Vier Celli + Jazz

~ Release by The Directions In Jazz Unit directed by Bill Le Sage (see all versions of this release, 1 available)

Tracklist

1▼12" Vinyl
#TitleRatingLength
A1Night Talk
recorded in:
London (Greater London), England, United Kingdom (on 1964-04-29)
producer:
John Franz
baritone saxophone:
Ronnie Ross (on 1964-04-29)
bass:
Spike Heatley (on 1964-04-29)
cello:
Fred Alexander (cello) (on 1964-04-29), William De Mont (cellist) (on 1964-04-29), Francisco Gabarro (on 1964-04-29) and Maurice Westerby (on 1964-04-29)
drums (drum set):
Tony Carr (on 1964-04-29)
reeds [clarinet, alto saxophone]:
Bob Burns (Canadian alto/tenor saxophonist/clarinetist, based in Britain post-war) (on 1964-04-29)
woodwind [flute, alto saxophone]:
Johnny Scott (saxophonist) (on 1964-04-29)
conductor:
Bill Le Sage (on 1964-04-29)
recording of:
Night Talk (on 1964-04-29)
composer:
Bill Le Sage
?:??
A2Morning Theories
recorded in:
London (Greater London), England, United Kingdom (on 1964-04-29)
producer:
John Franz
baritone saxophone:
Ronnie Ross (on 1964-04-29)
bass:
Spike Heatley (on 1964-04-29)
cello:
Fred Alexander (cello) (on 1964-04-29), William De Mont (cellist) (on 1964-04-29), Francisco Gabarro (on 1964-04-29) and Maurice Westerby (on 1964-04-29)
drums (drum set):
Tony Carr (on 1964-04-29)
reeds [clarinet, alto saxophone]:
Bob Burns (Canadian alto/tenor saxophonist/clarinetist, based in Britain post-war) (on 1964-04-29)
woodwind [flute, alto saxophone]:
Johnny Scott (saxophonist) (on 1964-04-29)
conductor:
Bill Le Sage (on 1964-04-29)
recording of:
Morning Theories (on 1964-04-29)
composer:
Johnny Scott (saxophonist)
?:??
A3Lady Day
recorded in:
London (Greater London), England, United Kingdom (on 1964-04-29)
producer:
John Franz
baritone saxophone:
Ronnie Ross (on 1964-04-29)
bass:
Spike Heatley (on 1964-04-29)
cello:
Fred Alexander (cello) (on 1964-04-29), William De Mont (cellist) (on 1964-04-29), Francisco Gabarro (on 1964-04-29) and Maurice Westerby (on 1964-04-29)
drums (drum set):
Tony Carr (on 1964-04-29)
reeds [clarinet, alto saxophone]:
Bob Burns (Canadian alto/tenor saxophonist/clarinetist, based in Britain post-war) (on 1964-04-29)
woodwind [flute, alto saxophone]:
Johnny Scott (saxophonist) (on 1964-04-29)
conductor:
Bill Le Sage (on 1964-04-29)
recording of:
Lady Day (on 1964-04-29)
composer:
Ronnie Ross
?:??
A4Honky Tonk
recorded in:
London (Greater London), England, United Kingdom (on 1964-04-29)
producer:
John Franz
baritone saxophone:
Ronnie Ross (on 1964-04-29)
bass:
Spike Heatley (on 1964-04-29)
cello:
Fred Alexander (cello) (on 1964-04-29), William De Mont (cellist) (on 1964-04-29), Francisco Gabarro (on 1964-04-29) and Maurice Westerby (on 1964-04-29)
drums (drum set):
Tony Carr (on 1964-04-29)
reeds [clarinet, alto saxophone]:
Bob Burns (Canadian alto/tenor saxophonist/clarinetist, based in Britain post-war) (on 1964-04-29)
woodwind [flute, alto saxophone]:
Johnny Scott (saxophonist) (on 1964-04-29)
conductor:
Bill Le Sage (on 1964-04-29)
recording of:
Honky Tonk (on 1964-04-29)
composer:
Bill Le Sage
?:??
A5Caber Dance
recorded in:
London (Greater London), England, United Kingdom (on 1964-04-29)
producer:
John Franz
baritone saxophone:
Ronnie Ross (on 1964-04-29)
bass:
Spike Heatley (on 1964-04-29)
cello:
Fred Alexander (cello) (on 1964-04-29), William De Mont (cellist) (on 1964-04-29), Francisco Gabarro (on 1964-04-29) and Maurice Westerby (on 1964-04-29)
drums (drum set):
Tony Carr (on 1964-04-29)
reeds [clarinet, alto saxophone]:
Bob Burns (Canadian alto/tenor saxophonist/clarinetist, based in Britain post-war) (on 1964-04-29)
woodwind [flute, alto saxophone]:
Johnny Scott (saxophonist) (on 1964-04-29)
conductor:
Bill Le Sage (on 1964-04-29)
recording of:
Caber Dance (on 1964-04-29)
?:??
B1Milestones
recorded in:
London (Greater London), England, United Kingdom (on 1964-04-29)
producer:
John Franz
baritone saxophone:
Ronnie Ross (on 1964-04-29)
bass:
Spike Heatley (on 1964-04-29)
cello:
Fred Alexander (cello) (on 1964-04-29), William De Mont (cellist) (on 1964-04-29), Francisco Gabarro (on 1964-04-29) and Maurice Westerby (on 1964-04-29)
drums (drum set):
Tony Carr (on 1964-04-29)
reeds [clarinet, alto saxophone]:
Bob Burns (Canadian alto/tenor saxophonist/clarinetist, based in Britain post-war) (on 1964-04-29)
woodwind [flute, alto saxophone]:
Johnny Scott (saxophonist) (on 1964-04-29)
conductor:
Bill Le Sage (on 1964-04-29)
arranger:
Bill Le Sage
cover recording of:
Milestones (originally titled “Miles”) (on 1964-04-29)
composer:
Miles Davis (jazz trumpeter, bandleader, songwriter)
publisher:
Champs Élysées Nouv Société, EMI (EMI Records, or EMI Music only if there is no other imprint), Jazz Horn Music and Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
sub-publisher:
イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (from 2021-07-01 to present)
?:??
B2Monkey Business
recorded in:
London (Greater London), England, United Kingdom (on 1964-04-29)
producer:
John Franz
baritone saxophone:
Ronnie Ross (on 1964-04-29)
bass:
Spike Heatley (on 1964-04-29)
cello:
Fred Alexander (cello) (on 1964-04-29), William De Mont (cellist) (on 1964-04-29), Francisco Gabarro (on 1964-04-29) and Maurice Westerby (on 1964-04-29)
drums (drum set):
Tony Carr (on 1964-04-29)
reeds [clarinet, alto saxophone]:
Bob Burns (Canadian alto/tenor saxophonist/clarinetist, based in Britain post-war) (on 1964-04-29)
woodwind [flute, alto saxophone]:
Johnny Scott (saxophonist) (on 1964-04-29)
conductor:
Bill Le Sage (on 1964-04-29)
recording of:
Monkey Business (on 1964-04-29)
composer:
Bill Le Sage
?:??
B3New Orleans
recorded in:
London (Greater London), England, United Kingdom (on 1964-04-29)
producer:
John Franz
baritone saxophone:
Ronnie Ross (on 1964-04-29)
bass:
Spike Heatley (on 1964-04-29)
cello:
Fred Alexander (cello) (on 1964-04-29), William De Mont (cellist) (on 1964-04-29), Francisco Gabarro (on 1964-04-29) and Maurice Westerby (on 1964-04-29)
drums (drum set):
Tony Carr (on 1964-04-29)
reeds [clarinet, alto saxophone]:
Bob Burns (Canadian alto/tenor saxophonist/clarinetist, based in Britain post-war) (on 1964-04-29)
woodwind [flute, alto saxophone]:
Johnny Scott (saxophonist) (on 1964-04-29)
conductor:
Bill Le Sage (on 1964-04-29)
arranger:
Bill Le Sage
cover recording of:
New Orleans (on 1964-04-29)
composer:
Hoagy Carmichael
?:??
B4Times 2½
recorded in:
London (Greater London), England, United Kingdom (on 1964-04-29)
producer:
John Franz
baritone saxophone:
Ronnie Ross (on 1964-04-29)
bass:
Spike Heatley (on 1964-04-29)
cello:
Fred Alexander (cello) (on 1964-04-29), William De Mont (cellist) (on 1964-04-29), Francisco Gabarro (on 1964-04-29) and Maurice Westerby (on 1964-04-29)
drums (drum set):
Tony Carr (on 1964-04-29)
reeds [clarinet, alto saxophone]:
Bob Burns (Canadian alto/tenor saxophonist/clarinetist, based in Britain post-war) (on 1964-04-29)
woodwind [flute, alto saxophone]:
Johnny Scott (saxophonist) (on 1964-04-29)
conductor:
Bill Le Sage (on 1964-04-29)
recording of:
Times 2½ (on 1964-04-29)
composer:
Johnny Scott (saxophonist)
?:??
B5Rustic Gait
recorded in:
London (Greater London), England, United Kingdom (on 1964-04-29)
producer:
John Franz
baritone saxophone:
Ronnie Ross (on 1964-04-29)
bass:
Spike Heatley (on 1964-04-29)
cello:
Fred Alexander (cello) (on 1964-04-29), William De Mont (cellist) (on 1964-04-29), Francisco Gabarro (on 1964-04-29) and Maurice Westerby (on 1964-04-29)
drums (drum set):
Tony Carr (on 1964-04-29)
reeds [clarinet, alto saxophone]:
Bob Burns (Canadian alto/tenor saxophonist/clarinetist, based in Britain post-war) (on 1964-04-29)
woodwind [flute, alto saxophone]:
Johnny Scott (saxophonist) (on 1964-04-29)
conductor:
Bill Le Sage (on 1964-04-29)
recording of:
Rustic Gait (on 1964-04-29)
composer:
Ronnie Ross
?:??

Credits