Julie Wilson Sings Cole Porter

~ Release by Julie Wilson with William Roy (see all versions of this release, 1 available)

Tracklist

1CD
#TitleArtistRatingLength
1Most Gentlemen Don't Like Love
engineer:
Cynthia Daniels
producer:
Hugh Fordin
lead vocals:
Julie Wilson (White Female Jazz Singer circa 1950s cabaret singer) (from 1989-04-17 until 1989-08-25)
arranger:
William Roy
recorded at:
Giant Sound in New York, New York, United States (from 1989-04-17 until 1989-08-25)
cover recording of:
Most Gentlemen Don't Like Love (from 1989-04-17 until 1989-08-25)
lyricist and composer:
Cole Porter (composer) (in 1938)
part of:
Leave It to Me!
Julie Wilson2:08
2My Heart Belongs to Daddy
engineer:
Cynthia Daniels
producer:
Hugh Fordin
lead vocals:
Julie Wilson (White Female Jazz Singer circa 1950s cabaret singer) (from 1989-04-17 until 1989-08-25)
arranger:
William Roy
recorded at:
Giant Sound in New York, New York, United States (from 1989-04-17 until 1989-08-25)
cover recording of:
My Heart Belongs to Daddy (from 1989-04-17 until 1989-08-25)
lyricist and composer:
Cole Porter (composer) (in 1938)
publisher:
Chappell (company that specialized in library and production music), Chappell & Co. and Chappell Music Ltd.
Julie Wilson2:59
3Medley: Easy to Love / All of You / You'd Be So Nice to Come Home To
engineer:
Cynthia Daniels
producer:
Hugh Fordin
lead vocals:
Julie Wilson (White Female Jazz Singer circa 1950s cabaret singer) (from 1989-04-17 until 1989-08-25)
arranger:
William Roy
recorded at:
Giant Sound in New York, New York, United States (from 1989-04-17 until 1989-08-25)
medley including a cover recording of:
All of You (Silk Stockings musical) (from 1989-04-17 until 1989-08-25)
lyricist and composer:
Cole Porter (composer) (in 1954)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA) and Chappell Music (UK)
part of:
Silk Stockings (1957 musical film)
medley including a cover recording of:
Easy to Love (from 1989-04-17 until 1989-08-25)
lyricist and composer:
Cole Porter (composer) (in 1936)
publisher:
Chappell (company that specialized in library and production music), Chappell & Co., Inc. (USA), Chappell Music Ltd. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
part of:
Anything Goes
part of:
Born to Dance
medley including a cover recording of:
You’d Be So Nice to Come Home To (from 1989-04-17 until 1989-08-25)
lyricist and composer:
Cole Porter (composer) (in 1943)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
part of:
The 16th Academy Award for Best Original Song (number: 2)
Julie Wilson5:53
4Experiment
engineer:
Cynthia Daniels
producer:
Hugh Fordin
lead vocals:
Julie Wilson (White Female Jazz Singer circa 1950s cabaret singer) (from 1989-04-17 until 1989-08-25)
arranger:
William Roy
recorded at:
Giant Sound in New York, New York, United States (from 1989-04-17 until 1989-08-25)
cover recording of:
Experiment (Nymph Errant) (from 1989-04-17 until 1989-08-25)
lyricist and composer:
Cole Porter (composer) (in 1933)
part of:
Nymph Errant (Cole Porter Musical)
Julie Wilson2:53
5Dream Dancing
engineer:
Cynthia Daniels
producer:
Hugh Fordin
lead vocals:
Julie Wilson (White Female Jazz Singer circa 1950s cabaret singer) (from 1989-04-17 until 1989-08-25)
arranger:
William Roy
recorded at:
Giant Sound in New York, New York, United States (from 1989-04-17 until 1989-08-25)
cover recording of:
Dream Dancing (from “You’ll Never Get Rich”) (from 1989-04-17 until 1989-08-25)
lyricist and composer:
Cole Porter (composer) (in 1941)
publisher:
Chappell & Co., Inc. (USA)
Julie Wilson6:06
6Medley: Queen of Terre Haute / You've Got That Thing / You Don't Know Paris / You Do Something to Me
engineer:
Cynthia Daniels
producer:
Hugh Fordin
lead vocals:
Julie Wilson (White Female Jazz Singer circa 1950s cabaret singer) (from 1989-04-17 until 1989-08-25)
arranger:
William Roy
recorded at:
Giant Sound in New York, New York, United States (from 1989-04-17 until 1989-08-25)
medley including a cover recording of:
The Queen of Terre Haute (from 1989-04-17 until 1989-08-25)
writer:
Cole Porter (composer)
medley including a cover recording of:
You Do Something to Me (Fifty Million Frenchmen musical comedy) (from 1989-04-17 until 1989-08-25)
lyricist and composer:
Cole Porter (composer) (in 1929)
publisher:
Warner/Chappell (Warner/Chappell Music, Inc.) and Warner Bros., Inc. (not for release label use!) (in 1929)
part of:
Can‐Can (1960 musical film)
part of:
Fifty Million Frenchmen
medley including a cover recording of:
You Don't Know Paree (from 1989-04-17 until 1989-08-25)
writer:
Cole Porter (composer)
medley including a cover recording of:
You’ve Got That Thing (Fifty Million Frenchmen musical comedy) (from 1989-04-17 until 1989-08-25)
lyricist and composer:
Cole Porter (composer) (in 1929)
part of:
Fifty Million Frenchmen
part of:
High Society (stage musical)
Julie Wilson2:01
7Mr. & Missus Fitch
engineer:
Cynthia Daniels
producer:
Hugh Fordin
lead vocals:
Julie Wilson (White Female Jazz Singer circa 1950s cabaret singer) (from 1989-04-17 until 1989-08-25)
arranger:
William Roy
recorded at:
Giant Sound in New York, New York, United States (from 1989-04-17 until 1989-08-25)
cover recording of:
Mister and Missus Fitch (Gay Divorce musical) (from 1989-04-17 until 1989-08-25)
lyricist and composer:
Cole Porter (composer) (in 1932)
Julie Wilson with William Roy3:24
8Medley: What Is This Thing Called Love / Ev'ry Time We Say Goodbye
engineer:
Cynthia Daniels
producer:
Hugh Fordin
lead vocals:
Julie Wilson (White Female Jazz Singer circa 1950s cabaret singer) (from 1989-04-17 until 1989-08-25)
arranger:
William Roy
recorded at:
Giant Sound in New York, New York, United States (from 1989-04-17 until 1989-08-25)
medley including a cover recording of:
Ev’ry Time We Say Goodbye (Seven Lively Arts musical revue) (from 1989-04-17 until 1989-08-25)
lyricist and composer:
Cole Porter (composer) (in 1944)
publisher:
Chappell & Co Ltd., Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Co. Inc. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
medley including a cover recording of:
What Is This Thing Called Love? (Wake Up and Dream musical revue) (from 1989-04-17 until 1989-08-25)
lyricist and composer:
Cole Porter (composer) (in 1929)
publisher:
Harms, Inc., Warner Bros., Inc. (not for release label use!) and Warner/Chappell (Warner/Chappell Music, Inc.)
part of:
Wake Up and Dream (1929 revue)
Julie Wilson2:48
9Don't Look at Me That Way
engineer:
Cynthia Daniels
producer:
Hugh Fordin
lead vocals:
Julie Wilson (White Female Jazz Singer circa 1950s cabaret singer) (from 1989-04-17 until 1989-08-25)
arranger:
William Roy
recorded at:
Giant Sound in New York, New York, United States (from 1989-04-17 until 1989-08-25)
recording of:
Don’t Look at Me That Way (Paris musical) (from 1989-04-17 until 1989-08-25)
lyricist and composer:
Cole Porter (composer) (in 1928)
part of:
Paris (1928 musical)
Julie Wilson2:03
10Miss Otis Regrets
engineer:
Cynthia Daniels
producer:
Hugh Fordin
lead vocals:
Julie Wilson (White Female Jazz Singer circa 1950s cabaret singer) (from 1989-04-17 until 1989-08-25)
arranger:
William Roy
recorded at:
Giant Sound in New York, New York, United States (from 1989-04-17 until 1989-08-25)
cover recording of:
Miss Otis Regrets (from 1989-04-17 until 1989-08-25)
lyricist and composer:
Cole Porter (composer) (in 1934)
publisher:
Warner/Chappell (Warner/Chappell Music, Inc.) and Warner Bros., Inc. (not for release label use!) (in 1934)
Julie Wilson4:38
11Medley: I've Got You Under My Skin / Night and Day
engineer:
Cynthia Daniels
producer:
Hugh Fordin
lead vocals:
Julie Wilson (White Female Jazz Singer circa 1950s cabaret singer) (from 1989-04-17 until 1989-08-25)
arranger:
William Roy
recorded at:
Giant Sound in New York, New York, United States (from 1989-04-17 until 1989-08-25)
medley including a cover recording of:
I’ve Got You Under My Skin (from 1989-04-17 until 1989-08-25)
lyricist and composer:
Cole Porter (composer) (in 1936)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music (UK), Victoria Music Ltd. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
part of:
The 9th Academy Award for Best Original Song (number: 2) and Academy Award for Best Original Song (number: 1936 nominee)
part of:
Born to Dance
medley including a cover recording of:
Night and Day (Cole Porter; from “The Gay Divorce”) (from 1989-04-17 until 1989-08-25)
lyricist and composer:
Cole Porter (composer) (in 1932)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Warner Bros. (holding: file NO releases), Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division), Warner/Chappell (Warner/Chappell Music, Inc.), WB Music Corp. (1929–2019) (until 2019-05-28) and Harms, Inc. (on 1932-11-18)
part of:
Gay Divorce
Julie Wilson5:52
12But in the Morning, No!
engineer:
Cynthia Daniels
producer:
Hugh Fordin
lead vocals:
Julie Wilson (White Female Jazz Singer circa 1950s cabaret singer) (from 1989-04-17 until 1989-08-25)
arranger:
William Roy
recorded at:
Giant Sound in New York, New York, United States (from 1989-04-17 until 1989-08-25)
cover recording of:
But in the Morning, No (from 1989-04-17 until 1989-08-25)
writer:
Cole Porter (composer)
Julie Wilson with William Roy2:57
13Down in the Depths / On the 90th Floor
engineer:
Cynthia Daniels
producer:
Hugh Fordin
lead vocals:
Julie Wilson (White Female Jazz Singer circa 1950s cabaret singer) (from 1989-04-17 until 1989-08-25)
arranger:
William Roy
recorded at:
Giant Sound in New York, New York, United States (from 1989-04-17 until 1989-08-25)
cover recording of:
Down in the Depths (on the Ninetieth Floor) (from "Red Hot & Blue") (on 1989-04-17)
lyricist and composer:
Cole Porter (composer) (in 1936)
Julie Wilson2:35
14The Tale of the Oyster
engineer:
Cynthia Daniels
producer:
Hugh Fordin
lead vocals:
Julie Wilson (White Female Jazz Singer circa 1950s cabaret singer) (from 1989-04-17 until 1989-08-25)
arranger:
William Roy
recorded at:
Giant Sound in New York, New York, United States (from 1989-04-17 until 1989-08-25)
cover recording of:
The Tale of the Oyster (Fifty Million Frenchmen musical comedy) (from 1989-04-17 until 1989-08-25)
lyricist and composer:
Cole Porter (composer) (in 1929)
part of:
Fifty Million Frenchmen
Julie Wilson2:13
15It's Bad for Me
engineer:
Cynthia Daniels
producer:
Hugh Fordin
lead vocals:
Julie Wilson (White Female Jazz Singer circa 1950s cabaret singer) (from 1989-04-17 until 1989-08-25)
arranger:
William Roy
recorded at:
Giant Sound in New York, New York, United States (from 1989-04-17 until 1989-08-25)
cover recording of:
It’s Bad for Me (Nymph Errant) (from 1989-04-17 until 1989-08-25)
lyricist and composer:
Cole Porter (composer) (in 1933)
part of:
Nymph Errant (Cole Porter Musical)
Julie Wilson4:23
16Medley: After You, Who? / Do I Love You?
engineer:
Cynthia Daniels
producer:
Hugh Fordin
lead vocals:
Julie Wilson (White Female Jazz Singer circa 1950s cabaret singer) (from 1989-04-17 until 1989-08-25)
arranger:
William Roy
recorded at:
Giant Sound in New York, New York, United States (from 1989-04-17 until 1989-08-25)
medley including a cover recording of:
After You, Who? (Cole Porter; from “The Gay Divorcee”) (from 1989-04-17 until 1989-08-25)
lyricist and composer:
Cole Porter (composer) (in 1932)
part of:
Gay Divorce
medley including a cover recording of:
Do I Love You? (from 1989-04-17 until 1989-08-25)
lyricist and composer:
Cole Porter (composer) (in 1939)
part of:
DuBarry Was a Lady (1939 stage musical)
Julie Wilson3:13
17I'm the Laziest Gal in Town
engineer:
Cynthia Daniels
producer:
Hugh Fordin
lead vocals:
Julie Wilson (White Female Jazz Singer circa 1950s cabaret singer) (from 1989-04-17 until 1989-08-25)
arranger:
William Roy
recorded at:
Giant Sound in New York, New York, United States (from 1989-04-17 until 1989-08-25)
cover recording of:
The Laziest Gal in Town (from 1989-04-17 until 1989-08-25)
lyricist and composer:
Cole Porter (composer) (in 1927)
Julie Wilson3:17
18I Am Loved
engineer:
Cynthia Daniels
producer:
Hugh Fordin
lead vocals:
Julie Wilson (White Female Jazz Singer circa 1950s cabaret singer) (from 1989-04-17 until 1989-08-25)
arranger:
William Roy
recorded at:
Giant Sound in New York, New York, United States (from 1989-04-17 until 1989-08-25)
cover recording of:
I Am Loved (from 1989-04-17 until 1989-08-25)
lyricist and composer:
Cole Porter (composer)
publisher:
Buxton Hill Music Corp.
part of:
Out of This World
Julie Wilson6:19
19Medley: I'm Unlucky at Gambling / It's Alright With Me
engineer:
Cynthia Daniels
producer:
Hugh Fordin
lead vocals:
Julie Wilson (White Female Jazz Singer circa 1950s cabaret singer) (from 1989-04-17 until 1989-08-25)
arranger:
William Roy
recorded at:
Giant Sound in New York, New York, United States (from 1989-04-17 until 1989-08-25)
medley including a cover recording of:
I'm Unlucky at Gambling (from 1989-04-17 until 1989-08-25)
writer:
Cole Porter (composer)
medley including a cover recording of:
It’s All Right with Me (Can‐Can musical) (from 1989-04-17 until 1989-08-25)
lyricist and composer:
Cole Porter (composer) (in 1953)
publisher:
Chappell & Co., Inc. (USA)
part of:
Can‐Can (1960 musical film)
part of:
High Society (stage musical)
Julie Wilson3:16
20Let's Do It (Let's Fall in Love)
engineer:
Cynthia Daniels
producer:
Hugh Fordin
lead vocals:
Julie Wilson (White Female Jazz Singer circa 1950s cabaret singer) (from 1989-04-17 until 1989-08-25)
arranger:
William Roy
recorded at:
Giant Sound in New York, New York, United States (from 1989-04-17 until 1989-08-25)
cover recording of:
Let’s Do It (Let’s Fall in Love) (Paris musical) (from 1989-04-17 until 1989-08-25)
lyricist and composer:
Cole Porter (composer) (in 1928)
part of:
Can‐Can (1960 musical film)
part of:
Paris (1928 musical)
Julie Wilson with William Roy?:??

Credits

Release

printed in:Canada
photography:Roy Blakely
piano:William Roy (from 1989-04-17 until 1989-08-25)
phonographic copyright (℗) by:DRG Records Incorporated (in 1989)
Discogs:https://www.discogs.com/release/15564225 [info]

Release group

tribute to:Cole Porter (composer)