Julie Wilson Sings the Kurt Weill Songbook

~ Release by Julie Wilson (see all versions of this release, 2 available)

Tracklist

1▼12" Vinyl
#TitleArtistRatingLength
A1One Touch of Venus
engineer:
Cynthia Daniels
producer:
Hugh Fordin
arranger:
William Roy
Julie Wilson?:??
A2That's Him
engineer:
Cynthia Daniels
producer:
Hugh Fordin
arranger:
William Roy
recording of:
That’s Him (One Touch of Venus)
lyricist:
Ogden Nash
composer:
Kurt Weill (composer)
part of:
One Touch of Venus (1943 musical)
Julie Wilson?:??
A3September Song
engineer:
Cynthia Daniels
producer:
Hugh Fordin
arranger:
William Roy
recording of:
Knickerbocker Holiday: September Song
lyricist:
Maxwell Anderson
composer:
Kurt Weill (composer)
publisher:
Hampshire House Publishing Corp., Warner/Chappell (Warner/Chappell Music, Inc.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), Chappell & Co. (in 1938), TRO-Hampshire House Publishing Corp. (in 1938) and Crawford Music Corp. (on 1938-09-24)
part of:
Knickerbocker Holiday (Kurt Weill musical)
Julie Wilson?:??
A4There's Nowhere to Go but Up
engineer:
Cynthia Daniels
producer:
Hugh Fordin
arranger:
William Roy
recording of:
Knickerbocker Holiday: Prologue to Scene Two: There's Nowhere to Go but Up
lyricist:
Maxwell Anderson
composer:
Kurt Weill (composer)
part of:
Knickerbocker Holiday (Kurt Weill musical)
Julie Wilson with William Roy?:??
A5Medley: Foolish Heart, This Is New, Speak Low
engineer:
Cynthia Daniels
producer:
Hugh Fordin
arranger:
William Roy
Julie Wilson?:??
A6The Bilbao Song
engineer:
Cynthia Daniels
producer:
Hugh Fordin
vocals:
Julie Wilson (White Female Jazz Singer circa 1950s cabaret singer) (in 1987-12)
arranger:
William Roy
recorded at:
A&R Recording Studio (third studio, 322 West 48th Street, closed in 1989) in New York, New York, United States (in 1987-12)
recording of:
Happy End: Teil 1. No. 1: Bilbao‐Song. “Bills Ballhaus in Bilbao” (in 1987-12)
lyricist:
Bertolt Brecht
composer:
Kurt Weill (composer)
librettist:
Elisabeth Hauptmann
publisher:
Universal Edition AG (Wien) (publisher; do NOT use as release label)
part of:
Happy End: Teil 1: Lieder vom Höllenfeuer und Reue
Julie Wilson with William Roy?:??
A7Medley: What Good Would The Moon Be?, Here I'll Stay
engineer:
Cynthia Daniels
producer:
Hugh Fordin
arranger:
William Roy
Julie Wilson with William Roy?:??
B1Sing Me Not a Ballad
engineer:
Cynthia Daniels
producer:
Hugh Fordin
arranger:
William Roy
Julie Wilson?:??
B2Surabaya Johnny
engineer:
Cynthia Daniels
producer:
Hugh Fordin
arranger:
William Roy
recording of:
Surabaya Johnny (English translation)
lyricist:
Bertolt Brecht
composer:
Kurt Weill (composer)
translator:
Michael Feingold (translator)
translated version of:
Happy End: Teil 3. No. 10: Das Lied vom Surabaya‐Johnny. “Ich war jung, Gott, erst sechzehn Jahre” (original German version)
Julie Wilson?:??
B3Barbara Song
engineer:
Cynthia Daniels
producer:
Hugh Fordin
arranger:
William Roy
recording of:
Die Dreigroschenoper: Akt I. Der Song vom Nein und Ja (Barbara-Song)
lyricist:
Bertolt Brecht
composer:
Kurt Weill (composer)
part of:
Die Dreigroschenoper: Akt I
Julie Wilson?:??
B4My Ship
engineer:
Cynthia Daniels
producer:
Hugh Fordin
arranger:
William Roy
recording of:
Lady in the Dark: My Ship
lyricist:
Ira Gershwin
composer:
Kurt Weill (composer)
publisher:
Chappell & Co., Inc. (USA)
part of:
Lady in the Dark: Act II. Childhood Dream
Julie Wilson?:??
B5The Saga of Jenny
engineer:
Cynthia Daniels
producer:
Hugh Fordin
arranger:
William Roy
recording of:
Lady in the Dark: The Saga of Jenny
lyricist:
Ira Gershwin
composer:
Kurt Weill (composer)
part of:
Lady in the Dark: Act II. Circus Dream
Julie Wilson?:??
B6Trouble Man/ Stay Well
engineer:
Cynthia Daniels
producer:
Hugh Fordin
arranger:
William Roy
Julie Wilson?:??
B7Mack the Knife
engineer:
Cynthia Daniels
producer:
Hugh Fordin
arranger:
William Roy
Julie Wilson?:??