Beethoven In Berlin: Das Silvesterkonzert / The New Year's Eve Concert

~ Release by Beethoven; Cheryl Studer, Evgeny Kissin, Bruno Ganz, Berliner Philharmoniker, Claudio Abbado (see all versions of this release, 2 available)

Annotation

Copyright: © 1992 Deutsche Grammophon GmbH, Berlin
℗ 1992 Deutsche Grammophon GmbH, Berlin

Annotation last modified on 2026-08-12 14:15 UTC.

Tracklist

1▼Digital Media
#TitleArtistRatingLength
1Egmont, op. 84: Overture (live at Schauspielhaus, Berlin, 1991)
producer:
Christopher Alder (editor/engineer/producer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (on 1991-12-31)
conductor:
Claudio Abbado (conductor) (on 1991-12-31)
balance engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases)
recorded at:
Konzerthaus Berlin in Berlin, Germany (on 1991-12-31)
live recording of:
Egmont, op. 84: Ouvertüre. Sostenuto, ma non troppo – Allegro (on 1991-12-31)
premiered in:
Wien (Vienna), Austria (on 1810-06-15)
composer:
Ludwig van Beethoven (German composer) (from 1809-10 until 1810-06)
part of:
Egmont, op. 84
Ludwig van Beethoven8:07
2Egmont, op. 84: I. Lied. Die Trommel gerühret (live at Schauspielhaus, Berlin, 1991)
producer:
Christopher Alder (editor/engineer/producer)
soprano vocals:
Cheryl Studer (soprano) (on 1991-12-31)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (on 1991-12-31)
conductor:
Claudio Abbado (conductor) (on 1991-12-31)
balance engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases)
recorded at:
Konzerthaus Berlin in Berlin, Germany (on 1991-12-31)
live recording of:
Egmont, op. 84: I. Lied: „Die Trommel gerühret!“ Vivace (Clärchen) (on 1991-12-31)
lyricist:
Johann Wolfgang von Goethe
composer:
Ludwig van Beethoven (German composer) (from 1809-10 until 1810-06)
part of:
Egmont, op. 84
Ludwig van Beethoven2:57
3Egmont, op. 84: II. Entracte. Andante (live at Schauspielhaus, Berlin, 1991)
producer:
Christopher Alder (editor/engineer/producer)
spoken vocals:
Bruno Ganz (on 1991-12-31)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (on 1991-12-31)
conductor:
Claudio Abbado (conductor) (on 1991-12-31)
balance engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases)
recorded at:
Konzerthaus Berlin in Berlin, Germany (on 1991-12-31)
live recording of:
Egmont, op. 84: II. Zwischenakt I. Andante – Allegro con brio (incidental music, may include narration in some recordings) (on 1991-12-31)
composer:
Ludwig van Beethoven (German composer) (from 1809-10 until 1810-06)
part of:
Egmont, op. 84
Ludwig van Beethoven1:44
4Egmont, op. 84: IV. Lied. Freudvoll und leidvoll (live at Schauspielhaus, Berlin, 1991)
producer:
Christopher Alder (editor/engineer/producer)
soprano vocals:
Cheryl Studer (soprano) (on 1991-12-31)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (on 1991-12-31)
conductor:
Claudio Abbado (conductor) (on 1991-12-31)
balance engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases)
recorded at:
Konzerthaus Berlin in Berlin, Germany (on 1991-12-31)
live recording of:
Egmont, op. 84: IV. Lied: „Freudvoll und leidvoll“ Andante con moto – Allegro assai vivace (Clärchen) (on 1991-12-31)
lyricist:
Johann Wolfgang von Goethe
composer:
Ludwig van Beethoven (German composer) (from 1809-10 until 1810-06)
part of:
Egmont, op. 84
Ludwig van Beethoven1:38
5Egmont, op. 84: V. Entracte. Allegro (live at Schauspielhaus, Berlin, 1991)
producer:
Christopher Alder (editor/engineer/producer)
spoken vocals:
Bruno Ganz (on 1991-12-31)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (on 1991-12-31)
conductor:
Claudio Abbado (conductor) (on 1991-12-31)
balance engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases)
recorded at:
Konzerthaus Berlin in Berlin, Germany (on 1991-12-31)
live recording of:
Egmont, op. 84: V. Zwischenakt III. Allegro – Marcia. Vivace (incidental music, may include narration in some recordings) (on 1991-12-31)
composer:
Ludwig van Beethoven (German composer) (from 1809-10 until 1810-06)
part of:
Egmont, op. 84
Ludwig van Beethoven3:51
6Egmont, op. 84: VI. Entracte. Poco sostenuto e risoluto (live at Schauspielhaus, Berlin, 1991)
producer:
Christopher Alder (editor/engineer/producer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (on 1991-12-31)
conductor:
Claudio Abbado (conductor) (on 1991-12-31)
balance engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases)
recorded at:
Konzerthaus Berlin in Berlin, Germany (on 1991-12-31)
live recording of:
Egmont, op. 84: VI. Zwischenakt IV. Poco sostenuto e risoluto – Larghetto – Andante agitato (on 1991-12-31)
composer:
Ludwig van Beethoven (German composer) (from 1809-10 until 1810-06)
part of:
Egmont, op. 84
Ludwig van Beethoven3:38
7Egmont, op. 84: VII. Clärchens Tod. Larghetto (live at Schauspielhaus, Berlin, 1991)
producer:
Christopher Alder (editor/engineer/producer)
spoken vocals:
Bruno Ganz (on 1991-12-31)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (on 1991-12-31)
conductor:
Claudio Abbado (conductor) (on 1991-12-31)
balance engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases)
recorded at:
Konzerthaus Berlin in Berlin, Germany (on 1991-12-31)
live recording of:
Egmont, op. 84: VII. Musik, Clärchens Tod bezeichnend. Larghetto (incidental music, may include narration in some recordings) (on 1991-12-31)
writer:
Johann Wolfgang von Goethe
composer:
Ludwig van Beethoven (German composer) (from 1809-10 until 1810-06)
part of:
Egmont, op. 84
Ludwig van Beethoven2:44
8Egmont, op. 84: VIII. Melodram. Süßer Schlaf (live at Schauspielhaus, Berlin, 1991)
producer:
Christopher Alder (editor/engineer/producer)
spoken vocals:
Bruno Ganz (on 1991-12-31)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (on 1991-12-31)
conductor:
Claudio Abbado (conductor) (on 1991-12-31)
balance engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases)
recorded at:
Konzerthaus Berlin in Berlin, Germany (on 1991-12-31)
live recording of:
Egmont, op. 84: VIII. Melodram. Poco sostenuto (incidental music, may include narration in some recordings) (on 1991-12-31)
writer:
Johann Wolfgang von Goethe
composer:
Ludwig van Beethoven (German composer) (from 1809-10 until 1810-06)
part of:
Egmont, op. 84
Ludwig van Beethoven5:15
9Egmont, op. 84: IX. Siegessymphonie. Allegro con brio (live at Schauspielhaus, Berlin, 1991)
producer:
Christopher Alder (editor/engineer/producer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (on 1991-12-31)
conductor:
Claudio Abbado (conductor) (on 1991-12-31)
balance engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases)
recorded at:
Konzerthaus Berlin in Berlin, Germany (on 1991-12-31)
live recording of:
Egmont, op. 84: IX. Siegessymphonie. Allegro con brio (on 1991-12-31)
composer:
Ludwig van Beethoven (German composer) (from 1809-10 until 1810-06)
part of:
Egmont, op. 84
Ludwig van Beethoven1:34
10Ah! perfido, op. 65 (live at Schauspielhaus, Berlin, 1991)
producer:
Christopher Alder (editor/engineer/producer)
soprano vocals:
Cheryl Studer (soprano) (on 1991-12-31)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (on 1991-12-31)
conductor:
Claudio Abbado (conductor) (on 1991-12-31)
balance engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases)
recorded at:
Konzerthaus Berlin in Berlin, Germany (on 1991-12-31)
live recording of:
Scene and Aria for Soprano and Orchestra, op. 65 "Ah! perfido" (on 1991-12-31)
lyricist:
Pietro Metastasio
composer:
Ludwig van Beethoven (German composer) (in 1796)
part of:
Works of Ludwig van Beethoven by opus number (number: op. 65)
Ludwig van Beethoven13:34
11Leonore Overture no. 3, op. 72b (live at Schauspielhaus, Berlin, 1991)
producer:
Christopher Alder (editor/engineer/producer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (on 1991-12-31)
conductor:
Claudio Abbado (conductor) (on 1991-12-31)
balance engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases)
recorded at:
Konzerthaus Berlin in Berlin, Germany (on 1991-12-31)
live recording of:
Overture “Leonore” no. 3 in C major, op. 72b (on 1991-12-31)
composer:
Ludwig van Beethoven (German composer) (from 1805 until 1806)
part of:
Works of Ludwig van Beethoven by opus number (number: op. 72b)
revision of:
Fidelio/Leonore Overture op. 72/72a/72b/72c/138 (catch-all for unknown version)
Ludwig van Beethoven14:46
12Choral Fantasy in C minor for Piano, Chorus and Orchestra, op. 80: I. Adagio (live at Schauspielhaus, Berlin, 1991)
piano:
Evgeny Kissin (Russian classical pianist)
choir vocals:
RIAS Kammerchor (German chamber choir)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra)
conductor:
Claudio Abbado (conductor)
performer:
John Aler (tenor), Camille Capasso, Kristina Clemenz, Friedrich Molsberger (german operatic bass and medical scientist), Hiroshi Oshima (operatic tenor) and Cheryl Studer (soprano)
live recording of:
Fantasia for Piano, Chorus, and Orchestra in C minor, op. 80 “Choral Fantasy”: I. Adagio (on 1991-12-13)
composer:
Ludwig van Beethoven (German composer) (in 1808)
revised by:
Ludwig van Beethoven (German composer) (in 1809)
version of:
Fantasia for Piano, Chorus, and Orchestra in C minor, op. 80 “Choral Fantasy”: Original introduction (Original introduction, not part of standard repertoire)
part of:
Fantasia for Piano, Chorus, and Orchestra in C minor, op. 80 “Choral Fantasy”
Ludwig van Beethoven3:17
13Choral Fantasy in C minor for Piano, Chorus and Orchestra, op. 80: II. Finale: a. Allegro - Meno allegro - Allegro molto (live at Schauspielhaus, Berlin, 1991)
piano:
Evgeny Kissin (Russian classical pianist)
choir vocals:
RIAS Kammerchor (German chamber choir)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra)
conductor:
Claudio Abbado (conductor)
chorus master:
Marcus Creed (conductor)
performer:
Claudio Abbado (conductor), John Aler (tenor), Berliner Philharmoniker (Berlin Philharmonic Orchestra), Camille Capasso, Kristina Clemenz, Friedrich Molsberger (german operatic bass and medical scientist), Hiroshi Oshima (operatic tenor), RIAS Kammerchor (German chamber choir) and Cheryl Studer (soprano)
recording of:
Fantasia for Piano, Chorus, and Orchestra in C minor, op. 80 “Choral Fantasy”: II. Finale: Allegro – Meno allegro (Allegretto) – Allegro molto – Adagio ma non troppo – Marcia, assai vivace – Allegro – Allegretto ma non troppo quasi andante con moto »Schmeichelnd hold und liebliech klingen« – Presto (on 1991-12-31)
composer:
Ludwig van Beethoven (German composer) (in 1808)
revised by:
Ludwig van Beethoven (German composer) (in 1809)
part of:
Fantasia for Piano, Chorus, and Orchestra in C minor, op. 80 “Choral Fantasy”
live partial recording of:
Fantasia for Piano, Chorus, and Orchestra in C minor, op. 80 “Choral Fantasy”: II. Finale: Allegro – Meno allegro (Allegretto) – Allegro molto – Adagio ma non troppo – Marcia, assai vivace – Allegro – Allegretto ma non troppo quasi andante con moto »Schmeichelnd hold und liebliech klingen« – Presto
composer:
Ludwig van Beethoven (German composer) (in 1808)
revised by:
Ludwig van Beethoven (German composer) (in 1809)
part of:
Fantasia for Piano, Chorus, and Orchestra in C minor, op. 80 “Choral Fantasy”
Ludwig van Beethoven6:18
14Choral Fantasy in C minor for Piano, Chorus and Orchestra, op. 80: II. Finale: b. Adagio ma non troppo (live at Schauspielhaus, Berlin, 1991)
piano:
Evgeny Kissin (Russian classical pianist)
choir vocals:
RIAS Kammerchor (German chamber choir)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra)
conductor:
Claudio Abbado (conductor)
chorus master:
Marcus Creed (conductor)
performer:
Claudio Abbado (conductor), John Aler (tenor), Berliner Philharmoniker (Berlin Philharmonic Orchestra), Camille Capasso, Kristina Clemenz, Friedrich Molsberger (german operatic bass and medical scientist), Hiroshi Oshima (operatic tenor), RIAS Kammerchor (German chamber choir) and Cheryl Studer (soprano)
recording of:
Fantasia for Piano, Chorus, and Orchestra in C minor, op. 80 “Choral Fantasy”: II. Finale: Allegro – Meno allegro (Allegretto) – Allegro molto – Adagio ma non troppo – Marcia, assai vivace – Allegro – Allegretto ma non troppo quasi andante con moto »Schmeichelnd hold und liebliech klingen« – Presto (on 1991-12-31)
composer:
Ludwig van Beethoven (German composer) (in 1808)
revised by:
Ludwig van Beethoven (German composer) (in 1809)
part of:
Fantasia for Piano, Chorus, and Orchestra in C minor, op. 80 “Choral Fantasy”
live partial recording of:
Fantasia for Piano, Chorus, and Orchestra in C minor, op. 80 “Choral Fantasy”: II. Finale: Allegro – Meno allegro (Allegretto) – Allegro molto – Adagio ma non troppo – Marcia, assai vivace – Allegro – Allegretto ma non troppo quasi andante con moto »Schmeichelnd hold und liebliech klingen« – Presto
composer:
Ludwig van Beethoven (German composer) (in 1808)
revised by:
Ludwig van Beethoven (German composer) (in 1809)
part of:
Fantasia for Piano, Chorus, and Orchestra in C minor, op. 80 “Choral Fantasy”
Ludwig van Beethoven2:52
15Choral Fantasy in C minor for Piano, Chorus and Orchestra, op. 80: II. Finale: c. Marcia, assai vivace - Allegro (live at Schauspielhaus, Berlin, 1991)
piano:
Evgeny Kissin (Russian classical pianist)
choir vocals:
RIAS Kammerchor (German chamber choir)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra)
conductor:
Claudio Abbado (conductor)
chorus master:
Marcus Creed (conductor)
performer:
Claudio Abbado (conductor), John Aler (tenor), Berliner Philharmoniker (Berlin Philharmonic Orchestra), Camille Capasso, Kristina Clemenz, Friedrich Molsberger (german operatic bass and medical scientist), Hiroshi Oshima (operatic tenor), RIAS Kammerchor (German chamber choir) and Cheryl Studer (soprano)
recording of:
Fantasia for Piano, Chorus, and Orchestra in C minor, op. 80 “Choral Fantasy”: II. Finale: Allegro – Meno allegro (Allegretto) – Allegro molto – Adagio ma non troppo – Marcia, assai vivace – Allegro – Allegretto ma non troppo quasi andante con moto »Schmeichelnd hold und liebliech klingen« – Presto (on 1991-12-31)
composer:
Ludwig van Beethoven (German composer) (in 1808)
revised by:
Ludwig van Beethoven (German composer) (in 1809)
part of:
Fantasia for Piano, Chorus, and Orchestra in C minor, op. 80 “Choral Fantasy”
live partial recording of:
Fantasia for Piano, Chorus, and Orchestra in C minor, op. 80 “Choral Fantasy”: II. Finale: Allegro – Meno allegro (Allegretto) – Allegro molto – Adagio ma non troppo – Marcia, assai vivace – Allegro – Allegretto ma non troppo quasi andante con moto »Schmeichelnd hold und liebliech klingen« – Presto
composer:
Ludwig van Beethoven (German composer) (in 1808)
revised by:
Ludwig van Beethoven (German composer) (in 1809)
part of:
Fantasia for Piano, Chorus, and Orchestra in C minor, op. 80 “Choral Fantasy”
Ludwig van Beethoven2:09
16Choral Fantasy in C minor for Piano, Chorus and Orchestra, op. 80: II. Finale: d. Allegretto, ma non troppo quasi andante con moto (live at Schauspielhaus, Berlin, 1991)
piano:
Evgeny Kissin (Russian classical pianist)
performer:
Claudio Abbado (conductor), John Aler (tenor), Berliner Philharmoniker (Berlin Philharmonic Orchestra), Camille Capasso, Kristina Clemenz, Friedrich Molsberger (german operatic bass and medical scientist), Hiroshi Oshima (operatic tenor), RIAS Kammerchor (German chamber choir) and Cheryl Studer (soprano)
recording of:
Fantasia for Piano, Chorus, and Orchestra in C minor, op. 80 “Choral Fantasy”: II. Finale: Allegro – Meno allegro (Allegretto) – Allegro molto – Adagio ma non troppo – Marcia, assai vivace – Allegro – Allegretto ma non troppo quasi andante con moto »Schmeichelnd hold und liebliech klingen« – Presto (on 1991-12-31)
composer:
Ludwig van Beethoven (German composer) (in 1808)
revised by:
Ludwig van Beethoven (German composer) (in 1809)
part of:
Fantasia for Piano, Chorus, and Orchestra in C minor, op. 80 “Choral Fantasy”
Ludwig van Beethoven2:19
17Choral Fantasy in C minor for Piano, Chorus and Orchestra, op. 80: II. Finale: e. Presto (live at Schauspielhaus, Berlin, 1991)
piano:
Evgeny Kissin (Russian classical pianist)
performer:
Claudio Abbado (conductor), John Aler (tenor), Berliner Philharmoniker (Berlin Philharmonic Orchestra), Camille Capasso, Kristina Clemenz, Friedrich Molsberger (german operatic bass and medical scientist), Hiroshi Oshima (operatic tenor), RIAS Kammerchor (German chamber choir) and Cheryl Studer (soprano)
recording of:
Fantasia for Piano, Chorus, and Orchestra in C minor, op. 80 “Choral Fantasy”: II. Finale: Allegro – Meno allegro (Allegretto) – Allegro molto – Adagio ma non troppo – Marcia, assai vivace – Allegro – Allegretto ma non troppo quasi andante con moto »Schmeichelnd hold und liebliech klingen« – Presto (on 1991-12-31)
composer:
Ludwig van Beethoven (German composer) (in 1808)
revised by:
Ludwig van Beethoven (German composer) (in 1809)
part of:
Fantasia for Piano, Chorus, and Orchestra in C minor, op. 80 “Choral Fantasy”
Ludwig van Beethoven1:48