Forever Mozart (Collector's Edition)

~ Release by Wolfgang Amadeus Mozart (see all versions of this release, 2 available)

Tracklist

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1▼CD
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1Mozart: Symphony #40 In G Minor, K 550 - 1. Molto Allegro
orchestra:
Slovakisches Philharmonisches Orchester (Slovak State Philharmonic Orchestra, Košice) and Slovenská filharmónia (Slovak Philharmonic)
conductor:
Libor Pešek (conductor)
phonographic copyright (℗) by:
Madacy Entertainment Group, Inc. (do not use as a release label! later renamed Madacy Lifestyle Marketing, read annotations for sub-label to use) (in 2006)
recording of:
Symphony no. 40 in G minor, K. 550 “Great”: I. Allegro molto (2nd version) (in 1985)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1788 until 1788-07-25)
part of:
Symphony no. 40 in G minor, K. 550 “Great” (2nd version)
7:52
2Mozart: Symphony #40 In G Minor, K 550 - 2. Andante
orchestra:
Slovak National Philharmonic Orchestra (Slovak Philharmonic)
conductor:
Libor Pešek (conductor)
recording of:
Symphony no. 40 in G minor, K. 550 “Great”: II. Andante (2nd version)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1788 until 1788-07-25)
part of:
Symphony no. 40 in G minor, K. 550 “Great” (2nd version)
7:54
3Mozart: Symphony #40 In G Minor, K 550 - 3. Menuetto: Allegretto, Trio
orchestra:
Slovak Philharmonic Orchestra (Slovak Philharmonic)
conductor:
Libor Pešek (conductor)
recording of:
Symphony no. 40 in G minor, K. 550 “Great”: III. Minuetto. Allegretto & Trio (2nd version)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1788 until 1788-07-25)
part of:
Symphony no. 40 in G minor, K. 550 “Great” (2nd version)
4:32
4Mozart: Symphony #40 In G Minor, K 550 - 4. Finale: Allegro Assai
orchestra:
Mozart Festival Orchestra (an Alfred Scholz pseudonym) and Slovak Philharmonic Orchestra (Slovak Philharmonic)
conductor:
Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym) and Libor Pešek (conductor)
recording of:
Symphony no. 40 in G minor, K. 550 “Great”: IV. Finale. Allegro assai (2nd version)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1788 until 1788-07-25)
part of:
Symphony no. 40 in G minor, K. 550 “Great” (2nd version)
6:47
5Mozart: Vesperae Solennes De Confessore, K 339 - Laudate Dominum
producer:
Friedrich Welz (engineer/producer) and John Willan (producer)
baritone vocals:
Manfred Ackermann (baritone) (from 1976-07-07 until 1976-07-09)
choir vocals:
Bavarian Radio Chorus (Bavarian Radio Choir) (from 1976-07-07 until 1976-07-09) and Stuttgarter Hymnus-Chorknaben (Stuttgart Hymnus Boys' Choir) (from 1976-07-07 until 1976-07-09)
soprano vocals:
Edda Moser (soprano) (from 1976-07-07 until 1976-07-09)
tenor vocals:
Wolfgang Isenhardt (tenor) (from 1976-07-07 until 1976-07-09)
treble vocals:
Thomas Schulze (from 1976-07-07 until 1976-07-09)
orchestra:
Bavarian Radio Symphony Orchestra (from 1976-07-07 until 1976-07-09)
conductor:
Eugen Jochum (conductor) (from 1976-07-07 until 1976-07-09) and Gerhard Wilhelm (choir master) (from 1976-07-07 until 1976-07-09)
balance engineer:
Neville Boyling (engineer) and Martin Wöhr
phonographic copyright (℗) by:
Warner Music UK Ltd. (not for release label use!) (in 1977)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1976-07-07 until 1976-07-09)
recording of:
Vesperae solennes de confessore, K. 339: V. Laudate dominum (from 1976-07-07 until 1976-07-09)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1780)
part of:
Vesperae solennes de confessore, K. 339
5:12
6Mozart: Ave Verum Corpus, K 618
choir vocals:
Berliner Mozartchor
soprano vocals:
Lisa Otto (German operatic soprano, 1919–2013)
conductor:
Erich Steffen (Conductor)
recording of:
Ave verum corpus, K. 618 (for chorus, string and organ)
composer:
Wolfgang Amadeus Mozart (classical composer) (until 1791-06-18)
part of:
Köchelverzeichnis (Köchel catalogue, first edition, 1862, K¹) (number: K. 618), Köchelverzeichnis (Köchel catalogue, third edition, 1937, K³) (number: K. 618), Köchelverzeichnis (Köchel catalogue, ninth edition, 2024, K⁹) (number: K. 618), Köchelverzeichnis (Köchel catalogue, original numbering) (number: 618) and Köchelverzeichnis (Köchel catalogue, sixth edition, 1964, K⁶) (number: K. 618)
2:58
7Mozart: Symphony #41, "Jupiter" - 3. Menuetto
orchestra:
Berlin Symphony Orchestra (use only if the correct orchestra is unknown - see annotation), London Symphony Orchestra (Alfred Scholz pseudonym, not the real LSO), Philharmonia Slovanica Orchester (Alfred Scholz pseudonym), Philharmonic Orchestra London (Alfred Scholz pseudonym) and Salzburg Mozarteum Orchestra
conductor:
Henry Adolph (fictitious conductor, Alfred Scholz pseudonym), Carl-August Bünte (conductor), Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym), János Sándor (conductor), Alfred Scholz, Laurence Siegel (fictitious conductor, Alfred Scholz pseudonym) and Jan Zybnovsky (possibly an Alfred Scholtz pseudonym)
recording of:
Symphony no. 41 in C major, K. 551 “Jupiter”: III. Minuetto. Allegretto – Trio
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1788 until 1788-08-10)
part of:
Symphony no. 41 in C major, K. 551 “Jupiter”
5:07
8Mozart: Symphony #38 In D, K 504, "Prague" - 1. Adagio, Allegro
recording of:
Symphony no. 38 in D major, K. 504 “Prague”: I. Adagio – Allegro
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1786 until 1786-12-06)
part of:
Symphony no. 38 in D major, K. 504 “Prague”
12:02
9Mozart: Requiem In D Minor, K 626 - 1. Introitus: Requiem Aeternam
bass vocals:
Alois Buchbauer (bass)
choir vocals:
Wiener Sängerknaben (The Vienna Boys Choir)
tenor vocals:
Kurt Equiluz (tenor)
orchestra:
Wiener Konzerthaus Orchester (Viennese Concerthouse Orchestra)
conductor:
Ferdinand Grossmann (Austrian choral conductor)
recording of:
Requiem in D minor, K. 626: I. Introitus: Requiem aeternam (Süßmayr Edition; choir and soprano solo)
orchestrator:
Franz Jakob Freystädtler, Wolfgang Amadeus Mozart (classical composer) and Franz Xaver Süßmayr
additional composer:
Franz Xaver Süßmayr
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
is based on:
Requiem in D minor, K. 626: I. Introitus: Requiem aeternam (original version)
part of:
Requiem in D minor, K. 626 (Süßmayr edition)
5:14
10Mozart: Requiem In D Minor, K 626 - 8. Sequentia: Lacrimosa Dies Illa
bass vocals:
Alois Buchbauer (bass)
choir vocals:
Wiener Sängerknaben (The Vienna Boys Choir)
tenor vocals:
Kurt Equiluz (tenor)
orchestra:
Wiener Konzerthaus Orchester (Viennese Concerthouse Orchestra)
conductor:
Ferdinand Grossmann (Austrian choral conductor)
recording of:
Requiem in D minor, K. 626: III. Sequenz: f. Lacrimosa dies illa (Süßmayr Edition; choir)
orchestrator:
Franz Xaver Süßmayr
additional composer:
Joseph Leopold Eybler (Austrian composer) and Franz Xaver Süßmayr (from 1791 until 1792)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Requiem in D minor, K. 626: III. Sequenz (Süßmayr Edition)
3:00
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1Symphony No.25 in G Minor K.183 - I Allegro Con Brio
orchestra:
Mozart Festival Orchestra (an Alfred Scholz pseudonym)
conductor:
Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym) and Alfred Scholz
recording of:
Symphony no. 25 in G minor, K. 173dB/183 "Little G Minor": I. Allegro con brio
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1773 until 1773-10-05)
part of:
Symphony no. 25 in G minor, K. 173dB/183 "Little G Minor"
9:44
2"The Magic Flute," K 620 (Excerpts) -- Overture
orchestra:
London Philharmonia Orchestra (Alfred Scholz related, not the London Philharmonic, the Philharmonia or the New Philharmonia), London Philharmonic Orchestra (Alfred Scholz pseudonym), Mozart Festival Orchestra (an Alfred Scholz pseudonym), South German Philharmonic Orchestra (an Alfred Scholz pseudonym) and Wiener Mozart‐Ensemble (Vienna Mozart Ensemble, an Alfred Scholz pseudonym)
conductor:
Cesare Cantieri (fictitious conductor, Alfred Scholz pseudonym), Herbert Kraus (conductor, an Alfred Scholz pseudonym), Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym), Alfred Scholz and Laurence Siegel (fictitious conductor, Alfred Scholz pseudonym)
recording of:
Die Zauberflöte: Ouvertüre (The Magic Flute, K. 620: Overture)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Die Zauberflöte, K. 620 (The Magic Flute, K. 620)
7:24
3"The Magic Flute," K 620 (Excerpts) -- "Der Vogelfanger Bin Ich Ja" (Papageno)
baritone vocals [Papageno]:
Ján Ďurčo (baritone)
orchestra:
Bratislava Opera Orchestra
conductor:
Oliver von Dohnányi (conductor)
recording of:
Die Zauberflöte: Akt I. No. 2 Arie „Was hör’ ich?” … „Der Vogelfänger bin ich ja” (Papageno)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
2:36
4"The Magic Flute," K 620 (Excerpts) -- "Dies Bildnis Ist Bezaubernd Schon" (Tamino)
tenor vocals [Tamino]:
Peter Oswald (tenor)
orchestra:
Bratislava Opera Orchestra
conductor:
Oliver von Dohnányi (conductor)
recording of:
Die Zauberflöte: Akt I. No. 3 Arie „Dies Bildnis ist bezaubernd schön“ (Tamino)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
3:51
5"The Magic Flute," K 620 (Excerpts) -- "Der Holle Rache" (Konigin Der Nacht)
soprano vocals and soprano vocals [Königin der Nacht]:
Katarina Kmetova (soprano)
orchestra:
Bratislava Opera Orchestra
conductor:
Oliver von Dohnányi (conductor)
recording of:
Die Zauberflöte: Akt II. No. 14 Arie „Der Hölle Rache kocht in meinem Herzen” (Die Königin der Nacht)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
3:23
6Don Giovanni (Excerpts), K 527 -- Overture
baritone vocals:
Richard Haan (baritone) and Jozef Špaček (operatic bass)
choir vocals:
Bratislava Opera Chorus (Alfred Scholz related)
soprano vocals:
Božena Berkyová (soprano)
orchestra:
Opera Orchestra Bratislava
conductor:
Oliver von Dohnányi (conductor)
recording of:
Don Giovanni: Ouvertura
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1787)
part of:
Il dissoluto punito, ossia il Don Giovanni, K. 527 (Don Giovanni)
6:34
7Don Giovanni (Excerpts), K 527 -- Madammina... (Register Aria by Leporello)
baritone vocals:
Richard Haan (baritone) and Jozef Špaček (operatic bass)
choir vocals:
Bratislava Opera Chorus (Alfred Scholz related)
soprano vocals:
Božena Berkyová (soprano)
orchestra:
Opera Orchestra Bratislava
conductor:
Oliver von Dohnányi (conductor)
recording of:
Don Giovanni: Atto I. No. 4 Aria “Madamina, il catalogo è questo” (Leporello)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
5:34
8Don Giovanni (Excerpts), K 527 -- "La Ci Darem La Mano" (Duet Don Giovanni - Zerlina)
baritone vocals:
Jozef Špaček (operatic bass)
baritone vocals [Don Giovanni]:
Richard Haan (baritone)
choir vocals:
Bratislava Opera Chorus (Alfred Scholz related)
soprano vocals [Zerlina]:
Božena Berkyová (soprano)
orchestra:
Opera Orchestra Bratislava
conductor:
Oliver von Dohnányi (conductor)
recording of:
Don Giovanni: Atto I. No. 7 Duettino “Là ci darem la mano” (Don Giovanni, Zerlina)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
3:29
9The Marriage of Figaro, K.492 - Overture
orchestra:
Berlin Symphony Orchestra (almost certainly a Scholz fake artist), Hamburger Symphoniker, London Festival Orchestra (Alfred Scholz pseudonym), London Philharmonic Orchestra (Alfred Scholz pseudonym) and Philharmonia Slovanica Orchester (Alfred Scholz pseudonym)
conductor:
Pietro di la Corona (fictitious conductor, Alfred Scholz pseudonym), Laurence Gordon Siegel (fictitious conductor, Alfred Scholz pseudonym) and Alfred Scholz
recording of:
Le nozze di Figaro: Sinfonia
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1786)
part of:
Die Hochzeit des Figaro (German translation)
part of:
Le nozze di Figaro, K. 492 (The Marriage of Figaro, K 492)
44:18
10The Marriage of Figaro, K 492 (Excerpts) -- "Non Piu Andrai..." (Figaro)
baritone vocals:
Jozef Špaček (operatic bass)
choir vocals:
Bratislava Opera Chorus (Alfred Scholz related)
soprano vocals:
Elena Holičková (soprano) and Ida Kirilova (mezzo-soprano)
orchestra:
Opera Orchestra Bratislava
conductor:
Oliver von Dohnányi (conductor)
recording of:
Le nozze di Figaro, K. 492: Atto I, Scena VIII. (no. 10) Aria “Non più andrai, farfallone amoroso” (Figaro)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo da Ponte
part of:
Le nozze di Figaro, K. 492: Atto I (The Marriage of Figaro, K. 492: Act I)
3:44
11The Marriage of Figaro, K 492 (Excerpts) -- "Porgi Amor" (Grafin)
baritone vocals:
Jozef Špaček (operatic bass)
choir vocals:
Bratislava Opera Chorus (Alfred Scholz related)
soprano vocals:
Elena Holičková (soprano) and Ida Kirilova (mezzo-soprano)
orchestra:
Opera Orchestra Bratislava
conductor:
Oliver von Dohnányi (conductor)
recording of:
Le nozze di Figaro, K. 492: Atto II, Scena I. (no. 11) Cavatina “Porgi, amor qualche ristoro” (La Contessa)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto II (The Marriage of Figaro, K. 492: Act II)
3:23
12The Marriage of Figaro, K 492 (Excerpts) -- "Voi, Che Sapete..." (Cherubino)
baritone vocals:
Jozef Špaček (operatic bass)
choir vocals:
Bratislava Opera Chorus (Alfred Scholz related)
soprano vocals:
Elena Holičková (soprano) and Ida Kirilova (mezzo-soprano)
orchestra:
Opera Orchestra Bratislava
conductor:
Oliver von Dohnányi (conductor)
recording of:
Le nozze di Figaro, K. 492: Atto II, Scena II. (no. 12) Canzona “Voi che sapete che cosa è amor” (Cherubino)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1786)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto II (The Marriage of Figaro, K. 492: Act II)
3:16
13The Marriage of Figaro, K 492 (Excerpts) -- "Cosi Fan Tutte," K 588
orchestra:
London Festival Orchestra (Alfred Scholz pseudonym), London Philharmonic Orchestra (orchestra founded in 1932 by Sir Thomas Beecham), Orchestre Radio-Symphonique Paris and Symphonic Festival Orchestra (Alfred Scholz pseudonym)
conductor:
Loic Bertrand (fictitious conductor, Alfred Scholz pseudonym), Alfred Scholz and Bernhard Woess (Conductor - possibly an Alfred Scholtz pseudonym)
recording of:
Così fan tutte: Ouvertura
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1790)
part of:
Così fan tutte ossia La scuola degli amanti, K. 588
4:41
3▼CD
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1Concerto for flute, harp & orchestra in C major, K. 299 (K. 297c): 2. Andantino
flute:
Hans Friedrich (flautist, an Alfred Scholz pseudonym), Peter Janconvic (flutist), Peter Jancovic (flautist, an Alfred Scholz pseudonym) and Akiko Miyazashi (flautist, possibly fictitious and created by Alfred Scholz)
harp:
Angelika Bamber (harpist, an Alfred Scholz pseudonym), Angelica Berger (harpist, an Alfred Scholz pseudonym), Renata Modron (harpist, an Alfred Scholz pseudonym), Renata Mordon (harpenist) and Taki Ozawa (harpist)
orchestra:
Mozart Festival Orchestra (an Alfred Scholz pseudonym), Orchestre de Festival Belgique (Belgian Festival Orchestra, fake name - probably invented by the trickster Alfred Scholz), SWR Symphony Orchestra (SWR Baden-Baden and Freiburg Symphony Orchestra) and Wiener Mozart‐Ensemble (Vienna Mozart Ensemble, an Alfred Scholz pseudonym)
conductor:
Ernest Bour (conductor), Herbert Kraus (conductor, an Alfred Scholz pseudonym), Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym), Pierre Narrato (fake name - probably invented by the trickster Alfred Scholz) and Kurt Redel (German flautist and conductor)
recording of:
Concerto in C major for Flute, Harp & Orchestra, K. 297c/299: II. Andantino
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1778-04)
part of:
Concerto in C major for Flute, Harp & Orchestra, K. 297c/299
58:38
2Piano Concerto No. 21 in C major ("Elvira Madigan") K. 467: 2. Andante
piano:
Martha Bergerich (pseudonym used on budget recordings – not Martha Argerich)
orchestra:
Academica Salzburg (Austrian chamber orchestra)
recording of:
Concerto for Piano no. 21 in C major, K. 467: II. Andante
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1785 until 1785-03-09)
part of:
Concerto for Piano no. 21 in C major, K. 467
6:52
3Concerto for 2 pianos & orchestra in E flat major ("Concerto No. 10"), K. 365 (K. 316a): 3. Rondeau: Allegro
piano:
Alfredo Perl (pianist and conductor) and Carmen Piazzini (pianist)
choir vocals:
Leningrad Soloists
orchestra:
Leningrad Soloists
conductor:
Michael Gantvarg (Mikhail Gantvarg, violinist and conductor)
recording of:
Concerto for 2 Pianos & Orchestra no. 10 in E-flat major, K. 316a/365: III. Rondo. Allegro
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1779)
part of:
Concerto for 2 Pianos & Orchestra no. 10 in E-flat major, K. 316a/365
6:44
4Clarinet Concerto in A major, K. 622: 2. Adagio
clarinet:
Jozé Ostrac (clarinettist, an Alfred Scholz pseudonym)
orchestra:
Mozart Festival Orchestra (an Alfred Scholz pseudonym)
conductor:
Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym) and Vladimir Petroschoff (conductor, an Alfred Scholz pseudonym)
performer:
Joze Ostrack and Vladimir Petroschoff (conductor, an Alfred Scholz pseudonym)
recording of:
Concerto for Clarinet in A major, K. 622: II. Adagio (Concerto for Clarinet and Orchestra in A major, K. 622: II. Adagio)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1791-09-28 until 1791-10-07)
part of:
Concerto for Clarinet in A major, K. 622
7:24
5Piano Concerto No. 23 in A major, K. 488: Allegro
piano:
Daniel Gerard (classical pianist, Alfred Scholz related) and Svetlana Stanceva (pianist, an Alfred Scholz pseudonym)
orchestra:
Mozart Festival Orchestra (an Alfred Scholz pseudonym) and Vienna Mozart Ensemble (an Alfred Scholz pseudonym)
conductor:
Herbert Kraus (conductor, an Alfred Scholz pseudonym) and Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym)
recording of:
Concerto for Piano and Orchestra no. 23 in A major, K. 488: I. Allegro
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1786 until 1786-03-02)
part of:
Concerto for Piano and Orchestra no. 23 in A major, K. 488
410:50
6Horn Concerto No. 4 in E flat major, K. 495: 2. Romanza: Andante
French horn and horn:
Josef Dokupil (horn player, an Alfred Scholz pseudonym)
orchestra:
Mozart Festival Orchestra (an Alfred Scholz pseudonym) and Philharmonia Slavonica (Alfred Scholz pseudonym)
conductor:
Henry Adolph (fictitious conductor, Alfred Scholz pseudonym) and Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym)
recording of:
Concerto for Horn no. 4 in E-flat major, K. 495: II. Romance. Andante cantabile
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1786)
part of:
Concerto for Horn no. 4 in E-flat major, K. 495
4:55
7Horn Concerto No. 4 in E flat major, K. 495: 3. Rondo: Allegro Vivace
French horn and horn:
Josef Dokupil (horn player, an Alfred Scholz pseudonym)
orchestra:
Mozart Festival Orchestra (an Alfred Scholz pseudonym) and Philharmonia Slavonica (Alfred Scholz pseudonym)
conductor:
Henry Adolph (fictitious conductor, Alfred Scholz pseudonym) and Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym)
recording of:
Concerto for Horn no. 4 in E-flat major, K. 495: III. Rondo. Allegro vivace
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1786)
part of:
Concerto for Horn no. 4 in E-flat major, K. 495
4:00
8Canon in 4 parts in C major for 2 violins, viola & bass, K. Anh. 191 (K. 562c): 2. Andante, ma Adagio
bassoon:
Klaus Hellman (bassoonist), Kamil Streter (an Alfred Scholz pseudonym) and Sabine Lenz (bassoonist)
orchestra:
Mozart Festival Orchestra (an Alfred Scholz pseudonym), Mozarteum Orchester Salzburg (Salzburg Mozarteum Orchestra) and Wiener Mozart‐Ensemble (Vienna Mozart Ensemble, an Alfred Scholz pseudonym)
conductor:
Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym) and Jan Zybnovsky (possibly an Alfred Scholtz pseudonym)
recording of:
Canon for 4 Instruments in 1 in C major, K. 562c / KV Anh 191: Canon
composer:
Wolfgang Amadeus Mozart (classical composer)
recording of:
Concerto for Bassoon in B-flat major, K. 186e/191: II. Andante ma adagio
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1774)
part of:
Concerto for Bassoon in B-flat major, K. 186e/191
47:24
9Flute Concerto No. 2 in D major, K. 314 (K. 285d): 3. Allegro
flute:
Hans-Martin Linde (flutist and conductor)
orchestra:
Württembergisches Kammerorchester Heilbronn (Württemberg Chamber Orchestra Heilbronn)
conductor:
Jörg Faerber (conductor)
recording of:
Concerto for Flute no. 2 in D major, K. 285d/314: III. Rondo. Allegretto
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1777 until 1778)
part of:
Concerto for Flute no. 2 in D major, K. 285d/314
revision of:
Oboe Concerto in C major, K. 314 / 271k: III. Rondo. Allegretto
5:09

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ASIN:US: B00F38GEHC [info]