King & Queen (24-Bit / 96.0 kHz)

~ Release by Otis Redding & Carla Thomas (see all versions of this release, 5 available)

Tracklist

1Digital Media
#TitleRatingLength
1Knock On Wood
recorded in:
Memphis, Tennessee, United States (from 1967-01 until 1967-02)
producer:
Jim Stewart (US producer, founder for Stax & Volt Records)
bass [electric bass]:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (from 1967-01 until 1967-02)
drums (drum set):
Al Jackson (Booker T & The MGs drummer) (from 1967-01 until 1967-02)
guitar:
Steve Cropper (from 1967-01 until 1967-02)
piano:
Booker T. Jones (from 1967-01 until 1967-02)
tenor saxophone:
Joe Arnold (from 1967-01 until 1967-02) and Andrew Love (from 1967-01 until 1967-02)
trumpet:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (from 1967-01 until 1967-02)
vocals:
Otis Redding (from 1967-01 until 1967-02) and Carla Thomas (from 1967-01 until 1967-02)
cover recording of:
Knock on Wood (from 1967-01 until 1967-02)
writer:
Steve Cropper and Eddie Floyd
publisher:
East/Memphis Music, Irving Music, Inc., Rondor Music, Rondor Music (London) Ltd., Rondor Music Publishing, Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner Chappell Music (publisher as Warner/Chappell Music), Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner Chappell North America
adaptation of:
Potkraj na les
42:48
2Let Me Be Good To You
recorded in:
Memphis, Tennessee, United States (from 1967-01 until 1967-02)
producer:
Jim Stewart (US producer, founder for Stax & Volt Records)
bass [electric bass]:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (from 1967-01 until 1967-02)
drums (drum set):
Al Jackson (Booker T & The MGs drummer) (from 1967-01 until 1967-02)
guitar:
Steve Cropper (from 1967-01 until 1967-02)
piano:
Booker T. Jones (from 1967-01 until 1967-02)
tenor saxophone:
Joe Arnold (from 1967-01 until 1967-02) and Andrew Love (from 1967-01 until 1967-02)
trumpet:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (from 1967-01 until 1967-02)
vocals:
Otis Redding (from 1967-01 until 1967-02) and Carla Thomas (from 1967-01 until 1967-02)
cover recording of:
Let Me Be Good to You (from 1967-01 until 1967-02)
writer:
Isaac Hayes, David Porter (US soul musician, producer & songwriter) and Carl Wells
2:48
3Tramp
recorded in:
Memphis, Tennessee, United States (from 1967-01 until 1967-02)
producer:
Steve Cropper and Jim Stewart (US producer, founder for Stax & Volt Records)
drums (drum set):
Al Jackson (Booker T & The MGs drummer) (from 1967-01 until 1967-02)
electric bass guitar [electric bass]:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (from 1967-01 until 1967-02)
guitar:
Steve Cropper (from 1967-01 until 1967-02)
keyboard:
Isaac Hayes (from 1967-01 until 1967-02) and Booker T. Jones (from 1967-01 until 1967-02)
piano:
Booker T. Jones (from 1967-01 until 1967-02)
tenor saxophone:
Joe Arnold (from 1967-01 until 1967-02) and Andrew Love (from 1967-01 until 1967-02)
trumpet:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (from 1967-01 until 1967-02)
background vocals:
Carla Thomas (from 1967-01 until 1967-02)
vocals:
Otis Redding (from 1967-01 until 1967-02) and Carla Thomas (from 1967-01 until 1967-02)
performer:
Carla Thomas (from 1967-01 until 1967-02)
cover recording of:
Tramp (from 1967-01 until 1967-02)
writer:
Lowell Fulson and Jimmy McCracklin (blues singer, songwriter)
publisher:
Budget Music, Careers–BMG Music Publishing, Inc. and Powerforce Music
4.43:00
4Tell It Like It Is
recorded in:
Memphis, Tennessee, United States (from 1967-01 until 1967-02)
producer:
Jim Stewart (US producer, founder for Stax & Volt Records)
bass [electric bass]:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (from 1967-01 until 1967-02)
drums (drum set):
Al Jackson (Booker T & The MGs drummer) (from 1967-01 until 1967-02)
guitar:
Steve Cropper (from 1967-01 until 1967-02)
piano:
Booker T. Jones (from 1967-01 until 1967-02)
tenor saxophone:
Joe Arnold (from 1967-01 until 1967-02) and Andrew Love (from 1967-01 until 1967-02)
trumpet:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (from 1967-01 until 1967-02)
vocals:
Otis Redding (from 1967-01 until 1967-02) and Carla Thomas (from 1967-01 until 1967-02)
cover recording of:
Tell It Like It Is (from 1967-01 until 1967-02)
writer:
George Davis (US musician & songwriter George Richard Davis Jr., guitar, bass, saxophone, oboe) and Lee Diamond
publisher:
Conrad Music (publisher; do NOT use as release label) and Olrap Publishing Co., Inc.
43:13
5When Something Is Wrong With My Baby
recorded in:
Memphis, Tennessee, United States (from 1967-01 until 1967-02)
producer:
Jim Stewart (US producer, founder for Stax & Volt Records)
bass [electric bass]:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (from 1967-01 until 1967-02)
drums (drum set):
Al Jackson (Booker T & The MGs drummer) (from 1967-01 until 1967-02)
guitar:
Steve Cropper (from 1967-01 until 1967-02)
piano:
Booker T. Jones (from 1967-01 until 1967-02)
tenor saxophone:
Joe Arnold (from 1967-01 until 1967-02) and Andrew Love (from 1967-01 until 1967-02)
trumpet:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (from 1967-01 until 1967-02)
vocals:
Otis Redding (from 1967-01 until 1967-02) and Carla Thomas (from 1967-01 until 1967-02)
cover recording of:
When Something Is Wrong With My Baby (from 1967-01 until 1967-02)
composer:
Isaac Hayes and David Porter (US soul musician, producer & songwriter)
publisher:
Rondor, Rondor Music, Rondor Music (Australia) Pty Ltd, Universal Music Publishing (use ONLY if no country‐specific information is available), Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), Warner Chappell and Warner Chappell Music (publisher as Warner/Chappell Music)
33:14
6Lovey Dovey
recorded in:
Memphis, Tennessee, United States (from 1967-01 until 1967-02)
producer:
Jim Stewart (US producer, founder for Stax & Volt Records)
bass [electric bass]:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (from 1967-01 until 1967-02)
drums (drum set):
Al Jackson (Booker T & The MGs drummer) (from 1967-01 until 1967-02)
guitar:
Steve Cropper (from 1967-01 until 1967-02)
piano:
Booker T. Jones (from 1967-01 until 1967-02)
tenor saxophone:
Joe Arnold (from 1967-01 until 1967-02) and Andrew Love (from 1967-01 until 1967-02)
trumpet:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (from 1967-01 until 1967-02)
vocals:
Otis Redding (from 1967-01 until 1967-02) and Carla Thomas (from 1967-01 until 1967-02)
cover recording of:
Lovey Dovey (from 1967-01 until 1967-02)
writer:
Memphis Curtis and Nuggy (US American Songwriter, producer)
publisher:
Progressive Music Co. (ended) and Unichappell Music, Inc.
2:33
7New Year's Resolution
recorded in:
Memphis, Tennessee, United States (from 1967-01 until 1967-02)
producer:
Jim Stewart (US producer, founder for Stax & Volt Records)
bass [electric bass]:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (from 1967-01 until 1967-02)
drums (drum set):
Al Jackson (Booker T & The MGs drummer) (from 1967-01 until 1967-02)
guitar:
Steve Cropper (from 1967-01 until 1967-02)
piano:
Booker T. Jones (from 1967-01 until 1967-02)
tenor saxophone:
Joe Arnold (from 1967-01 until 1967-02) and Andrew Love (from 1967-01 until 1967-02)
trumpet:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (from 1967-01 until 1967-02)
vocals:
Otis Redding (from 1967-01 until 1967-02) and Carla Thomas (from 1967-01 until 1967-02)
cover recording of:
New Year's Resolution (from 1967-01 until 1967-02)
writer:
Randle Catron, Deanie Catron (singer/songwriter, producer) and Mary Frierson
43:14
8It Takes Two
recorded in:
Memphis, Tennessee, United States (from 1967-01 until 1967-02)
producer:
Jim Stewart (US producer, founder for Stax & Volt Records)
bass [electric bass]:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (from 1967-01 until 1967-02)
drums (drum set):
Al Jackson (Booker T & The MGs drummer) (from 1967-01 until 1967-02)
guitar:
Steve Cropper (from 1967-01 until 1967-02)
piano:
Booker T. Jones (from 1967-01 until 1967-02)
tenor saxophone:
Joe Arnold (from 1967-01 until 1967-02) and Andrew Love (from 1967-01 until 1967-02)
trumpet:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (from 1967-01 until 1967-02)
vocals:
Otis Redding (from 1967-01 until 1967-02) and Carla Thomas (from 1967-01 until 1967-02)
cover recording of:
It Takes Two (from 1967-01 until 1967-02)
writer:
Sylvia Moy and William Stevenson (Motown songwriter)
publisher:
Jobete Music (UK) Ltd. and Stone Agate Music
3:03
9Are You Lonely For Me Baby
recorded in:
Memphis, Tennessee, United States (from 1967-01 until 1967-02)
producer:
Jim Stewart (US producer, founder for Stax & Volt Records)
bass [electric bass]:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (from 1967-01 until 1967-02)
drums (drum set):
Al Jackson (Booker T & The MGs drummer) (from 1967-01 until 1967-02)
guitar:
Steve Cropper (from 1967-01 until 1967-02)
piano:
Booker T. Jones (from 1967-01 until 1967-02)
tenor saxophone:
Joe Arnold (from 1967-01 until 1967-02) and Andrew Love (from 1967-01 until 1967-02)
trumpet:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (from 1967-01 until 1967-02)
vocals:
Otis Redding (from 1967-01 until 1967-02) and Carla Thomas (from 1967-01 until 1967-02)
cover recording of:
Are You Lonely for Me Baby (from 1967-01 until 1967-02)
lyricist and composer:
Bert Russell Berns
publisher:
Sloopy II Music and Sony/ATV Songs LLC
3:14
10Bring It On Home
recorded in:
Memphis, Tennessee, United States (from 1967-01 until 1967-02)
producer:
Jim Stewart (US producer, founder for Stax & Volt Records)
bass [electric bass]:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (from 1967-01 until 1967-02)
drums (drum set):
Al Jackson (Booker T & The MGs drummer) (from 1967-01 until 1967-02)
guitar:
Steve Cropper (from 1967-01 until 1967-02)
piano:
Booker T. Jones (from 1967-01 until 1967-02)
tenor saxophone:
Joe Arnold (from 1967-01 until 1967-02) and Andrew Love (from 1967-01 until 1967-02)
trumpet:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (from 1967-01 until 1967-02)
vocals:
Otis Redding (from 1967-01 until 1967-02) and Carla Thomas (from 1967-01 until 1967-02)
cover recording of:
Bring It On Home to Me (from 1967-01 until 1967-02)
lyricist and composer:
Sam Cooke (American singer and songwriter, “King of Soul”)
publisher:
ABKCO Music, ABKCO Music Ltd., ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”) and Kags Music Corp.
42:33
11Ooh Carla, Ooh Otis
recorded in:
Memphis, Tennessee, United States (from 1967-01 until 1967-02)
producer:
Jim Stewart (US producer, founder for Stax & Volt Records)
bass [electric bass]:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (from 1967-01 until 1967-02)
drums (drum set):
Al Jackson (Booker T & The MGs drummer) (from 1967-01 until 1967-02)
guitar:
Steve Cropper (from 1967-01 until 1967-02)
piano:
Booker T. Jones (from 1967-01 until 1967-02)
tenor saxophone:
Joe Arnold (from 1967-01 until 1967-02) and Andrew Love (from 1967-01 until 1967-02)
trumpet:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (from 1967-01 until 1967-02)
vocals:
Otis Redding (from 1967-01 until 1967-02) and Carla Thomas (from 1967-01 until 1967-02)
recording of:
Ooh Carla, Ooh Otis (from 1967-01 until 1967-02)
writer:
Alvertis Isbell and Otis Redding
42:32