| # | Title | Rating | Length |
|---|
| 1 | They Didn’t Believe Me | | 4:22 |
| 2 | How Deep Is the Ocean | | 6:50 |
| 3 | You and the Night and the Music- assistant recording engineer:
- Jeff Lippay
- recording engineer and mixer:
- Joe Ferla (in 1989-09)
- producer:
- Stefan F. Winter
- assistant mixer:
- Michael Fossenkemper
- double bass:
- Charlie Haden (in 1989-09)
- drums (drum set):
- Paul Motian (in 1989-09)
- electric guitar:
- Bill Frisell (in 1989-09)
- tenor saxophone:
- Joe Lovano (in 1989-09)
- recorded at:
- RPM Sound Studios in New York, New York, United States (in 1989-09)
- mixed at:
- 39th Street Music in New York, New York, United States (in 1989-09)
- edited at:
- Bauer Studios in Ludwigsburg, Baden-Württemberg, Germany
- instrumental recording of:
- You and the Night and the Music (in 1989-09)
- lyricist:
- Howard Dietz
- composer:
- Arthur Schwartz
- publisher:
- Arthur Schwartz Music Ltd., Bienstock Publishing Company , Carlin Music Corporation, Chappell Music Ltd., Harms, Inc. and Warner Bros. Music
- part of:
- The Band Wagon
| | 5:35 |
| 4 | You Took the Words Right Out of My Heart | | 7:58 |
| 5 | Someone to Watch Over Me | | 9:21 |
| 6 | Just One of Those Things- recording engineer:
- Joe Ferla (in 1991-08)
- producer:
- Stefan F. Winter
- mixer:
- Joe Ferla
- alto saxophone and soprano saxophone:
- Lee Konitz (in 1991-08)
- double bass [bass]:
- Charlie Haden (in 1991-08)
- drums (drum set):
- Paul Motian (in 1991-08)
- electric guitar [guitar]:
- Bill Frisell (in 1991-08)
- tenor saxophone:
- Joe Lovano (in 1991-08)
- recorded at:
- Sigma Sound Studios in New York, New York, United States (in 1991-08)
- mixed at:
- Sigma Sound Studios in New York, New York, United States
- edited at:
- Bauer Studios in Ludwigsburg, Baden-Württemberg, Germany (in 1991-09)
- instrumental recording of:
- Just One of Those Things (in 1991-08)
- lyricist and composer:
- Cole Porter (in 1935)
- publisher:
- Burke-Van Heusen, Inc., Chappell Music Ltd., Warner/Chappell and Warner Bros., Inc. (in 1929)
- part of:
- Can‐Can
- part of:
- High Society
- part of:
- Jubilee
- part of:
- Panama Hattie
| | 6:17 |
| 7 | It Might as Well Be Spring- assistant recording engineer:
- Jeff Lippay
- recording engineer and mixer:
- Joe Ferla (in 1989-09)
- producer:
- Stefan F. Winter
- assistant mixer:
- Michael Fossenkemper
- double bass:
- Charlie Haden (in 1989-09)
- drums (drum set):
- Paul Motian (in 1989-09)
- electric guitar:
- Bill Frisell (in 1989-09)
- tenor saxophone:
- Joe Lovano (in 1989-09)
- recorded at:
- RPM Sound Studios in New York, New York, United States (in 1989-09)
- mixed at:
- 39th Street Music in New York, New York, United States (in 1989-09)
- edited at:
- Bauer Studios in Ludwigsburg, Baden-Württemberg, Germany
- instrumental recording of:
- It Might as Well Be Spring (in 1989-09)
- lyricist:
- Oscar Hammerstein II (in 1945)
- composer:
- Richard Rodgers (in 1945)
- publisher:
- Chappell Music Ltd., Sony Music Publishing (Japan) Inc. , Williamson Music Company, Williamson Music, Inc. and ヤマハミュージックエンタテインメントホールディングス
- part of:
- The 18th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1945 winner)
- part of:
- State Fair
- part of:
- State Fair
- part of:
- State Fair
| | 5:55 |
| 8 | It Should’ve Happened a Long Time Ago | | 8:47 |
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