The Most Relaxing Mozart Album in the World… Ever!

~ Release by Wolfgang Amadeus Mozart (see all versions of this release, 1 available)

Tracklist

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1▼CD
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1Symphony no. 36 in C, K. 425 “Linz”: II. Poco adagio
producer:
Andrew Keener (engineer/editor/producer) (from 1985-02-16 until 1985-02-17)
orchestra:
English Chamber Orchestra (from 1985-02-16 until 1985-02-17)
conductor:
Jeffrey Tate (conductor) (from 1985-02-16 until 1985-02-17)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s) (from 1985-02-16 until 1985-02-17)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1985-02-16 until 1985-02-17)
recording of:
Symphony no. 36 in C major, K. 425 “Linz”: II. Andante (from 1985 until 1993)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1783)
part of:
Symphony no. 36 in C major, K. 425 “Linz”
11:09
2Horn Concerto no. 2 in E-flat, K. 417: II. Andante
engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
producer:
Christopher Bishop (conductor/producer)
horn:
Barry Tuckwell (hornist / conductor) (in 1971-05)
orchestra:
Academy of St Martin in the Fields (in 1971-05)
conductor:
Sir Neville Marriner (conductor) (in 1971-05)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1971-05-17 until 1971-05-21)
recording of:
Concerto for Horn no. 2 in E-flat major, K. 417: II. Andante (in 1971-05)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1783)
part of:
Concerto for Horn no. 2 in E-flat major, K. 417
3:30
3Serenade no. 10 in E-flat, K.3 61/370a “Gran Partita”: III. Adagio
recording engineer and balance engineer:
Manfred Kietzke (German sound engineer for the broadcaster Norddeutscher Rundfunk) (in 1985-05)
producer:
Gerd Berg (producer) and Peter Stamm (German conductor)
basset horn [basset horn I]:
Waldemar Wandel (clarinettist) (in 1985-05)
basset horn [basset horn II]:
Franz Bumann (in 1985-05)
bassoon [bassoon I]:
Karl-Otto Hartmann (bassoonist) (in 1985-05)
bassoon [bassoon II]:
Eberhard Buschmann (bassoonist) (in 1985-05)
clarinet [clarinet I]:
Dieter Klöcker (German clarinetist) (in 1985-05)
clarinet [clarinet II]:
Guido Stier (in 1985-05)
double bass:
Walter Meuter (German double bassist) (in 1985-05)
horn [horn I]:
Klaus Wallendorf (horn player) (in 1985-05)
horn [horn II]:
Rolf Jürgen Eisermann (in 1985-05)
horn [horn III]:
Jan Schroeder (horn player) (in 1985-05)
horn [horn IV]:
Gerhard Bremmen (hornist) (in 1985-05)
oboe [oboe I]:
Gernot Schmalfuss (oboist and conductor) (in 1985-05)
oboe [oboe II]:
Christian Hartmann (oboist) (in 1985-05)
orchestra:
Consortium Classicum (in 1985-05)
recorded at:
NDR Funkhaus (Hannover) in Hannover (Hanover), Niedersachsen (Lower Saxony), Germany (in 1985-05)
recording of:
Serenade no. 10 for 12 Winds & Contrabass in B‐flat major, K. 370a/361 “Gran partita”: III. Adagio (in 1985-05)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1781)
part of:
Serenade no. 10 for 12 Winds & Contrabass in B‐flat major, K. 370a/361 “Gran partita”
5:04
4Piano Sonata in E-flat, K. 282: I. Adagio
piano:
Daniel Barenboim (pianist and conductor)
recording of:
Sonata for Piano no. 4 in E-flat major, K. 189g/282: I. Adagio
composed in:
Salzburg, Salzburg, Austria (in 1774)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1774)
part of:
Sonata for Piano no. 4 in E-flat major, K. 189g/282
8:04
5Piano Concerto no. 14 in E-flat, K. 449: II. Andantino
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
piano:
Daniel Barenboim (pianist and conductor) (in 1968-03)
orchestra:
English Chamber Orchestra (in 1968-03)
conductor:
Daniel Barenboim (pianist and conductor) (in 1968-03)
balance engineer:
Neville Boyling (engineer) (in 1968-03)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1968-03-01)
recording of:
Concerto for Piano no. 14 in E‐flat major, K. 449 “First Ployer”: II. Andantino (in 1968-03)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1784)
part of:
Concerto for Piano no. 14 in E‐flat major, K. 449 “First Ployer”
7:56
6Quintet for Horn and Strings in E-flat, K. 407: II. Andante
producer:
Martin Compton (producer)
cello:
Christopher van Kampen (British cellist) (in 1989-02)
French horn:
Frank Lloyd (horn player) (in 1989-02)
viola:
Roger Chase (violist) (in 1989-02) and Jeremy Williams (UK violist) (in 1989-02)
violin:
Marcia Crayford (violinist) (in 1989-02)
balance engineer:
Anthony Howell (engineer)
recorded at:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 1989-02)
recording of:
Quintet for Horn, Violin, 2 Violas and Cello in E-flat major, K. 386c/407: II. Andante (in 1989-02)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1782)
part of:
Quintet for Horn, Violin, 2 Violas and Cello in E-flat major, K. 386c/407
6:09
7Serenade no. 12 in C minor, K. 388/384a: II. Andante
producer:
Gerd Berg (producer)
bassoon [bassoon I]:
Karl-Otto Hermann (bassoonist) (in 1978-04)
bassoon [bassoon II]:
Eberhard Buschmann (bassoonist) (in 1978-04)
clarinet [clarinet I]:
Dieter Klöcker (German clarinetist) (in 1978-04)
clarinet [clarinet II]:
Waldemar Wandel (clarinettist) (in 1978-04)
double bass:
Walter Meuter (German double bassist) (in 1978-04)
horn [horn I]:
Nikolaus Grüger (horn player) (in 1978-04)
horn [horn II]:
Klaus Wallendorf (horn player) (in 1978-04)
oboe [oboe I]:
Gernot Schmalfuss (oboist and conductor) (in 1978-04)
oboe [oboe II]:
Gerhard Herrmann (in 1978-04)
orchestra:
Consortium Classicum (in 1978-04)
balance engineer:
Johann-Nikolaus Matthes (sound engineer) (in 1978-04)
recorded at:
Evangelisches Gemeindehaus (Zehlendorf) in Berlin, Germany (in 1978-04)
recording of:
Serenade no. 12 for Winds in C minor, K. 384a/388 "Nacht musique": II. Andante (in 1978-04)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1782-07)
part of:
Serenade no. 12 for Winds in C minor, K. 384a/388 "Nacht musique"
4:56
8Piano Concerto no. 15 in B-flat, K. 450: II. Andante
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
piano:
Daniel Barenboim (pianist and conductor) (in 1968-01)
orchestra:
English Chamber Orchestra (in 1968-01)
conductor:
Daniel Barenboim (pianist and conductor) (in 1968-01)
balance engineer:
Neville Boyling (engineer) (in 1968-01)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1968-01-21 until 1968-01)
recording of:
Concerto for Piano and Orchestra no. 15 in B-flat major, K. 450: II. [Andante] (in 1968-01)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1784)
version of:
Concerto for Piano and Orchestra no. 15 in B-flat major, K. 450: II. [Andante] (Robert Levin reconstruction)
part of:
Concerto for Piano and Orchestra no. 15 in B-flat major, K. 450
7:02
9Symphony no. 41 in C, K. 551 “Jupiter”: II. Andante cantabile
orchestra:
English Chamber Orchestra (in 1984)
conductor:
Jeffrey Tate (conductor) (in 1984)
recorded at:
St. Barnabas Church (Woodside Park, Finchley, London N12) in Finchley, Barnet (London Borough of Barnet), London (Greater London), England, United Kingdom (in 1984)
recording of:
Symphony no. 41 in C major, K. 551 “Jupiter”: II. Andante cantabile (in 1984)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1788 until 1788-08-10)
part of:
Symphony no. 41 in C major, K. 551 “Jupiter”
9:18
10Horn Concerto no. 4 in E-flat, K. 495: II. Romania (Andante)
engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
producer:
Christopher Bishop (conductor/producer)
horn:
Barry Tuckwell (hornist / conductor) (from 1971-05-17 until 1971-05-21)
orchestra:
Academy of St Martin in the Fields (from 1971-05-17 until 1971-05-21)
conductor:
Sir Neville Marriner (conductor) (from 1971-05-17 until 1971-05-21)
performer:
Barry Tuckwell (hornist / conductor)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1971-05-17 until 1971-05-21)
recording of:
Concerto for Horn no. 4 in E-flat major, K. 495: II. Romance. Andante cantabile (from 1971-05-17 until 1971-05-21)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1786)
part of:
Concerto for Horn no. 4 in E-flat major, K. 495
4:40
11Bassoon Concerto in B-flat, K. 191: II. Andante ma adagio
producer:
Michel Glotz
bassoon:
Günther Piesk (bassoonist) (from 1971-08-17 until 1971-08-24)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1971-08-17 until 1971-08-24)
conductor:
Herbert von Karajan (conductor) (from 1971-08-17 until 1971-08-24)
balance engineer:
Wolfgang Gülich (engineer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1972)
recorded at:
Französische Kirche (St. Moritz) in St. Moritz, Graubünden, Switzerland (from 1971-08-17 until 1971-08-24)
recording of:
Concerto for Bassoon in B-flat major, K. 186e/191: II. Andante ma adagio (from 1971-08-17 until 1971-08-24)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1774)
part of:
Concerto for Bassoon in B-flat major, K. 186e/191
8:26
2▼CD
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1Violin Concerto no. 3 in G, K. 216: II. Adagio
producer:
Andrew Keener (engineer/editor/producer)
violin:
Christian Tetzlaff (violinist) (from 1995-10-26 until 1995-10-28)
orchestra:
Deutsche Kammerphilharmonie and Deutsche Kammerphilharmonie Bremen (from 1995-10-26 until 1995-10-28)
conductor:
Christian Tetzlaff (violinist) (from 1995-10-26 until 1995-10-28)
balance engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work)
video copyrighted (©) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1996) and Virgin Classics (absorbed into Erato since 2013-07-19) (in 1996)
recorded at:
Galeriegebäude Hannover-Herrenhausen in Hannover (Hanover), Niedersachsen (Lower Saxony), Germany (from 1995-10-26 until 1995-10-28)
recording of:
Concerto for Violin and Orchestra no. 3 in G major, K. 216 “Straßburg”: II. Adagio (from 1995-10-26 until 1995-10-28)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1775-04 until 1775-12)
part of:
Concerto for Violin and Orchestra no. 3 in G major, K. 216 “Straßburg”
7:31
2Symphony no. 31 in D, K. 297 “Paris”: II. Andante
producer:
David Groves (classical music producer at EMI)
orchestra:
English Chamber Orchestra (from 1989-06 until 1989-10)
conductor:
Jeffrey Tate (conductor) (from 1989-06 until 1989-10)
balance engineer:
Mark Vigars (engineer) (from 1989-06 until 1989-10)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1990)
recorded at:
No.1 Studio, Abbey Road, London in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1989-06 until 1989-10)
recording of:
Symphony no. 31 in D major, K. 300a/297 "Paris": II. Andante (from 1989-06 until 1989-10)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1778)
part of:
Symphony no. 31 in D major, K. 300a/297 "Paris"
6:22
3Serenade in G, K. 525 “Eine kleine Nachtmusik”: II. Romanze (Andante)
orchestra:
Academy of St Martin in the Fields
conductor:
Sir Neville Marriner (conductor)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1974)
recording of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“: II. Romance. Andante
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1787)
part of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“
5:44
4Piano Concerto no. 21 in C, K. 450: II. Andante
producer:
Suvi Raj Grubb
piano:
Daniel Barenboim (pianist and conductor) (from 1968-01-01 until 1968-01-02)
orchestra:
English Chamber Orchestra (from 1968-01-01 until 1968-01-02)
conductor:
Daniel Barenboim (pianist and conductor) (from 1968-01-01 until 1968-01-02)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s) (from 1968-01-01 until 1968-01-02)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1969)
video copyrighted (©) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1969)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1968-01-01 until 1968-01-02)
recording of:
Concerto for Piano no. 21 in C major, K. 467: II. Andante (from 1968-01-01 until 1968-01-02)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1785 until 1785-03-09)
part of:
Concerto for Piano no. 21 in C major, K. 467
8:35
5Laudate Dominum (from Vesperae solennes de confessore, K. 339)
organ:
Stephen Layton (English conductor) (from 1987-12-11 until 1987-12-13)
bass vocals:
Paul Hillier (conductor, music director and baritone, specializes in early music and contemporary art music) (from 1987-12-11 until 1987-12-13)
choir vocals:
Choir of King’s College, Cambridge (from 1987-12-11 until 1987-12-13)
countertenor vocals:
David James (countertenor) (from 1987-12-11 until 1987-12-13)
soprano vocals:
Lynne Dawson (soprano) (from 1987-12-11 until 1987-12-13)
tenor vocals:
Rogers Covey‐Crump (tenor) (from 1987-12-11 until 1987-12-13)
orchestra:
Cambridge Classical Players (from 1987-12-11 until 1987-12-13)
conductor:
Stephen Cleobury (organist, conductor) (from 1987-12-11 until 1987-12-13)
concertmaster:
Roy Goodman (conductor and violinist) (from 1987-12-11 until 1987-12-13)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1989)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom (from 1987-12-11 until 1987-12-13)
recording of:
Vesperae solennes de confessore, K. 339: V. Laudate dominum (from 1987-12-11 until 1987-12-13)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1780)
part of:
Vesperae solennes de confessore, K. 339
4:52
6String Quartet no. 19 in C, K. 465 “Dissonance”: II. Adagio cantabile
cello:
Valentin Erben (cellist)
string quartet:
Alban Berg Quartett (Alban Berg Quartet, string quartet) (from 1988-04 until 1989-12)
viola:
Thomas Kakuska (viola player)
violin [violin I]:
Günter Pichler (violinist)
violin [violin II]:
Gerhard Schulz (violinist)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1990)
recorded at:
Evangelische Kirche (Seon) in Seon, Aargau, Switzerland (from 1988-04 until 1989-12)
recording of:
Quartet for Strings no. 19 in C major, K. 465 "Haydn Quartetti", "Dissonance": II. Andante cantabile (from 1988-04 until 1989-12)
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Quartet for Strings no. 19 in C major, K. 465 "Haydn Quartetti", "Dissonance"
7:34
7Oboe Concerto in C, K. 314: II. Adagio non troppo
producer:
Michel Glotz
oboe:
Lothar Koch (oboist) (from 1971-08-17 until 1971-08-24)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1971-08-17 until 1971-08-24)
conductor:
Herbert von Karajan (conductor) (from 1971-08-17 until 1971-08-24)
balance engineer:
Wolfgang Gülich (engineer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1972)
recorded at:
Französische Kirche (St. Moritz) in St. Moritz, Graubünden, Switzerland (from 1971-08-17 until 1971-08-24)
recording of:
Oboe Concerto in C major, K. 314 / 271k: II. Adagio non troppo (from 1971-08-17 until 1971-08-24)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1777 until 1778)
part of:
Oboe Concerto in C major, K. 314 / 271k
7:21
8Violin Concerto no. 5 in A, K. 219 “Turkish”: II. Adagio
producer:
Andrew Keener (engineer/editor/producer)
violin:
Christian Tetzlaff (violinist) (from 1995-05-29 until 1995-05-31)
orchestra:
Deutsche Kammerphilharmonie and Deutsche Kammerphilharmonie Bremen (from 1995-05-29 until 1995-05-31)
conductor:
Christian Tetzlaff (violinist) (from 1995-05-29 until 1995-05-31)
balance engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1996) and Virgin Classics (absorbed into Erato since 2013-07-19) (in 1996)
recorded at:
Galeriegebäude Hannover-Herrenhausen in Hannover (Hanover), Niedersachsen (Lower Saxony), Germany (from 1995-05-29 until 1995-05-31)
recording of:
Concerto for Violin and Orchestra no. 5 in A major, K. 219 “Turkish”: II. Adagio (from 1995-05-29 until 1995-05-31)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1775-04 until 1775-12)
part of:
Concerto for Violin and Orchestra no. 5 in A major, K. 219 “Turkish”
10:26
9Clarinet Concerto in A, K. 662: II. Adagio
producer:
Michel Glotz
clarinet:
Karl Leister (German clarinetist) (from 1971-08-17 until 1971-08-24)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1971-08-17 until 1971-08-24)
conductor:
Herbert von Karajan (conductor) (from 1971-08-17 until 1971-08-24)
balance engineer:
Wolfgang Gülich (engineer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1972)
recorded at:
Französische Kirche (St. Moritz) in St. Moritz, Graubünden, Switzerland (from 1971-08-17 until 1971-08-24)
recording of:
Concerto for Clarinet in A major, K. 622: II. Adagio (Concerto for Clarinet and Orchestra in A major, K. 622: II. Adagio) (from 1971-08-17 until 1971-08-24)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1791-09-28 until 1791-10-07)
part of:
Concerto for Clarinet in A major, K. 622
7:34
10Symphony no. 14 in A, K. 114: II. Andante
orchestra:
English Chamber Orchestra (from 1985 until 1993)
conductor:
Jeffrey Tate (conductor) (from 1985 until 1993)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1995)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1985 until 1993)
recording of:
Symphony no. 14 in A major, K. 114: II. Andante (from 1985 until 1993)
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Symphony no. 14 in A major, K. 114
5:38
11Ave verum corpus, K. 618
organ:
Stephen Layton (English conductor)
choir vocals:
Choir of King’s College, Cambridge
orchestra:
Cambridge Classical Players
conductor:
Stephen Cleobury (organist, conductor)
concertmaster:
Roy Goodman (conductor and violinist)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1989)
recording of:
Ave verum corpus, K. 618 (for chorus, string and organ)
composer:
Wolfgang Amadeus Mozart (classical composer) (until 1791-06-18)
part of:
Köchelverzeichnis (Köchel catalogue, first edition, 1862, K¹) (number: K. 618), Köchelverzeichnis (Köchel catalogue, third edition, 1937, K³) (number: K. 618), Köchelverzeichnis (Köchel catalogue, ninth edition, 2024, K⁹) (number: K. 618), Köchelverzeichnis (Köchel catalogue, original numbering) (number: 618) and Köchelverzeichnis (Köchel catalogue, sixth edition, 1964, K⁶) (number: K. 618)
3:04