Ultimate Classical Spectacular

~ Release by Various Artists (see all versions of this release, 2 available)

Tracklist

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1▼Digital Media
#TitleArtistRatingLength
1Ouverture Solennelle "1812,", Op. 49
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra)
conductor:
Esa‐Pekka Salonen (conductor and composer)
recording of:
The Year 1812, Festival Overture in E-flat major, op. 49
premiered in:
Moscow, Russia (on 1882-08-20)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (from 1880-09 until 1880-11)
part of:
The Tchaikovsky Handbook (number: TH 49), Thematic and Bibliographical Catalogue of P. I. Čajkovskij's Works (number: ČW 46) and Works of Pyotr Ilyich Tchaikovsky by opus number (number: op. 49)
is based on:
Боже, Царя храни! (God Save the Tsar!)
quotes music from:
Troparion of the Holy Cross
quotes music from:
La Marseillaise (national anthem of France)
quotes music from:
Боже, Царя храни! (God Save the Tsar!)
Esa‐Pekka Salonen & Bavarian Radio Symphony Orchestra17:37
2Islamey
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra)
conductor:
Esa‐Pekka Salonen (conductor and composer)
recording of:
Oriental Fantasy, op. 18 “Islamey” (orchestrated by Lyapunov)
orchestrator:
Сергей Михайлович Ляпунов (Sergei Lyapunov)
composer:
Милий Алексеевич Балакирев (Mily Balakirev, composer, pianist, conductor)
orchestration of:
“Islamey, Oriental Fantasy”, op. 18 (for solo piano, original version)
Bavarian Radio Symphony Orchestra & Esa‐Pekka Salonen9:19
3Prince Igor, Act 2: Dance of the Polovtsian Maidens
choir vocals:
Chor der Bayerischen Staatsoper (Chorus of the Bavarian State Opera)
orchestra:
Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany) and Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra)
conductor:
Esa‐Pekka Salonen (conductor and composer)
recording of:
Prince Igor: Act II. Dance of the Polovtsian Maidens
composer:
Александр Порфирьевич Бородин (Alexander Borodin, Russian composer)
part of:
Prince Igor: Act II
Bavarian Radio Symphony Orchestra & Esa‐Pekka Salonen2:10
4Prince Igor, Act 2: Polovtsian Dances
choir vocals:
Chor des Bayerischen Rundfunks (Bavarian Radio Choir)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra)
conductor:
Esa‐Pekka Salonen (conductor and composer)
recording of:
Prince Igor: Act II. Polovtsian Dance with Choir
orchestrator:
Александр Константинович Глазунов (Alexander Glazunov, Russian composer, 1865–1936) and Николай Андреевич Римский‐Корсаков (Nikolai Rimsky‐Korsakov, Russian composer)
composer:
Александр Порфирьевич Бородин (Alexander Borodin, Russian composer)
part of:
Prince Igor: Act II
Esa‐Pekka Salonen, Bavarian Radio Chorus & Bavarian Radio Symphony Orchestra11:30
5In the Steppes of Central Asia
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra)
conductor:
Esa‐Pekka Salonen (conductor and composer)
recording of:
В Средней Азии (In the Steppes of Central Asia)
composer:
Александр Порфирьевич Бородин (Alexander Borodin, Russian composer) (in 1880)
dedicated to:
Franz Liszt (Hungarian composer, pianist and conductor)
premiered at:
[concert] (1880-04-20) (premiere concert for Borodin's In the Steppes of Central Asia)
publisher:
[unknown] (special purpose label - DO NOT USE!) (in 1882)
Bavarian Radio Symphony Orchestra & Esa‐Pekka Salonen8:01
6Overture Russlan and Ludmilla
Bavarian Radio Symphony Orchestra & Esa‐Pekka Salonen4:57
2▼Digital Media
#TitleArtistRatingLength
1Boléro
Staatskapelle Dresden & Neville Marriner14:23
2Jota Aragonesa
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1982-07)
conductor:
Neville Marriner (conductor) (in 1982-07)
recording of:
Испанская увертюра № 1 «Блестящее каприччио на тему Арагонской хоты» (Spanish Overture no. 1 “Capriccio Brilliante on the Jota Aragonesa”) (in 1982-07)
premiered in:
Sankt-Peterburg (Saint Petersburg), Russia (in 1850)
composer:
Михаил Иванович Глинка (Mikhail Glinka, Russian composer) (in 1845)
Neville Marriner & Staatskapelle Dresden8:34
3Capriccio Italien, Op. 45
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra)
conductor:
Neville Marriner (conductor)
recording of:
Capriccio italien, op. 45
premiered in:
Moscow, Russia (on 1880-12-18)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (from 1880-01 until 1880-05)
dedicated to:
Карл Юльевич Давыдов (Karl Davydov)
part of:
The Tchaikovsky Handbook (number: TH 47), Thematic and Bibliographical Catalogue of P. I. Čajkovskij's Works (number: ČW 44) and Works of Pyotr Ilyich Tchaikovsky by opus number (number: op. 45)
Staatskapelle Dresden & Neville Marriner14:27
4España - Rhapsody for Orchestra
orchestra:
Orchestre symphonique de Montréal (Montreal Symphony Orchestra)
conductor:
Charles Dutoit (conductor)
recording of:
España (rhapsody for orchestra)
composer:
Emmanuel Chabrier (composer) (in 1883)
dedicated to:
Charles Lamoureux
Staatskapelle Dresden & Neville Marriner6:21
3▼Digital Media
#TitleArtistRatingLength
1La Damnation de Faust, Pt. 1: Marche Hongroise
recorded in:
London (Greater London), England, United Kingdom (in 1983-08)
producer:
Michael Bremner (producer/engineer)
orchestra:
Academy of St Martin in the Fields (from 1983-08-16 until 1983-08-18)
conductor:
Sir Neville Marriner (conductor) (from 1983-08-16 until 1983-08-18)
balance engineer:
Onno Scholtze (sound engineer)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1983-08-16 until 1983-08-18)
recording of:
La Damnation de Faust : Première Partie : Scène 3. Marche Hongroise (Orchestre) (Rákóczi March) (from 1983-08-16 until 1983-08-18)
composer:
Hector Berlioz (French composer)
part of:
La Damnation de Faust, op. 24: Première Partie
Academy of St Martin in the Fields & Neville Marriner4:43
2Pavane Pour Une Infante Défunte
orchestra:
Academy of St Martin in the Fields
conductor:
Sir Neville Marriner (conductor)
recording of:
Pavane pour une infante défunte (orchestrated version)
orchestrator:
Maurice Ravel (French composer) (in 1910)
composer:
Maurice Ravel (French composer) (in 1899)
publisher:
Editions Max Eschig
part of:
Catalogue Marcel Marnat des œuvres de Maurice Ravel (number: M. 19a)
orchestration of:
Pavane pour une infante défunte (original version for solo piano)
Academy of St Martin in the Fields & Neville Marriner6:00
3L'Apprenti Sorcier
orchestra:
Academy of St Martin in the Fields
conductor:
Sir Neville Marriner (conductor)
recording of:
L’Apprenti sorcier (The Sorcerer's Apprentice)
composer:
Paul Dukas (French composer) (from 1896 until 1897)
Neville Marriner, Academy of St Martin in the Fields Chorus & Academy of St Martin in the Fields11:28
4Danse Macabre, Op. 40
orchestra:
Academy of St Martin in the Fields
conductor:
Sir Neville Marriner (conductor)
recording of:
Danse macabre, op. 40 (symphonic poem for orchestra)
composer:
Camille Saint‐Saëns (Camille Saint-Saëns, composer) (in 1874)
part of:
Classic 100: Music of France (2012) (number: 16) and Works of Camille Saint-Saëns by opus number (number: op. 40)
is based on:
Danse macabre (song for voice and piano)
quotes music from:
Missa pro defunctis: Sequentia “Dies irae” (plainchant)
Academy of St Martin in the Fields & Neville Marriner6:37
5Prélude à l'après-midi d'un faune
recorded in:
London (Greater London), England, United Kingdom (in 1983-08)
producer:
Michael Bremner (producer/engineer)
orchestra:
Academy of St Martin in the Fields (from 1983-08-16 until 1983-08-18)
conductor:
Sir Neville Marriner (conductor) (from 1983-08-16 until 1983-08-18)
balance engineer:
Onno Scholtze (sound engineer)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1983-08-16 until 1983-08-18)
recording of:
Prélude à l’après‐midi d’un faune, L. 86, CD 87 (Prelude to the Afternoon of a Faun, L. 86, CD 87, original version for orchestra) (from 1983-08-16 until 1983-08-18)
composer:
Claude Debussy (French composer) (from 1891 until 1894-09)
dedicated to:
Raymond Bonheur (composer, 1861-1939)
premiered at:
[concert] (1894-12-22)
publisher:
Eugène Fromont (in 1895-10)
part of:
Classic 100: Music of France (2012) (number: 6), Catalogue François Lesure des œuvres de Claude Debussy (Version de 1977 “L.”) (number: L. 86) and Catalogue François Lesure des œuvres de Claude Debussy (Version révisée en 2001 “CD”) (number: CD 87)
Academy of St Martin in the Fields & Neville Marriner10:03
6Joyeuse Marche
orchestra:
Academy of St Martin in the Fields
conductor:
Sir Neville Marriner (conductor)
recording of:
Joyeuse marche (for orchestra)
composer:
Emmanuel Chabrier (composer) (in 1888)
Academy of St Martin in the Fields & Neville Marriner3:42
4▼Digital Media
#TitleArtistRatingLength
1Khovanshchina: Overture (Prelude)
producer:
Andrew Cornall (engineer / producer)
orchestra:
Orchestre symphonique de Montréal (Montreal Symphony Orchestra) (in 1985-10)
conductor:
Charles Dutoit (conductor) (in 1985-10)
recorded at:
Église de Saint-Eustache in Saint-Eustache, Québec (Quebec), Canada (in 1985-10)
recording of:
Khovanshchina: Prelude: Dawn Over the River Moscow (orchestrated by Rimsky-Korsakov) (in 1985-10)
orchestrator:
Nikolai Rimsky-Korsakov (Nikolai Rimsky‐Korsakov, Russian composer) (in 1882)
composer:
Modest Mussorgsky (composer) (in 1880)
librettist:
Modest Mussorgsky (composer)
orchestration of:
Khovanshchina: Act 1 Prelude "Dawn on the Moscow River"
Orchestre Symphonique de Montréal & Charles Dutoit5:35
2A Night on the Bare Mountain
producer:
Andrew Cornall (engineer / producer)
orchestra:
Orchestre symphonique de Montréal (Montreal Symphony Orchestra) (in 1985-10)
conductor:
Charles Dutoit (conductor) (in 1985-10)
recorded at:
Église de Saint-Eustache in Saint-Eustache, Québec (Quebec), Canada (in 1985-10)
recording of:
Une nuit sur le mont chauve: Fantaisie pour l’orchestre (Night on Bald Mountain, orchestrated by Rimsky-Korsakov) (in 1985-10)
orchestrator:
Nikolai Rimsky-Korsakov (Nikolai Rimsky‐Korsakov, Russian composer) (in 1886)
composer:
Modest Mussorgsky (composer) (from 1867-06-12 until 1867-06-23)
dedicated to:
Wladimir Stassoff (Vladimir Vasilievich Stasov)
publisher:
W. Bessel & Cie (in 1886)
is based on:
St. John’s Night on the Bare Mountain (original version)
Orchestre Symphonique de Montréal & Charles Dutoit11:02
3Russian Easter Festival, Overture, Op. 36
producer:
Andrew Cornall (engineer / producer)
orchestra:
Orchestre symphonique de Montréal (Montreal Symphony Orchestra) (in 1985-10)
conductor:
Charles Dutoit (conductor) (in 1985-10)
recorded at:
Église de Saint-Eustache in Saint-Eustache, Québec (Quebec), Canada (in 1985-10)
recording of:
Russian Easter Festival Overture, op. 36 (in 1985-10)
composer:
Nikolai Rimsky-Korsakov (Nikolai Rimsky‐Korsakov, Russian composer) (from 1887-08 until 1888-04)
publisher:
Musikverlag M. P. Belaieff (in 1890)
part of:
Works of Nikolai Rimsky-Korsakov by opus number (number: op. 36)
Orchestre Symphonique de Montréal & Charles Dutoit14:49
4Pictures at an Exhibition: Promenade - The Gnome
producer:
Andrew Cornall (engineer / producer)
orchestra:
Orchestre symphonique de Montréal (Montreal Symphony Orchestra) (in 1985-10)
conductor:
Charles Dutoit (conductor) (in 1985-10)
recorded at:
Église de Saint-Eustache in Saint-Eustache, Québec (Quebec), Canada (in 1985-10)
recording of:
Tableaux d’une exposition: I. Gnomus (Pictures at an Exhibition: I. Gnomus, orchestrated by Ravel) (in 1985-10)
orchestrator:
Maurice Ravel (French composer) (in 1922)
composer:
Модест Петрович Мусоргский (Modest Mussorgsky, composer) (from 1874-06-02 until 1874-06-22)
orchestration of:
Pictures at an Exhibition: No. 1 “Gnomus” (original piano version)
part of:
Tableaux d’une exposition (Pictures at an Exhibition, orchestrated by Ravel)
recording of:
Tableaux d’une exposition: Promenade (Pictures at an Exhibition: Promenade. Allegro giusto, nel modo russico – Senza allegrezza, ma poco sostenuto, orchestrated by Ravel, 1st promenade) (in 1985-10)
orchestrator:
Maurice Ravel (French composer) (in 1922)
composer:
Модест Петрович Мусоргский (Modest Mussorgsky, composer) (from 1874-06-02 until 1874-06-22)
orchestration of:
Pictures at an Exhibition: Promenade (1st) (original piano version)
part of:
Tableaux d’une exposition (Pictures at an Exhibition, orchestrated by Ravel)
Orchestre Symphonique de Montréal & Charles Dutoit3:58
5Pictures at an Exhibition: Promenade - The Old Castle
producer:
Andrew Cornall (engineer / producer)
orchestra:
Orchestre symphonique de Montréal (Montreal Symphony Orchestra) (in 1985-10)
conductor:
Charles Dutoit (conductor) (in 1985-10)
recorded at:
Église de Saint-Eustache in Saint-Eustache, Québec (Quebec), Canada (in 1985-10)
recording of:
Tableaux d’une exposition: II. Il vecchio castello (Pictures at an Exhibition: II. Il vecchio castello, orchestrated by Ravel) (in 1985-10)
orchestrator:
Maurice Ravel (French composer) (in 1922)
composer:
Модест Петрович Мусоргский (Modest Mussorgsky, composer) (from 1874-06-02 until 1874-06-22)
orchestration of:
Pictures at an Exhibition: No. 2 “Il vecchio castello” (original piano version)
part of:
Tableaux d’une exposition (Pictures at an Exhibition, orchestrated by Ravel)
recording of:
Tableaux d’une exposition: Promenade (Pictures at an Exhibition: Promenade. Moderato comodo e con delicatezza, orchestrated by Ravel, 2nd promenade) (in 1985-10)
orchestrator:
Maurice Ravel (French composer) (in 1922)
composer:
Модест Петрович Мусоргский (Modest Mussorgsky, composer) (from 1874-06-02 until 1874-06-22)
orchestration of:
Pictures at an Exhibition: [Untitled] (Interlude, Promenade theme, 1st) (original piano version, often called Promenade 2)
part of:
Tableaux d’une exposition (Pictures at an Exhibition, orchestrated by Ravel)
Orchestre Symphonique de Montréal & Charles Dutoit5:50
6Pictures at an Exhibition: Promenade - Tuileries
producer:
Andrew Cornall (engineer / producer)
orchestra:
Orchestre symphonique de Montréal (Montreal Symphony Orchestra) (in 1985-10)
conductor:
Charles Dutoit (conductor) (in 1985-10)
recorded at:
Église de Saint-Eustache in Saint-Eustache, Québec (Quebec), Canada (in 1985-10)
recording of:
Tableaux d’une exposition: III. Tuileries (Pictures at an Exhibition: III. Tuileries, orchestrated by Ravel) (in 1985-10)
orchestrator:
Maurice Ravel (French composer) (in 1922)
composer:
Модест Петрович Мусоргский (Modest Mussorgsky, composer) (from 1874-06-02 until 1874-06-22)
orchestration of:
Pictures at an Exhibition: No. 3 “Tuileries” (Dispute d’enfants après jeux) (Pictures at an Exhibition: Tuileries (Children Quarreling at Play), original piano version)
part of:
Tableaux d’une exposition (Pictures at an Exhibition, orchestrated by Ravel)
recording of:
Tableaux d’une exposition: Promenade (Pictures at an Exhibition: Promenade. Moderato non tanto, pesante, orchestrated by Ravel, 3rd promenade) (in 1985-10)
orchestrator:
Maurice Ravel (French composer) (in 1922)
composer:
Модест Петрович Мусоргский (Modest Mussorgsky, composer) (from 1874-06-02 until 1874-06-22)
orchestration of:
Pictures at an Exhibition: [Untitled] (Interlude, Promenade theme, 2nd) (original piano version, often called Promenade 3)
part of:
Tableaux d’une exposition (Pictures at an Exhibition, orchestrated by Ravel)
Charles Dutoit & Orchestre Symphonique de Montréal1:34
7Pictures at an Exhibition: Bydlo - Promenade
producer:
Andrew Cornall (engineer / producer)
orchestra:
Orchestre symphonique de Montréal (Montreal Symphony Orchestra) (in 1985-10)
conductor:
Charles Dutoit (conductor) (in 1985-10)
recorded at:
Église de Saint-Eustache in Saint-Eustache, Québec (Quebec), Canada (in 1985-10)
recording of:
Tableaux d’une exposition: IV. Bydlo (Pictures at an Exhibition: IV. Bydło, orchestrated by Ravel) (in 1985-10)
orchestrator:
Maurice Ravel (French composer) (in 1922)
composer:
Модест Петрович Мусоргский (Modest Mussorgsky, composer) (from 1874-06-02 until 1874-06-22)
orchestration of:
Pictures at an Exhibition: No. 4 “Bydło” (original piano version)
part of:
Tableaux d’une exposition (Pictures at an Exhibition, orchestrated by Ravel)
recording of:
Tableaux d’une exposition: Promenade (Pictures at an Exhibition: Promenade. Tranquillo, orchestrated by Ravel, 4th promenade) (in 1985-10)
orchestrator:
Maurice Ravel (French composer) (in 1922)
composer:
Модест Петрович Мусоргский (Modest Mussorgsky, composer) (from 1874-06-02 until 1874-06-22)
orchestration of:
Pictures at an Exhibition: [Untitled] (Interlude, Promenade theme, 3rd) (original piano version, often called Promenade 4)
part of:
Tableaux d’une exposition (Pictures at an Exhibition, orchestrated by Ravel)
Charles Dutoit & Orchestre Symphonique de Montréal3:26
8Pictures at an Exhibition: Ballet of the Chickens in Their Shells
producer:
Andrew Cornall (engineer / producer)
orchestra:
Orchestre symphonique de Montréal (Montreal Symphony Orchestra) (in 1985-10)
conductor:
Charles Dutoit (conductor) (in 1985-10)
recorded at:
Église de Saint-Eustache in Saint-Eustache, Québec (Quebec), Canada (in 1985-10)
recording of:
Tableaux d’une exposition: V. Ballet des poussins dans leurs coques (Pictures at an Exhibition: V. Ballet of the Unhatched Chicks, orchestrated by Ravel) (in 1985-10)
orchestrator:
Maurice Ravel (French composer) (in 1922)
composer:
Модест Петрович Мусоргский (Modest Mussorgsky, composer) (from 1874-06-02 until 1874-06-22)
orchestration of:
Pictures at an Exhibition: No. 5 “Балетъ невылупившихся птенцовъ” [Balet nevylupivshikhsya ptentsov] (Pictures at an Exhibition: IX. No. 5 "Ballet of the Unhatched Chicks", original piano version)
part of:
Tableaux d’une exposition (Pictures at an Exhibition, orchestrated by Ravel)
Charles Dutoit & Orchestre Symphonique de Montréal1:12
9Pictures at an Exhibition: Samuel Goldenberg and Schmuyle
producer:
Andrew Cornall (engineer / producer)
orchestra:
Orchestre symphonique de Montréal (Montreal Symphony Orchestra) (in 1985-10)
conductor:
Charles Dutoit (conductor) (in 1985-10)
recorded at:
Église de Saint-Eustache in Saint-Eustache, Québec (Quebec), Canada (in 1985-10)
recording of:
Tableaux d’une exposition: VI. Samuel Goldenberg und Schmuyle (Pictures at an Exhibition: VI. Samuel Goldenberg and Schmuyle, orchestrated by Ravel) (in 1985-10)
orchestrator:
Maurice Ravel (French composer) (in 1922)
composer:
Модест Петрович Мусоргский (Modest Mussorgsky, composer) (from 1874-06-02 until 1874-06-22)
orchestration of:
Pictures at an Exhibition: No. 6 “Samuel” Goldenberg und “Schmuÿle” (Pictures at an Exhibition: Samual Goldenberg and Schmuÿle, original piano version)
part of:
Tableaux d’une exposition (Pictures at an Exhibition, orchestrated by Ravel)
Orchestre Symphonique de Montréal & Charles Dutoit2:13
10Pictures at an Exhibition: The Market-Place at Limoges
producer:
Andrew Cornall (engineer / producer)
orchestra:
Orchestre symphonique de Montréal (Montreal Symphony Orchestra) (in 1985-10)
conductor:
Charles Dutoit (conductor) (in 1985-10)
recorded at:
Église de Saint-Eustache in Saint-Eustache, Québec (Quebec), Canada (in 1985-10)
recording of:
Tableaux d’une exposition: VII. Limoges – le marché (Pictures at an Exhibition: VII. Limoges – le marché, orchestrated by Ravel) (in 1985-10)
orchestrator:
Maurice Ravel (French composer) (in 1922)
composer:
Модест Петрович Мусоргский (Modest Mussorgsky, composer) (from 1874-06-02 until 1874-06-22)
orchestration of:
Pictures at an Exhibition: No. 7 “Limoges”, le marché (La grande nouvelle) (original piano version)
part of:
Tableaux d’une exposition (Pictures at an Exhibition, orchestrated by Ravel)
Orchestre Symphonique de Montréal & Charles Dutoit1:28
11Pictures at an Exhibition: Catacombae - Cum Mortuis in Lingua Mortua
producer:
Andrew Cornall (engineer / producer)
orchestra:
Orchestre symphonique de Montréal (Montreal Symphony Orchestra) (in 1985-10)
conductor:
Charles Dutoit (conductor) (in 1985-10)
recorded at:
Église de Saint-Eustache in Saint-Eustache, Québec (Quebec), Canada (in 1985-10)
recording of:
Tableaux d’une exposition: Cum Mortuis in lingua mortua (Pictures at an Exhibition: Cum Mortuis in lingua mortua, orchestrated by Ravel) (in 1985-10)
orchestrator:
Maurice Ravel (French composer) (in 1922)
composer:
Модест Петрович Мусоргский (Modest Mussorgsky, composer) (from 1874-06-02 until 1874-06-22)
orchestration of:
Pictures at an Exhibition: No. 8 “Catacombæ” (Sepulcrum romanum) and “Cum mortuis in lingua mortua” (original piano version)
part of:
Tableaux d’une exposition (Pictures at an Exhibition, orchestrated by Ravel)
recording of:
Tableaux d’une exposition: VIII. Catacombae (Sepulchrum romanum) (Pictures at an Exhibition: VIII. Catacombae (Sepulchrum romanum), orchestrated by Ravel) (in 1985-10)
orchestrator:
Maurice Ravel (French composer) (in 1922)
composer:
Модест Петрович Мусоргский (Modest Mussorgsky, composer) (from 1874-06-02 until 1874-06-22)
orchestration of:
Pictures at an Exhibition: No. 8 “Catacombæ” (Sepulcrum romanum) and “Cum mortuis in lingua mortua” (original piano version)
part of:
Tableaux d’une exposition (Pictures at an Exhibition, orchestrated by Ravel)
Charles Dutoit & Orchestre Symphonique de Montréal3:56
12Pictures at an Exhibition: The Hut on Fowl's Legs (Baba-Yaga)
producer:
Andrew Cornall (engineer / producer)
orchestra:
Orchestre symphonique de Montréal (Montreal Symphony Orchestra) (in 1985-10)
conductor:
Charles Dutoit (conductor) (in 1985-10)
recorded at:
Église de Saint-Eustache in Saint-Eustache, Québec (Quebec), Canada (in 1985-10)
recording of:
Tableaux d’une exposition: IX. La cabane sur des pattes de poules (Baba-Yaga) (Pictures at an Exhibition: XIV. The Hut on Fowl’s Legs (Baba-Yaga), orchestrated by Ravel) (in 1985-10)
orchestrator:
Maurice Ravel (French composer) (in 1922)
composer:
Модест Петрович Мусоргский (Modest Mussorgsky, composer) (from 1874-06-02 until 1874-06-22)
orchestration of:
Pictures at an Exhibition: No. 9 “Избушка на курьихъ ножкахъ” (Баба-Яга) [Izbushka na kuryikh nozhkakh (Baba-Yagá)] (original piano version)
part of:
Tableaux d’une exposition (Pictures at an Exhibition, orchestrated by Ravel)
Orchestre Symphonique de Montréal & Charles Dutoit3:24
13Pictures at an Exhibition: The Great Gate of Kiev
orchestrator:
Maurice Ravel (French composer)
Charles Dutoit & Orchestre Symphonique de Montréal5:46
5▼Digital Media
#TitleArtistRatingLength
1Scheherazade, Op. 35: The Sea and Sinbad's Ship
engineer:
John Dunkerley (engineer)
producer:
Andrew Cornall (engineer / producer)
solo violin:
Christopher Warren‐Green (violinist and conductor) (in 1985-10)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1985-10)
conductor:
Vladimir Ashkenazy (Russian‐Icelandic conductor and pianist) (in 1985-10)
recorded at:
Walthamstow Assembly Hall, London (Walthamstow Assembly Hall) in London (Greater London), England, United Kingdom (in 1985-10)
recording of:
Scheherazade, op. 35: I. The Sea and Sinbad’s Ship (in 1985-10)
composer:
Николай Андреевич Римский‐Корсаков (Nikolai Rimsky‐Korsakov, Russian composer) (in 1888)
part of:
Scheherazade, op. 35
Vladimir Ashkenazy, Christopher Warren-Green & Philharmonia Orchestra10:43
2Scheherazade, Op. 35: The Story of the Calender Prince
engineer:
John Dunkerley (engineer)
producer:
Andrew Cornall (engineer / producer)
solo violin:
Christopher Warren‐Green (violinist and conductor) (in 1985-10)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1985-10)
conductor:
Vladimir Ashkenazy (Russian‐Icelandic conductor and pianist) (in 1985-10)
recorded at:
Walthamstow Assembly Hall, London (Walthamstow Assembly Hall) in London (Greater London), England, United Kingdom (in 1985-10)
recording of:
Scheherazade, op. 35: II. The Kalendar Prince (in 1985-10)
composer:
Николай Андреевич Римский‐Корсаков (Nikolai Rimsky‐Korsakov, Russian composer) (in 1888)
part of:
Scheherazade, op. 35
Philharmonia Orchestra, Vladimir Ashkenazy & Christopher Warren-Green12:01
3Scheherazade, Op. 35: The Young Prince and the Young Princess
engineer:
John Dunkerley (engineer)
producer:
Andrew Cornall (engineer / producer)
solo violin:
Christopher Warren‐Green (violinist and conductor) (in 1985-10)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1985-10)
conductor:
Vladimir Ashkenazy (Russian‐Icelandic conductor and pianist) (in 1985-10)
recorded at:
Walthamstow Assembly Hall, London (Walthamstow Assembly Hall) in London (Greater London), England, United Kingdom (in 1985-10)
recording of:
Scheherazade, op. 35: III. The Young Prince and the Young Princess (Andantino quasi allegretto) (in 1985-10)
composer:
Николай Андреевич Римский‐Корсаков (Nikolai Rimsky‐Korsakov, Russian composer) (in 1888)
part of:
Scheherazade, op. 35
Philharmonia Orchestra, Vladimir Ashkenazy & Christopher Warren-Green9:52
4Scheherazade, Op. 35: Festival at Bagdad - The Sea - The Shipwreck Against a Rock Surmounted by a Bronze Warrior (The Shipwreck)
engineer:
John Dunkerley (engineer)
producer:
Andrew Cornall (engineer / producer)
solo violin:
Christopher Warren‐Green (violinist and conductor) (in 1985-10)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1985-10)
conductor:
Vladimir Ashkenazy (Russian‐Icelandic conductor and pianist) (in 1985-10)
recorded at:
Walthamstow Assembly Hall, London (Walthamstow Assembly Hall) in London (Greater London), England, United Kingdom (in 1985-10)
recording of:
Scheherazade, op. 35: IV. Festival at Baghdad. The Sea. The Ship Breaks Against a Cliff Surmounted by a Bronze Horseman (in 1985-10)
composer:
Николай Андреевич Римский‐Корсаков (Nikolai Rimsky‐Korsakov, Russian composer) (in 1888)
part of:
Scheherazade, op. 35
Philharmonia Orchestra, Vladimir Ashkenazy & Christopher Warren-Green13:16
5The Tale of Tsar Saltan - Suite, Op. 57: I. The Tsar's Departure and Farewell
sound engineer and engineer:
John Dunkerley (engineer)
producer:
Andrew Cornall (engineer / producer)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1985-10)
conductor:
Vladimir Ashkenazy (Russian‐Icelandic conductor and pianist) (in 1985-10)
recorded at:
Walthamstow Assembly Hall, London (Walthamstow Assembly Hall) in London (Greater London), England, United Kingdom (in 1985-10)
recording of:
Musical Pictures from “The Tale of Tsar Saltan”, op. 57: I. The Tsar’s Farewell and Departure (in 1985-10)
composer:
Николай Андреевич Римский‐Корсаков (Nikolai Rimsky‐Korsakov, Russian composer)
part of:
Musical Pictures from “The Tale of Tsar Saltan”, op. 57
Philharmonia Orchestra & Vladimir Ashkenazy4:34
6The Tale of Tsar Saltan - Suite, Op. 57: II. The Tsaritsa and Her Son Afloat in the Cask
sound engineer and engineer:
John Dunkerley (engineer)
producer:
Andrew Cornall (engineer / producer)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1985-10)
conductor:
Vladimir Ashkenazy (Russian‐Icelandic conductor and pianist) (in 1985-10)
recorded at:
Walthamstow Assembly Hall, London (Walthamstow Assembly Hall) in London (Greater London), England, United Kingdom (in 1985-10)
recording of:
Musical Pictures from “The Tale of Tsar Saltan”, op. 57: II. The Tsarina in a Barrel at Sea (in 1985-10)
composer:
Николай Андреевич Римский‐Корсаков (Nikolai Rimsky‐Korsakov, Russian composer)
part of:
Musical Pictures from “The Tale of Tsar Saltan”, op. 57
Vladimir Ashkenazy & Philharmonia Orchestra6:39
7The Tale of Tsar Saltan - Suite, Op. 57: III. The Three Wonders
sound engineer and engineer:
John Dunkerley (engineer)
producer:
Andrew Cornall (engineer / producer)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1985-10)
conductor:
Vladimir Ashkenazy (Russian‐Icelandic conductor and pianist) (in 1985-10)
recorded at:
Walthamstow Assembly Hall, London (Walthamstow Assembly Hall) in London (Greater London), England, United Kingdom (in 1985-10)
recording of:
Musical Pictures from “The Tale of Tsar Saltan”, op. 57: III. The Three Wonders (in 1985-10)
composer:
Николай Андреевич Римский‐Корсаков (Nikolai Rimsky‐Korsakov, Russian composer)
part of:
Musical Pictures from “The Tale of Tsar Saltan”, op. 57
Philharmonia Orchestra & Vladimir Ashkenazy8:06
8The Tale of Tsar Saltan: The Flight of the Bumble-Bee
sound engineer and engineer:
John Dunkerley (engineer)
producer:
Andrew Cornall (engineer / producer)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1985-10)
conductor:
Vladimir Ashkenazy (Russian‐Icelandic conductor and pianist) (in 1985-10)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1985-10) and Walthamstow Assembly Hall, London (Walthamstow Assembly Hall) in London (Greater London), England, United Kingdom (in 1985-10)
recording of:
Полёт шмеля (Flight of the Bumblebee, Flight of the Bumblebee; orchestral interlude between Tableaus 1 & 2 in Act III of The Tale of Tsar Saltan) (in 1985-10)
composer:
Николай Андреевич Римский‐Корсаков (Nikolai Rimsky‐Korsakov, Russian composer) (from 1899 until 1900)
part of:
Le Conte du Tsar Saltan: Act III. Tableau 1: Gvidon, la Princesse-Cygne. Le vol du Bourdon
Philharmonia Orchestra & Vladimir Ashkenazy1:20