Rock Times plus, Volume 8: 1983–1986

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▼CD
Nr.TitelKünstlerBewertungLänge
1Dancing With Tears in My Eyes
Techniker(in):
Rik Walton
Produzent(in):
Ultravox
Mix:
John Hudson (producer, recording and mixing engineer) (am 1984-03-19)
phonographisches Urheberrecht (℗) von:
Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1984, in 2025)
aufgenommen bei:
Musicfest Studio (recording studio, located in Chiswick, London, UK) in Chiswick, Hounslow, London (Greater London), England, Vereinigtes Königreich (am 1983-08-08)
mixed at:
Mayfair Studios (England) in London (Greater London), England, Vereinigtes Königreich (am 1984-03-19)
Musikvideos:
Dancing With Tears in My Eyes von Ultravox
recording of:
Dancing With Tears in My Eyes (am 1983-08-08)
Verfasser(in):
Warren Cann, Chris Cross (UK bassist for Ultravox), Billy Currie und Midge Ure
publisher:
Hot Food Publishing Ltd., Jump Jet Music Ltd., Mood Music Ltd. (publisher), Sing Sing Songs Ltd. und Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
Ultravox44:04
2Love Is a Battlefield
recording of:
Love Is a Battlefield
Verfasser(in):
Mike Chapman (Australian producer and songwriter) und Holly Knight
publisher:
BMG Gold Songs, BMG Music, BMG Music Pbl. Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Ltd. (PRS‐affiliated), Island Music Ltd., Universal Music–MGB Songs, Warner Chappell, Warner/Chappell Music Ltd. (1996–2019), Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing) und Zomba Music Publishing Ltd.
Pat Benatar4:10
3Living in America
recording of:
Living in America
Verfasser(in):
Dan Hartman und Charlie Midnight
publisher:
April Music, Blackwood Music Inc. (1953-02-07–1987-12-30), Janiceps Music, Second Nature Music, Inc., UA Music Inc. und United Lion Music Inc.
James Brown4:43
4Walking on Sunshine
recorded in:
England, Vereinigtes Königreich
assistierende(r) Techniker(in):
Jon Goldberger (engineer)
Techniker(in) und Mix:
Scott Litt (producer and engineer)
Produzent(in):
Pat Collier und Katrina and the Waves (British‐American rock band)
zusätzliche(r) Produzent(in):
Scott Litt (producer and engineer)
Bassgitarre:
Vince de la Cruz
Gast-Blechblasinstrumente [Rumour Brass Section]:
Ray Beavis, Dick Hanson und John "Irish" Earl (Irish saxophonist)
Gast-Orgel:
Nick Glennie‐Smith
Gitarre [lead guitar]:
Kimberley Rew
Gitarre [rhythm guitar] und Sologesang:
Katrina Leskanich
Perkussion und Schlagzeug:
Alex Cooper (drummer, member of “Katrina and the Waves”)
Hintergrundgesang:
Alex Cooper (drummer, member of “Katrina and the Waves”), Vince de la Cruz und Kimberley Rew
Blechblasinstrumente arranger:
Eamon Fitzpatrick
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1985)
aufgenommen bei:
Alaska Studios in London (Greater London), England, Vereinigtes Königreich und Greenhouse Studio (London) in London (Greater London), England, Vereinigtes Königreich
mixed at:
Power Station (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, Vereinigte Staaten (von 1984-12 bis 1985-03)
Teil von:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 91) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 378)
recording of:
Walking on Sunshine
Texter:
Kimberley Rew (in 1983)
Komponist(in):
Kimberley Rew
publisher:
EMI Music Publishing (do not use as a release label!), Kyboside Music, Megasongs Limited, Pondwater Music und Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
Katrina and the Waves3.953:57
5You’re the Voice
recording engineer und Mix:
Doug Brady (engineer)
drum machine-Programmierung und Synthesizer [Fairlight]-Programmierung:
Dave (Australian score composer), Jack und Ross
assistierende(r) Techniker(in):
Michael Wickow (engineer)
Produzent(in):
Ross Fraser
Fretless Bass:
Roger McLachlan
Gitarre:
Brett Garsed
Keyboard und Synthesizer [Fairlight]:
David Hirschfelder (Australian score composer)
Hintergrundgesang:
Rozzi Bazzani, Helen Cornish, Penny Dyer, David Hirschfelder (Australian score composer), Colin Setches, Mal Stainton und Sandy Weekes
Sologesang:
Whispering Jack
arranger:
John Farnham, Ross Fraser und David Hirschfelder (Australian score composer)
phonographisches Urheberrecht (℗) von:
BMG Arista/Ariola Limited (not for release label use! manufacturers/distributors operating in Australasia) (in 1986), BMG Australia Limited (not for release label use!) (in 1986), Sony BMG Music Entertainment (Australia) Pty Limited (not for release label use! AU subsidiary of SBME 2004–2009) (in 1986), Wheatley Records Pty. Ltd. (in 1986) und RCA/Ariola (in 1987)
aufgenommen bei und mixed at:
AAV Studios (fka Armstrong Studios until 1974) in Melbourne, Victoria, Australien
Teil von:
triple j’s Hottest 100 of Australian Songs (Nummer: 15)
recording of:
You’re the Voice
Texter und Verfasser(in):
Andy Qunta, Keith Reid, Maggie Ryder und Chris Thompson (vocalist with Manfred Mann’s Earth Band)
publisher:
A&G Songs Ltd., Almo Music Corp. (USA, affiliated with ASCAP), Bluebeard Music Ltd., BMG Music, Bucks Music Group Ltd. (Bucks Music Group), Concord Songs Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), CT Music (publisher), CT Music Ltd., David Platz Music Scandinavia AB, Fable Music Pty. Ltd., Imagem Songs Ltd., Polygram Music, PolyGram Music Publishing Ltd., Rondor, Rondor Music, Rondor Music (Australia) P/L, Rondor Music (Australia) Pty Ltd, Rondor Music (London) Ltd., Rondor Music Ltd. (publisher), Universal Music (plain logo: “Universal Music”), Universal Music Publishing (use ONLY if no country‐specific information is available) und Universal Music Publishing AB (Sweden)
John Farnham4.15:05
6(I Just) Died in Your Arms
Techniker(in):
Terry Brown (producer)
Produzent(in):
Terry Brown (producer), Cutting Crew und John Jansen (US recording engineer and producer)
Mix:
Tim Palmer (British producer/mixer)
Akustikgitarre, E-Gitarre und Synthesizer [E-mu Emulator]:
Kevin MacMichael
Bass:
Colin Farley
Klavier:
Peter-John Vettese (British keyboardist, songwriter, arranger and record producer)
Perkussion, Schlagzeug und Tamburin:
Martin Beedle
Hintergrundgesang:
Peter Birch
Sologesang:
Nick Van Eede
phonographisches Urheberrecht (℗) von:
Virgin Records Ltd. (not for release label use! for company relationships only) und Siren Records Ltd. (company and copyrights holder. File NO releases) (in 1986)
aufgenommen bei:
AIR Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, Vereinigtes Königreich
mixed at:
Utopia Studios (London) in London (Greater London), England, Vereinigtes Königreich
Teil von:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 26)
recording of:
(I Just) Died in Your Arms
Texter und Komponist(in):
Nick Van Eede
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Virgin Songs, Inc. und Sony/ATV Music Publishing (UK) Ltd.
Cutting Crew4.14:35
7Who’s Zoomin’ Who
Techniker(in):
Dr. Dave Frazer
Produzent(in):
Narada Michael Walden
zusätzliche(r) Mix:
Michael Brauer (engineer)
Bass-Synthesizer:
Randy Jackson (former bassist with Journey and American Idol judge)
Gitarre:
Corrado Rustici
Keyboard:
Walter Afanasieff und Preston Glass
Klavier und Schlagzeug:
Narada Michael Walden
Hintergrundgesang:
Jim Gilstrap, Preston Glass, Randy Jackson (former bassist with Journey and American Idol judge), Laundon Von Kendricks, Sylvester (US disco and soul singer-songwriter), Jeanie Tracy und Vickie Randle
phonographisches Urheberrecht (℗) von:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1985)
recording of:
Who’s Zoomin’ Who
Verfasser(in):
Aretha Franklin, Preston Glass und Narada Michael Walden
publisher:
Bellboy Music, Carlin Music Corporation, Gratitude Sky Music, Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996) und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Aretha Franklin34:39
8I Like Chopin
phonographisches Urheberrecht (℗) von:
BMG Music (in 1983)
recording of:
I Like Chopin
Texter:
Gazebo (80s Italian synth‐pop artist Paul Mazzolini “I Like Chopin”)
Komponist(in):
Pierluigi Giombini (arranger ,composer and producer)
publisher:
Abramo Allione Ed Mus SRL, Shinko Music Entertainment Co., Ltd., Televis Edizioni Musicali S.R.L. (publisher), Universal Music Publishing Group Japan (work publisher – do NOT use as a release label) und 渡辺音楽出版 (Watanabe Music Publishing Co., Ltd., Japanese publisher, 1962–present)
Gazebo3.54:07
9The Power of Love
recording of:
The Power of Love (Jennifer Rush song)
Verfasser(in):
Mary Applegate, Wolfgang Detmann (aka Candy de Rouge), Gunther Mende und Jennifer Rush
publisher:
CBS Songs Ltd., EMI April Music Inc., EMI Songs Australia Pty. Ltd., EMI Songs Ltd., EMI Songs Musikverlag GmbH, Libra Phone Music Verlag GmbH, フジパシフィック音楽出版 SBK事業部 (Fujipacific Music Inc. SBK Division) (bis 2014-12-31), フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) (bis 2015-01-01), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
Jennifer Rush4:17
10Jump (for My Love)
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1983)
drum machine und Synthesizer-Programmierung:
Stephen Mitchell (US musician, composer, songwriter, producer et al.) (in 1983)
elektronisches Schlagzeug / E-Drums-Programmierung:
Reek Havoc (in 1983)
Techniker(in):
Gary Skardina
Partner-Produzent(in):
Stephen Mitchell (US musician, composer, songwriter, producer et al.) und Gary Skardina
Produzent(in):
Richard Perry (producer)
Bass:
Louis Johnson (bass, member of Brothers Johnson) (in 1983)
drum machine und Synthesizer:
Stephen Mitchell (US musician, composer, songwriter, producer et al.) (in 1983)
Minimoog und elektronisches Schlagzeug / E-Drums und zusätzlich Synthesizer:
Howie Rice (in 1983)
Perkussion:
Paulinho da Costa (Brazilian percussionist) (in 1983)
Sologesang:
June Pointer (in 1983)
remixer:
Michael Brooks (sound engineer and remixer, notably associated with The Pointer Sisters) und James C. Tract
phonographisches Urheberrecht (℗) von:
Planet Records Inc. (in 1983)
recording of:
Jump (for My Love) (in 1983)
Verfasser(in):
Stephen Mitchell (US musician, composer, songwriter, producer et al.), Marti Sharron und Gary Skardina
publisher:
Anidraks Music (publisher), ATV Music, Braintree Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und Sony/ATV Songs LLC
The Pointer Sisters3.354:27
11Big in Japan
recording engineer und Mix:
Wolfgang Loos (von 1984-07 bis 1984-08)
assistierende Programmierung:
Boris Balin (von 1984-07 bis 1984-08) und Thomas Beck (technical assistant, likely German) (von 1984-07 bis 1984-08)
Programmierung:
Wolfgang Loos (von 1984-06 bis 1984-08)
Produzent(in):
Andreas Budde, Wolfgang Loos und Colin Pearson (producer and violinist)
drum machine:
Bernhard Lloyd (von 1984-07 bis 1984-08)
Keyboard:
Bernhard Lloyd (von 1984-07 bis 1984-08) und Frank Mertens (German synthpop keyboardist Frank Sorgatz) (von 1984-07 bis 1984-08)
zusätzlich Keyboard:
Wolfgang Loos (von 1984-07 bis 1984-08)
Hintergrundgesang:
Wednesday (German‐English rock band active from 1975–1980) (von 1984-07 bis 1984-08)
Sologesang:
Marian Gold (von 1984-07 bis 1984-08)
arranger:
Alphaville (German synth pop band) und Wolfgang Loos
aufgenommen bei und mixed at:
Studio 54 (Berlin recording studio) in Deutschland (von 1984-07 bis 1984-08)
Musikvideos:
Big In Japan von Alphaville (German synth pop band)
recording of:
Big in Japan (von 1984-07 bis 1984-08)
Texter:
Marian Gold
Komponist(in):
Marian Gold, Lloyd Bernhard und Frank Mertens (German synthpop keyboardist Frank Sorgatz)
publisher:
Rolf Budde Musikverlag (aka Budde Music)
Alphaville4.154:43
12Don’t Leave Me This Way
cover recording of:
Don’t Leave Me This Way (Harold Melvin & The Blue Notes song)
Verfasser(in):
Kenneth Gamble (songwriter for Philadelphia International), Cary Gilbert, Leon Huff (Philly soul producer, of Gamble & Huff) und K. Gamble - L. Huff
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
The Communards4:51
13Relax
Techniker(in):
Stephen Lipson
Produzent(in):
Trevor Horn
zusätzliche(r) Produzent(in):
Stephen Lipson
Bassgitarre:
Mark O’Toole (former bassist of Frankie Goes to Hollywood) (in 1983)
Gast-Keyboard:
Andrew Richards (Strawbs keyboard player/record producer) (in 1983) und Anne Dudley (English score composer) (in 1983)
Gast-Perkussion:
Luís Jardim (in 1983)
Gitarre:
Brian Nash (British guitarist (Frankie Goes to Hollywood) and songwriter) (in 1983)
Schlagzeug:
Peter Gill (UK drummer for Frankie Goes to Hollywood) (in 1983)
Sologesang:
Holly Johnson (in 1983), Mark O’Toole (former bassist of Frankie Goes to Hollywood) (in 1983) und Paul Rutherford (member of Frankie Goes to Hollywood) (in 1983)
phonographisches Urheberrecht (℗) von:
ZTT Records Ltd. (for copyrights use only; aka Zang Tuum Tumb or Zang Tumb Tuum prior to incorporation ca. 1988) (in 1983) und Zang Tuum Tumb (for copyrights use only; aka Zang Tuum Tumb or Zang Tumb Tuum prior to incorporation ca. 1988) (in 1984)
produced for:
Horn Productions
aufgenommen bei:
The Town House in Shepherd's Bush, Hammersmith and Fulham, London (Greater London), England, Vereinigtes Königreich (in 1983)
Karaokeversion von:
Epic Relax (Sandro Silva & Quintino vs. Frankie Goes to Hollywood) (extended version) von DJ Schmolli
Teil von:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 10) und Paste: The 50 Greatest One-Hit Wonders of All Time (Nummer: 44)
recording of:
Relax (in 1983)
Texter:
Holly Johnson
Komponist(in):
Peter Gill (UK drummer for Frankie Goes to Hollywood), Holly Johnson und Mark O’Toole (former bassist of Frankie Goes to Hollywood)
publisher:
Perfect Songs Ltd. (UK publisher, affiliated with PRS) und SPZ Music, Inc. (BMI affiliated)
Frankie Goes to Hollywood4.053:56
14The Way It Is
Techniker(in):
Elliot Scheiner
Produzent(in):
Bruce Hornsby und Elliot Scheiner
Klavier und Synthesizer:
Bruce Hornsby
Perkussion und Schlagzeug:
John Molo
vocals:
Bruce Hornsby
phonographisches Urheberrecht (℗) von:
RCA Records (not for release label use! for the imprint, please use “RCA” instead), BMG Entertainment (in 1986), RCA/Ariola International (not for release label use! precursor of Bertelsmann Music Group aka BMG, 1985–87) (in 1986) und Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since 2009; operates worldwide except in JP) (in 1986)
produced for:
Trackman, Inc.
recording of:
The Way It Is
Texter und Komponist(in):
B.R. Hornsby
publisher:
BMG Music Ltd., Bob‐a‐Lew Songs (ASCAP), Sony/ATV Music Publishing (UK) Ltd., Universal Music Publishing (use ONLY if no country‐specific information is available), Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019) und Zappo Music (vom 1986 bis heute)
sub-publisher:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Bruce Hornsby & the Range4.054:57
15Midnight Lady
phonographisches Urheberrecht (℗) von:
BMG Berlin Musik GmbH (this is a record company, not an imprint!) (in 1986) und Hansa (in 1986)
recording of:
Midnight Lady
Texter und Komponist(in):
Dieter Bohlen
publisher:
Bavaria Sonor MV und Hanseatic (publisher)
Chris Norman4:10
16Don’t Answer Me
assistierende(r) Techniker(in):
Tony Richards (recording engineer)
Techniker(in) und Produzent(in):
Alan Parsons (of The Alan Parsons Project)
leitende(r) Produzent(in):
Eric Woolfson
Akustikgitarre:
Ian Bairnson und David Paton (of Pilot)
Bassgitarre:
David Paton (of Pilot)
Gitarre:
Ian Bairnson
Keyboard und Hintergrundgesang:
Chris Rainbow und Eric Woolfson
Perkussion und Schlagzeug:
Stuart Elliott (session drummer, member of Cockney Rebel)
Saxophon:
Mel Collins
Synthesizer [Fairlight]:
Alan Parsons (of The Alan Parsons Project)
Sologesang:
Eric Woolfson
conductor:
Andrew Powell (producer, arranger & conductor)
arranger:
Andrew Powell (producer, arranger & conductor)
phonographisches Urheberrecht (℗) von:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1984)
recording of:
Don’t Answer Me
Verfasser(in):
Alan Parsons (of The Alan Parsons Project) und Eric Woolfson
publisher:
BMG Music Publishing (NYC‐based headquarters, with national subsidiaries under it), Careers Music, Inc. und Woolfsongs Ltd.
The Alan Parsons Project3.84:12
17Stairway to Heaven
phonographisches Urheberrecht (℗) von:
Ariola Eurodisc GmbH (not for release label use!) (in 1985), BMG Berlin Musik GmbH (this is a record company, not an imprint!) (in 1985), MCI (in 1985), Sony Music Entertainment Germany GmbH (not for use as release label! © & ℗ holders or distributors since 2009/01/14) (in 1985) und Hansa (in 1986)
teilweise cover recording of:
Stairway to Heaven
Verfasser(in):
Jimmy Page und Robert Plant (of Led Zeppelin)
publisher:
Superhype Music, Inc. (beendet), Flames of Albion Music, Inc., Superhype Publishing, Warner Bros. (holding: file NO releases), Warner Brothers (publisher, not an imprint), Warner Chappell (Warner/Chappell Music, Inc.), Warner Chappell Music Ltd. (no slash; used 1988–1996) und Warner Chappell North America Limited (UK-registered publishing company, affiliated with PRS)
sub-publisher:
Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division) (beendet), Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label) (beendet) und Neue Welt Musikverlag GmbH München
Far Corporation23:59
18Zu nah am Feuer
recording of:
Zu nah am Feuer
Verfasser(in):
Alice (Italian singer Carla Bissi) und Stefan Waggershausen
Stefan Waggershausen & Alice5:06

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Veröffentlichungsgruppe

Teil von:Rock Times Plus (Nummer: 8) (Reihenfolge: 8)