BD Music Presents Julie London

~ Release by Julie London (see all versions of this release, 1 available)

Tracklist

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1▼Digital Media
#TitleRatingLength
1I'm Glad There Is You
2:32
2Can't Help Lovin' Dat Man
3:15
3'S Wonderful
engineer:
John Kraus (1950s US engineer) (in 1955-08)
producer:
Bobby Troup
vocals:
Julie London (in 1955-08)
cover recording of:
’S Wonderful (in 1955-08)
lyricist:
Ira Gershwin (in 1927)
composer:
George Gershwin (composer) (in 1927)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Ira Gershwin Music, New World Music Company Ltd., Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., 1968‐09‐19–1999‐11‐09) and WB Music Corp. (1929–2019)
included in:
An American in Paris (2015 Broadway musical)
part of:
Funny Face (1927 musical)
part of:
My One and Only (1983 Broadway musical)
41:35
4Laura
1:43
5Cry Me a River
3:00
6Where or When
recorded in:
Hollywood, Los Angeles, California, United States (in 1955-04)
engineer:
John Neal (engineer) (in 1955-04)
producer:
Bobby Troup
guitar:
Al Viola (in 1955-04)
vocals:
Julie London (in 1955-04)
cover recording of:
Where or When (from “Babes in Arms”) (in 1955-04)
lyricist:
Lorenz Hart (in 1937)
composer:
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Warner/Chappell (Warner/Chappell Music, Inc.), Williamson Music Company and Chappell & Co. (in 1937)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
Babes in Arms (full musical)
42:39
7What'll I Do
2:05
8Memphis in June
producer:
Bobby Troup
vocals:
Julie London (in 1956-05)
conductor:
Pete King (composer/arranger) (in 1956-05)
arranger:
Pete King (composer/arranger)
cover recording of:
Memphis in June (in 1956-05)
lyricist:
Paul Francis Webster (in 1945)
composer:
Hoagy Carmichael (in 1945)
publisher:
Almo Music Corp. (USA, affiliated with ASCAP) (in 1945), Universal Music Publishing International Ltd. (in 1945) and Webster Music Co. (in 1945)
42:02
9September in the Rain
1:44
10I Gotta Right to Sing the Blues
3:00
11The Meaning of the Blues
3:03
12Blues in the Night
recording of:
Blues in the Night (My Mama Done Tol’ Me)
lyricist:
Johnny Mercer (in 1941)
writer:
Harold Arlen, Johnny Mercer (songwriting duo, teaming up in 1941)
composer:
Harold Arlen (in 1941)
publisher:
Warner Bros., Inc. (not for release label use!) and WB Music Corp. (1929–2019)
part of:
The 14th Academy Award for Best Original Song (number: 2) and Academy Award for Best Original Song (number: 1941 nominee)
3:54
13Somebody Loves Me
engineer:
Ted Keep
producer:
Bobby Troup
vocals:
Julie London (in 1957-10)
orchestra:
Jimmy Rowles and His Orchestra (in 1957-10)
conductor:
Jimmy Rowles (in 1957-10)
cover recording of:
Somebody Loves Me (in 1957-10)
lyricist:
Buddy DeSylva and Ballard MacDonald
composer:
George Gershwin (composer) (in 1924)
publisher:
Chappell Music Ltd., Redwood Music Ltd. (Carlin) and Stephen Ballentine Music Publishing Co.
part of:
Broadway Rhythm (film)
43:02
14Dream of You
engineer:
Ted Keep
producer:
Bobby Troup
vocals:
Julie London (in 1957-10)
orchestra:
Jimmy Rowles and His Orchestra (in 1957-10)
conductor:
Jimmy Rowles (in 1957-10)
cover recording of:
Dream of You (in 1957-10)
lyricist:
Edward P. Moran
composer:
Jimmie Lunceford (US jazz saxophonist and bandleader) and Sy Oliver
32:44
15Daddy
engineer:
Ted Keep
producer:
Felix Slatkin and Bobby Troup
vocals:
Julie London (in 1957-10)
orchestra:
The Jimmy Rowles Orchestra (in 1957-10)
conductor:
Jimmy Rowles (in 1957-10)
cover recording of:
Daddy (in 1957-10)
lyricist and composer:
Robert W. Troup, Jr.
42:19
16Bye Bye, Blackbird
2:36
17Free and Easy
2:20
18All My Life
3:08
19When the Red, Red Robbin Comes Bob, Bob, Bobbin' Along
engineer:
Ted Keep
producer:
Bobby Troup
vocals:
Julie London (in 1957-10)
orchestra:
Jimmy Rowles and His Orchestra (in 1957-10)
conductor:
Jimmy Rowles (in 1957-10)
cover recording of:
When the Red, Red Robin Comes Bob, Bob, Bobbin’ Along (in 1957-10)
lyricist and composer:
Harry M. Woods (American 1920/30s songwriter)
31:45
20Midnight Sun
2:30
21You're Getting to Be a Habit with Me
engineer:
Ted Keep
producer:
Bobby Troup
vocals:
Julie London (in 1957-10)
orchestra:
Jimmy Rowles and His Orchestra (in 1957-10)
conductor:
Jimmy Rowles (in 1957-10)
cover recording of:
You’re Getting to Be a Habit With Me (in 1957-10)
lyricist:
Al Dubin
composer:
Harry Warren (US composer and lyricist)
publisher:
B. Feldman & Co. Ltd. (publisher est. 1946), Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
42nd Street (full musical)
42:31
22Don' Cha Go 'Way Mad
engineer:
Ted Keep
producer:
Bobby Troup
vocals:
Julie London (in 1957-10)
orchestra:
Jimmy Rowles and His Orchestra (in 1957-10)
conductor:
Jimmy Rowles (in 1957-10)
cover recording of:
Don’cha Go ’Way Mad (in 1957-10)
lyricist:
Al Stillman
composer:
Illinois Jacquet and Jimmy Mundy
publisher:
Advanced Music corp., Rytvoc, Inc. (ASCAP) and Warner Bros., Inc. (not for release label use!)
version of:
Black Velvet
42:40
23(Back Home Again In) Indiana
2:54
24For You
2:41
2▼Digital Media
#TitleRatingLength
1How Long Has This Been Going On
2:52
2What Is This Thing Called Love
1:51
3Spring Is Here
2:12
4I Guess I'll Have to Change My Plans
1:55
5The Nearness of You
2:26
6Body and Soul
2:26
7That's for Me
2:30
8Nobody's Heart
2:23
9The Darktown Strutters' Ball
2:34
10By the Beautiful Sea
2:17
11Bill Bailey Won't You Please Come Home
1:53
12After the Ball
engineer:
Don Gallese and Ted Keep
producer:
Bobby Troup
vocals:
Julie London (in 1959)
orchestra:
Jimmy Rowles and His Orchestra (in 1959)
conductor:
Jimmy Rowles (in 1959)
cover recording of:
After the Ball (in 1959)
lyricist and composer:
Charles K. Harris (late 19th / early 20th century composer)
publisher:
T.B. Harms Co. and Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
part of:
Show Boat: Act II
42:46
13Cuddle Up a Little Closer
2:12
14Row, Row, Row
2:24
15You'd Be so Nice to Come Home To
engineer:
John Kraus (1950s US engineer)
producer:
Si Waronker
double bass:
Don Bagley (on 1960-03-04)
drums (drum set):
Earl Palmer (on 1960-03-04)
guitar:
Al Viola (on 1960-03-04)
piano:
Jimmy Rowles (on 1960-03-04)
vibraphone:
Emil Richards (on 1960-03-04)
vocals:
Julie London (on 1960-03-04)
recorded at:
Julie London’s living room (on 1960-03-04)
cover recording of:
You’d Be So Nice to Come Home To (on 1960-03-04)
lyricist and composer:
Cole Porter (composer) (in 1943)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., 1968‐09‐19–1999‐11‐09)
part of:
The 16th Academy Award for Best Original Song (number: 2)
42:16
16Lonesome Road
engineer:
John Kraus (1950s US engineer)
producer:
Si Waronker
double bass:
Don Bagley (on 1960-03-04)
drums (drum set):
Earl Palmer (on 1960-03-04)
guitar:
Al Viola (on 1960-03-04)
piano:
Jimmy Rowles (on 1960-03-04)
vibraphone:
Emil Richards (on 1960-03-04)
vocals:
Julie London (on 1960-03-04)
recorded at:
Julie London’s living room (on 1960-03-04)
cover recording of:
Lonesome Road (on 1960-03-04)
lyricist:
Gene Austin
composer:
Nathaniel Shilkret
publisher:
Campbell Connelly & Co. Ltd., Chappell’s • Sydney, Nathaniel Shilkret Music Corp., Paramount Music Corporation and Spier & Coslow Inc.
42:25
17By Myself
engineer:
John Kraus (1950s US engineer)
producer:
Si Waronker
double bass:
Don Bagley (on 1960-03-04)
drums (drum set):
Earl Palmer (on 1960-03-04)
guitar:
Al Viola (on 1960-03-04)
piano:
Jimmy Rowles (on 1960-03-04)
trombone:
Bob Flanigan (on 1960-03-04)
vibraphone:
Emil Richards (on 1960-03-04)
vocals:
Julie London (on 1960-03-04)
recorded at:
Julie London’s living room (on 1960-03-04)
cover recording of:
By Myself (on 1960-03-04)
lyricist:
Howard Dietz (librettist)
composer:
Arthur Schwartz
publisher:
Chappell & Co., Inc. (USA) and Round Hill Songs III
part of:
The Band Wagon (1953 film)
41:43
18Everything Happens to Me
3:37
19You've Changed
2:43
20You and the Night and the Music
engineer:
John Kraus (1950s US engineer)
producer:
Si Waronker
vocals:
Julie London (in 1960-08)
conductor:
Dick Reynolds (musician, songwriter, and trombonist best known as arranger for the Four Freshmen) (in 1960-08)
arranger:
Dick Reynolds (musician, songwriter, and trombonist best known as arranger for the Four Freshmen)
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (in 1960-08)
cover recording of:
You and the Night and the Music (in 1960-08)
lyricist:
Howard Dietz (librettist)
composer:
Arthur Schwartz
publisher:
Arthur Schwartz Music Ltd., Bienstock Publishing Company (ASCAP affiliated), Carlin Music Corporation, Chappell Music Ltd., Harms, Inc. and Warner Bros. Music (publisher; do NOT use as release label)
part of:
The Band Wagon (1953 film)
42:42
21'Round Midnight
2:58
22But Not for Me
2:26
23Misty
3:17
24The Party's Over
3:21