80-talet, Volume 2

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▼CD
Nr.TitelKünstlerBewertungLänge
1Call Me
Produzent(in):
Gary Stevenson
recording of:
Call Me
Verfasser(in):
Peter Cox (Artist and songwriter) und Richard Drummie
Go West3.654:11
2Oh Mama
recording of:
Oh Mama
Verfasser(in):
Ola Håkansson (Oson) und Tim Norell
Lili & Susie3:52
3All of Your Attention
Visitors3:21
4Centerfold
Techniker(in):
Dave Thoener
Produzent(in):
Seth Justman
arranger:
Seth Justman
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1981), Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1981), EMI Records USA (formerly EMI USA, renamed since early 1990s) (in 1981) und EMI Catalog (in 2006)
aufgenommen bei:
Long View Farm in North Brookfield, Massachusetts, Vereinigte Staaten
mixed at:
Mix Room, Record Plant (NYC) in New York, New York, Vereinigte Staaten
Teil von:
TV Cream: Real 100 Best Singles Ever (Nummer: 38), Billboard: Greatest of All Time Hot 100 Songs (Nummer: 73) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 314)
recording of:
Centerfold (song by The J. Geils Band)
Texter und Komponist(in):
Seth Justman
publisher:
Center City Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Pal-Park Music, Rondor Music (London) Ltd., Warner Chappell Music Publishing Ltd. (no slash in name; in use since 2019‐05‐16) und Warner/Chappell Music Ltd. (1996–2019)
The J. Geils Band43:38
5To Be a Lover
Programmierung:
Steve Stevens (US guitarist and songwriter)
Techniker(in):
Dave Concors, Neil Dorfsman und Dave Wittman
Produzent(in):
Keith Forsey (drummer, producer and songwriter)
assistierende(r) Mix:
Craig Vogel
Mix:
Gary Langan
Bass und Gitarre:
Billy Idol (English rock singer‐songwriter) (in 1986) und Steve Stevens (US guitarist and songwriter) (in 1986)
Keyboard:
Steve Stevens (US guitarist and songwriter) (in 1986)
Klavier:
Richard Tee (in 1986)
Synthesizer:
Keith Forsey (drummer, producer and songwriter) (in 1986)
Hintergrundgesang:
Jocelyn Brown (in 1986), Connie Harvey (in 1986) und Janet Wright (in 1986)
Sologesang:
Billy Idol (English rock singer‐songwriter) (in 1986)
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1986) und Chrysalis Records, Inc. (not for release label use!) (in 1986)
aufgenommen bei:
Right Track Studios in Manhattan, New York, New York, Vereinigte Staaten (in 1986)
mixed at:
The Hit Factory in Manhattan, New York, New York, Vereinigte Staaten
Musikvideos:
To Be a Lover von Billy Idol (English rock singer‐songwriter)
cover recording of:
I Forgot to Be Your Lover (in 1986)
Verfasser(in):
William Bell und Booker T. Jones
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), East Memphis Music Corp., Irving Music, Inc., Rondor Music (London) Ltd. und Universal Music Publishing Group
Billy Idol3.53:50
6View From a Bridge
Produzent(in):
Ricky Wilde
Sologesang:
Kim Wilde
phonographisches Urheberrecht (℗) von:
Cherry Pop (a division of Cherry Red Records Ltd.), RAK, EMI France (in 1993), EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1996, in 2001) und EMI Records Limited (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 2006)
recording of:
View From a Bridge
Verfasser(in):
Marty Wilde und Ricky Wilde
Kim Wilde43:30
7Nevermore
+14:42
8Bette Davis Eyes
recording engineer:
Val Garay (in 1981-01)
Produzent(in):
Val Garay
E-Gitarre:
Waddy Wachtel (in 1981-01)
Sologesang:
Kim Carnes (in 1981-01)
phonographisches Urheberrecht (℗) von:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007), Capitol Records (imprint of Capitol Records, Inc.) (in 1981), Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1981), Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (in 1981), EMI America Records, Inc. (holding – file NO releases here!) (in 1981), EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1981), EMI Records USA (formerly EMI USA, renamed since early 1990s) (in 1981), EMI USA (renamed EMI Records USA in the beginning of the 1990s) (in 1981) und EMI–Manhattan Records (company credits only; do NOT use as release label) (in 1981)
aufgenommen bei:
Record One in Sherman Oaks, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1981-01)
Teil von:
Billboard: Greatest of All Time Hot 100 Songs (Nummer: 18) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 425)
cover recording of:
Bette Davis Eyes (in 1981-01)
Verfasser(in):
Jackie DeShannon und Donna Weiss
publisher:
Donna Weiss Music Inc., Mothfrog Publishing, Plain and Simple Music, PolyGram Music Publishing Ltd., Warner Brothers Inc., Warner Chappell Music, Inc. und Warner/Chappell Music Ltd. (1996–2019)
Kim Carnes3.953:41
9Karma Chameleon
phonographisches Urheberrecht (℗) von:
Virgin Records Ltd. (not for release label use! for company relationships only)
recording of:
Karma Chameleon
Verfasser(in):
Mikey Craig (Culture Club bassist), George O’Dowd, Roy Hay (Member of Culture Club and composer for film and television), Jon Moss und Phil Pickett (songwriter, producer, keyboard player)
publisher:
BMG Music Publishing Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Virgin Music Ltd. (do not use this as a release label!), EMI Virgin Music Publishing Australia P/L, J. Albert & Son Pty. Ltd., Pendulum Music Ltd., Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), Virgin Music (Publishers) Ltd., Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23) und BMG VM Music Ltd. (vom 2013-05 bis heute)
Culture Club3:54
10I Want You Back
Tove Naess2:49
11Body Rock
phonographisches Urheberrecht (℗) von:
Capitol Records Ltd. (not for release label use; UK company)
recording of:
Body Rock
Verfasser(in):
John Bettis und Sylvester Levay
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated)
Maria Vidal23:40
12Dancing With Tears in My Eyes
recording of:
Dancing With Tears in My Eyes
Verfasser(in):
Warren Cann, Chris Cross (UK bassist for Ultravox), Billy Currie und Midge Ure
publisher:
Hot Food Publishing Ltd., Jump Jet Music Ltd., Mood Music Ltd. (publisher) und Sing Sing Songs Ltd.
Ultravox44:05
13Empty Rooms
Techniker(in):
James “Jimbo” Barton (Australian/US producer/engineer, fl. 1990’s–2020’s)
assistierende(r) Produzent(in):
James (Jimbo) Barton (Australian/US producer/engineer, fl. 1990’s–2020’s)
Produzent(in):
Peter Collins (producer)
assistierende(r) Mix:
James “Jimbo” Barton (Australian/US producer/engineer, fl. 1990’s–2020’s)
Gast-Keyboard [keyboards]:
Andy Richards (Strawbs keyboard player/record producer)
Gast-Sampler [sampled drums]:
James (Jimbo) Barton (Australian/US producer/engineer, fl. 1990’s–2020’s)
Gitarre [guitars] und Sologesang:
Gary Moore (Thin Lizzy, blues guitar)
Gast Hintergrundgesang [backing vocals]:
Neil Carter
remixer:
James (Jimbo) Barton (Australian/US producer/engineer, fl. 1990’s–2020’s)
phonographisches Urheberrecht (℗) von:
10 Records Ltd. (company and copyright holder for 10 Records) (in 1985)
produced for:
Peter Collins Productions
produced at:
Sarm East (1973–2013, fka Sarm Studios from 1973–1982) in Aldgate, Tower Hamlets, London (Greater London), England, Vereinigtes Königreich
recording of:
Empty Rooms
Texter:
Gary Moore (Thin Lizzy, blues guitar)
Komponist(in):
Neil Carter und Gary Moore (Thin Lizzy, blues guitar)
publisher:
10 Music Ltd.
Gary Moore3.754:18
14Sunglasses at Night
alto saxophone und Tenorsaxophon:
Andy Hamilton (British saxophonist, composer and producer)
Bass:
Gary Tibbs
Gitarre [lead guitar]:
Andy Barnett
Gitarre [rhythm guitar]:
Andy Mac und Jon Astley
Keyboard:
Phil Chapman (engineer), Ritchie Close (keyboardist, composer) und Corey Hart
Perkussion und Schlagzeug:
Paul Burgess (UK rock drummer)
Musikvideos:
Sunglasses at Night von Corey Hart
recording of:
Sunglasses at Night (in 1983)
Texter und Komponist(in):
Corey Hart
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und Edition Meridian
Corey Hart3:48
15Only When You Leave
Produzent(in):
Steve Jolley, Spandau Ballet und Tony Swain (songwriter, producer)
recording of:
Only When You Leave
Texter und Komponist(in):
Gary Kemp
publisher:
Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) und Reformation Publishing Co. Ltd.
Spandau Ballet34:47
16I'm Gonna Be (500 Miles)
Techniker(in):
Barry Hammond
Produzent(in):
Pete Wingfield (keyboardist, singer, producer, songwriter)
accordion:
Dave Whetstone
Akustikgitarre:
Jerry Donahue und Charlie Reid
Bassgitarre:
Phil Cranham
E-Gitarre:
Jerry Donahue
Fiddle:
Steve Shaw (Steve Brennan)
Keyboard:
Pete Wingfield (keyboardist, singer, producer, songwriter)
Mandoline und tin whistle:
Stuart Nisbet
Schlagzeug:
Paul Robinson (UK drummer, also Turning Point member)
Steel-Gitarre:
Gerry Hogan
vocals:
Charlie Reid und Craig Reid
phonographisches Urheberrecht (℗) von:
Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1988) und Chrysalis Records, Inc. (not for release label use!) (in 1988)
aufgenommen bei und mixed at:
Chipping Norton Recording Studios in Chipping Norton, Oxfordshire, England, Vereinigtes Königreich
Teil von:
Paste: The 50 Greatest NON One-Hit Wonders of All Time (Nummer: 21)
recording of:
I’m Gonna Be (500 Miles)
Verfasser(in):
Charlie Reid und Craig Reid
publisher:
Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23) und Warner/Chappell Music Ltd. (1996–2019)
The Proclaimers43:37
17The Word Girl
recording engineer und Mix:
Howard Gray (UK producer, engineer, and electronic musician)
Produzent(in):
David Gamson, Green Gartside und Fred Maher
Gitarre:
Nick Moroch (US guitarist)
Keyboard:
David Gamson
Schlagzeug:
Fred Maher
Hintergrundgesang:
B.J. Nelson (backing singer)
vocals:
Green
phonographisches Urheberrecht (℗) von:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1985)
recording of:
The Word Girl
Verfasser(in):
David Gamson und Green Gartside
publisher:
Jouissance Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019), Chrysalis Music Ltd. (music publisher, affiliated with PRS) (in 1985), Copyright Control (not for release label use! this is only for copyrights and publishing relationships) (in 1985) und Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23) (in 1985)
Scritti Politti4:25
18No Doubt About It
recording of:
No Doubt About It
Verfasser(in):
Mike Burns (songwriter Michael Gerard Burns), Steve Glen und David Most
publisher:
EMI Music Publishing (PRS‐affiliated)
Hot Chocolate3.54:29
19The Light From Fantasia
French Revolution4:28
20Only One Woman
Alien4:02