Ultra‐Lounge: Wild, Cool & Swingin’: The Artist Collection, Volume 5

~ Release by Julie London (see all versions of this release, 1 available)

Annotation

t09 is very likely pointing to the wrong recording, based on its length - to verify but is likely this variant (which may be an edit or an alt take, unclear)

Annotation last modified on 2026-09-30 09:13 UTC.

Tracklist

1▼CD
#TitleRatingLength
1Come On-A My House
recording of:
Come On‐a My House
writer:
Ross Bagdasarian (Sr.; creator of Alvin and the Chipmunks) and William Saroyan
publisher:
Adam Bagdasarian Music, Bagdasarian Productions, Carol Bagdasarian Music, EMI Music Publishing France, Peter Maurice Music, Ross Bagdasarian Music, Stanford University Library for Saroyan, The Saroyan Company, Universal Duchess Music Corp., Universal MCA Music Publishing (France), Universal Music Corp. (USA, affiliated with ASCAP), Universal Music Publishing Group Japan (work publisher – do NOT use as a release label), Universal/MCA Music Ltd. (not for release label use!), Universal/MCA Music Publishing GmbH and シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.)
2:57
2My Heart Belongs to Daddy
producer:
Richard Bock (record producer)
double bass:
Monty Budwig (on 1965-07-12)
drums (drum set) and membranophone:
Colin Bailey (drummer) (on 1965-07-12)
guitar:
Joe Pass (jazz guitarist) (on 1965-07-12)
instruments:
The Bud Shank Quintet (on 1965-07-12)
piano:
Russ Freeman (pianist) (on 1965-07-12)
woodwind:
Bud Shank (on 1965-07-12)
vocals:
Julie London (on 1965-07-12)
arranger:
Russ Freeman (pianist)
recorded at:
Pacific Jazz Studios in Los Angeles, California, United States (on 1965-07-12)
cover recording of:
My Heart Belongs to Daddy (on 1965-07-12)
lyricist and composer:
Cole Porter (composer) (in 1938)
publisher:
Chappell (library/production music), Chappell & Co. and Chappell Music Ltd.
2:42
3Girl Talk
engineer:
Dayton “Bones” Howe
producer:
Richard Bock (record producer)
vocals:
Julie London
arranger:
Gerald Wilson (US jazz trumpeter/bandleader/composer/arranger)
cover recording of:
Girl Talk
lyricist:
Bobby Troup
composer:
Neal Hefti
part of:
East Coast Music Association Song of the Year Nominees (number: 1991 (Holly Cole))
2:41
4You’d Be So Nice to Come Home To
engineer:
John Kraus (1950s US engineer)
producer:
Si Waronker
double bass:
Don Bagley (on 1960-03-04)
drums (drum set):
Earl Palmer (on 1960-03-04)
guitar:
Al Viola (on 1960-03-04)
piano:
Jimmy Rowles (on 1960-03-04)
vibraphone:
Emil Richards (on 1960-03-04)
vocals:
Julie London (on 1960-03-04)
recorded at:
Julie London’s living room (on 1960-03-04)
cover recording of:
You’d Be So Nice to Come Home To (on 1960-03-04)
lyricist and composer:
Cole Porter (composer) (in 1943)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., 1968‐09‐19–1999‐11‐09)
part of:
The 16th Academy Award for Best Original Song (number: 2)
42:16
5You’re My Thrill
producer:
Bobby Troup
vocals:
Julie London (in 1957)
orchestra:
Russ Garcia & His Orchestra (in 1957)
conductor:
Russell Garcia (in 1957)
arranger:
Russell Garcia
recording of:
You’re My Thrill (in 1957)
lyricist:
Sidney Clare
composer:
Jay Gorney
publisher:
Bourne Co. (not for release label use, this is a music publisher), Gorney Music Publisher, Next Decade Entertainment, Productions et Éditions Cinématographiques Françaises, Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic), WC Music Corp., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
41:57
6Makin’ Whoopee
2:44
7Black Coffee
engineer:
John Kraus (1950s US engineer)
producer:
Si Waronker
vocals:
Julie London (in 1960-08)
conductor:
Dick Reynolds (musician, songwriter, and trombonist best known as arranger for the Four Freshmen) (in 1960-08)
arranger:
Dick Reynolds (musician, songwriter, and trombonist best known as arranger for the Four Freshmen)
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (in 1960-08)
cover recording of:
Black Coffee (1948 song) (in 1960-08)
lyricist:
Paul Francis Webster (in 1948)
composer:
Sonny Burke (Joseph Francis Burke, producer, songwriter and Big Band leader) (in 1948)
publisher:
BMG Music Publishing (NYC‐based headquarters, with national subsidiaries under it), Chelsea Music Publishing Co., Ltd., Sondot Music Corp. and Webster Music Co.
43:05
8’Tain’t What You Do
producer:
Si Waronker
vocals:
Julie London (in 1960)
orchestra:
Orchestra and Chorus conducted by Jimmy Rowles (in 1960)
conductor:
Jimmy Rowles (in 1960)
cover recording of:
It Ain’t What You Do (It’s the Way That You Do It) (in 1960)
writer:
Sy Oliver and Trummy Young
recording of:
It Ain’t What You Do (It’s the Way That You Do It)
writer:
Sy Oliver and Trummy Young
2:06
9Blues in the Night
engineer:
Ted Keep and Val Valentin
producer:
Bobby Troup
vocals:
Julie London (in 1957)
orchestra:
Russ Garcia & His Orchestra (in 1957)
conductor:
Russell Garcia (in 1957)
arranger:
Russell Garcia
cover recording of:
Blues in the Night (My Mama Done Tol’ Me) (in 1957)
lyricist:
Johnny Mercer (in 1941)
writer:
Harold Arlen, Johnny Mercer (songwriting duo, teaming up in 1941)
composer:
Harold Arlen (in 1941)
publisher:
Warner Bros., Inc. (not for release label use!) and WB Music Corp. (1929–2019)
part of:
The 14th Academy Award for Best Original Song (number: 2) and Academy Award for Best Original Song (number: 1941 nominee)
53:52
10Comin’ Thro’ the Rye
engineer:
Don Gallese and Ted Keep
producer:
Bobby Troup
vocals:
Julie London
orchestra:
Jimmy Rowles and His Orchestra
conductor:
Jimmy Rowles
recording of:
Comin’ Thro’ the Rye
lyricist:
Robert Burns (18th century Scottish poet/lyricist) (in 1782)
composer:
[traditional] (special purpose artist)
publisher:
Heatherfield Music
42:36
11Night Life
engineer:
Dave Hassinger
producer:
Snuff Garrett (aka.Tommy Garrett, singer, songwriter, producer and disc jockey)
vocals:
Julie London
arranger:
Ernie Freeman
recording of:
Night Life (Willie Nelson)
writer:
Walt Breeland (American songwriter), Paul Buskirk and Willie Nelson
publisher:
Glad Music Co., Pappy Daily Music, Sony/ATV Songs (SOCAN), Sony/ATV Tree Publishing and Glad Music Publishing (in 1962)
2:28
12You and the Night and the Music
engineer:
John Kraus (1950s US engineer)
producer:
Si Waronker
vocals:
Julie London (in 1960-08)
conductor:
Dick Reynolds (musician, songwriter, and trombonist best known as arranger for the Four Freshmen) (in 1960-08)
arranger:
Dick Reynolds (musician, songwriter, and trombonist best known as arranger for the Four Freshmen)
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (in 1960-08)
cover recording of:
You and the Night and the Music (in 1960-08)
lyricist:
Howard Dietz (librettist)
composer:
Arthur Schwartz
publisher:
Arthur Schwartz Music Ltd., Bienstock Publishing Company (ASCAP affiliated), Carlin Music Corporation, Chappell Music Ltd., Harms, Inc. and Warner Bros. Music (publisher; do NOT use as release label)
part of:
The Band Wagon (1953 film)
42:41
13Nice Girls Don’t Stay for Breakfast
engineer:
Chuck Britz and Joe Sidore
producer:
Calvin Carter
vocals:
Julie London
arranger:
Don Bagley
recording of:
Nice Girls Don't Stay for Breakfast
lyricist and composer:
Bobby Troup
2:31
14Watermelon Man
engineer:
Dayton “Bones” Howe
producer:
Richard Bock (record producer)
vocals:
Julie London
arranger:
Gerald Wilson (US jazz trumpeter/bandleader/composer/arranger)
recording of:
Watermelon Man (with Lyrics)
lyricist:
Jon Hendricks
composer:
Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer)
is based on:
Watermelon Man
version of:
Watermelon Man
2:36
15Go Slow
producer:
Bobby Troup
vocals:
Julie London
orchestra:
Russ Garcia & His Orchestra
conductor:
Russell Garcia
arranger:
Russell Garcia
recording of:
Go Slow
lyricist:
Ned Kronk
composer:
Russell Garcia
42:15
16Wives and Lovers
engineer:
Dave Hassinger
producer:
Snuff Garrett (aka.Tommy Garrett, singer, songwriter, producer and disc jockey)
vocals:
Julie London
arranger:
Ernie Freeman
cover recording of:
Wives and Lovers
lyricist:
Hal David
composer:
Burt Bacharach
publisher:
10 Music Ltd., Famous Chappell, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group) and Virgin Music (Publishers) Ltd.
2:41
17I Must Have That Man
2:21
18Let There Be Love
engineer:
John Kraus (1950s US engineer)
producer:
Si Waronker
double bass:
Don Bagley (on 1960-03-04)
drums (drum set):
Earl Palmer (on 1960-03-04)
guitar:
Al Viola (on 1960-03-04)
instruments:
Don Bagley (on 1960-03-04)
piano:
Jimmy Rowles (on 1960-03-04)
vibraphone:
Emil Richards (on 1960-03-04)
vocals:
Julie London (on 1960-03-04)
recorded at:
Julie London’s living room (on 1960-03-04)
cover recording of:
Let There Be Love (on 1960-03-04)
lyricist:
Ian Grant (lyricist)
composer:
Lionel Rand
publisher:
Shapiro Bernstein & Co. Ltd., Shapiro, Bernstein & Co., Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner Chappell Music Publishing (Warner/Chappell Music, Inc.)
2:06
19Mad About the Boy
engineer:
Ted Keep
producer:
Bobby Troup
vocals:
Julie London (from 1957-05 until 1958-11)
orchestra:
Pete King and His Orchestra (from 1957-05 until 1958-11)
cover recording of:
Mad About the Boy (from 1957-05 until 1958-11)
lyricist and composer:
Noël Coward
publisher:
Chappell & Co. and Chappell Music Ltd.
part of:
Words and Music
42:12
20Daddy
4:31
21Love for Sale
producer:
Felix Slatkin
vocals:
Julie London
recording of:
Love for Sale
lyricist and composer:
Cole Porter (composer) (in 1930)
publisher:
Chappell & Co., Chappell Music Ltd., Harms, Inc. and Warner Bros., Inc. (not for release label use!)
2:41
22Mickey Mouse March
engineer:
Chuck Britz and Joe Sidore
producer:
Calvin Carter
vocals:
Julie London
arranger:
Don Bagley
recording of:
Mickey Mouse March (opening theme for The Mickey Mouse Club TV show, 1955–59)
lyricist and composer:
Jimmie Dodd
publisher:
Walt Disney Music Company (music publisher, do not use as release label)
2:11