sir Malcolm Sargent (English conductor)
chorus master:
Peter Gellhorn (conductor/composer/pianist)
recording of:
Patience: Act II. 12. “Turn, Oh Turn, in This Direction” (Chorus of Maidens) (in 1961)
composer:
Arthur Sullivan (Sir Arthur Sullivan, composer)
librettist:
William Gilbert (English dramatist, librettist, poet and illustrator)
part of:
Patience: Act II
Gilbert & Sullivan1:29
4Patience. Act II. “A magnet hung in a hardware shop” (Grosvenor, Maidens)
baritone vocals [Grosvenor]:
John Cameron (baritone)
choir vocals:
Glyndebourne Festival Chorus
orchestra:
Pro Arte Orchestra (UK orchestra 1955–1970: do not use for anonymous budget compilations)
conductor:
Sir Malcolm Sargent (English conductor)
chorus master:
Peter Gellhorn (conductor/composer/pianist)
recording of:
Patience: Act II. 13. “A Magnet Hung in a Hardware Shop” (Grosvenor, Chorus of Maidens) (in 1961)
composer:
Arthur Sullivan (Sir Arthur Sullivan, composer)
librettist:
William Gilbert (English dramatist, librettist, poet and illustrator)
part of:
Patience: Act II
Gilbert & Sullivan2:26
5Patience. Act II. “Love is a plaintive song” (Patience)
soprano vocals [Patience]:
Elsie Morison (soprano)
orchestra:
Pro Arte Orchestra (UK orchestra 1955–1970: do not use for anonymous budget compilations)
conductor:
Sir Malcolm Sargent (English conductor)
recording of:
Patience: Act II. 14. “Love Is a Plaintive Song” (Patience) (in 1961)
composer:
Arthur Sullivan (Sir Arthur Sullivan, composer)
librettist:
William Gilbert (English dramatist, librettist, poet and illustrator)
part of:
Patience: Act II
Gilbert & Sullivan3:23
6Patience. Act II. “So go to him and say to him” (Jane, Bunthorne)
baritone vocals [Bunthorne]:
George Baker (English baritone)
contralto vocals [Lady Jane]:
Monica Sinclair (contralto)
orchestra:
Pro Arte Orchestra (UK orchestra 1955–1970: do not use for anonymous budget compilations)
conductor:
Sir Malcolm Sargent (English conductor)
recording of:
Patience: Act II. 15. “So Go to Him, and Say to Him” (Jane, Bunthorne) (in 1961)
composer:
Arthur Sullivan (Sir Arthur Sullivan, composer)
librettist:
William Gilbert (English dramatist, librettist, poet and illustrator)
part of:
Patience: Act II
Gilbert & Sullivan2:19
7Patience. Act II. “It’s clear that medieval art alone retains its zest” (Duke, Major, Colonel)
baritone vocals [Colonel]:
John Shaw (baritone)
bass vocals [Major]:
William Trevor Anthony (operatic bass)
tenor vocals [Duke]:
Alexander Young (tenor)
orchestra:
Pro Arte Orchestra (UK orchestra 1955–1970: do not use for anonymous budget compilations)
conductor:
Sir Malcolm Sargent (English conductor)
recording of:
Patience: Act II. 16. “It’s Clear That Mediaeval Art” (Duke, Major, Colonel) (in 1961)
composer:
Arthur Sullivan (Sir Arthur Sullivan, composer)
librettist:
William Gilbert (English dramatist, librettist, poet and illustrator)
part of:
Patience: Act II
Gilbert & Sullivan2:22
8Patience. Act II. “If Saphir I choose to marry” (Duke, Major, Saphir, Angela, Colonel)
baritone vocals [Colonel]:
John Shaw (baritone)
bass vocals [Major]:
William Trevor Anthony (operatic bass)
contralto vocals [Lady Angela]:
Marjorie Thomas (contralto)
soprano vocals [Lady Saphir]:
Elizabeth Harwood (soprano)
tenor vocals [Duke]:
Alexander Young (tenor)
orchestra:
Pro Arte Orchestra (UK orchestra 1955–1970: do not use for anonymous budget compilations)
conductor:
Sir Malcolm Sargent (English conductor)
recording of:
Patience: Act II. 17. “If Saphir I Choose to Marry” (Angela, Saphir, Duke, Major, Colonel) (in 1961)
composer:
Arthur Sullivan (Sir Arthur Sullivan, composer)
librettist:
William Gilbert (English dramatist, librettist, poet and illustrator)
part of:
Patience: Act II
Gilbert & Sullivan2:58
9Patience. Act II. “When I go out of door” (Bunthorne, Grosvenor)
baritone vocals [Bunthorne]:
George Baker (English baritone)
baritone vocals [Grosvenor]:
John Cameron (baritone)
orchestra:
Pro Arte Orchestra (UK orchestra 1955–1970: do not use for anonymous budget compilations)
conductor:
Sir Malcolm Sargent (English conductor)
recording of:
Patience: Act II. 18. “When I Go Out of Door” (Bunthorne, Grosvenor) (in 1961)
composer:
Arthur Sullivan (Sir Arthur Sullivan, composer)
librettist:
William Gilbert (English dramatist, librettist, poet and illustrator)
part of:
Patience: Act II
Gilbert & Sullivan1:33
10Patience. Act II. “I’m a Waterloo House young man” (Grosvenor, Maidens)
baritone vocals [Grosvenor]:
John Cameron (baritone)
choir vocals:
Glyndebourne Festival Chorus
orchestra:
Pro Arte Orchestra (UK orchestra 1955–1970: do not use for anonymous budget compilations)
conductor:
Sir Malcolm Sargent (English conductor)
chorus master:
Peter Gellhorn (conductor/composer/pianist)
recording of:
Patience: Act II. 19. “I’m a Waterloo House Young Man” (Grosvenor, Chorus of Maidens) (in 1961)
composer:
Arthur Sullivan (Sir Arthur Sullivan, composer)
librettist:
William Gilbert (English dramatist, librettist, poet and illustrator)
part of:
Patience: Act II
Gilbert & Sullivan0:34
11Patience. Act II. “After much debate internal” (Duke, Bunthorne, All)
baritone vocals [Bunthorne]:
George Baker (English baritone)
baritone vocals [Colonel]:
John Shaw (baritone)
baritone vocals [Grosvenor]:
John Cameron (baritone)
bass vocals [Major]:
William Trevor Anthony (operatic bass)
choir vocals:
Glyndebourne Festival Chorus
contralto vocals [Lady Angela]:
Marjorie Thomas (contralto)
contralto vocals [Lady Jane]:
Monica Sinclair (contralto)
soprano vocals [Lady Ella]:
Heather Harper (soprano)
soprano vocals [Lady Saphir]:
Elizabeth Harwood (soprano)
soprano vocals [Patience]:
Elsie Morison (soprano)
tenor vocals [Duke]:
Alexander Young (tenor)
orchestra:
Pro Arte Orchestra (UK orchestra 1955–1970: do not use for anonymous budget compilations)
conductor:
Sir Malcolm Sargent (English conductor)
chorus master:
Peter Gellhorn (conductor/composer/pianist)
recording of:
Patience: Act II. 20. “After Much Debate Internal” (Ensemble) (in 1961)
composer:
Arthur Sullivan (Sir Arthur Sullivan, composer)
librettist:
William Gilbert (English dramatist, librettist, poet and illustrator)
part of:
Patience: Act II
Gilbert & Sullivan1:24
12Symphony in E major “Irish”: I. Andante – Allegro, ma non troppo vivace
orchestra:
Royal Liverpool Philharmonic Orchestra
conductor:
Sir Charles Groves (conductor)
recording of:
Symphony in E major “Irish”: I. Andante - Allegro, ma non troppo vivace (in 1968)
composer:
Arthur Sullivan (Sir Arthur Sullivan, composer) (from 1863 until 1866)
part of:
Symphony in E major “Irish”
Sir Arthur Sullivan11:34
13Symphony in E major “Irish”: II. Andante espressivo
orchestra:
Royal Liverpool Philharmonic Orchestra
conductor:
Sir Charles Groves (conductor)
recording of:
Symphony in E major “Irish”: II. Andante espressivo (in 1968)
composer:
Arthur Sullivan (Sir Arthur Sullivan, composer) (from 1863 until 1866)
part of:
Symphony in E major “Irish”
Sir Arthur Sullivan8:43
14Symphony in E major “Irish”: III. Allegretto
oboe:
Keith Wood (British oboist)
orchestra:
Royal Liverpool Philharmonic Orchestra
conductor:
Sir Charles Groves (conductor)
recording of:
Symphony in E major “Irish”: III. Allegretto - Moderato - Tempo primo (in 1968)
composer:
Arthur Sullivan (Sir Arthur Sullivan, composer) (from 1863 until 1866)
part of:
Symphony in E major “Irish”
Sir Arthur Sullivan6:28
15Symphony in E major “Irish”: IV. Allegro vivace e con brio
orchestra:
Royal Liverpool Philharmonic Orchestra
conductor:
Sir Charles Groves (conductor)
recording of:
Symphony in E major “Irish”: IV. Allegro vivace e con brio (in 1968)
composer:
Arthur Sullivan (Sir Arthur Sullivan, composer) (from 1863 until 1866)
part of:
Symphony in E major “Irish”
Sir Arthur Sullivan9:01