Musicassette 10b

~ Release by [unknown] (see all versions of this release, 1 available)

Tracklist

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1▼CD
#TitleArtistRatingLength
1Sorbas’ Tanz (Sirtaki) (Ausschnitt)
recording of:
Zorba’s Dance
composer:
Mikis Theodorakis (Greek composer and lyricist) (in 1964)
part of:
Zorba the Greek
Mikis Theodorakis1:55
2„Sirtós enándios“ aus Kreta (Ausschnitt)
[traditional]1:08
3„Sirtós sebroniótis“ aus Kreta (Ausschnitt)
[traditional]1:05
4„Sirtós kalamatianós" aus Griechenland (Ausschnitt)
[traditional]0:52
5Dorfszenen, Hochzeit (Ausschnitt)
Béla Bartók1:41
6„The Bantry girl’s lament“ aus Irland (Ausschnitt)
De Dannan1:42
7„Will you come to the bower“ aus Irland (Ausschnitt)
The Dubliners0:55
8Green island
Christy Moore3:30
9„Sliabh na mban” aus Irland (Ausschnitt)
Finbar & Eddie Furey0:58
10„Down the broom”, Reel aus Irland (Ausschnitt)
Kilfenora Céilí Band0:54
11„The humours of Glendart”, Jig aus Irland (Ausschnitt)
Kilfenora Céilí Band0:50
12Reel aus Irland
The Dubliners0:49
13Jig aus Irland (Ausschnitt)
Mick Moloney1:15
14„Boulavogue” aus Irland (Ausschnitt)
[unknown]0:57
15Mazurka F-Dur op. 7, Nr. 1
piano:
Jean‐Marc Luisada (pianist) (in 1990-11)
recording of:
Mazurka no. 5 in B‐flat major, op. 7 no. 1 (in 1990-11)
composer:
Fryderyk Chopin (Frédéric Chopin, composer)
part of:
Katalog Dzieł Fryderyka Chopina (Catalogue of the Works of Frédéric Chopin, Chomiński Catalogue) (number: C. 55)
part of:
Mazurkas, op. 7
Frédéric Chopin2:35
16Der Freischütz: 1. Aufzug, Introduktion und Bauernmarsch
Carl Maria von Weber2:54
17Die verkaufte Braut: 2. Akt, 4. Szene, Duett Kezal - Hans, Takt 121 - Schluss
Bedřich Smetana5:35
18Die verkaufte Braut: 2. Akt, 1. Szene, Furiant
recording engineer:
Stanislav Sýkora (from 1980-12-18 until 1981-02-16)
editor:
Oldřich Pulkert (classical editor, staff at Supraphon)
orchestra:
Česká filharmonie (Czech Philharmonic, formerly Czech Philharmonic Orchestra) (from 1980 until 1981) and Czech Philharmonic Orchestra (Czech Philharmonic, formerly Czech Philharmonic Orchestra) (from 1980-12-18 until 1981-02-16)
conductor:
Zdeněk Košler (conductor) (from 1980 until 1981, from 1980-12-18 until 1981-02-16)
recorded at:
Dvořák Hall of the House of Artists, Prague (Dvořák Hall) in Praha (Prague), Czechia (from 1980 until 1981) and Dvorak Hall of the House of Artists (Dvořák Hall) in Praha (Prague), Czechia (from 1980-12-18 until 1981-02-16)
recording of:
Prodaná nevěsta: Act II, Scene II. Furiant (from 1980 until 1981)
composer:
Bedřich Smetana (composer)
part of:
Prodaná nevěsta: Act II
Bedřich Smetana2:15
19Halling aus Norwegen, auf der Hardanger-Fidel gespielt
[traditional]1:25
20Norwegische Bauerntänze, Gangar
piano:
Eva Knardahl (pianist)
recording of:
Slåtter, op. 72 no. 6: Gangar (etter Myllarguten)
composer:
Edvard Grieg (composer)
part of:
Slåtter (Norwegian Peasant Dances) op. 72 (Norwegian Peasant Dances, op. 72)
Edvard Grieg1:15
21Petruschka: 4. Bild, Beginn (Ziffer 161 - 187)
partial recording of:
Pétrouchka : Tableau IV. Fête populaire de la semaine grasse (vers le soir) (1946 revised version)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer)
part of:
Pétrouchka (1946 revised version)
revision of:
Pétrouchka : Tableau IV. Fête populaire de la semaine grasse (vers le soir) (1911 version)
Igor Strawinsky3:48
22Petruschka: Ziffer 188 - 191
recording of:
Pétrouchka : Tableau IV. Fête populaire de la semaine grasse (vers le soir) (1946 revised version)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer)
part of:
Pétrouchka (1946 revised version)
revision of:
Pétrouchka : Tableau IV. Fête populaire de la semaine grasse (vers le soir) (1911 version)
Igor Strawinsky0:57
23Petruschka: Ziffer 192 - 233
partial recording of:
Pétrouchka : Tableau IV. Fête populaire de la semaine grasse (vers le soir) (1946 revised version)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer)
part of:
Pétrouchka (1946 revised version)
revision of:
Pétrouchka : Tableau IV. Fête populaire de la semaine grasse (vers le soir) (1911 version)
Igor Strawinsky3:51
24Fuge aus der Geographie
recording of:
Fuge aus der Geographie
composer:
Ernst Toch (Austrian composer)
Ernst Toch3:28
25Das Wohltemperierte Klavier, Bd. 1, Fuga XI F-Dur BWV 856
harpsichord:
Ton Koopman (conductor, organist and harpsichordist) (in 1982-04)
recorded at:
Maria Minor in Utrecht, Utrecht, Netherlands, Kingdom of the Netherlands (in 1982-04)
recording of:
The Well-Tempered Clavier, Book I: Prelude and Fugue no. 11 in F major, BWV 856.2/856: Fugue (in 1982-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1722)
part of:
The Well-Tempered Clavier, Book I: Prelude and Fugue no. 11 in F major, BWV 856.2/856
Johann Sebastian Bach1:27
26Musikalisches Opfer BWV 1079: Ricercar a 3, Takt 1 - 38
partial recording of:
Musikalisches Opfer, BWV 1079: I. Ricercare a 3
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Musikalisches Opfer, BWV 1079 (The Musical Offering, BWV 1079)
Johann Sebastian Bach1:10
27Musikalisches Opfer BWV 1079: Ricercar a 6, Takt 1 - 29
partial recording of:
Musikalisches Opfer, BWV 1079: V. Ricercare a 6
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Musikalisches Opfer, BWV 1079 (The Musical Offering, BWV 1079)
Johann Sebastian Bach2:08
28Invention C-Dur BWV 772
recording of:
Inventio Nr. 1 C-Dur, BWV 772
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1720 until 1723)
part of:
15 Inventions, BWV 772-786 (number: 1), Bach Compendium (number: BC L 27) and Bach-Werke-Verzeichnis (number: BWV 772)
Johann Sebastian Bach1:33
29Der Messias: Chor „Auf, zerreißet ihre Bande": Takt 1 - 9
partial recording of:
Messiah, HWV 56: Part II, no. 41. Chorus “Let us break their bonds asunder”
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
Georg Friedrich Händel0:14
30Der Messias: Chor „Auf, zerreißet ihre Bande": Takt 10 - Schluss
partial recording of:
Messiah, HWV 56: Part II, no. 41. Chorus “Let us break their bonds asunder”
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
Georg Friedrich Händel1:33
31Ludus tonalis: Fuga secunda in G: Takt 1 - 12
partial recording of:
Ludus tonalis: No. 4. Fuga secunda in G
composer:
Paul Hindemith (German composer, 1895–1963) (in 1942)
part of:
Ludus tonalis
Paul Hindemith0:19
32Ludus tonalis: Fuga secunda in G: Takt 64 -Schluss
partial recording of:
Ludus tonalis: No. 4. Fuga secunda in G
composer:
Paul Hindemith (German composer, 1895–1963) (in 1942)
part of:
Ludus tonalis
Paul Hindemith0:22
33Ludus tonalis: Fuga secunda in G: ganz
recording of:
Ludus tonalis: No. 4. Fuga secunda in G
composer:
Paul Hindemith (German composer, 1895–1963) (in 1942)
part of:
Ludus tonalis
Paul Hindemith1:39
34West Side Story, Fugue, Beginn
partial recording of:
Symphonic Dances from West Side Story: VII. “Cool” Fugue. Allegretto
additional orchestrator:
Irwin Kostal (in 1960) and Sid Ramin (in 1960)
orchestrator and composer:
Leonard Bernstein (American conductor, composer, pianist) (in 1960)
part of:
Symphonic Dances from West Side Story
Leonard Bernstein1:40
35The fairy queen: Suite Nr. 5, Chaconne: Bassstimme Takt 1 - 16
Henry Purcell0:24
36The fairy queen: Suite Nr. 5, Chaconne: ganz
recording engineer:
Nicolas Bartholomée (French sound engineer and producer of classical recordings)
orchestra:
Le Concert des Nations
conductor:
Jordi Savall (viol player, conductor and composer)
recorded at:
La Collégiale De Cardona in Cardona, Barcelona (Province of Barcelona), Catalunya (Catalonia), Spain (in 1996-09)
recording of:
The Fairy Queen, Z. 629: Act V, no. 54. Chaconne: Dance for Chinese Man and Woman
composer:
Henry Purcell (Baroque composer)
part of:
The Fairy Queen, Z. 629
Henry Purcell2:28
2▼CD
#TitleArtistRatingLength
1Präludium und Fuge über den Namen B-A-C-H, Fuga: Takt 1 - 22
partial recording of:
Präludium und Fuge über den Namen BACH, S. 260ii (Prelude and Fugue on the Name BACH, S. 260, for organ)
composer:
Franz Liszt (Hungarian composer, pianist and conductor) (from 1869 until 1870)
part of:
The Music of Liszt (number: S. 260ii)
revision of:
Präludium und Fuge über den Namen BACH, S. 260i
Franz Liszt1:19
2Präludium und Fuge über den Namen B-A-C-H, Fuga: Takt 50-89
partial recording of:
Präludium und Fuge über den Namen BACH, S. 260ii (Prelude and Fugue on the Name BACH, S. 260, for organ)
composer:
Franz Liszt (Hungarian composer, pianist and conductor) (from 1869 until 1870)
part of:
The Music of Liszt (number: S. 260ii)
revision of:
Präludium und Fuge über den Namen BACH, S. 260i
Franz Liszt1:28
3Präludium und Fuge über den Namen B-A-C-H, Fuga: Takt 91-135
partial recording of:
Präludium und Fuge über den Namen BACH, S. 260ii (Prelude and Fugue on the Name BACH, S. 260, for organ)
composer:
Franz Liszt (Hungarian composer, pianist and conductor) (from 1869 until 1870)
part of:
The Music of Liszt (number: S. 260ii)
revision of:
Präludium und Fuge über den Namen BACH, S. 260i
Franz Liszt1:36
4Präludium und Fuge über den Namen B-A-C-H, Fuga: Takt 177-Schluss
partial recording of:
Präludium und Fuge über den Namen BACH, S. 260ii (Prelude and Fugue on the Name BACH, S. 260, for organ)
composer:
Franz Liszt (Hungarian composer, pianist and conductor) (from 1869 until 1870)
part of:
The Music of Liszt (number: S. 260ii)
revision of:
Präludium und Fuge über den Namen BACH, S. 260i
Franz Liszt2:44
5Kinderszenen, Träumerei
recording of:
Kinderszenen, op. 15: No. 7. Träumerei (Scenes from Childhood: Dreaming, original for piano)
composer:
Robert Schumann (German classical composer) (in 1838)
part of:
Classic 100: Piano (2004) (number: 17)
part of:
Kinderszenen, op. 15
Robert Schumann2:21
6Raga Hameer aus Indien (Ravi Shankar), Beginn
Ravi Shankar1:21
7Buddhistische Ritualmusik aus einem tibetischen Kloster (Ausschnitt)
[traditional]1:37
8Mantragesang tibetischer Mönche (Ausschnitt)
[traditional]1:45
9Mantra von Avalokiteshvara, Beginn
[traditional]1:33
10Gregorianischer Gesang „Popule meus" (Ausschnitt)
recording of:
Improperia: Popule meus
composer:
[anonymous] (special purpose artist)
part of:
In Passione et Morte Domini
[unknown]3:07
11Orgelbüchlein, O Lamm Gottes, unschuldig BWV 618, Beginn
partial recording of:
Choralvorspiele für Orgel in F-Dur, BWV 618 "O Lamm Gottes, unschuldig"
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Das Orgel-Büchlein (number: 20) and Bach-Werke-Verzeichnis (number: BWV 618)
Johann Sebastian Bach2:07
12Klavierstück op. 19, Nr. 6
piano:
Thomas Larcher (pianist/composer) (in 1998-07)
recorded at:
Radio Studio DRS in Zurich (Zürich), Zürich (Canton of Zürich), Switzerland (in 1998-07)
recording of:
Sechs kleine Klavierstücke, op. 19: VI. Sehr langsam (in 1998-07)
composer:
Arnold Schönberg (Arnold Schoenberg, composer) (in 1911)
part of:
Sechs kleine Klavierstücke, op. 19
Arnold Schönberg1:37
13Berliner Messe: Kyrie
recording of:
Berliner Messe: I. Kyrie
composer:
Arvo Pärt (Estonian composer)
part of:
Berliner Messe (Berlin Mass)
Arvo Pärt3:18
14Tibetische Mönche singen „oum"
[traditional]1:11
15Stimmung (Ausschnitt)
Karlheinz Stockhausen1:22
16Come out to show them: Beginn
partial recording of:
Come Out
composer:
Steve Reich (American composer) (in 1966)
Steve Reich2:11
17Come out to show them: Mittelteil (Ausschnitt) 3
partial recording of:
Come Out
composer:
Steve Reich (American composer) (in 1966)
Steve Reich1:36
18Come out to show them: Schluss
partial recording of:
Come Out
composer:
Steve Reich (American composer) (in 1966)
Steve Reich1:30
19Music with changing parts (Ausschnitt)
partial recording of:
Music with Changing Parts
composer:
Philip Glass (US composer & pianist) (until 1970)
Philip Glass5:05
20Heike Owusu / Thomas Krause: Schutz-Meditation zur Stärkung der Selbstsicherheit und des Energiekörpers, Beginn
[unknown]3:33
21Orchestersuite Nr. 3 D-Dur BWV 1068: Air, Beginn
partial recording of:
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (catch-all for unknown versions/arrangements)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (Orchestral Suite no. 3 in D major, BWV 1068: II. Air, Air on the G string)
Johann Sebastian Bach1:18
22Frühlingsmorgen (Ausschnitt)
Arnd Stein0:56
23Tales of mystery and imagination, The raven, Beginn
The Alan Parsons Project1:02
24Biblische Sonate Nr. 2 „Der von David vermittelst der Music curirte Saul”: Takt 15-35
partial recording of:
Sonata II: Der von David vermittelst der Music curirte Saul
composer:
Johann Kuhnau (composer)
part of:
Musicalische Vorstellung einiger biblischer Historien
Johann Kuhnau1:50
25Biblische Sonate Nr. 2 „Der von David vermittelst der Music curirte Saul”: Takt 271-313
partial recording of:
Sonata II: Der von David vermittelst der Music curirte Saul
composer:
Johann Kuhnau (composer)
part of:
Musicalische Vorstellung einiger biblischer Historien
Johann Kuhnau1:05
26Biblische Sonate Nr. 2 „Der von David vermittelst der Music curirte Saul”: Takt 315-Schluss
partial recording of:
Sonata II: Der von David vermittelst der Music curirte Saul
composer:
Johann Kuhnau (composer)
part of:
Musicalische Vorstellung einiger biblischer Historien
Johann Kuhnau2:08
27Liebestraum op. 62, Nr. 3, Beginn
recording of:
Liebesträume, S. 541: No. 3 Liebestraum As‐Dur “Oh Lieb, so lang du lieben kannst” (Liebesträume, S. 541: No. 3 Liebestraum in A flat major “Dream of Love”, for piano)
composer:
Franz Liszt (Hungarian composer, pianist and conductor) (in 1850)
piano arranger:
Franz Liszt (Hungarian composer, pianist and conductor)
arrangement of:
O lieb, so lang du lieben kannst, S. 298/2 (second version)
part of:
Liebesträume, S. 541
Franz Liszt1:21
28Microbots Chip III -Vibrations, Beginn
Trancemaster1:24
29Ezi nne - Tanzlied
[traditional]1:08
30Egwu ulaga (Ulaga-Musik)
[traditional]0:30
31Ugo chaa (Glänzender Adler)
[traditional]0:31
32Egwu ogene (Glockenmusik)
[traditional]0:39
33Egwu mmanwu (Maskenmusik)
[traditional]1:09
34Abia - Festtanz
[traditional]0:56

Credits

Release

ASIN:DE: 3762783519 [info]

Release group

part of:Musicassette (order: 7)