The Cream & the Crock

~ Release by You Am I (see all versions of this release, 2 available)

Tracklist

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1▼CD: The Cream
#TitleRatingLength
1Berlin Chair
recording engineer:
Wayne Connolly (from 1993-07-27 until 1993-08-03)
assistant engineer:
Brett Sigmeth (from 1993-07-27 until 1993-08-03) and Mark Mason (sound engineer) (from 1993-07-27 until 1993-08-03)
producer:
Lee Ranaldo
mixer:
Wayne Connolly and Lee Ranaldo
phonographic copyright (℗) by:
rooArt (in 1993)
produced for:
Lazy Eight Productions
recorded at:
Pachyderm Studio in Cannon Falls, Minnesota, United States (from 1993-07-27 until 1993-08-03)
mixed at:
Messina Studio in New York, New York, United States
part of:
triple j’s Hottest 100 of Australian Songs (number: 81)
recording of:
Berlin Chair (from 1993-07-27 until 1993-08-03)
lyricist:
Tim Rogers
composer:
Andy Kent, Tim Rogers and Mark Tunaley
publisher:
Control (not for release label use! this is only for copyrights and publishing relationships), MMA Music, Mushroom Music Publishing and Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group)
3.52:37
2Jaimme’s Got a Gal
recording engineer:
Wayne Connolly
assistant engineer:
Brett Sigmeth and Mark Mason (sound engineer)
producer:
Lee Ranaldo
mixer:
Wayne Connolly and Lee Ranaldo
produced for:
Lazy Eight Productions
recorded at:
Pachyderm Studio in Cannon Falls, Minnesota, United States (from 1993-07-27 until 1993-08-03)
mixed at:
Messina Studio in New York, New York, United States
recording of:
Jaimme’s Got a Gal
lyricist:
Tim Rogers
composer:
Andy Kent, Tim Rogers and Mark Tunaley
publisher:
MMA Music (ended), Control (not for release label use! this is only for copyrights and publishing relationships), Sony Music Publishing (Australia) Pty Limited (2020-12–present, Australian publisher of Sony Music; fka Sony/ATV Music Publishing Australia Pty Limited) and Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group)
3:31
3Cathy’s Clown
assistant recording engineer:
Bil Emmons, Fred Kevorkian, Phil Painson and Josh Wertheimer
recording engineer:
John Siket
producer:
Lee Ranaldo
mixer:
John Auer and Lee Ranaldo
phonographic copyright (℗) by:
Ra Records (90s Australian) (in 1994) and rooArt (in 1995)
produced for:
Lazy Eight Productions
recorded at:
Greene St. Studio in SoHo, New York, New York, United States (from 1994-09-15 until 1994-09-22)
mixed at:
Sear Studios in New York, New York, United States (from 1994-10-03 until 1994-10-12)
recording of:
Cathy’s Clown
lyricist:
Tim Rogers
composer:
Russell Hopkinson, Andy Kent and Tim Rogers
publisher:
ABC Music Publishing, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), MMA Music, PolyGram Music, Sony Music Publishing (Australia) Pty Limited (2020-12–present, Australian publisher of Sony Music; fka Sony/ATV Music Publishing Australia Pty Limited) and Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group)
42:27
4Purple Sneakers
assistant recording engineer:
Bil Emmons, Fred Kevorkian, Phil Painson and Josh Wertheimer
recording engineer:
John Siket
producer:
Lee Ranaldo
mixer:
John Auer and Lee Ranaldo
phonographic copyright (℗) by:
Ra Records (90s Australian) (in 1994)
produced for:
Lazy Eight Productions
recorded at:
Greene St. Studio in SoHo, New York, New York, United States (from 1994-09-15 until 1994-09-22)
mixed at:
Sear Studios in New York, New York, United States (from 1994-10-03 until 1994-10-12)
recording of:
Purple Sneakers
lyricist:
Tim Rogers
composer:
Russell Hopkinson, Andy Kent and Tim Rogers
publisher:
ABC Music Publishing, MMA Music, Sony Music Publishing (Australia) Pty Limited (2020-12–present, Australian publisher of Sony Music; fka Sony/ATV Music Publishing Australia Pty Limited), Universal (plain logo “Universal” used by Universal Music and Universal Pictures) and Universal Music Publishing (use ONLY if no country‐specific information is available)
33:31
5Jewels and Bullets
assistant recording engineer:
Bil Emmons, Fred Kevorkian, Phil Painson and Josh Wertheimer
recording engineer:
John Siket
producer:
Lee Ranaldo
mixer:
John Auer and Lee Ranaldo
phonographic copyright (℗) by:
Ra Records (90s Australian) (in 1994)
produced for:
Lazy Eight Productions
recorded at:
Greene St. Studio in SoHo, New York, New York, United States (from 1994-09-15 until 1994-09-22)
mixed at:
Sear Studios in New York, New York, United States (from 1994-10-03 until 1994-10-12)
recording of:
Jewels and Bullets
lyricist:
Tim Rogers
composer:
Russell Hopkinson, Andy Kent and Tim Rogers
publisher:
ABC Music Publishing, MMA Music, Sony Music Publishing (Australia) Pty Limited (2020-12–present, Australian publisher of Sony Music; fka Sony/ATV Music Publishing Australia Pty Limited) and Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group)
2:59
6Good Mornin’
assistant recording engineer:
Warwick Buzacott
recording engineer:
Wayne Connolly and Paul McKercher
producer:
You Am I
assistant mixer:
Wayne Connolly, Tim Rogers and Jamie Seyberth
mixer:
David Bianco (American engineer and record producer) and Wayne Connolly
phonographic copyright (℗) by:
rooArt (in 1996)
recorded at:
Q Studios in Sydney, New South Wales, Australia (in 1995-12)
mixed at and engineered at:
Larrabee Studios (present day location in North Hollywood, since 1991) in North Hollywood, Los Angeles, California, United States
recording of:
Good Mornin’
lyricist and composer:
Tim Rogers
publisher:
ABC Music Publishing, MMA Music, Sony Music Publishing (Australia) Pty Limited (2020-12–present, Australian publisher of Sony Music; fka Sony/ATV Music Publishing Australia Pty Limited) and Universal Music Publishing (use ONLY if no country‐specific information is available)
34:13
7Soldiers
assistant recording engineer:
Warwick Buzacott
recording engineer:
Wayne Connolly and Paul McKercher
producer:
You Am I
assistant mixer:
Jamie Seyberth
mixer:
David Bianco (American engineer and record producer) and Wayne Connolly
phonographic copyright (℗) by:
Sony Music Entertainment Australia Pty Ltd. (not for release label use! AU subsidiary of SME since 2009) (in 2013)
recorded at:
Q Studios in Sydney, New South Wales, Australia (in 1995-12)
mixed at:
Larrabee Studios (present day location in North Hollywood, since 1991) in North Hollywood, Los Angeles, California, United States
recording of:
Soldiers
lyricist and composer:
Tim Rogers
publisher:
ABC Music Publishing, MMA Music, Sony Music Publishing (Australia) Pty Limited (2020-12–present, Australian publisher of Sony Music; fka Sony/ATV Music Publishing Australia Pty Limited) and Universal Music Publishing (use ONLY if no country‐specific information is available)
32:32
8Mr Milk
assistant recording engineer:
Warwick Buzacott
recording engineer:
Wayne Connolly and Paul McKercher
producer:
You Am I
assistant mixer:
Jamie Seyberth
mixer:
David Bianco (American engineer and record producer) and Wayne Connolly
recorded at:
Q Studios in Sydney, New South Wales, Australia (in 1995-12)
mixed at:
Larrabee Studios (present day location in North Hollywood, since 1991) in North Hollywood, Los Angeles, California, United States
recording of:
Mr Milk
lyricist:
Tim Rogers
composer:
Russell Hopkinson, Andy Kent and Tim Rogers
publisher:
ABC Music Publishing, MMA Music, Sony Music Publishing (Australia) Pty Limited (2020-12–present, Australian publisher of Sony Music; fka Sony/ATV Music Publishing Australia Pty Limited), Universal (plain logo “Universal” used by Universal Music and Universal Pictures) and Universal Music Publishing (use ONLY if no country‐specific information is available)
3:17
9Heavy Heart
mixed in:
Los Angeles, California, United States (from 1997 to present)
assistant recording engineer:
Doug Boehm, Jim Champagne and Jamie Myer
recording engineer:
Billy Bowers (US engineer), Brian Jenkins (engineer), David Schiffman (American producer/audio engineer) and Jim Scott (US recording engineer and producer)
producer:
George Drakoulias
mixer:
Jack Joseph‐Puig
recording of:
Heavy Heart
lyricist and composer:
Tim Rogers
publisher:
Festival Music and Festival Music Pty, Ltd.
33:11
10Rumble
mixed in:
Los Angeles, California, United States (from 1997 to present)
assistant recording engineer:
Doug Boehm, Jim Champagne and Jamie Myer
recording engineer:
Billy Bowers (US engineer), Brian Jenkins (engineer), David Schiffman (American producer/audio engineer) and Jim Scott (US recording engineer and producer)
producer:
George Drakoulias
mixer:
Jack Joseph‐Puig
recording of:
Rumble
lyricist and composer:
Tim Rogers
publisher:
Festival Music and Festival Music Pty, Ltd.
32:39
11Trike
engineer:
Jim Scott (US recording engineer and producer)
producer:
George Drakoulias
recorded at:
Sound City Studios in Van Nuys, California, United States (in 1996)
mixed at:
Ocean Way Recording in Hollywood, Los Angeles, California, United States
recording of:
Trike
lyricist and composer:
Tim Rogers
publisher:
ABC Music Publishing, Festival Music Pty, Ltd., MMA Music, Sony Music Publishing (Australia) Pty Limited (2020-12–present, Australian publisher of Sony Music; fka Sony/ATV Music Publishing Australia Pty Limited) and Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group)
2:59
12Get Up
assistant recording engineer:
Mick Seage (engineer)
recording engineer, producer and mixer:
Clif Norrell
assistant mixer:
Paul Smith
phonographic copyright (℗) by:
BMG Australia Limited (not for release label use!) (in 2001)
recorded at:
Q Studios in Sydney, New South Wales, Australia
mixed at:
Skip Saylor Studios in Hollywood, Los Angeles, California, United States
recording of:
Get Up
lyricist and composer:
Tim Rogers
publisher:
Festival Music Publishing (APRA-affiliated), Mushroom Music Publishing Pty Ltd and Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group)
33:14
13Damage
assistant recording engineer:
Mick Seage (engineer)
recording engineer, producer and mixer:
Clif Norrell
assistant mixer:
Paul Smith
phonographic copyright (℗) by:
BMG Australia Limited (not for release label use!) (in 2000)
recorded at:
Q Studios in Sydney, New South Wales, Australia
mixed at:
Skip Saylor Studios in Hollywood, Los Angeles, California, United States
recording of:
Damage
lyricist and composer:
Tim Rogers
publisher:
Festival Music Publishing (APRA-affiliated)
3:30
14Who Put the Devil in You?
recording of:
Who Put the Devil in You?
composer:
Tim Rogers
3:23
15How Much Is Enough?
recording engineer:
Wayne Connolly
producer:
Wayne Connolly, Lee Ranaldo and You Am I
mixer:
Wayne Connolly, John Auer and Lee Ranaldo
phonographic copyright (℗) by:
Ra Records (90s Australian) (in 1994) and rooArt (in 1995)
produced for:
Lazy Eight Productions
recorded at:
Paradise Studios (Sydney) in Sydney, New South Wales, Australia (in 1994-05)
mixed at:
Sony Studio (Sydney; formerly CBS Studios, Sydney before Jan 1991) in Sydney, New South Wales, Australia and Sear Studios in New York, New York, United States (from 1994-10-03 until 1994-10-12)
recording of:
How Much Is Enough?
lyricist:
Tim Rogers
composer:
Russell Hopkinson, Andy Kent and Tim Rogers
publisher:
ABC Music Publishing, Festival Music Pty, Ltd., MMA Music, Sony Music Publishing (Australia) Pty Limited (2020-12–present, Australian publisher of Sony Music; fka Sony/ATV Music Publishing Australia Pty Limited) and Universal (plain logo “Universal” used by Universal Music and Universal Pictures)
3:41
2▼CD: The Crock
#TitleRatingLength
1The Applecross Wing Commander
assistant recording engineer:
Bil Emmons, Fred Kevorkian, Phil Painson and Josh Wertheimer
recording engineer:
John Siket
producer:
Lee Ranaldo
mixer:
John Auer and Lee Ranaldo
phonographic copyright (℗) by:
Ra Records (90s Australian) (in 1994)
produced for:
Lazy Eight Productions
recorded at:
Greene St. Studio in SoHo, New York, New York, United States (from 1994-09-15 until 1994-09-22)
mixed at:
Sear Studios in New York, New York, United States (from 1994-10-03 until 1994-10-12)
recording of:
The Applecross Wing Commander
lyricist:
Tim Rogers
composer:
Russell Hopkinson, Andy Kent and Tim Rogers
publisher:
ABC Music Publishing, MMA Music, PolyGram Music, Sony Music Publishing (Australia) Pty Limited (2020-12–present, Australian publisher of Sony Music; fka Sony/ATV Music Publishing Australia Pty Limited) and Universal Music Publishing (use ONLY if no country‐specific information is available)
3:19
2Minor Byrd
assistant recording engineer:
Bil Emmons, Fred Kevorkian, Phil Painson and Josh Wertheimer
recording engineer:
John Siket
producer:
Lee Ranaldo
mixer:
John Auer and Lee Ranaldo
Hammond organ:
Jon Auer
phonographic copyright (℗) by:
Ra Records (90s Australian) (in 1994)
produced for:
Lazy Eight Productions
recorded at:
Greene St. Studio in SoHo, New York, New York, United States (from 1994-09-15 until 1994-09-22)
mixed at:
Sear Studios in New York, New York, United States (from 1994-10-03 until 1994-10-12)
recording of:
Minor Byrd
lyricist:
Tim Rogers
composer:
Russell Hopkinson, Andy Kent and Tim Rogers
publisher:
ABC Music Publishing, MMA Music, Sony Music Publishing (Australia) Pty Limited (2020-12–present, Australian publisher of Sony Music; fka Sony/ATV Music Publishing Australia Pty Limited) and Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group)
2:32
3Junk
mixed in:
Los Angeles, California, United States (from 1997 to present)
assistant recording engineer:
Doug Boehm, Jim Champagne and Jamie Myer
recording engineer:
Billy Bowers (US engineer), Brian Jenkins (engineer), David Schiffman (American producer/audio engineer) and Jim Scott (US recording engineer and producer)
producer:
George Drakoulias
mixer:
Jack Joseph‐Puig
recording of:
Junk
lyricist and composer:
Tim Rogers
publisher:
Festival Music and Festival Music (APRA-affiliated)
2:41
4What They Do at Night
engineer:
Mike Pelanconi
producer:
Mike Pelanconi and You Am I
mixer:
Paul McKercher
recorded at:
Titanic Studios in London (Greater London), England, United Kingdom
mixed at:
Studios 301 (Sydney, NSW, AU; use this only for mastering in AU since 2006, and for recording/mixing in Sydney since Nov 1999) in Sydney, New South Wales, Australia
recording of:
What They Do at Night
lyricist and composer:
Tim Rogers
publisher:
Festival Music Publishing (APRA-affiliated)
3:30
5Trouble
engineer and mixer:
Paul McKercher
producer:
Tim Rogers
recorded at:
Sing Sing Recording Studios (fka “Sing Sing South” until 2017) in South Yarra, Melbourne, Victoria, Australia (from 2002-01-14 to present)
mixed at:
Sing Sing Recording Studios (fka “Sing Sing South” until 2017) in South Yarra, Melbourne, Victoria, Australia
recording of:
Trouble
lyricist and composer:
Tim Rogers
publisher:
Festival Music Publishing (APRA-affiliated)
5:13
6If We Can’t Get It Together
assistant recording engineer:
Warwick Buzacott
recording engineer:
Wayne Connolly and Paul McKercher
producer:
You Am I
assistant mixer:
Jamie Seyberth
mixer:
David Bianco (American engineer and record producer) and Wayne Connolly
recorded at:
Q Studios in Sydney, New South Wales, Australia (in 1995-12)
mixed at:
Larrabee Studios (present day location in North Hollywood, since 1991) in North Hollywood, Los Angeles, California, United States
recording of:
If We Can’t Get It Together
lyricist and composer:
Tim Rogers
publisher:
ABC Music Publishing, MMA Music, Sony Music Publishing (Australia) Pty Limited (2020-12–present, Australian publisher of Sony Music; fka Sony/ATV Music Publishing Australia Pty Limited) and Universal Music Publishing (use ONLY if no country‐specific information is available)
2:34
7Beautiful Girl
recording engineer, producer and mixer:
Clif Norrell
assistant mixer:
Paul Smith
phonographic copyright (℗) by:
BMG Australia Limited (not for release label use!) (in 2001)
recorded at:
Q Studios in Sydney, New South Wales, Australia
mixed at:
Skip Saylor Studios in Hollywood, Los Angeles, California, United States
recording of:
Beautiful Girl
lyricist and composer:
Tim Rogers
publisher:
Festival Music Publishing (APRA-affiliated)
3:18
8Wally Raffles
assistant recording engineer:
Warwick Buzacott
recording engineer:
Wayne Connolly and Paul McKercher
producer:
You Am I
assistant mixer:
Jamie Seyberth
mixer:
David Bianco (American engineer and record producer) and Wayne Connolly
recorded at:
Q Studios in Sydney, New South Wales, Australia (in 1995-12)
mixed at:
Larrabee Studios (present day location in North Hollywood, since 1991) in North Hollywood, Los Angeles, California, United States
recording of:
Wally Raffles
lyricist and composer:
Tim Rogers
publisher:
ABC Music Publishing, MMA Music, Sony Music Publishing (Australia) Pty Limited (2020-12–present, Australian publisher of Sony Music; fka Sony/ATV Music Publishing Australia Pty Limited) and Universal Music Publishing (use ONLY if no country‐specific information is available)
3:18
9Ordinary
recording engineer:
Wayne Connolly
assistant engineer:
Brett Sigmeth and Mark Mason (sound engineer)
producer:
Lee Ranaldo
mixer:
Wayne Connolly and Lee Ranaldo
produced for:
Lazy Eight Productions
recorded at:
Pachyderm Studio in Cannon Falls, Minnesota, United States (from 1993-07-27 until 1993-08-03)
mixed at:
Messina Studio in New York, New York, United States
recording of:
Ordinary
lyricist:
Tim Rogers
composer:
Andy Kent, Tim Rogers and Mark Tunaley
publisher:
ABC Music Publishing, Sony Music Publishing (Australia) Pty Limited (2020-12–present, Australian publisher of Sony Music; fka Sony/ATV Music Publishing Australia Pty Limited) and Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group)
2:55
10Gone, Gone, Gone
assistant recording engineer:
Mick Seage (engineer)
recording engineer, producer and mixer:
Clif Norrell
assistant mixer:
Paul Smith
phonographic copyright (℗) by:
BMG Australia Limited (not for release label use!) (in 2001)
recorded at:
Q Studios in Sydney, New South Wales, Australia
mixed at:
Skip Saylor Studios in Hollywood, Los Angeles, California, United States
recording of:
Gone, Gone, Gone
lyricist and composer:
Tim Rogers
publisher:
Festival Music Publishing (APRA-affiliated)
3:26
11Deliverance
recording engineer and mixer:
Paul McKercher
producer:
You Am I
recorded at:
Sing Sing Recording Studios (fka “Sing Sing South” until 2017) in South Yarra, Melbourne, Victoria, Australia
recording of:
Deliverance
lyricist and composer:
Tim Rogers
publisher:
Festival Music Publishing (APRA-affiliated)
4:09
12Mr Kermode & the Million Matches
engineer:
Mike Pelanconi
producer:
Mike Pelanconi and You Am I
mixer:
Paul McKercher
recorded at:
Titanic Studios in London (Greater London), England, United Kingdom
mixed at:
Studios 301 (Sydney, NSW, AU; use this only for mastering in AU since 2006, and for recording/mixing in Sydney since Nov 1999) in Sydney, New South Wales, Australia
recording of:
Mr Kermode & the Million Matches
lyricist and composer:
Tim Rogers
publisher:
Festival Music Publishing (APRA-affiliated)
2:31
13Cool Hand Luke
assistant recording engineer:
Bernard O'Reilly
recording engineer:
Wayne Connolly
producer:
Lee Ranaldo
mixer:
Wayne Connolly and Lee Ranaldo
recorded at and mixed at:
Megaphon in Sydney, New South Wales, Australia (in 1993)
recording of:
Cool Hand Luke
lyricist:
Tim Rogers
composer:
Andy Kent, Tim Rogers and Mark Tunaley
publisher:
ABC Music Publishing, MMA Music, Sony Music Publishing (Australia) Pty Limited (2020-12–present, Australian publisher of Sony Music; fka Sony/ATV Music Publishing Australia Pty Limited) and Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group)
3:44
14The Cream & the Crock
mixed in:
Los Angeles, California, United States (from 1997 to present)
assistant recording engineer:
Doug Boehm, Jim Champagne and Jamie Myer
recording engineer:
Billy Bowers (US engineer), Brian Jenkins (engineer), David Schiffman (American producer/audio engineer) and Jim Scott (US recording engineer and producer)
producer:
George Drakoulias
mixer:
Jack Joseph‐Puig
recording of:
The Cream and the Crock
lyricist and composer:
Tim Rogers
publisher:
Festival Music Publishing (APRA-affiliated)
3:22
15She Digs Her
assistant recording engineer:
Bil Emmons, Fred Kevorkian, Phil Painson and Josh Wertheimer
recording engineer:
John Siket
producer:
Lee Ranaldo
mixer:
John Auer and Lee Ranaldo
phonographic copyright (℗) by:
Ra Records (90s Australian) (in 1994)
produced for:
Lazy Eight Productions
recorded at:
Greene St. Studio in SoHo, New York, New York, United States (from 1994-09-15 until 1994-09-22)
mixed at:
Sear Studios in New York, New York, United States (from 1994-10-03 until 1994-10-12)
recording of:
She Digs Her
lyricist:
Tim Rogers
composer:
Russell Hopkinson, Andy Kent and Tim Rogers
publisher:
ABC Music Publishing, MMA Music, Sony Music Publishing (Australia) Pty Limited (2020-12–present, Australian publisher of Sony Music; fka Sony/ATV Music Publishing Australia Pty Limited) and Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group)
3:25
16Guys, Girls, Guitars
mixed in:
Los Angeles, California, United States (from 1997 to present)
assistant recording engineer:
Doug Boehm, Jim Champagne and Jamie Myer
recording engineer:
Billy Bowers (US engineer), Brian Jenkins (engineer), David Schiffman (American producer/audio engineer) and Jim Scott (US recording engineer and producer)
producer:
George Drakoulias
mixer:
Jack Joseph‐Puig
recording of:
Guys, Girls, Guitars
lyricist and composer:
Tim Rogers
publisher:
Festival Music Publishing (APRA-affiliated)
3:00
17Sound as Ever
recording engineer:
Wayne Connolly
assistant engineer:
Mark Mason (sound engineer) and Brent Sigmeth
producer:
Lee Ranaldo
mixer:
Wayne Connolly and Lee Ranaldo
produced for:
Lazy Eight Productions
recorded at:
Pachyderm Studio in Cannon Falls, Minnesota, United States (from 1993-07-27 until 1993-08-03)
mixed at:
Messina Studio in New York, New York, United States
recording of:
Sound as Ever
lyricist:
Tim Rogers
composer:
Andy Kent, Tim Rogers and Mark Tunaley
publisher:
ABC Music Publishing, MMA Music, Sony Music Publishing (Australia) Pty Limited (2020-12–present, Australian publisher of Sony Music; fka Sony/ATV Music Publishing Australia Pty Limited) and Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group)
6:35
18Open All Night
recording engineer, producer and mixer:
Clif Norrell
recorded at:
Q Studios in Sydney, New South Wales, Australia
mixed at:
Skip Saylor Recording in Hollywood, Los Angeles, California, United States
recording of:
Open All Night
lyricist and composer:
Tim Rogers
publisher:
Festival Music Publishing (APRA-affiliated)
4:04