TM Century: GoldDisc 127

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1CD
#TitleArtistRatingLength
1We Built This City
assistant engineer:
Paul Ericksen (recording engineer)
engineer:
Jeremy Smith (producer/engineer)
producer:
Jeremy Smith (producer/engineer) and Peter Wolf (Austrian classical/jazz composer/producer, keyboards for Zappa)
mixer:
Bill Bottrell
other vocals [DJ voice]:
Les Garland (American entertainment executive) (in 1985)
arranger:
Peter Wolf (Austrian classical/jazz composer/producer, keyboards for Zappa)
phonographic copyright (℗) by:
BMG Music (in 1985) and RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1985)
mixed at:
Fantasy Studios (Berkeley) in Berkeley, California, United States
remixed at:
The Soundcastle (former LA location) in Silver Lake, Los Angeles, California, United States
recording of:
We Built This City (in 1985)
writer:
Dennis Lambert, Martin Page, Bernie Taupin and Peter Wolf (Austrian classical/jazz composer/producer, keyboards for Zappa)
publisher:
BMG Music, BMG Songs, Inc., Careers Music, Inc., Careers–BMG Music Publishing, Inc., Concord Copyrights London Limited, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Little Mole Music, Petwolf Music, Tuneworks Music Co., Universal Music Careers, Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), Universal Music–MGB Songs, Warner/Chappell Music Ltd. (1996–2019), Zomba Enterprises (ASCAP-affiliated) and Zomba Enterprises, Inc.
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Starship3.94:56
2Misled
recording of:
Misled
writer:
Ronald Bell, George Brown (US percussionist of Kool & the Gang), Curtis Williams (keyboardist/percussionist of Kool & The Gang), James Bonnefond, James Taylor (US R&B vocalist for Kool & the Gang), Robert Bell and Claydes Smith
publisher:
Delightful Music Ltd
Kool & the Gang4:08
3Crumblin' Down
John Mellencamp3:39
4Don't Stop Believing
assistant engineer:
Wally Buck
engineer:
Kevin Elson
producer:
Kevin Elson and Mike Stone (producer and engineer, 1960s–80s)
bass guitar:
Ross Valory (from 1981-04 until 1981-06)
drums (drum set) and percussion:
Steve Smith (US drummer most associated with Journey) (from 1981-04 until 1981-06)
guitar:
Neal Schon (from 1981-04 until 1981-06)
keyboard and piano:
Jonathan Cain (from 1981-04 until 1981-06)
background vocals:
Jonathan Cain (from 1981-04 until 1981-06), Neal Schon (from 1981-04 until 1981-06) and Ross Valory (from 1981-04 until 1981-06)
lead vocals:
Steve Perry (former lead singer of Journey) (from 1981-04 until 1981-06)
phonographic copyright (℗) by:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1981), Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 1981), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1981) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1981)
recorded at:
Fantasy Studios (Berkeley) in Berkeley, California, United States (from 1981-04 until 1981-06)
mixed at:
Fantasy Studios (Berkeley) in Berkeley, California, United States
part of:
SWR1 Hitparade 2022 (Baden-Württemberg) (number: 10), VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (number: 11), Offizielle deutsche Charts – Single-Jahrescharts 2025 (number: 34), Billboard: The 500 Best Pop Songs (as of October 2023) (number: 51) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 133)
recording of:
Don’t Stop Believin’ (Journey song) (from 1981-04 until 1981-06)
writer:
Jonathan Cain, Steve Perry (former lead singer of Journey) and Neal Schon
publisher:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Lacey Boulevard Music, Sharandall Music, Sony Music (global brand, excluding JP, owned by Sony Music Entertainment), Universal/MCA Music Ltd. (not for release label use!) and Weedhigh‐Nightmare Music
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), 日音 Synch事業部 (NICHION, INC. Synch Division), フジパシフィック音楽出版 (Fujipacific Music inc.) (until 2014-12-31) and フジパシフィックミュージック (Fujipacific Music, Inc.) (from 2015-01-01 to present)
Journey4.34:13
5All I Need Is a MiracleMike + the Mechanics34:11
6Hello Again
recording engineer:
Nigel Green (engineer)
producer:
The Cars and Robert John “Mutt” Lange (Robert John Lange)
mixer:
Mike Shipley (audio engineer, mixer, producer)
bass:
Benjamin Orr (co-lead singer for The Cars)
drums (drum set):
David Robinson (US rock drummer)
guitar:
Elliot Easton and Ric Ocasek
keyboard:
Greg Hawkes
vocals:
Elliot Easton, Greg Hawkes, Ric Ocasek and Benjamin Orr (co-lead singer for The Cars)
phonographic copyright (℗) by:
Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (in 1984)
recorded at:
Battery Studios (London, owned by Zomba group) in London (Greater London), England, United Kingdom
mixed at:
Electric Lady Studios in Greenwich Village, New York, New York, United States
recording of:
Hello Again
publisher:
Ric Ocasek (in 1983)
lyricist and composer:
Ric Ocasek
publisher:
Lido Music, Inc.
The Cars4.653:48
7Cuts Like a Knife
edit of:
Cuts Like a Knife by Bryan Adams (Canadian singer/songwriter)
recording of:
Cuts Like a Knife
written in:
Vancouver, British Columbia, Canada (in 1982-04)
writer:
Bryan Adams (Canadian singer/songwriter) (in 1982-04) and Jim Vallance (in 1982-04)
publisher:
Almo Music of Canada, Irving Music of Canada, Some Guy Songs, Adams Communications Inc. (in 1983), Almo Music Corp. (USA, affiliated with ASCAP) (in 1983), Calypso Toonz (in 1983), Irving Music, Inc. (in 1983) and Testatyme Music (in 1983)
Bryan Adams4:09
8Material Girl
additional engineer:
Rob "Ace" Eaton
engineer:
Jason Corsaro (U.S. music engineer, and record producer)
producer:
Nile Rodgers
mixer:
Jason Corsaro (U.S. music engineer, and record producer) and Madonna (“Queen of Pop”)
bass:
Bernard Edwards (American bassist and record producer)
drums (drum set) [drums]:
Tony Thompson (drummer, best known for his work in CHIC)
guitar, synclavier [Synclavier II] and synthesizer [Juno 60]:
Nile Rodgers
background vocals:
Curtis King (American singer and songwriter), Madonna (“Queen of Pop”), Frank Simms and George Simms
lead vocals:
Madonna (“Queen of Pop”)
phonographic copyright (℗) by:
Sire Records Company (not for release label use!) (in 1984)
produced for:
Nile Rodgers Productions Inc.
music videos:
Material Girl by Madonna (“Queen of Pop”)
recording of:
Material Girl
writer:
Peter Brown (70s/80s Miami disco artist/songwriter, "Do Ya Wanna Get Funky With Me") and Robert Rans
publisher:
Candy Castle Music, Minong Publishing Company and Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
Madonna4.64:06
9Let's Go Crazy
cymbal, electronic drum set [Pearl SY-1 Syncussion] and electronic drum set [Simmons SDS-V]:
Bobby Z. (on 1983-08-07)
drum machine [Linn LM-1]:
Prince (“The Artist Formerly Known as…”) (on 1983-08-07) and Bobby Z. (on 1983-08-07)
electric bass guitar:
Brownmark (on 1983-08-07)
electric guitar:
Wendy Melvoin (on 1983-08-07) and Prince (“The Artist Formerly Known as…”) (on 1983-08-07)
synthesizer [Oberheim OB-SX]:
Lisa Coleman (US pianist/keyboardist & composer) (on 1983-08-07)
synthesizer [Oberheim OB-Xa]:
Dr. Fink (on 1983-08-07)
background vocals:
Brownmark (on 1983-08-07), Lisa Coleman (US pianist/keyboardist & composer) (on 1983-08-07), Dr. Fink (on 1983-08-07), Wendy Melvoin (on 1983-08-07) and Prince (“The Artist Formerly Known as…”) (on 1983-08-07)
lead vocals:
Prince (“The Artist Formerly Known as…”) (on 1983-08-07)
phonographic copyright (℗) by:
NPG Records, Inc. (in 2017)
recorded at:
The Warehouse in St. Louis Park, Minnesota, United States (on 1983-08-07)
edit of:
Let’s Go Crazy (album version) by Prince (“The Artist Formerly Known as…”) and The Revolution (founded by Prince)
recording of:
Let’s Go Crazy (on 1983-08-07)
lyricist and composer:
Prince (“The Artist Formerly Known as…”)
Prince33:53
10Footloose
producer:
Lee DeCarlo and Kenny Loggins
bass guitar:
Nathan East
bass synthesizer:
Michael Boddicker
drums (drum set):
Tris Imboden
guitar:
Buzz Feiten
instruments:
Michael Boddicker
keyboard:
Neil Larsen and Steven Wood (US soundtrack composer, member of Honk)
percussion:
Michael Boddicker and Paulinho da Costa (Brazilian percussionist)
background vocals:
Marilyn Dorman, Richey Washington and Steven Wood (US soundtrack composer, member of Honk)
lead vocals:
Kenny Loggins
remixer:
Humberto Gatica
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1984), Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (in 1984), Sony BMG Music Entertainment Inc. (in 1984) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1984)
recording of:
Footloose
lyricist:
Dean Pitchford
composer:
Kenny Loggins
publisher:
BMG Music Ltd., BMG Music Publishing Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Ensign Music Corporation, Ensign Music LLC, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Island Music (Island Music Ltd.), Milk Money Music, Sony Music Publishing (worldwide except Japan, ended 1995), Sony/ATV Harmony, Sony/ATV Melody, Sony/ATV Music Publishing Ltd. and Universal Music Publishers MGB Australia Pty Ltd
part of:
The 57th Academy Award for Best Original Song (number: 2) and Academy Award for Best Original Song (number: 1984 nominee)
Kenny Loggins4.13:51
11My Love
recording engineer:
Calvin Harris
engineer:
Jim Cassell
assistant producer:
Brenda Harvey–Richie
producer:
James Anthony Carmichael and Lionel Richie
mixer:
Calvin Harris, Michael Johnson (Motown related), Fred Law and Stephan Smith (US 70s/80s soul/funk engineer)
bass:
Nathan East
double bass:
Ray Brown (jazz bassist) and Morty Corb (bass, USA)
drums (drum set):
Leon Ndugu Chancler
electric guitar:
Darrell Jones (American soul / funk guitarist and songwriter)
French horn:
James Atkinson (French horn), David Allen Duke (horn), Arthur Maebe (US horn player) and Brian O’Connor (French hornist)
harp:
Gayle Levant (American studio musician, harpist)
saxophone:
Gary Herbig
strings:
Rollice Dale, Assa Drori, Henry Ferber, Ronald Folsom, Allan Harshman (violist), William Henderson (violinist, concertmaster and strings), Armand Kaproff, Dennis Karmazyn, William Kurasch, Joy Lyle, Erno Neufeld, Nathan Ross, Myron Sandler, David Schwartz (violist), Frederick Seykora, Paul Shure, David Speltz, Mari Tsumura (aka Mari Tsumura‐Botnick) and Tibor Zelig
trombone:
Lew McCreary and Bill Reichenbach, Jr. (jazz trombonist)
trumpet:
Gary Grant (brass), Jerry Hey and Warren Luening
viola:
Allan Harshman (violist)
violin:
Assa Drori, Joy Lyle and Paul Shure
woodwind:
Don Ashworth (woodwind), Gene Cipriano, Gary Herbig and Larry Williams (jazz keyboard, sax, flute & clarinet; producer, composer, arranger, and multi‐instrumentalist)
background vocals:
Lionel Richie, Kenny Rogers (US country singer, songwriter, actor, record producer & entrepreneur), Kin Vassy (singer and songwriter) and Terry Williams (American singer-songwriter)
arranger:
James Anthony Carmichael
background vocals arranger:
Kenny Rogers (US country singer, songwriter, actor, record producer & entrepreneur)
vocals arranger:
Lionel Richie
concertmaster:
Harry Bluestone
recorded at:
A&M Recording Studios in Hollywood, Los Angeles, California, United States
mixed at:
Motown / Hitsville U.S.A Recording Studios (recording and mastering studios in West Hollywood, CA) in West Hollywood, California, United States
recording of:
My Love
lyricist and composer:
Lionel Richie
publisher:
Brenda Richie Publishing and Brockman Music
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label) and ヤマハミュージックEH(CM) (Yamaha Music EH(CM))
Lionel Richie54:11
12If She Would Have Been Faithful
engineer and mixer:
Humberto Gatica
producer:
David Foster (Canadian music producer, arranger and composer)
assistant mixer:
Laura Livingston
lead vocals:
Jason Scheff (in 1986)
arranger:
David Foster (Canadian music producer, arranger and composer) and Steve Kipner
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1986, in 2010)
mixed at:
Lion Share Recording Studios in Los Angeles, California, United States
recording of:
If She Would Have Been Faithful... (in 1986)
writer:
Randy Goodrum (in 1986) and Steve Kipner (in 1986)
publisher:
Bocu Music Ltd., CBS Songs Ltd., MCA Music Ltd., April Music Inc. (in 1985), California Phase Music (in 1985) and Stephen A. Kipner Music (in 1985)
Chicago3:56
13I Want a New Drug
recording of:
I Want a New Drug
writer:
Chris Hayes (US rock guitarist & singer (Huey Lewis & The News)) and Huey Lewis
publisher:
Chrysalis Music Ltd. (music publisher, affiliated with PRS) and Dump and Pump Music
Huey Lewis & the News4:11
14Stand Back
analog synthesizer [OBX-A] programming, drum machine [DMX drum machine] programming and drum machine [Oberheim DMX] programming:
David Bluefield
engineer:
Shelly Yakus
producer:
Jimmy Iovine
drums (drum set):
Marvin Caruso and Russ Kunkel (session drummer)
drums (drum set) [drum overdubs]:
Russ Kunkel (session drummer)
drums (drum set) [drums]:
Marvin Caruso
guitar:
Steve Lukather, Waddy Wachtel and David Williams (session guitarist and songwriter)
keyboard:
Prince (“The Artist Formerly Known as…”)
percussion:
Bobbye Hall and Ian Wallace (drummer, ex‐King Crimson)
synthesizer:
Sandy Stewart (80s songwriter, singer & keyboardist)
synthesizer [Oberheim OB-Xa]:
David Bluefield
background vocals:
Sharon Celani, Lori Perry Nicks and Lori Perry
vocals:
Stevie Nicks
remixer:
Chris Lord‐Alge
recorded at:
A&M Studios (former A&M Studios) in Hollywood, Los Angeles, California, United States (on 1983-01-29) and Studio 55 in Los Angeles, California, United States (on 1983-02-08: keyboard)
recording of:
Stand Back (in 1983-02)
lyricist and composer:
Stevie Nicks
additional composer:
Prince (“The Artist Formerly Known as…”)
Stevie Nicks4.54:51
15Old Time Rock and Roll
engineer:
Greg Hamm (US engineer)
producer:
The Muscle Shoals Rhythm Section and Bob Seger
mixer:
John Arrias (engineer), Punch (Ed Andrews, Bob Seger's Manager) and Bob Seger
bass:
David Hood (Muscle Shoals, AL guitarist and trombonist)
drums (drum set) and percussion:
Roger Hawkins
guitar:
Ken Bell and Howie McDonald
piano:
Randy McCormick (session musician and songwriter)
saxophone:
Alto Reed
background vocals:
Stanley Carter, George Jackson (US soul songwriter/vocalist) and James Lavell Easley (Blues harmonica player)
vocals:
Bob Seger
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1978) and Hideout Records & Distributors, Inc. (in 1978)
recorded at:
Muscle Shoals Sound Studio in Sheffield, Alabama, United States
recording of:
Old Time Rock & Roll
writer:
George Jackson (US soul songwriter/vocalist) and Thomas Jones, III (Songwriter)
publisher:
Muscle Shoals Sound Publishing, Peermusic (UK) Limited and Peermusic III, Ltd. (BMI)
part of:
Risky Business (film soundtrack)
Bob Seger & the Silver Bullet Band4.53:18
16Girlfriend
recording of:
Girlfriend
writer:
Antonio M. Reid and Kenneth Edmonds (R&B musician Kenny Edmonds)
publisher:
ECAF Music, Epic Solar Songs Inc., Kear Music (publisher), Sony/ATV Songs LLC and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Pebbles4:20
17Panama
assistant engineer:
Ken Deane
engineer:
Donn Landee
producer:
Ted Templeman
bass:
Michael Anthony (US bassist, formerly of Van Halen)
drums (drum set) and percussion:
Alex Van Halen
guitar:
Edward Van Halen
background vocals:
Michael Anthony (US bassist, formerly of Van Halen), Edward Van Halen and Alex Van Halen
lead vocals:
David Lee Roth
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1983, in 1984) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1983)
recorded at:
5150 (Eddie Van Halen's recording studio) in Studio City, Los Angeles, California, United States
recording of:
Panama
lyricist and composer:
Michael Anthony (US bassist, formerly of Van Halen), Edward Van Halen, David Lee Roth and Alex Van Halen
publisher:
Mugambi Publishing, Diamond Dave Music (in 1984) and Van Halen Music (in 1984)
Van Halen4.23:34

Credits

Release group

part of:TM Century: GoldDisc (licensed for sale to radio stations) (number: 127) (order: 10)