Classical Highlights

~ Release by Various Artists (see all versions of this release, 2 available)

Tracklist

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1▼CD
#TitleArtistRatingLength
1Czardas (Schwanensee)
orchestra:
Berliner Festspielorchester (likely another Alfred Scholz orchestra pseudonym)
Пётр Ильич Чайковский2:28
2Minutenwalzer in Des-Dur op.64 Nr.1
piano:
Peter Schmalfuss (pianist) and Sylvia Caprova (pianist)
recording of:
Waltz no. 6 in D‐flat major, op. 64 no. 1 “Minute Waltz”
composer:
Fryderyk Chopin (Frédéric Chopin, composer) (from 1846 until 1847)
part of:
Waltzes, op. 64
Frédéric Chopin1:50
3Slawischer Tanz Nr.1
orchestra:
London Festival Orchestra (Alfred Scholz pseudonym), London Symphony Orchestra (Alfred Scholz pseudonym, not the real LSO) and Royal Philharmonic Orchestra
conductor:
Alfred Scholz, Frank Shipway (British conductor) and Thomas Waldham
phonographic copyright (℗) by:
Mediaphon (for copyrights use only – this is the short name used in legal notices by Mediaphon GmbH, aka Mediaphon-Musikproduktion und Verlag GmbH) (in 1984)
recording of:
Slavonic Dances, op. 46, B. 83: No. 1 in C major (Furiant)
composer:
Antonín Dvořák (composer) (from 1878-04 until 1878-08-22)
part of:
Slavonic Dances, op. 46, B. 83 (for orchestra)
recording of:
Slavonic Dances, op. 72: No. 1 in B major: Molto vivace (for orchestra)
composer:
Antonín Dvořák (composer) (from 1886-11 until 1887-01-05)
premiered at:
[concert] (1887-01-06)
part of:
Slawische Tänze, op. 72, B. 147 (Slavonic Dances, op. 72, B. 147, for orchestra)
Antonín Dvořák3:26
4Partita Nr.1 (Giga)
producer:
Udo Unger
piano:
Dubravka Tomšič (pianist)
recording of:
Partita no. 1 in B-flat major, BWV 825: VII. Gigue (in 1987)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Partita no. 1 in B-flat major, BWV 825
Johann Sebastian Bach2:12
5Menuett KV525 (Eine kleine Nachtmusik)
sound engineer:
Bernhard Mahne (Classical music producer) (from 1986-04-22 until 1986-04-24) and Lutz Wildner (from 1986-04-22 until 1986-04-24)
orchestra:
Camerata Academia Salzburg (Austrian chamber orchestra), Camerata Academica of Salzburg (Alfred Scholz orchestra, not the same as Camerata Academia Salzburg), Camerata Accademica Hamburg, Ljubljana Symphony Orchestra (RTV Slovenia Symphony Orchestra), Mainz Chamber Orchestra, Philharmonic Orchestra London (Alfred Scholz pseudonym) and Camerata Labacensis (Slovenian chamber orchestra) (from 1986-04-22 until 1986-04-24)
conductor:
Günter Kehr (conductor and violinist), Francesco Macci (an Alfred Scholz pseudonym), Alfred Scholz and Alexander von Pitamic (Alfred Scholz pseudonym) (from 1986-04-22 until 1986-04-24)
recorded at:
Slovenian Philharmonic in Ljubljana, Ljubljana (City Municipality of Ljubljana), Slovenia (from 1986-04-22 until 1986-04-24)
recording of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“: III. Minuetto. Allegretto & Trio (from 1986-04-22 until 1986-04-24)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1787)
part of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“
Wolfgang Amadeus Mozart2:21
6Liebestraum Nr.3
piano:
Hélène Gàl (pianist, an Alfred Scholz pseudonym)
Franz Liszt4:28
7Pastorale in C -DUR op.3 Nr.12
orchestra:
Radio‐Sinfonieorchester Stuttgart des SWR (Stuttgart Radio Symphony Orchestra)
Francesco Onofrio Manfredini4:04
8Carmen (Danse Boheme)
orchestra:
Royal Symphonie Orchestra
Georges Bizet4:33
9Walzer in Ges-Dur op.70 Nr.1
piano:
Peter Schmalfuss (pianist)
recording of:
Waltz no. 11 in G‐flat major, op. 70 no. 1
composer:
Fryderyk Chopin (Frédéric Chopin, composer) (from 1829 until 1832)
part of:
Waltzes, op. 70
Frédéric Chopin2:22
10Tanz der Rohrflöten (Nußknacker Suite)
orchestra:
Berliner Festspielorchester (likely another Alfred Scholz orchestra pseudonym)
Пётр Ильич Чайковский2:13
11Ave Maria
choir vocals:
Sandor Czech Ensemble (possibly a choral ensemble, even if it might be another Alfred Scholz creation)
performer:
Sandor Czech Ensemble (possibly a choral ensemble, even if it might be another Alfred Scholz creation)
recording of:
Ave Maria (Bach/Gounod)
lyricist:
[anonymous] (special purpose artist)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) and Charles Gounod (French composer) (in 1853)
is based on:
Méditation sur le Premier Prélude de Piano de S. Bach
is based on:
The Well-Tempered Clavier, Book I: Prelude and Fugue no. 1 in C major, BWV 846: Prelude
Johann Sebastian Bach / Charles-François Gounod2:50
12Diese Wonne, diese Seligkeit
performer:
Sandor Czech Ensemble (possibly a choral ensemble, even if it might be another Alfred Scholz creation)
Franz von Suppé2:08
13Triumphmarsch (Aida)
orchestra:
Berliner Festspielorchester (likely another Alfred Scholz orchestra pseudonym)
Giuseppe Verdi6:13
14Mondscheinsonate (Adagio sostenuto)
audio engineer:
Südwest Tonstudio (engineering)
grand piano and solo piano:
Dubravka Tomšič (pianist)
piano:
Silvia Čápová (pianist), Debra Ruth Zobel and Dubravka Tomšič (pianist) (in 1986-04)
recording of:
Sonata for Piano no. 14 in C‐sharp minor, op. 27 no. 2 “Moonlight”: I. Adagio sostenuto (in 1986-04)
composer:
Ludwig van Beethoven (German composer) (in 1801)
part of:
Sonata for Piano no. 14 in C‐sharp minor, op. 27 no. 2 “Moonlight”
Ludwig van Beethoven6:05
15Air BWV 1068
orchestra:
The English Philharmonic Orchestra (an Alfred Scholz pseudonym assocated with Simon Addison, not the orchestra founded in 1998), London Festival Orchestra (Alfred Scholz pseudonym) and Philharmonic Orchestra London (Alfred Scholz pseudonym)
conductor:
Simon Addison (probably an Alfred Scholz pseudonym)
recording of:
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (Orchestral Suite no. 3 in D major, BWV 1068: II. Air, Air on the G string)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1730)
part of:
Orchestersuite Nr. 3 D-Dur, BWV 1068 (Orchestral Suite no. 3 in D major, BWV 1068)
Johann Sebastian Bach3:19
16Pizzicato-Polka
recording of:
Pizzicato-Polka
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son) (in 1869) and Josef Strauss (Austrian composer) (in 1869)
Johann Strauss II / Josef Strauss2:45
17Feuerwerksmusik (Allegro)
orchestra:
Berlin Festival Orchestra (Alfred Scholtz pseudonym), Berliner Festspielorchester (likely another Alfred Scholz orchestra pseudonym), The European Philharmonic Orchestra (an Alfred Scholz pseudonym, NOT the Austrian orchestra of the same name), Musici di San Marco (an Alfred Scholz pseudonym) and Norddeutsche Philharmonie (an Alfred Scholz pseudonym)
conductor:
Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym), Vladimir Petroschoff (conductor, an Alfred Scholz pseudonym) and Luigi Varese (an Alfred Scholz pseudonym)
recording of:
Music for the Royal Fireworks, HWV 351: IV. La Réjouissance
composer:
George Frideric Handel (German‐British baroque composer) (in 1749)
part of:
Music for the Royal Fireworks, HWV 351
Georg Friedrich Händel2:27
18Symphonie Nr.29 (Menuetto)
sound engineer:
Bernhard Mahne (Classical music producer) (from 1986-04-22 until 1986-04-24) and Lutz Wildner (from 1986-04-22 until 1986-04-24)
orchestra:
Camerata Academica (Alfred Scholz orchestra, not the same as Camerata Academia Salzburg), Camerata Salzburg (Austrian chamber orchestra), Ljubljana Symphony Orchestra (RTV Slovenia Symphony Orchestra), Mozart Festival Orchestra (an Alfred Scholz pseudonym) and Camerata Labacensis (Slovenian chamber orchestra) (from 1986-04-22 until 1986-04-24)
conductor:
Alexander von Pitamic (Alfred Scholz pseudonym) (from 1986-04-22 until 1986-04-24)
recorded at:
Slovenian Philharmonic in Ljubljana, Ljubljana (City Municipality of Ljubljana), Slovenia (from 1986-04-22 until 1986-04-24)
recording of:
Symphony no. 29 for Orchestra in A major, K. 186a / 201: III. Minuetto & Trio (from 1986-04-22 until 1986-04-24)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1774 until 1774-04-06)
part of:
Symphony no. 29 for Orchestra in A major, K. 186a / 201
Wolfgang Amadeus Mozart3:50
19Menuett
performer:
Sandor Czech Ensemble (possibly a choral ensemble, even if it might be another Alfred Scholz creation)
Luigi Boccherini3:50
20Radetzkymarsch
orchestra:
Orchester der Wiener Volksoper, Royal Promenade Orchestra (possibly fictitious by association with Alfred Gehardt), The Vienna Strauss Orchestra (Alfred Scholz pseudonym; also Vienna Strauss Orchestra) and Wiener Johann Strauss Orchester
conductor:
Peter Falk (conductor), Joseph Francek (conductor, pseudonym for Alfred Scholz), Alfred Gehardt (fictitious conductor), Paul Kantschieder (conductor), Frank Meyer (conductor, pseudonym for Alfred Scholz) and Alfred Scholz
recording of:
Radetzky‐Marsch, op. 228 (Radetzky March, op. 228)
composer:
Johann Strauss (Johann Strauss I, Baptist, Vater, Johann Strauss I, Sr., the Elder, the Father) (in 1848)
dedicated to:
Joseph Radetzky von Radetz
premiered at:
Wasserglacis in Wien (Vienna), Austria (on 1848-08-31)
part of:
Works of Johann Strauss Sr. by opus number (number: op. 228)
Johann Strauss I2:55
2▼CD
#TitleArtistRatingLength
1Carmen (Les Toreadors)
Georges Bizet2:17
2Präludium c-Moll BWV 999
harpsichord:
Christiane Jaccottet (harpsichord) (in 1990)
recording of:
Prelude in C minor, BWV 999 (catch-all for arrangements) (in 1990)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Prelude in C minor, BWV 999 (original for lute)
Johann Sebastian Bach1:26
3Walzer (Dornröschen)
Пётр Ильич Чайковский4:27
4Nocturne Es-Dur op. 9 Nr. 2
Fryderyk Chopin4:40
5Tritsch-Tratsch-Polka
recording of:
Tritsch–Tratsch Polka, op. 214
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son) (until 1858)
part of:
Works of Johann Strauss Jr. by opus number (number: op. 214)
Johann Strauss2:41
6Concerto grosso op. 3,8 (Allegro)
Antonio Vivaldi4:01
7Hoffmanns Erzählungen: Barcarole
orchestra:
Royal Philharmonic Orchestra London (Royal Philharmonic Orchestra)
conductor:
Frank Shipway (British conductor)
recording of:
Les Contes d’Hoffmann: Barcarolle (The Tales of Hoffmann: Barcarolle, catch-all for arrangements)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
arrangement of:
Les Contes d’Hoffmann: Acte III. “Belle nuit, ô nuit d’amour” (Nicklausse, Giulietta)
Jacques Offenbach3:20
8Badinerie F-Dur
orchestra:
Camerata Romana (an Alfred Scholz pseudonym) and I Solisti di Zagreb (an Alfred Scholz pseudonym, not to be confused with the real Zagrebački solisti)
recording of:
Suite for Strings: III. Badinerie. Vivace
composer:
Arcangelo Corelli (Italian baroque composer and violinist)
part of:
Suite for Strings
Arcangelo Corelli1:11
9Präludium + Fuge c-Moll BWV 847
harpsichord:
Christiane Jaccottet (harpsichord) (in 1989)
recording of:
The Well-Tempered Clavier, Book I: Prelude and Fugue no. 2 in C minor, BWV 847.2/847 (in 1989)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1722)
part of:
Bach-Werke-Verzeichnis (abbreviated second edition, 1998, BWV²ᵃ) (number: BWV 847), Bach-Werke-Verzeichnis (third edition, 2022, BWV³) (number: BWV 847.2), Bach-Werke-Verzeichnis (second edition, 1990, BWV²) (number: BWV 847), Bach-Werke-Verzeichnis (first edition, 1950, BWV¹) (number: BWV 847) and Bach Compendium (number: BC L 81)
part of:
The Well-Tempered Clavier, Book I
recording of:
Präludium und Fuge c-Moll, BWV 546: I. Präludium
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Präludium und Fuge c-Moll, BWV 546
recording of:
The Well-Tempered Clavier, Book I: Prelude and Fugue no. 2 in C minor, BWV 847: Prelude
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1722)
part of:
Klavierbüchlein für Wilhelm Friedemann Bach (number: 15)
part of:
The Well-Tempered Clavier, Book I: Prelude and Fugue no. 2 in C minor, BWV 847.2/847
Johann Sebastian Bach3:32
10Fürst Igor (Allegro)
Александр Порфирьевич Бородин2:20
11Figaros Hochzeit (Ouvertüre)
orchestra:
Berlin Symphony Orchestra (almost certainly a Scholz fake artist), Hamburger Symphoniker, London Festival Orchestra (Alfred Scholz pseudonym), London Philharmonic Orchestra (Alfred Scholz pseudonym) and Philharmonia Slovanica Orchester (Alfred Scholz pseudonym)
conductor:
Pietro di la Corona (fictitious conductor, Alfred Scholz pseudonym), Laurence Gordon Siegel (fictitious conductor, Alfred Scholz pseudonym) and Alfred Scholz
recording of:
Le nozze di Figaro, K. 492: Sinfonia
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1786)
part of:
Die Hochzeit des Figaro (German translation)
part of:
Le nozze di Figaro, K. 492 (The Marriage of Figaro, K 492)
Wolfgang Amadeus Mozart44:19
12Menuett
Ludwig van Beethoven2:45
13Träumerei
Robert Schumann2:41
14Die verkaufte Braut (Polka)
Bedřich Smetana4:33
15Morgenstimmung (Peer Gynt)
Edvard Grieg3:43
16Serenade E-Dur (Moderato)
recording of:
Serenade for Strings in E major, op. 22, B. 52: I. Moderato
composer:
Antonín Dvořák (composer) (from 1875-05-03 until 1875-05-14)
revised by:
Antonín Dvořák (composer) (in 1878)
part of:
Smyčcová serenáda E dur, op. 22, B. 52 (Serenade for Strings in E major, op. 22, B. 52)
Antonín Dvořák4:59
17Ave Maria
Franz Schubert4:51
18Ungarischer Tanz Nr. 1
Johannes Brahms3:29
19Carmen (Habanera)
Georges Bizet2:10
20Sinfonia C-Dur (Allegro molto)
Antonio Vivaldi1:34