Otello (1954)

~ Release by Giuseppe Verdi; Mario Del Monaco, Renata Tebaldi, Coro dell’Accademia Nazionale di Santa Cecilia, Alberto Erede (see all versions of this release, 1 available)

Annotation

1954 studio recording

Conductor - Alberto Erede
Orchestra - Accademia nazionale di Santa Cecilia
Chorus - Accademia nazionale di Santa Cecilia
Otello - Mario Del Monaco
Desdemona - Renata Tebaldi
Iago - Aldo Protti
Cassio - Piero De Palma
Rodrigo - Angelo Mercuriali
Lodovico - Fernando Corena
Montano - Pier Luigi Latinucci
Emilia - Luisa Ribacchi
Un Araldo - Dario Caselli

Annotation last modified on 2026-09-23 21:39 UTC.

Tracklist

1▼CD
#TitleArtistRatingLength
1Otello: Atto I. “Una vela! Una vela!” (Coro)
baritone vocals [Iago]:
Aldo Protti (bass-baritone)
choir vocals:
Coro dell’Accademia Nazionale di Santa Cecilia (Chorus of the National Academy of Santa Cecilia)
tenor vocals [Cassio]:
Piero de Palma (tenor)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia)
conductor:
Alberto Erede (conductor)
recording of:
Otello: Atto I, scena 1. “Una vela! una vela!” (Ciprioti, Montano, Cassio, Iago, Roderigo)
composer:
Giuseppe Verdi (Italian opera composer) (from 1884 until 1886-11-01)
librettist:
Arrigo Boito (librettist, composer)
part of:
Otello: Atto I
Giuseppe Verdi4:06
2Otello: Atto I. “Esultate!” (Otello)
choir vocals:
Coro dell’Accademia Nazionale di Santa Cecilia (Chorus of the National Academy of Santa Cecilia)
tenor vocals [Otello]:
Mario Del Monaco (tenor)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia)
conductor:
Alberto Erede (conductor)
recording of:
Otello: Atto I, scena 1. “Esultate!” (Otello, Ciprioti)
composer:
Giuseppe Verdi (Italian opera composer) (from 1884 until 1886-11-01)
librettist:
Arrigo Boito (librettist, composer)
part of:
Otello: Atto I
Giuseppe Verdi2:30
3Otello: Atto I. “Fuoco di gioia!” (Coro)
choir vocals:
Coro dell’Accademia Nazionale di Santa Cecilia (Chorus of the National Academy of Santa Cecilia)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia)
conductor:
Alberto Erede (conductor)
recording of:
Otello: Atto I, scena 1. Coro “Fuoco di gioia …” (Ciprioti)
composer:
Giuseppe Verdi (Italian opera composer) (from 1884 until 1886-11-01)
librettist:
Arrigo Boito (librettist, composer)
part of:
Otello: Atto I
Giuseppe Verdi2:43
4Otello: Atto I. “Roderigo, beviam!” (Yago)
baritone vocals [Iago]:
Aldo Protti (bass-baritone)
choir vocals:
Coro dell’Accademia Nazionale di Santa Cecilia (Chorus of the National Academy of Santa Cecilia)
tenor vocals [Cassio]:
Piero de Palma (tenor)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia)
conductor:
Alberto Erede (conductor)
recording of:
Otello: Atto I, scena 1. “Roderigo, beviam!” (Iago, Cassio, Ciprioti, Roderigo)
composer:
Giuseppe Verdi (Italian opera composer) (from 1884 until 1886-11-01)
librettist:
Arrigo Boito (librettist, composer)
part of:
Otello: Atto I
Giuseppe Verdi1:33
5Otello: Atto II. “Vanne! La tua meta già vedo” (Yago)
baritone vocals [Iago]:
Aldo Protti (bass-baritone)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia)
conductor:
Alberto Erede (conductor)
recording of:
Otello: Atto II. “Vanne! La tua meta già vedo” (Iago)
composer:
Giuseppe Verdi (Italian opera composer) (from 1884 until 1886-11-01)
librettist:
Arrigo Boito (librettist, composer)
part of:
Otello: Atto II
Giuseppe Verdi0:31
6Otello: Atto II. “Credo in un dio crudel” (Yago)
baritone vocals [Iago]:
Aldo Protti (bass-baritone)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia)
conductor:
Alberto Erede (conductor)
recording of:
Otello: Atto II. “Credo in un Dio crudel” (Iago)
composer:
Giuseppe Verdi (Italian opera composer) (from 1884 until 1886-11-01)
librettist:
Arrigo Boito (librettist, composer)
part of:
Otello: Atto II
Giuseppe Verdi5:18
7Otello: Atto II. “Desdemona rea!” (Otello)
baritone vocals [Iago]:
Aldo Protti (bass-baritone)
tenor vocals [Otello]:
Mario Del Monaco (tenor)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia)
conductor:
Alberto Erede (conductor)
recording of:
Otello: Atto II. “Desdemona rea!” (Otello, Iago)
composer:
Giuseppe Verdi (Italian opera composer) (from 1884 until 1886-11-01)
librettist:
Arrigo Boito (librettist, composer)
part of:
Otello: Atto II
Giuseppe Verdi0:40
8Otello: Atto II. “Tu? Indietro! Fuggi!” (Otello)
tenor vocals [Otello]:
Mario Del Monaco (tenor)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia)
conductor:
Alberto Erede (conductor)
recording of:
Otello: Atto II. “Tu?! Indietro! fuggi!” (Otello)
composer:
Giuseppe Verdi (Italian opera composer) (from 1884 until 1886-11-01)
librettist:
Arrigo Boito (librettist, composer)
part of:
Otello: Atto II
Giuseppe Verdi1:00
9Otello: Atto II. “Ora e per sempre addio” (Otello)
tenor vocals [Otello]:
Mario Del Monaco (tenor)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia)
conductor:
Alberto Erede (conductor)
recording of:
Otello: Atto II. “Ed ora” … “Ora e per sempre addio” (Otello)
composer:
Giuseppe Verdi (Italian opera composer) (from 1884 until 1886-11-01)
librettist:
Arrigo Boito (librettist, composer)
part of:
Otello: Atto II
Giuseppe Verdi1:08
10Otello: Atto II. “Pace, signor” (Yago)
baritone vocals [Iago]:
Aldo Protti (bass-baritone)
tenor vocals [Otello]:
Mario Del Monaco (tenor)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia)
conductor:
Alberto Erede (conductor)
recording of:
Otello: Atto II. “Pace, signor” (Iago, Otello)
composer:
Giuseppe Verdi (Italian opera composer) (from 1884 until 1886-11-01)
librettist:
Arrigo Boito (librettist, composer)
part of:
Otello: Atto II
Giuseppe Verdi2:33
11Otello: Atto II. “Era la notte, Cassio dormìa” (Yago)
baritone vocals [Iago]:
Aldo Protti (bass-baritone)
tenor vocals [Otello]:
Mario Del Monaco (tenor)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia)
conductor:
Alberto Erede (conductor)
recording of:
Otello: Atto II. “Era la notte, Cassio dormia…” (Otello, Iago)
composer:
Giuseppe Verdi (Italian opera composer) (from 1884 until 1886-11-01)
librettist:
Arrigo Boito (librettist, composer)
part of:
Otello: Atto II
Giuseppe Verdi2:10
12Otello: Atto II. “Oh! Mostruosa colpa!” (Otello)
baritone vocals [Iago]:
Aldo Protti (bass-baritone)
tenor vocals [Otello]:
Mario Del Monaco (tenor)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia)
conductor:
Alberto Erede (conductor)
recording of:
Otello: Atto II. “Oh! mostruosa colpa!” … “Ah! mille vite” (Otello, Iago)
composer:
Giuseppe Verdi (Italian opera composer) (from 1884 until 1886-11-01)
librettist:
Arrigo Boito (librettist, composer)
part of:
Otello: Atto II
Giuseppe Verdi1:40
13Otello: Atto II. “Si, pel ciel marmoreo giuro!” (Otello)
baritone vocals [Iago]:
Aldo Protti (bass-baritone)
tenor vocals [Otello]:
Mario Del Monaco (tenor)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia)
conductor:
Alberto Erede (conductor)
recording of:
Otello: Atto II. “Si, pel ciel marmoreo giuro!” (Otello, Iago)
composer:
Giuseppe Verdi (Italian opera composer) (from 1884 until 1886-11-01)
librettist:
Arrigo Boito (librettist, composer)
part of:
Otello: Atto II
Giuseppe Verdi2:17
14Otello: Atto III. “La vedetta del porto ha segnalato” (Heraldo)
baritone vocals [Iago]:
Aldo Protti (bass-baritone)
bass vocals [Un araldo]:
Dario Caselli (operatic bass)
tenor vocals [Otello]:
Mario Del Monaco (tenor)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia)
conductor:
Alberto Erede (conductor)
recording of:
Otello: Atto III. “La vedetta del porto ha segnalato” (Araldo, Otello, Iago)
composer:
Giuseppe Verdi (Italian opera composer) (from 1884 until 1886-11-01)
librettist:
Arrigo Boito (librettist, composer)
part of:
Otello: Atto III
Giuseppe Verdi1:13
15Otello: Atto III. “Continua” (Otello)
baritone vocals [Iago]:
Aldo Protti (bass-baritone)
tenor vocals [Otello]:
Mario Del Monaco (tenor)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia)
conductor:
Alberto Erede (conductor)
recording of:
Otello: Atto III. “Continua – Qui trarro Cassio e con astute” (Otello, Iago)
composer:
Giuseppe Verdi (Italian opera composer) (from 1884 until 1886-11-01)
librettist:
Arrigo Boito (librettist, composer)
part of:
Otello: Atto III
Giuseppe Verdi1:04
16Otello: Atto III. “Dio ti giocondi, o sposo” (Desdémona)
soprano vocals [Desdemona]:
Renata Tebaldi (soprano)
tenor vocals [Otello]:
Mario Del Monaco (tenor)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia)
conductor:
Alberto Erede (conductor)
recording of:
Otello: Atto III. “Dio ti giocondi, o sposo dell’alma” (Desdemona, Otello)
composer:
Giuseppe Verdi (Italian opera composer) (from 1884 until 1886-11-01)
librettist:
Arrigo Boito (librettist, composer)
part of:
Otello: Atto III
Giuseppe Verdi4:36
17Otello: Atto III. “Esterrefatta fisso!” (Desdémona)
soprano vocals [Desdemona]:
Renata Tebaldi (soprano)
tenor vocals [Otello]:
Mario Del Monaco (tenor)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia)
conductor:
Alberto Erede (conductor)
recording of:
Otello: Atto III. “Esterrefatta fisso lo sguardo tuo tremendo” (Desdemona, Otello)
composer:
Giuseppe Verdi (Italian opera composer) (from 1884 until 1886-11-01)
librettist:
Arrigo Boito (librettist, composer)
part of:
Otello: Atto III
Giuseppe Verdi5:27
18Otello: Atto III. “Dio! Mi potevi scagliar” (Otello)
baritone vocals [Iago]:
Aldo Protti (bass-baritone)
tenor vocals [Otello]:
Mario Del Monaco (tenor)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia)
conductor:
Alberto Erede (conductor)
recording of:
Otello: Atto III. “Dio! Mi potevi scagliar” … “Ah! dannazione!” (Otello, Iago)
composer:
Giuseppe Verdi (Italian opera composer) (from 1884 until 1886-11-01)
librettist:
Arrigo Boito (librettist, composer)
part of:
Otello: Atto III
Giuseppe Verdi3:03
19Otello: Atto III. “Cassio è là!” (Yago)
baritone vocals [Iago]:
Aldo Protti (bass-baritone)
tenor vocals [Otello]:
Mario Del Monaco (tenor)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia)
conductor:
Alberto Erede (conductor)
recording of:
Otello: Atto III. “Cassio e là! - Là? Cielo! Oh, gioia!” (Iago, Otello)
composer:
Giuseppe Verdi (Italian opera composer) (from 1884 until 1886-11-01)
librettist:
Arrigo Boito (librettist, composer)
part of:
Otello: Atto III
Giuseppe Verdi0:46
20Otello: Atto III. “Vieni: L’aula è deserta” (Yago)
baritone vocals [Iago]:
Aldo Protti (bass-baritone)
tenor vocals [Cassio]:
Piero de Palma (tenor)
tenor vocals [Otello]:
Mario Del Monaco (tenor)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia)
conductor:
Alberto Erede (conductor)
recording of:
Otello: Atto III. “Vieni, l’aula è deserta” (Iago, Cassio, Otello)
composer:
Giuseppe Verdi (Italian opera composer) (from 1884 until 1886-11-01)
librettist:
Arrigo Boito (librettist, composer)
part of:
Otello: Atto III
Giuseppe Verdi0:42
21Otello: Atto IV. “Era più calmo?” (Emilia)
mezzo-soprano vocals [Emilia]:
Luisa Ribacchi (mezzo-soprano)
soprano vocals [Desdemona]:
Renata Tebaldi (soprano)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia)
conductor:
Alberto Erede (conductor)
recording of:
Otello: Atto IV. “Era più calmo?” (Emilia, Desdemona)
composer:
Giuseppe Verdi (Italian opera composer) (from 1884 until 1886-11-01)
librettist:
Arrigo Boito (librettist, composer)
part of:
Otello: Atto IV
Giuseppe Verdi3:12
22Otello: Atto IV. “Mia madre aveva una povera ancella” (Desdémona)
soprano vocals [Desdemona]:
Renata Tebaldi (soprano)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia)
conductor:
Alberto Erede (conductor)
recording of:
Otello: Atto IV. “Mia madre aveva una povera ancella” (Desdemona)
composer:
Giuseppe Verdi (Italian opera composer) (from 1884 until 1886-11-01)
librettist:
Arrigo Boito (librettist, composer)
part of:
Otello: Atto IV
Giuseppe Verdi0:55
23Otello: Atto IV. “Piangea cantando nell’erma landa” (Desdémona)
soprano vocals [Desdemona]:
Renata Tebaldi (soprano)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia)
conductor:
Alberto Erede (conductor)
recording of:
Otello: Atto IV. “Piangea cantando nell’erma landa” (Desdemona) (Willow Song)
composer:
Giuseppe Verdi (Italian opera composer) (from 1884 until 1886-11-01)
librettist:
Arrigo Boito (librettist, composer)
part of:
Otello: Atto IV
Giuseppe Verdi5:33

Credits

Release

part of:Homenaje a la ópera (Alfadelta) (number: 7) (order: 7)
Discogs:https://www.discogs.com/release/8331571 [info]