"A Little Night Music" - Mozart, Bach, Beethoven

~ Release by Nikolaus Harnoncourt (see all versions of this release, 1 available)

Annotation

Copyright: A Warner Classics release, ℗ 2025 Warner Music UK Limited

Annotation last modified on 2026-04-12 10:59 UTC.

Tracklist

1▼Digital Media
#TitleArtistRatingLength
1Eine kleine Nachtmusik, K. 525: I. Allegro
engineer:
Michael Brammann (sound engineer) (in 1988-06)
producer:
Helmut Mühle
orchestra:
Concentus Musicus Wien (in 1988-06)
conductor:
Nikolaus Harnoncourt (conductor) (in 1988-06)
recorded at:
Minoritensaal in Graz, Steiermark (Styria), Austria (in 1988-06)
recording of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“: I. Allegro (Serenade No. 13 for Strings in G major, K. 525 "Eine kleine Nachtmusik": I. Allegro) (in 1988-06)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1787)
part of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“
Wolfgang Amadeus Mozart38:21
2Flute Concerto in G minor, op. 10 no. 2, RV 439 "La notte": III. Largo
flute:
Leopold Stastny (flutist)
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
recording of:
Concerto in G minor, op. 10 no. 2, RV 439 “La notte”: III. Largo
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Concerto in G minor, op. 10 no. 2, RV 439 “La notte”
Antonio Vivaldi0:48
3Organ Concerto in G minor, op. 4 no. 3, HWV 291: III. Adagio
organ:
Herbert Tachezi (Austrian organist, harpsichordist and composer)
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
recording of:
Organ Concerto in G minor, op. 4 no. 3, HWV 291: III. Adagio
composer:
George Frideric Handel (German‐British baroque composer) (in 1735)
part of:
Organ Concerto in G minor, op. 4 no. 3, HWV 291
George Frideric Handel0:43
4Sehet, welch eine Liebe, BWV 64: No. 8, Choral. "Gute Nacht, o Wesen"
choir vocals:
Tölzer Knabenchor (Tölz Boys’ Choir) (in 1975-11)
orchestra:
Concentus Musicus Wien (in 1975-11)
conductor:
Nikolaus Harnoncourt (conductor) (in 1975-11)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (in 1975-11)
recording of:
Kantate, BWV 64 "Sehet, welch eine Liebe hat uns der Vater erzeiget": VIII. Choral "Gute Nacht, o Wesen" (in 1975-11)
lyricist:
Johann Franck (German poet of the 17th century)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Breitkopf 389 Choralgesänge (number: 200)
part of:
Kantate, BWV 64 "Sehet, welch eine Liebe hat uns der Vater erzeiget"
Johann Sebastian Bach1:22
5Suite d'Alcyone: IV. Menuet & Air
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
partial recording of:
Alcyone
composer:
Marin Marais (French composer)
librettist:
Antoine Houdar de la Motte
Marin Marais1:40
6Die erste Walpurgisnacht, op. 60, MWV D3: No. 4, Allegro leggiero. "Vertheilt euch"
choir vocals:
Arnold Schoenberg Chor
orchestra:
Chamber Orchestra of Europe
conductor:
Nikolaus Harnoncourt (conductor)
recording of:
Die erste Walpurgisnacht, op. 60: IV. Verteilt euch, wackre Männer, hier
composer:
Felix Mendelssohn (composer)
part of:
Die erste Walpurgisnacht, op. 60
Felix Mendelssohn1:42
7Flute Concerto in G minor, op. 10 no. 2, RV 439 "La notte": II. Fantasmi. Presto
flute:
Leopold Stastny (flutist)
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
recording of:
Concerto in G minor, op. 10 no. 2, RV 439 “La notte”: II. Presto “Fantasmi”
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Concerto in G minor, op. 10 no. 2, RV 439 “La notte”
Antonio Vivaldi0:56
8Requiem in D minor, K. 626: VII. Confutatis
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (Wiener Staatsoper Choir) (from 1981-10 until 1981-11)
orchestra:
Concentus Musicus Wien (from 1981-10 until 1981-11)
conductor:
Nikolaus Harnoncourt (conductor) (from 1981-10 until 1981-11)
chorus master:
Gerhard Deckert
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1981-10 until 1981-11)
recording of:
Requiem in D minor, K. 626: IIIe. Sequenz: “Confutatis” (Beyer/Kunzelmann Edition) (from 1981-10 until 1981-11)
additional orchestrator:
Franz Beyer (violist)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Requiem in D minor, K. 626: III. Sequenz (Beyer/Kunzelmann Edition)
Wolfgang Amadeus Mozart2:39
9Concerto grosso in D major, op. 3 no. 6, HWV 317: II. Ad libitum
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria
recording of:
Concerto grosso in D major, op. 3 no. 6, HWV 317: II. Allegro
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Concerto grosso in D major, op. 3 no. 6, HWV 317
George Frideric Handel1:10
10The Fairy Queen, Z. 629, Act 4: Song and Chorus. "Now the Night Is Chased Away"
recording of:
The Fairy Queen, Z. 629: Act IV, no. 31. Solo and Chorus: "Now The Night Is Chac'd Away" (One of the Attendants)
composer:
Henry Purcell (Baroque composer)
part of:
The Fairy Queen, Z. 629
Henry Purcell2:08
11Flute Concerto in G minor, op. 10 no. 2, RV 439 "La notte": IV. Allegro
flute:
Leopold Stastny (flutist)
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
recording of:
Concerto in G minor, op. 10 no. 2, RV 439 “La notte”: VI. Allegro
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Concerto in G minor, op. 10 no. 2, RV 439 “La notte”
Antonio Vivaldi1:19
12Matthäus-Passion, BWV 244, Pt. 2: No. 64, Rezitativ. "Am Abend, da es kühle war"
bass vocals:
Dietrich Henschel (baritone) (in 2000-05)
orchestra:
Concentus Musicus Wien (in 2000-05)
conductor:
Nikolaus Harnoncourt (conductor) (in 2000-05)
recorded at:
Jesuitenkirche-Universitätskirche in Innere Stadt, Wien (Vienna), Austria (in 2000-05)
recording of:
Matthäus-Passion, BWV 244: Teil II, LXIV. Recitativo (Basso) "Am Abend, da es kühle war" (in 2000-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach1:36
13Oboe Concerto no. 3 in G minor, HWV 287: III. Sarabande. Largo
oboe:
Jürg Schaeftlein (oboist)
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
recording of:
Oboe Concerto no. 3 in G minor, HWV 287: III. Sarabande (Largo)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Oboe Concerto no. 3 in G minor, HWV 287
George Frideric Handel2:13
14Flute Concerto in G minor, op. 10 no. 2, RV 439 "La notte": V. Largo. Il sonno
flute:
Leopold Stastny (flutist)
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
recording of:
Concerto in G minor, op. 10 no. 2, RV 439 “La notte”: V. Largo “Il sonno”
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Concerto in G minor, op. 10 no. 2, RV 439 “La notte”
Antonio Vivaldi1:39
15Eine kleine Nachtmusik, K. 525: III. Menuetto. Allegretto
engineer:
Michael Brammann (sound engineer) (in 1988-06)
producer:
Helmut Mühle
orchestra:
Concentus Musicus Wien (in 1988-06)
conductor:
Nikolaus Harnoncourt (conductor) (in 1988-06)
recorded at:
Minoritensaal in Graz, Steiermark (Styria), Austria (in 1988-06)
recording of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“: III. Minuetto. Allegretto & Trio (in 1988-06)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1787)
part of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“
Wolfgang Amadeus Mozart12:16
16Concerto grosso in D major, op. 6 no. 5, HWV 323: IV. Largo
orchestra:
Concentus Musicus Wien (in 1983)
conductor:
Nikolaus Harnoncourt (conductor) (in 1983)
recording of:
Concerto grosso in D major, op. 6 no. 5, HWV 323: IV. Largo (in 1983)
composer:
George Frideric Handel (German‐British baroque composer) (in 1739)
part of:
Concerto grosso in D major, op. 6 no. 5, HWV 323
George Frideric Handel2:33
17Gott ist mein König, BWV 71: No. 4, Arioso. "Tag und Nacht ist dein"
bass vocals:
Lieuwe Visser (bass-baritone) (from 1976-05 until 1976-10-31)
orchestra:
Concentus Musicus Wien (from 1976-05 until 1976-10-31)
conductor:
Nikolaus Harnoncourt (conductor) (from 1976-05 until 1976-10-31)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1976-05 until 1976-10-31)
recording of:
Kantate, BWV 71 "Gott ist mein König von altersher": IV. Arioso (Bass) "Tag und Nacht ist dein" (from 1976-05 until 1976-10-31)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1708)
part of:
Kantate, BWV 71 "Gott ist mein König"
Johann Sebastian Bach2:40
18Symphony no. 45 in F-sharp minor, Hob. I:45 "Farewell": III. Menuetto. Allegretto
recording engineer:
Michael Brammann (sound engineer)
producer:
Helmut Mühle
orchestra:
Concentus Musicus Wien (in 1988-05)
conductor:
Nikolaus Harnoncourt (conductor) (in 1988-05)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (in 1988-05)
recording of:
Symphony no. 45 in F-sharp minor, Hob. I:45 "Abschiedssymphonie": III. Menuet and Trio. Allegretto (in 1988-05)
composer:
Joseph Haydn (composer)
part of:
Symphony no. 45 in F-sharp minor, Hob. I:45 "Abschiedssymphonie"
Joseph Haydn2:50
19Flute Concerto in G minor, op. 10 no. 2, RV 439 "La notte": VI. Allegro
flute:
Leopold Stastny (flutist)
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
recording of:
Concerto in G minor, op. 10 no. 2, RV 439 “La notte”: VI. Allegro
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Concerto in G minor, op. 10 no. 2, RV 439 “La notte”
Antonio Vivaldi2:42
20Violin Concerto in G minor, BWV 1056R: II. Largo
violin:
Alice Harnoncourt (violinist) (in 1982)
orchestra:
Concentus Musicus Wien (in 1982)
conductor:
Nikolaus Harnoncourt (conductor) (in 1982)
recording of:
Violin Concerto in G minor, BWV 1056R: II. Largo (in 1982)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Violin Concerto in G minor, BWV 1056R
Johann Sebastian Bach2:38
21Requiem in D minor, K. 626: II. Kyrie
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (Wiener Staatsoper Choir) (from 1981-10 until 1981-11)
orchestra:
Concentus Musicus Wien (from 1981-10 until 1981-11)
conductor:
Nikolaus Harnoncourt (conductor) (from 1981-10 until 1981-11)
chorus master:
Gerhard Deckert
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1981-10 until 1981-11)
recording of:
Requiem in D minor, K. 626: II. “Kyrie eleison” (Beyer/Kunzelmann Edition) (from 1981-10 until 1981-11)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Requiem in D minor, K. 626 (Beyer/Kunzelmann Edition)
Wolfgang Amadeus Mozart2:42
22Concerto grosso in D major, op. 6 no. 5, HWV 323: VI. Menuet. Un poco larghetto
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
recording of:
Concerto grosso in D major, op. 6 no. 5, HWV 323: VI. Menuet, un poco larghetto
composer:
George Frideric Handel (German‐British baroque composer) (in 1739)
part of:
Concerto grosso in D major, op. 6 no. 5, HWV 323
George Frideric Handel3:04
23Die Zauberflöte, K. 620, Act 2: "O Isis und Osiris" (Sarastro, Chor)
bass vocals [Sarastro]:
Matti Salminen (operatic bass) (in 1987-11)
choir vocals:
Chorus of the Zürich Opera House (in 1987-11)
orchestra:
Orchester der Opernhauses Zürich (aka Philharmonia Zürich) (in 1987-11)
conductor:
Nikolaus Harnoncourt (conductor) (in 1987-11)
recorded at:
Kirche Altstetten in Zurich (Zürich), Zürich (Canton of Zürich), Switzerland (in 1987-11)
recording of:
Die Zauberflöte: Akt II. No. 10 Arie and Chor „O Isis und Osiris” (Sarastro, Priester) (in 1987-11)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart2:57
24Saul, HWV 53, Act 3: Dead March
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
recording of:
Saul, HWV 53: Act III, Scene IV, no. 77. March: Grave
composer:
George Frideric Handel (German‐British baroque composer) (in 1738)
part of:
Saul, HWV 53: Act III
recording of:
Saul, HWV 53: Act III, Scene V, no. 78. Chorus "Mourn, Israel!"
composer:
George Frideric Handel (German‐British baroque composer) (in 1738)
librettist:
Charles Jennens
part of:
Saul, HWV 53: Act III
George Frideric Handel3:07
25Le nozze di Figaro, K. 492, Act 2: Arietta. "Voi, che sapete" (Cherubino)
engineer:
Michael Brammann (sound engineer) (in 1993-05)
producer:
Helmut A. Mühle
mezzo-soprano vocals:
Petra Lang (mezzo-soprano)
orchestra:
Royal Concertgebouw Orchestra (in 1993-05)
conductor:
Nikolaus Harnoncourt (conductor) (in 1993-05)
recorded at:
Concertgebouw (Amsterdam) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1993-05)
recording of:
Le nozze di Figaro, K. 492: Atto II, Scena II. (no. 12) Canzona “Voi che sapete che cosa è amor” (Cherubino) (in 1993-05)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1786)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto II (The Marriage of Figaro, K. 492: Act II)
Wolfgang Amadeus Mozart2:59
26Mass in E-flat major, D. 950: Sanctus
choir vocals:
Arnold Schoenberg Chor
orchestra:
Chamber Orchestra of Europe
conductor:
Nikolaus Harnoncourt (conductor)
recording of:
Mass no. 6 in E-flat major, D. 950: IV. Sanctus
composer:
Franz Schubert (composer) (in 1828)
part of:
Mass no. 6 in E-flat major, D. 950
Franz Schubert3:28
27Am Abend aber desselbigen Sabbaths, BWV 42: No. 6, Aria. "Jesus ist ein Schild der Seinen"
bass vocals:
Ruud van der Meer (operatic bass) (from 1974-02 until 1974-12)
orchestra:
Concentus Musicus Wien (from 1974-02 until 1974-12)
conductor:
Nikolaus Harnoncourt (conductor) (from 1974-02 until 1974-12)
recorded at:
Palais Rasumovsky in Wien (Vienna), Austria (from 1974-02 until 1974-12)
recording of:
Kantate, BWV 42 "Am Abend aber desselbigen Sabbats": VI. Aria (Basso) "Jesus ist ein Schild der Seinen" (from 1974-02 until 1974-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
part of:
Kantate, BWV 42 "Am Abend aber desselbigen Sabbats"
Johann Sebastian Bach3:32
28Die Zauberflöte, K. 620, Act 2: "Der Hölle Rache kocht in meinem Herzen" (Königin der Nacht)
instruments:
Mozartorchester des Opernhauses Zürich
soprano vocals [Königin der Nacht]:
Edita Gruberová (soprano) (in 1987-11)
orchestra:
Orchester der Oper Zürich (aka Philharmonia Zürich) (in 1987-11)
conductor:
Nikolaus Harnoncourt (conductor) (in 1987-11)
recorded at:
Kirche Altstetten in Zurich (Zürich), Zürich (Canton of Zürich), Switzerland (in 1987-11)
recording of:
Die Zauberflöte: Akt II. No. 14 Arie „Der Hölle Rache kocht in meinem Herzen” (Die Königin der Nacht) (in 1987-11)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart3:05
29Bleib bei uns, denn es will Abend werden, BWV 6: No. 2, Aria. "Hochgelobter Gottessohn"
alto vocals:
Paul Esswood (countertenor) (in 1971-01)
orchestra:
Concentus Musicus Wien (in 1971-01)
conductor:
Nikolaus Harnoncourt (conductor) (in 1971-01)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (in 1971-01)
recording of:
Kantate, BWV 6 "Bleib bei uns, denn es will Abend werden": II. Aria (Alto) "Hochgelobter Gottessohn, Laß es dir nicht sein entgegen" (in 1971-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1725-04-02)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 6 "Bleib bei uns, denn es will Abend werden"
Johann Sebastian Bach3:45
30Die Zauberflöte, K. 620, Act 2: "O Isis und Osiris, welche Wonne!" (Chor, Priester)
Wolfgang Amadeus Mozart3:01
31Mass in A-flat major, D. 678: Sanctus
sound engineer:
Michael Brammann (sound engineer)
assistant engineer:
Martin Aigner and Tobias Lehmann (sound engineer)
producer:
Helmut Mühle
bass vocals:
Anton Scharinger (bass-baritone) (on 1995-06-25)
choir vocals:
Arnold Schoenberg Chor (on 1995-06-25)
contralto vocals:
Birgit Remmert (operatic mezzo‐soprano and contralto) (on 1995-06-25)
soprano vocals:
Ľuba Orgonášová (soprano) (on 1995-06-25)
tenor vocals:
Deon van der Walt (tenor) (on 1995-06-25)
orchestra:
Chamber Orchestra of Europe (on 1995-06-25)
conductor:
Nikolaus Harnoncourt (conductor) (on 1995-06-25)
chorus master:
Erwin Ortner (on 1995-06-25)
recorded at:
Stefaniensaal in Graz, Steiermark (Styria), Austria (on 1995-06-25)
recording of:
Mass no. 5 in A-flat major, D. 678: X. Sanctus: Sanctus (on 1995-06-25)
composer:
Franz Schubert (composer)
part of:
Mass no. 5 in A-flat major, D. 678
recording of:
Mass no. 5 in A-flat major, D. 678: XI. Sanctus: Osanna (on 1995-06-25)
composer:
Franz Schubert (composer)
part of:
Mass no. 5 in A-flat major, D. 678
Franz Schubert3:09
32Am Abend aber desselbigen Sabbaths, BWV 42: No. 4, Duett. "Verzage nicht, o Häuflein klein"
tenor vocals:
Kurt Equiluz (tenor) (from 1974-02 until 1974-12)
orchestra:
Concentus Musicus Wien (from 1974-02 until 1974-12)
conductor:
Nikolaus Harnoncourt (conductor) (from 1974-02 until 1974-12)
recorded at:
Palais Rasumovsky in Wien (Vienna), Austria (from 1974-02 until 1974-12)
recording of:
Kantate, BWV 42 "Am Abend aber desselbigen Sabbats": IV. Choral (Duetto: Soprano, Tenore) "Verzage nicht, o Häuflein klein" (from 1974-02 until 1974-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
part of:
Kantate, BWV 42 "Am Abend aber desselbigen Sabbats"
Johann Sebastian Bach3:18
33Organ Concerto in G minor, op. 4 no. 3, HWV 291: I. Adagio
organ:
Herbert Tachezi (Austrian organist, harpsichordist and composer)
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
recording of:
Organ Concerto in G minor, op. 4 no. 3, HWV 291: I. Adagio
composer:
George Frideric Handel (German‐British baroque composer) (in 1735)
part of:
Organ Concerto in G minor, op. 4 no. 3, HWV 291
George Frideric Handel3:22
34Wer weiss, wie nahe mir mein Ende, BWV 27: No. 5, Aria. "Gute Nacht, du Weltgetümmel"
bass vocals:
Siegmund Nimsgern (bass-baritone) (from 1972-06 until 1973-04)
orchestra:
Concentus Musicus Wien (from 1972-06 until 1973-04)
conductor:
Nikolaus Harnoncourt (conductor) (from 1972-06 until 1973-04)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1972-06 until 1973-04)
recording of:
Kantate, BWV 27 "Wer weiß, wie nahe mir mein Ende?": V. Aria (Basso) "Gute Nacht, du Weltgetümmel!" (from 1972-06 until 1973-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 27 "Wer weiß, wie nahe mir mein Ende?"
Johann Sebastian Bach3:34
35Saul, HWV 53, Act 1: Aria. "O Lord, Whose Mercies Numberless" (David)
countertenor vocals:
Paul Esswood (countertenor)
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
recording of:
Saul, HWV 53: Act I, Scene V, no. 32. Air "Oh Lord, whose mercies numberless" (David)
composer:
George Frideric Handel (German‐British baroque composer) (in 1738)
librettist:
Charles Jennens
part of:
Saul, HWV 53: Act I
recording of:
Saul, HWV 53: Act I, Scene V, no. 33. Symphony: Largo
composer:
George Frideric Handel (German‐British baroque composer) (in 1738)
part of:
Saul, HWV 53: Act I
George Frideric Handel3:20
36Messiah, HWV 56, Pt. 1: Sinfonia
orchestra:
Concentus Musicus Wien (in 1982-11)
conductor:
Nikolaus Harnoncourt (conductor) (in 1982-11)
recording of:
Messiah, HWV 56: Part I, no. 1. Symphony (in 1982-11)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
George Frideric Handel3:39
37Brandenburg Concerto no. 2 in F major, BWV 1047: II. Andante
orchestra:
Concentus Musicus Wien (in 1964-04)
conductor:
Nikolaus Harnoncourt (conductor) (in 1964-04)
recorded at:
Palais Schönburg in Wieden, Wien (Vienna), Austria (in 1964-04)
recording of:
Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047: II. Andante (Brandenburg Concerto No. 2 in F major, BWV 1047: II. Andante) (in 1964-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047 (Brandenburg Concerto No. 2 in F major, BWV 1047)
Johann Sebastian Bach3:47
38Messiah, HWV 56, Pt. 2: Chorus. "Hallelujah"
choir vocals:
Stockholms kammarkör (Stockholm Chamber Choir) (in 1982-11)
vocals and performer:
Concentus Musicus Wien
orchestra:
Concentus Musicus Wien (in 1982-11)
conductor:
Nikolaus Harnoncourt (conductor) (in 1982-11)
chorus master:
Eric Ericson (in 1982-11)
phonographic copyright (℗) by:
TELDEC Classics International GmbH (in 1983)
recording of:
Messiah, HWV 56: Part II, no. 44. Chorus “Hallelujah” (in 1982-11)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
librettist:
Charles Jennens
part of:
Messiah, HWV 56: Part II
George Frideric Handel3:38
39A Midsummer Night's Dream, op. 61, MWV M13: No. 7, Nocturne
orchestra:
Chamber Orchestra of Europe
conductor:
Nikolaus Harnoncourt (conductor)
recording of:
Ein Sommernachtstraum, op. 61: 7. Notturno. Con moto tranquillo
composer:
Felix Mendelssohn (composer) (in 1842)
part of:
Ein Sommernachtstraum, op. 61 (A Midsummer Night's Dream, op. 61)
Felix Mendelssohn4:34
40Die Zauberflöte, K. 620, Act 1: "O zittre nicht, mein lieber Sohn" (Königin der Nacht)
soprano vocals [Königin der Nacht]:
Edita Gruberová (soprano) (in 1987-11)
orchestra:
Orchester der Oper Zürich (aka Philharmonia Zürich) (in 1987-11)
conductor:
Nikolaus Harnoncourt (conductor) (in 1987-11)
recorded at:
Kirche Altstetten in Zurich (Zürich), Zürich (Canton of Zürich), Switzerland (in 1987-11)
recording of:
Die Zauberflöte: Akt I. No. 4 Rezitativ und Arie „O zittre nicht, mein lieber Sohn” ... „Zum Leiden bin ich auserkoren” (Die Königin der Nacht) (in 1987-11)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
Wolfgang Amadeus Mozart4:37
41Water Music, Suite no. 2 in D major, HWV 349: II. Alla Hornpipe
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
recording of:
Water Music, Suite no. 2 in D major, HWV 349: 12. Alla hornpipe
composer:
George Frideric Handel (German‐British baroque composer) (in 1717)
part of:
Water Music Suite no. 2 in D major, HWV 349
George Frideric Handel3:49
42Serenade no. 6 in D major, K. 239 "Serenata notturna": I. Marcia. Maestoso
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
recording of:
Serenade no. 6 in D major, K. 239 “Serenata notturna”: I. Marcia. Maestoso
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1776-01)
part of:
Serenade no. 6 in D major, K. 239 “Serenata notturna”
Wolfgang Amadeus Mozart4:54
43Brandenburg Concerto no. 1 in F major, BWV 1046: II. Adagio
orchestra:
Concentus Musicus Wien (in 1964-04)
conductor:
Nikolaus Harnoncourt (conductor) (in 1964-04)
recorded at:
Palais Schönburg in Wieden, Wien (Vienna), Austria (in 1964-04)
recording of:
Brandenburgisches Konzert Nr. 1 F-Dur, BWV 1046: II. Adagio (in 1964-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 1 F-Dur, BWV 1046 (Brandenburg Concerto no. 1 in F major, BWV 1046)
Johann Sebastian Bach4:31
44The First Booke of Ayres: No. 7, Who Is It That This Dark Night
lute:
Eugen M. Dombois (lutenist)
viola da gamba:
Nikolaus Harnoncourt (conductor)
tenor vocals:
Nigel Rogers (tenor)
recording of:
The First Booke of Ayres: No. 7. "Who is it that this dark night?"
composer:
Thomas Morley (English Renaissance composer)
part of:
The First Booke of Ayres
Thomas Morley4:50
45Concerto for Oboe and Violin in D minor, BWV 1060R: II. Adagio
oboe:
Jürg Schaeftlein (oboist) (in 1982)
violin:
Alice Harnoncourt (violinist) (in 1982)
orchestra:
Concentus Musicus Wien (in 1982)
conductor:
Nikolaus Harnoncourt (conductor) (in 1982)
recording of:
Concerto for Violin & Oboe in C minor, BWV 1060R: II. Adagio (reconstructed arrangement for violin & oboe of BWV 1060) (in 1982)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Concerto in C minor for Two Harpsichords, BWV 1060: II. Largo ovvero Adagio
is based on:
Concerto Pour Deux Clavecins, BWV 1060: II. Adagio (Arr. Pour Flutes) (Recorder consort arrangements)
part of:
Concerto for Violin & Oboe in C minor, BWV 1060R (reconstructed arrangement of the concerto for harpsichord and strings)
Johann Sebastian Bach4:36
46Eine kleine Nachtmusik, K. 525: II. Romance. Andante
engineer:
Michael Brammann (sound engineer) (in 1988-06)
producer:
Helmut Mühle
orchestra:
Concentus Musicus Wien (in 1988-06)
conductor:
Nikolaus Harnoncourt (conductor) (in 1988-06)
recorded at:
Minoritensaal in Graz, Steiermark (Styria), Austria (in 1988-06)
recording of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“: II. Romance. Andante (in 1988-06)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1787)
part of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“
Wolfgang Amadeus Mozart14:54
47A Midsummer Night's Dream, op. 61, MWV M13: No. 1, Scherzo
orchestra:
Chamber Orchestra of Europe
conductor:
Nikolaus Harnoncourt (conductor)
recording of:
Ein Sommernachtstraum, op. 61: 1. Scherzo. Allegro vivace
composer:
Felix Mendelssohn (composer) (in 1842)
part of:
Ein Sommernachtstraum, op. 61 (A Midsummer Night's Dream, op. 61)
Felix Mendelssohn4:57
48Orchestral Suite no. 3 in D major, BWV 1068: II. Air
producer:
Wolf Erichson (engineer/producer) (in 1966-12)
orchestra:
Concentus Musicus Wien (in 1966-12)
conductor:
Nikolaus Harnoncourt (conductor) (in 1966-12)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (in 1966-12)
recording of:
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (Orchestral Suite no. 3 in D major, BWV 1068: II. Air, Air on the G string) (in 1966-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1730)
part of:
Orchestersuite Nr. 3 D-Dur, BWV 1068 (Orchestral Suite no. 3 in D major, BWV 1068)
Johann Sebastian Bach4:32
49Serenade no. 6 in D major, K. 239 "Serenata notturna": II. Menuetto
engineer:
Michael Brammann (sound engineer) (in 1988-06)
producer:
Helmut Mühle
orchestra:
Concentus Musicus Wien (in 1988-06)
conductor:
Nikolaus Harnoncourt (conductor) (in 1988-06)
recorded at:
Minoritensaal in Graz, Steiermark (Styria), Austria (in 1988-06)
recording of:
Serenade no. 6 in D major, K. 239 “Serenata notturna”: II. Menuetto (in 1988-06)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1776-01)
part of:
Serenade no. 6 in D major, K. 239 “Serenata notturna”
Wolfgang Amadeus Mozart4:51
50Concerto for Oboe d'amore in A major, BWV 1055R: II. Larghetto
oboe d'amore:
Jürg Schaeftlein (oboist)
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
recording of:
Oboe d’Amore Concerto in A major, BWV 1055R: II. Larghetto (in 1977)
composer and arranger:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Oboe d'Amore Concerto in A major, BWV 1055R
Johann Sebastian Bach5:12
51Don Giovanni, K. 527, Act 1: "Notte e giorno faticar" (Donna Anna, Don Giovanni, Leporello, Il Commendatore)
orchestra:
Royal Concertgebouw Orchestra (in 1988-10)
conductor:
Nikolaus Harnoncourt (conductor) (in 1988-10)
recorded at:
Concertgebouw (Amsterdam) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1988-10)
recording of:
Don Giovanni: Atto I. No. 1 Introduzione “Notte e giorno faticar” (Leporello) / “Non sperar se non m’uccidi” – “Lasciala indegno” – “Ah soccorso” (Donna Anna, Don Giovanni, Leporello, Commendatore) (in 1988-10)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart5:22
52Symphony no. 8 in G major, Hob. I:8 "Le soir": I. Allegro molto
recording engineer:
Michael Brammann (sound engineer)
producer:
Helmut Mühle
orchestra:
Concentus Musicus Wien (in 1989-06)
conductor:
Nikolaus Harnoncourt (conductor) (in 1989-06)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (in 1989-06)
recording of:
Symphony no. 8 in G major, Hob. I:8 “Le Soir”: I. Allegro molto (in 1989-06)
composer:
Joseph Haydn (composer) (in 1761)
part of:
Symphony no. 8 in G major, Hob. I:8 “Le Soir”
Joseph Haydn5:36
53Eine kleine Nachtmusik, K. 525: IV. Rondo. Allegro
engineer:
Michael Brammann (sound engineer) (in 1988-06)
producer:
Helmut Mühle
orchestra:
Concentus Musicus Wien (in 1988-06)
conductor:
Nikolaus Harnoncourt (conductor) (in 1988-06)
recorded at:
Minoritensaal in Graz, Steiermark (Styria), Austria (in 1988-06)
recording of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“: IV. Rondo. Allegro (in 1988-06)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1787)
part of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“
Wolfgang Amadeus Mozart15:42
54Symphony no. 1 in D major, D. 82: II. Andante
recording engineer:
Michael Brammann (sound engineer)
producer:
Helmut Mühle
orchestra:
Koninklijk Concertgebouworkest (Royal Concertgebouw Orchestra) (in 1992-11)
conductor:
Nikolaus Harnoncourt (conductor) (in 1992-11)
recorded at:
Concertgebouw (Amsterdam) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1992-11)
recording of:
Symphony no. 1 in D major, D. 82: II. Andante (in 1992-11)
composer:
Franz Schubert (composer) (in 1813)
part of:
Symphony no. 1 in D major, D. 82
Franz Schubert5:56
55Harpsichord Concerto no. 1 in D minor, BWV 1052: II. Adagio
recorded in:
Wien (Vienna), Austria (from 1967 until 1968)
bass:
Eduard Hruza (from 1967 until 1968)
cello:
Nikolaus Harnoncourt (conductor) (from 1967 until 1968)
harpsichord:
Herbert Tachezi (Austrian organist, harpsichordist and composer) (from 1967 until 1968)
viola:
Kurt Theiner (violinist/violist) (from 1967 until 1968)
violin [violin I]:
Alice Harnoncourt (violinist) (from 1967 until 1968) and Peter Schoberwalter (from 1967 until 1968)
violin [violin II]:
Walter Pfeiffer (violinist) (from 1967 until 1968) and Josef de Sordi (from 1967 until 1968)
orchestra:
Concentus Musicus Wien (from 1967 until 1968)
conductor:
Nikolaus Harnoncourt (conductor) (from 1967 until 1968)
recording of:
Keyboard Concerto in D minor, BWV 1052: II. Adagio (from 1967 until 1968)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
version of:
Keyboard Concerto in D minor, BWV 1052a: II. Adagio (early version of BWV 1052)
part of:
Keyboard Concerto in D minor, BWV 1052
Johann Sebastian Bach6:04
56Die Zauberflöte, K. 620: Overture
orchestra:
Orchester des Opernhauses Zürich (aka Philharmonia Zürich) (in 1987-11)
conductor:
Nikolaus Harnoncourt (conductor) (in 1987-11)
recorded at:
Kirche Altstetten in Zurich (Zürich), Zürich (Canton of Zürich), Switzerland (in 1987-11)
recording of:
Die Zauberflöte: Ouvertüre (The Magic Flute, K. 620: Overture) (in 1987-11)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Die Zauberflöte, K. 620 (The Magic Flute, K. 620)
Wolfgang Amadeus Mozart6:34
57Violin Concerto no. 2 in E major, BWV 1042: II. Adagio
violin:
Alice Harnoncourt (violinist) (in 1982)
orchestra:
Concentus Musicus Wien (in 1982)
conductor:
Nikolaus Harnoncourt (conductor) (in 1982)
recording of:
Konzert für Violine und Orchester E-Dur, BWV 1042: II. Adagio (Violin Concerto in E major, BWV 1042: II. Adagio) (in 1982)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Konzert für Violine und Orchester E-Dur, BWV 1042 (Violin Concerto in E major, BWV 1042)
Johann Sebastian Bach6:32
58Serenade no. 6 in D major, K. 239 "Serenata notturna": III. Rondo. Allegretto
engineer:
Michael Brammann (sound engineer) (in 1988-06)
producer:
Helmut Mühle
orchestra:
Concentus Musicus Wien (in 1988-06)
conductor:
Nikolaus Harnoncourt (conductor) (in 1988-06)
recorded at:
Minoritensaal in Graz, Steiermark (Styria), Austria (in 1988-06)
recording of:
Serenade no. 6 in D major, K. 239 “Serenata notturna”: III. Rondeau. Allegretto (in 1988-06)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1776-01)
part of:
Serenade no. 6 in D major, K. 239 “Serenata notturna”
Wolfgang Amadeus Mozart6:30
59Concerto for Two Violins in D minor, BWV 1043: II. Largo ma non tanto
violin:
Alice Harnoncourt (violinist) (in 1982) and Walter Pfeiffer (violinist) (in 1982)
orchestra:
Concentus Musicus Wien (in 1982)
conductor:
Nikolaus Harnoncourt (conductor) (in 1982)
recording of:
Concerto for 2 Violins in D minor, BWV 1043: II. Largo ma non tanto (in 1982)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1730 until 1731)
part of:
Concerto for 2 Violins in D minor, BWV 1043
Johann Sebastian Bach7:11
60Piano Concerto no. 5 in E-flat major, op. 73 "Emperor": II. Adagio un poco mosso
piano:
Pierre‐Laurent Aimard (pianist) (from 2002-06-21 until 2002-06-24)
orchestra:
Chamber Orchestra of Europe (from 2002-06-21 until 2002-06-24)
conductor:
Nikolaus Harnoncourt (conductor) (from 2002-06-21 until 2002-06-24)
recording of:
Concerto for Piano and Orchestra no. 5 in E-flat major, op. 73 “Emperor”: II. Adagio un poco mosso (from 2002-06-21 until 2002-06-24)
composer:
Ludwig van Beethoven (German composer) (in 1809)
part of:
Concerto for Piano and Orchestra no. 5 in E-flat major, op. 73 “Emperor”
Ludwig van Beethoven7:37
61Matthäus-Passion, BWV 244, Pt. 1: No. 1, Chor. "Kommt, ihr Töchter helft mir klagen"
choir vocals:
Arnold Schoenberg Chor (in 2000-05) and Wiener Sängerknaben (The Vienna Boys Choir) (in 2000-05)
orchestra:
Concentus Musicus Wien (in 2000-05)
conductor:
Nikolaus Harnoncourt (conductor) (in 2000-05)
chorus master:
Norbert Balatsch (baritone, chorus master and conductor) (in 2000-05) and Erwin Ortner (in 2000-05)
recorded at:
Jesuitenkirche-Universitätskirche in Innere Stadt, Wien (Vienna), Austria (in 2000-05)
recording of:
Matthäus-Passion, BWV 244: Teil I, I. Chor I & II "Kommt, ihr Töchter, helft mir klagen" (in 2000-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach6:41
62Eine Nacht in Venedig: Overtüre (Live)
recording engineer:
Michael Brammann (sound engineer) and Tobias Lehmann (sound engineer)
assistant engineer:
Andreas Florczak
producer:
Friedemann Engelbrecht
editor:
Andreas Florczak and Tobias Lehmann (sound engineer)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 2001-01-01)
conductor:
Nikolaus Harnoncourt (conductor) (on 2001-01-01)
recorded at:
Wiener Musikverein in Innere Stadt, Wien (Vienna), Austria (on 2001-01-01)
live recording of:
Eine Nacht in Venedig: Ouvertüre (on 2001-01-01)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
A Night in Venice (English version "Eine Nacht in Venedig")
part of:
Eine Nacht in Venedig
Johann Strauss7:35
63Genoveva, op. 81: Overture
orchestra:
Chamber Orchestra of Europe
conductor:
Nikolaus Harnoncourt (conductor)
recording of:
Genoveva, op. 81: Overture
composer:
Robert Schumann (German classical composer) (from 1844 until 1850)
part of:
Works of Robert Schumann by opus number (number: op. 81)
part of:
Genoveva, op. 81
Robert Schumann8:10
64Symphony no. 7 in A major, op. 92: II. Allegretto
orchestra:
Chamber Orchestra of Europe (on 1990-07-05)
conductor:
Nikolaus Harnoncourt (conductor) (on 1990-07-05)
recorded at:
Stefaniensaal in Graz, Steiermark (Styria), Austria (on 1990-07-05)
live recording of:
Symphony no. 7 in A major, op. 92: II. Allegretto (on 1990-07-05)
composer:
Ludwig van Beethoven (German composer) (from 1811 until 1812)
part of:
Symphony no. 7 in A major, op. 92
Ludwig van Beethoven8:12
65Symphony no. 7 in E major, WAB 107: III. Scherzo. Sehr schnell - Trio. Etwas langsamer
producer:
Friedemann Engelbrecht
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1999-06)
conductor:
Nikolaus Harnoncourt (conductor) (in 1999-06)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1999-06)
live recording of:
Symphony no. 7 in E-major, WAB 107: III. Scherzo. Sehr schnell (ed. L. Nowak 1954) (in 1999-06)
additional composer:
Leopold Nowak (in 1954)
composer:
Anton Bruckner (Austrian composer) (from 1881 until 1883)
part of:
Symphony no. 7 in E-major, WAB 107 (Symphony no. 7 in E major, WAB 107, 1954 ed. L. Nowak)
Anton Bruckner8:53
66Symphony no. 2 in C major, op. 61: III. Adagio espressivo
orchestra:
Chamber Orchestra of Europe
conductor:
Nikolaus Harnoncourt (conductor)
recording of:
Symphony no. 2 in C major, op. 61: III. Adagio espressivo
composer:
Robert Schumann (German classical composer) (from 1845-12 until 1846-10)
part of:
Symphony no. 2 in C major, op. 61
Robert Schumann9:15
67Symphony no. 45 in F-sharp minor, Hob. I:45 "Farewell": II. Adagio
recording engineer:
Michael Brammann (sound engineer)
producer:
Helmut Mühle
orchestra:
Concentus Musicus Wien (in 1988-05)
conductor:
Nikolaus Harnoncourt (conductor) (in 1988-05)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (in 1988-05)
recording of:
Symphony no. 45 in F-sharp minor, Hob. I:45 "Abschiedssymphonie": II. Adagio (in 1988-05)
composer:
Joseph Haydn (composer)
part of:
Symphony no. 45 in F-sharp minor, Hob. I:45 "Abschiedssymphonie"
Joseph Haydn12:15