Charles Gerhardt Conducts Great Opera Melodies, Vol. 2

~ Release by Charles Gerhardt (see all versions of this release, 1 available)

Tracklist

1▼Digital Media
#	Title	Artist	Rating	Length
1	Die Zauberflöte: Der Vogelfänger bin ich, ja orchestra: National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) conductor: Charles Gerhardt (conductor, producer, arranger) recording of: Die Zauberflöte: Akt I. No. 2 Arie „Was hör’ ich?” … „Der Vogelfänger bin ich ja” (Papageno) composer: Wolfgang Amadeus Mozart (classical composer) (in 1791) librettist: Emanuel Schikaneder part of: Die Zauberflöte, K. 620: Akt I	Wolfgang Amadeus Mozart		2:56
2	Die Entführung aus dem Serail: Overture orchestra: National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) conductor: Charles Gerhardt (conductor, producer, arranger) recording of: Die Entführung aus dem Serail, K. 384: Ouvertüre (Die Entführung aus dem Serail, K. 384: Overture) composer: Wolfgang Amadeus Mozart (classical composer) (in 1782) librettist: Johann Gottlieb Stephanie ('The Younger') translator: Pierre-Louis Moline part of: Die Entführung aus dem Serail, K. 384 (The Abduction from the Seraglio, K. 384) part of: L’Enlèvement du Sérail, K. 384 (French version; tr. Modine, pour le clavecin; arr. Neefe)	Wolfgang Amadeus Mozart		5:56
3	Tosca: E lucevan le stelle orchestra: National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) conductor: Charles Gerhardt (conductor, producer, arranger) recording of: Tosca: Atto III. “E lucevan le stelle” (Cavaradossi) composer: Giacomo Puccini (Italian composer) (from 1896 until 1899) librettist: Giuseppe Giacosa (from 1896 until 1899) and Luigi Illica (from 1896 until 1899) part of: Tosca: Atto III (Tosca: Act III)	Giacomo Puccini		3:05
4	Norma: Casta diva orchestra: National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) conductor: Charles Gerhardt (conductor, producer, arranger) recording of: Norma: Atto I, scena 1. Scena e cavatina “Casta diva, che inargenti” (Norma, coro) composer: Vincenzo Bellini (Sicilian opera composer) (until 1831) librettist: Felice Romani (Librettiste, écrivain, poète, traducteur) (until 1831) part of: Norma: Atto I	Vincenzo Bellini		3:05
5	L'Elisir d'amore: Una furtiva lagrima orchestra: National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) conductor: Charles Gerhardt (conductor, producer, arranger) recording of: L’elisir d’amore: Atto II. Romanza “Una furtiva lagrima” (Nemorino) composer: Gaetano Donizetti (Italian opera composer) (in 1832) librettist: Felice Romani (Librettiste, écrivain, poète, traducteur) part of: L’elisir d’amore: Atto II	Gaetano Donizetti		4:05
6	Aïda: Prelude orchestra: National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) conductor: Charles Gerhardt (conductor, producer, arranger) recording of: Aida: Preludio (standard opening to the opera, ~4min) composer: Giuseppe Verdi (Italian opera composer) part of: Aida part of: Aida (German lyrics)	Giuseppe Verdi		3:43
7	Aïda: Triumphal March orchestra: National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) conductor: Charles Gerhardt (conductor, producer, arranger) recording of: Aida: Atto II, scena 2. Marcia trionfale (orchestra) (Triumphal march, Triumphmarsch) composer: Giuseppe Verdi (Italian opera composer) librettist: Antonio Ghislanzoni part of: Aida: Akt II part of: Aida: Atto II	Giuseppe Verdi		3:04
8	Aïda: Ballet Music orchestra: National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) conductor: Charles Gerhardt (conductor, producer, arranger) recording of: Aida: Atto II, scena 2. Ballabile (orchestra) composer: Giuseppe Verdi (Italian opera composer) librettist: Antonio Ghislanzoni part of: Aida: Akt II part of: Aida: Atto II	Giuseppe Verdi		7:58
9	Macbeth: Overture orchestra: National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) conductor: Charles Gerhardt (conductor, producer, arranger) recording of: Macbeth: N°1 Preludio composer: Giuseppe Verdi (Italian opera composer) part of: Macbeth part of: Macbeth (german lyrics)	Giuseppe Verdi		2:40
10	Nabucco: Va, pensiero sul'ali dorate orchestra: National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) conductor: Charles Gerhardt (conductor, producer, arranger) recording of: Nabucco: Parte III, scena 2. Coro “Va, pensiero, sull’ali dorate” (Coro) (Chorus of the Hebrew Slaves) composer: Giuseppe Verdi (Italian opera composer) (in 1841) librettist: Temistocle Solera part of: Nabucco: Parte III. La profezia	Giuseppe Verdi		4:53
11	Rigoletto: Overture orchestra: National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) conductor: Charles Gerhardt (conductor, producer, arranger) recording of: Rigoletto: N°1 Preludio composer: Giuseppe Verdi (Italian opera composer) (until 1851-03-11) part of: Rigoletto part of: Rigoletto (german lyrics) part of: Rigoletto (english lyrics)	Giuseppe Verdi		2:21
12	Rigoletto: Gualtier maldè... caro nome orchestra: National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) conductor: Charles Gerhardt (conductor, producer, arranger) recording of: Rigoletto: Atto I, scena 2. N°6 Aria & scena “Gualtier Maldè! … Caro nome” (Gilda, Borsa, Ceprano, Marullo) lyricist and librettist: Francesco Maria Piave composer: Giuseppe Verdi (Italian opera composer) part of: Rigoletto: Atto I	Giuseppe Verdi		5:02
13	Un Ballo in Maschera: Overture orchestra: National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) conductor: Charles Gerhardt (conductor, producer, arranger) recording of: Un ballo in maschera: Nº 1. Preludio composer: Giuseppe Verdi (Italian opera composer) librettist: Antonio Somma part of: The Masked Ball part of: Un ballo in maschera	Giuseppe Verdi		4:39
14	Il Barbiere di Siviglia (Barber of Seville): Una voce poco fa orchestra: National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) conductor: Charles Gerhardt (conductor, producer, arranger) recording of: Il barbiere di Siviglia: Atto I, N°5a. Cavatina “Una voce poco fa” … “Io sono docile” (Rosina) composer: Gioachino Rossini (composer) librettist: Cesare Sterbini part of: Il barbiere di Siviglia: Atto I	Gioachino Rossini		5:03
15	William Tell: Overture - Storm orchestra: National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) conductor: Charles Gerhardt (conductor, producer, arranger) recording of: William Tell Overture: Storm (allegro) composer: Gioachino Rossini (composer) part of: Guillaume Tell : Ouverture (William Tell: Overture)	Gioachino Rossini		5:32
16	Prince Igor: March orchestra: National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) conductor: Charles Gerhardt (conductor, producer, arranger) partial recording of: Prince Igor: Act III composer: Александр Порфирьевич Бородин (Alexander Borodin, Russian composer) (from 1869 until 1887) part of: Prince Igor (opera by Borodin, most contemporary performances shouldn't link to this work)	Alexander Borodin		5:02
17	Tristan und Isolde: Act II: Love Music orchestra: National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) conductor: Charles Gerhardt (conductor, producer, arranger) recording of: Tristan und Isolde: Adaptation of music from Acts II and III, "Love Music from Tristan und Isolde" (arr. Stokowski) orchestrator: Leopold Stokowski (conductor) composer: Richard Wagner (composer) additional arranger: George Greeley is based on: Tristan und Isolde: Symphonic Synthesis: II. Liebesnacht (Stokowski orchestration) is based on: Tristan und Isolde: Symphonic Synthesis: III. Liebestod (Stokowski orchestration)	Richard Wagner		24:13
18	I Quattro Rusteghi: Intermezzo orchestra: National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) conductor: Charles Gerhardt (conductor, producer, arranger) recording of: I quattro rusteghi: Intermezzo composer: Ermanno Wolf‐Ferrari (Italian composer) part of: I quatro rusteghi	Ermanno Wolf‐Ferrari		3:17
19	I Quattro Rusteghi: Prelude orchestra: National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) conductor: Charles Gerhardt (conductor, producer, arranger) recording of: I quattro rusteghi: Prelude composer: Ermanno Wolf‐Ferrari (Italian composer) part of: I quatro rusteghi	Ermanno Wolf‐Ferrari		1:43
20	Il Segreto di Susanna (Secret of Susanna): Intermezzo orchestra: National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) conductor: Charles Gerhardt (conductor, producer, arranger) recording of: Il segreto di Susanna: Intermezzo composer: Ermanno Wolf‐Ferrari (Italian composer) part of: Il segreto di Susanna	Ermanno Wolf‐Ferrari		3:42
21	Der Freischütz: Overture orchestra: National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) conductor: Charles Gerhardt (conductor, producer, arranger) recording of: Der Freischütz: Ouvertüre composer: Carl Maria von Weber (composer) part of: Der Freischütz	Carl Maria von Weber		9:33

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Charles Gerhardt Conducts Great Opera Melodies, Vol. 2

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