90s Butter Mom

~ Release by Various Artists (see all versions of this release, 1 available)

Annotation

Copyright: © 2026 Warner Music Group - X5 Music Group
℗ 2026 Warner Music Group - X5 Music Group

Annotation last modified on 2026-10-04 23:38 UTC.

Tracklist

1▼Digital Media
#TitleArtistRatingLength
1Ventura Highway
assistant engineer:
Chuck Leary
engineer:
Mike Stone (producer and engineer, 1960s–80s)
producer:
America (US folk/soft rock band) and George Martin (producer, arranger, composer, conductor, audio engineer, and musician)
bass:
Joe Osborne (American bass guitar player, session musician and songwriter)
drums (drum set) and percussion:
Hal Blaine (U.S. studio drummer and percussionist)
guitar:
Gerry Beckley, Dewey Bunnell and Dan Peek
keyboard:
Gerry Beckley and Dan Peek
vocals:
Gerry Beckley, Dewey Bunnell and Dan Peek
remixer:
George Martin (producer, arranger, composer, conductor, audio engineer, and musician)
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1972, from 1972 until 1975), Warner Music International (trademark of Warner Music International the company) (in 1972) and Rhino Entertainment Company (not for release label use!) (in 2011)
recording of:
Ventura Highway
lyricist and composer:
Dewey Bunnell
publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
America43:32
2Wind Beneath My Wings
producer:
Arif Mardin
lead vocals:
Bette Midler
part of:
The Co-Op: Top 10 British Funeral Songs (number: 1) and Alan Cross: Hurricane Songs (number: 10)
cover recording of:
Wind Beneath My Wings
writer:
Larry Henley (singer songwriter) and Jeff Silbar
publisher:
Silbar’Songs and Warner Chappell Music Ltd. (no slash; used 1988–1996)
recording of:
Wind Beneath My Wings
writer:
Larry Henley (singer songwriter) and Jeff Silbar
publisher:
Silbar’Songs and Warner Chappell Music Ltd. (no slash; used 1988–1996)
Bette Midler44:54
3Stop Draggin’ My Heart Around
engineer:
Shelly Yakus
producer:
Jimmy Iovine and Tom Petty
bass:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter)
drums (drum set):
Stan Lynch
guitar:
Michael Campbell (Tom Petty and the Heartbreakers guitarist) and Tom Petty
organ:
Benmont Tench
percussion:
Phil Jones (Percussionist)
lead vocals:
Stevie Nicks and Tom Petty
guest performer:
Tom Petty and the Heartbreakers
performer:
Tom Petty
phonographic copyright (℗) by:
Modern Records, Inc. (in 1981) and Rhino Entertainment Company (not for release label use!) (in 2016)
recording of:
Stop Draggin’ My Heart Around
lyricist:
Tom Petty
composer:
Mike Campbell (Tom Petty and the Heartbreakers guitarist)
publisher:
Gone Gator Music (ASCAP affiliated) and Wild Gator Music
Stevie Nicks & Tom Petty and the Heartbreakers4.354:04
4You and Me
recording of:
You and Me
lyricist and composer:
Tom Petty
Tom Petty and the Heartbreakers2:58
5I Saw the Light
producer:
Todd Rundgren
instruments and vocals:
Todd Rundgren
arranger:
Todd Rundgren
phonographic copyright (℗) by:
Bearsville Records (in 1972)
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 452)
recording of:
I Saw the Light
lyricist and composer:
Todd Rundgren
publisher:
Earmark Music Inc. and Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
sub-publisher:
イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (from 2021-07-01 to present)
Todd Rundgren4.253:00
6The Way You Love Me
part of:
Billboard Decade End Chart: Country (2000's) (number: 34)
recording of:
The Way You Love Me
writer:
Michael Delaney and Keith Follesé
Faith Hill4.53:06
7If You Could Read My Mind
recording engineer:
Gary Brandt and Lee Herschberg
producer:
Lenny Waronker and Joe Wissert
mixer:
Lee Herschberg
vocals:
Gordon Lightfoot
strings arranger:
Nick de Caro
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1970)
part of:
Huffington Post: 100 Best Canadian Songs Ever (number: 8)
recording of:
If You Could Read My Mind
lyricist and composer:
Gordon Lightfoot
publisher:
ATV Kirshner (publisher) (ended), Early Morning Music (ended), Laetrec Music (ended), Chelsea Music Publishing Co., Ltd., WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
Gordon Lightfoot4.63:49
8Ooh La La
assistant engineer:
Phil Chapman (engineer)
engineer and producer:
Glyn Johns
acoustic guitar:
Ronnie Lane and Ronnie Wood (UK guitarist, member of The Rolling Stones, also goes by Ron Wood)
drums (drum set) and percussion:
Kenney Jones (drummer for Small Faces, Faces, and The Who)
harmonium and piano:
Ian McLagan
lead vocals:
Ronnie Wood (UK guitarist, member of The Rolling Stones, also goes by Ron Wood)
recorded at:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, United Kingdom
part of:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 246)
recording of:
Ooh La La
lyricist:
Ronnie Wood (UK guitarist, member of The Rolling Stones, also goes by Ron Wood)
composer:
Ronnie Lane and Ronnie Wood (UK guitarist, member of The Rolling Stones, also goes by Ron Wood)
publisher:
WB Music Corp. (1929–2019)
Faces3.753:34
9Rain
recording engineer:
Robin Hancock (UK music engineer/remixer/producer) and Dennis Mitchell (engineer)
drum machine programming:
Tony Shimkin
programming:
Shep Pettibone
engineer:
Robin Hancock (UK music engineer/remixer/producer), ゴウ・ホトダ and Dennis Mitchell (engineer)
producer:
Madonna (“Queen of Pop”) and Shep Pettibone
mixer:
ゴウ・ホトダ
keyboard:
Shep Pettibone
lead vocals:
Madonna (“Queen of Pop”)
phonographic copyright (℗) by:
Sire Records Company (not for release label use!) (in 1992)
recording of:
Rain
writer:
Madonna Louise Veronica Ciccone (“Queen of Pop”) and Shep Pettibone
Madonna3.65:29
10One Week
assistant recording engineer:
Bob MacLeod (in 1998-02) and Scott Lake (in 1998-03)
recording engineer:
Susan Rogers (US sound engineer) (in 1998-02) and David Leonard (US producer and engineer) (in 1998-03)
producer:
Barenaked Ladies (in 1998), David Leonard (US producer and engineer) (in 1998) and Susan Rogers (US sound engineer) (in 1998)
assistant mixer:
Charlie Brocco (from 1998-03 until 1998-04) and Kevin Szymanski (from 1998-03-04 until 1998-04-04)
mixer:
David Leonard (US producer and engineer) (from 1998-03 until 1998-04)
acoustic guitar:
Ed (from 1998-02 until 1998-03)
drums (drum set) [drums]:
Tyler (from 1998-02 until 1998-03)
electric guitar:
Ed (from 1998-02 until 1998-03) and Kevin (from 1998-02 until 1998-03)
electric upright bass [electric double bass]:
Jim (from 1998-02 until 1998-03)
keyboard [keyboards]:
Kevin (from 1998-02 until 1998-03)
background vocals [dans la maison]:
Ed (from 1998-02 until 1998-03) and Tyler (from 1998-02 until 1998-03)
lead vocals [vocals]:
Ed (from 1998-02 until 1998-03) and Steven (Barenaked Ladies) (from 1998-02 until 1998-03)
recorded at:
Arlyn Studios (sister of Pedernales Studio) in Austin, Texas, United States (in 1998-02) and Phase One Studios in Toronto, Ontario, Canada (in 1998-03)
mixed at:
East Iris Studios in Nashville, Tennessee, United States (from 1998-03 until 1998-04)
music videos:
One Week by Barenaked Ladies
recording of:
One Week (from 1998-02 until 1998-03)
lyricist and composer:
Ed Robertson
publisher:
Treat Baker Music (in 1997) and WB Music Corp. (1929–2019) (in 1997)
Barenaked Ladies4.12:50
11You’re the Inspiration
engineer and mixer:
Humberto Gatica
producer:
David Walter Foster (Canadian music producer, arranger and composer)
assistant mixer:
Larry Fergusson
instruments arranger:
Jeremy Lubbock
arranger:
Peter Cetera and David Walter Foster (Canadian music producer, arranger and composer)
phonographic copyright (℗) by:
Warner Bros. Records (1958–2019; “WB” logo, with or without “records” beneath or on banner across), Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1984, in 2010) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1984)
recorded at:
Sunset Sound in Hollywood, Los Angeles, California, United States (in 1984), The Lighthouse (studio located in N. Hollywood, California) in North Hollywood, Los Angeles, California, United States (in 1984) and The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California, United States (in 1984)
mixed at:
Lion Share Recording Studios in Los Angeles, California, United States
recording of:
You’re the Inspiration (in 1984)
writer:
Peter Cetera (in 1984) and David Walter Foster (Canadian music producer, arranger and composer) (in 1984)
publisher:
BMG Music Publishing Ltd., Universal Music Publishing MGB Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., 1968‐09‐19–1999‐11‐09), Double Virgo Music (in 1984) and Foster Frees Music Inc. (in 1984)
Chicago53:50
12Frozen
recording of:
Frozen
writer:
Patrick Leonard (producer, songwriter and pianist) and Madonna Louise Veronica Ciccone (“Queen of Pop”)
additional arranger:
Patrick Leonard (producer, songwriter and pianist)
arranger:
Craig Armstrong (Scottish score composer)
publisher:
No Tomato Music (from 1998 to present), WB Music Corp. (1929–2019) (from 1998 to present) and Webo Girl Publishing, Inc. (from 1998 to present)
Madonna3.56:07
13If You Don’t Know Me by Now
Simply Red3:26
14It Must Have Been Love (Christmas for the Broken‐Hearted)
recording of:
It Must Have Been Love
lyricist and composer:
Per Håkan Gessle (Swedish singer and guitarist)
publisher:
EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated) and Jimmy Fun Music
Roxette44:48
15Believe
recording of:
Believe
lyricist:
Brian Higgins (British producer and song writer) and Matt Gray (UK techno DJ/producer, former video game composer)
composer:
Brian Higgins (British producer and song writer) (in 1998), Matt Gray (UK techno DJ/producer, former video game composer) (in 1998), Stuart McLennan (in 1998), Paul Michael Barry (songwriter/musician) (in 1998), Tim Powell (Songwriter and producer, ex-Xenomania) (in 1998) and Steve Torch (in 1998)
publisher:
BMG Rights Management (Australia) Pty Ltd (not for release label use! use “BMG” (post 2008) instead.), Rive Droite Music and Warner Chappell (Warner/Chappell Music, Inc.)
Cher3:59
16Even Cowgirls Get the Blues
cover recording of:
Even Cowgirls Get the Blues
lyricist and composer:
Rodney Crowell
publisher:
Visa Music
Dolly Parton, Linda Ronstadt & Emmylou Harris43:52
17Listen to the Music
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) and Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1972)
edit of:
Listen to the Music by The Doobie Brothers
recording of:
Listen to the Music
lyricist and composer:
Tom Johnston (guitarist and vocalist with “The Doobie Brothers”)
publisher:
Warner Bros. Music (publisher; do NOT use as release label) and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
The Doobie Brothers43:47
18What’s Love Got to Do with It
engineer and mixer:
John Hudson (producer, recording and mixing engineer)
producer:
Terry Britten
drums (drum set):
Graham Jarvis (UK session drummer)
guitar:
Terry Britten
keyboard:
Nick Glennie‐Smith and Billy Livsey
percussion:
Simon Morton
background vocals:
Terry Britten and Tessa Niles
lead vocals:
Tina Turner
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1984), Parlophone Records Ltd. (not for release label use! a Warner Music Group company) (in 1984, in 1997) and EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 2004)
recorded at:
Mayfair Studios (England) in London (Greater London), England, United Kingdom
part of:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 134), Billboard: The 500 Best Pop Songs (as of October 2023) (number: 160) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 309)
recording of:
What’s Love Got to Do With It
writer:
Graham Lyle and Terence Ernest Britten
publisher:
Hornall Brothers Music Ltd. (limited company), Kobalt Music Publishing America, Inc., Mushroom Music Pty. Ltd., Warner/Chappell Music Australia Pty. Ltd., Warner/Chappell Music Ltd. (1996–2019), Goodsingle Limited (publisher) (in 1984), Irving Music, Inc. (in 1984), Rondor Music (London) Ltd. (in 1984), WB Music Corp. (1929–2019) (from 1984 until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
Tina Turner4.153:47
19Burning Down the House
assistant engineer:
John Convertino (engineer), Franklin Gibson (recording engineer) and Jay Mark
engineer:
Butch Jones and Alex Sadkin (task: final overdubs)
producer:
Talking Heads
mixer:
Alex Sadkin
bass guitar, guitar, keyboard and percussion:
David Byrne (Talking Heads)
bass synthesizer:
Tina Weymouth
drums (drum set) and synthesizer:
Chris Frantz
guest percussion:
Steve Scales
guest synthesizer:
Wally Badarou
guitar and keyboard:
Jerry Harrison (Talking Heads & producer)
background vocals:
Chris Frantz, Jerry Harrison (Talking Heads & producer) and Tina Weymouth
vocals:
David Byrne (Talking Heads)
phonographic copyright (℗) by:
Sire Records Company (not for release label use!) (in 1983)
recorded at:
Blank Tapes in New York, New York, United States, Compass Point Studios in Nassau, Bahamas and Sigma Sound (New York) in New York, New York, United States
mixed at:
Compass Point Studios in Nassau, Bahamas and Sigma Sound (New York) in New York, New York, United States
part of:
Indie 88: Top 500 Indie Rock Songs (number: 29) and VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (number: 29)
recording of:
Burning Down the House
lyricist:
David Byrne (Talking Heads)
composer:
David Byrne (Talking Heads), Chris Frantz, Jerry Harrison (Talking Heads & producer) and Tina Weymouth
publisher:
Bleu Disque Music Co., Inc. (publisher), Index Music, Inc., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Talking Heads4.54:02
20I’m Gonna Be (500 Miles)
recording of:
I’m Gonna Be (500 Miles)
writer:
Charlie Reid and Craig Reid
publisher:
Warner Bros. Music Ltd. (UK subsidiary, so named 1970‐01‐23–1971‐04‐26 and 1972‐04‐25–1988‐08‐23) and Warner/Chappell Music Ltd. (1996–2019)
The Proclaimers3:39
21Where Have All the Cowboys Gone?
Paula Cole4:24
22Like a Diamond
assistant engineer:
Ryan Hewitt (engineer)
engineer:
Richard Dodd (mastering engineer, producer and engineer) and Jim Scott (US recording engineer and producer)
producer:
Mike Campbell (Tom Petty and the Heartbreakers guitarist), George Drakoulias and Tom Petty
mixer:
Richard Dodd (mastering engineer, producer and engineer)
recording of:
Like a Diamond
lyricist and composer:
Tom Petty
Tom Petty and the Heartbreakers24:33
23Just the Way It Is, Baby
recording of:
Just the Way It Is, Baby
writer:
Phil Solem and Danny Wilde (The Rembrandts, Great Buildings & The Quick)
publisher:
Poppy‐Due Music (publisher; do NOT use as release label), Tiger God Music, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) and WB Music Corp. (1929–2019)
The Rembrandts4:04
24Wildflowers
recording engineer and producer:
George Massenburg
mastering:
Doug Sax
assistant engineer:
Sharon Rice (Los Angeles sound engineer)
acoustic bass guitar:
Kenny Edwards (Bryndle/Stone Poneys/Linda Ronstadt)
acoustic guitar:
Emmylou Harris
acoustic guitar and viola:
Mark O’Connor (US bluegrass, country and classical fiddler/composer)
autoharp and zither:
David Lindley
drums (drum set):
Russ Kunkel (session drummer)
mandolin:
Albert Lee (guitarist)
vocals:
Emmylou Harris, Dolly Parton and Linda Ronstadt
recording of:
Wildflowers (from 1986-01 until 1986-11)
lyricist and composer:
Dolly Parton
publisher:
Velvet Apple Music
Dolly Parton, Linda Ronstadt & Emmylou Harris3.653:36
25Hold Me
performer:
Whitney Houston
recording of:
Hold Me
writer:
Linda Creed and Michael Masser
publisher:
DeCreed Music Publishing Company (in 1988), Music Corporation of America, Inc. (BMI‐affiliated music publisher of MCA Records, Inc.?) (in 1988) and Prince Street Music (Also known as "Prince St. Music") (in 1988)
Teddy Pendergrass with Whitney Houston6:03
26Little Lies
recording of:
Little Lies
lyricist and composer:
Christine McVie and Eddy Quintela
publisher:
BMG Songs, Inc. and Careers–BMG Music Publishing, Inc.
Fleetwood Mac33:40
27This Kiss
producer:
Byron Gallimore and Faith Hill (country pop singer)
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1998) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1998)
music videos:
This Kiss by Faith Hill (country pop singer)
part of:
Rolling Stone: The 200 Greatest Country Songs of All Time (number: 118)
recording of:
This Kiss
writer:
Beth Nielsen Chapman (American singer and songwriter), Robin Lerner and Annie Roboff (American songwriter, musician and producer)
publisher:
Almo Music Corp (USA, affiliated with ASCAP) (in 1997), Anwa Music (in 1997), BNC Songs (in 1997), Nomad-Noman Music (in 1997), Puckalesia Songs (in 1997) and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) (in 1997)
Faith Hill3.53:15
28Dreamville
assistant engineer:
Ryan Hewitt (engineer)
engineer:
Richard Dodd (mastering engineer, producer and engineer) and Jim Scott (US recording engineer and producer)
producer:
Mike Campbell (Tom Petty and the Heartbreakers guitarist), George Drakoulias and Tom Petty
mixer:
Richard Dodd (mastering engineer, producer and engineer)
recording of:
Dreamville
lyricist and composer:
Tom Petty
publisher:
Adria K Music
Tom Petty and the Heartbreakers2.353:47
29Take It Easy
engineer and producer:
Glyn Johns
acoustic guitar and lead vocals:
Glenn Frey (US musician/singer/songwriter, member of the Eagles) (in 1972)
banjo and electric guitar:
Bernie Leadon (in 1972)
bass guitar:
Randy Meisner (in 1972)
drums (drum set):
Don Henley (in 1972)
background vocals:
Don Henley (in 1972), Bernie Leadon (in 1972) and Randy Meisner (in 1972)
phonographic copyright (℗) by:
Asylum Records (Warner Music subsidiary) (in 1972)
recorded at:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, United Kingdom (in 1972)
recording of:
Take It Easy (in 1972)
writer:
Jackson Browne (American singer-songwriter) and Glenn Frey (US musician/singer/songwriter, member of the Eagles)
publisher:
Swallow Turn Music and ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Eagles4.13:32