Academia: A Classical Education

~ Release by Chopin, Vivaldi and More (see all versions of this release, 1 available)

Annotation

© 2026 UMG Recordings, Inc.
℗ 2026 UMG Recordings, Inc.

Annotation last modified on 2026-08-30 10:25 UTC.

Tracklist

1▼Digital Media
#TitleArtistRatingLength
1Flute Concerto in F major, RV 433, op. 10 no. 1 “La tempesta di mare”: III. Presto
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Dr. Gerd Ploebsch (from 1987-11 until 1987-12)
editor:
Christian Feldgen (engineer)
cello:
Jane Coe (cellist) (from 1987-11 until 1987-12)
cello [violoncello]:
Christopher Poffley (from 1987-11 until 1987-12)
double bass:
Amanda MacNamara (double bass player) (from 1987-11 until 1987-12)
harpsichord:
Trevor Pinnock (conductor / harpsichord) (from 1987-11 until 1987-12)
transverse flute:
Lisa Beznosiuk (flautist) (from 1987-11 until 1987-12)
viola:
Rupert Bawden (from 1987-11 until 1987-12) and Trevor Jones (British violist, ex. Salomon Quartet) (from 1987-11 until 1987-12)
violin [violin I]:
Graham Cracknell (from 1987-11 until 1987-12), Miles Golding (violinist) (from 1987-11 until 1987-12), Pauline Nobes (violinist) (from 1987-11 until 1987-12) and Simon Standage (English violinist and conductor) (from 1987-11 until 1987-12)
violin [violin II]:
Micaela Comberti (English violinist) (from 1987-11 until 1987-12), Walter Reiter (violinist) (from 1987-11 until 1987-12), Frances Turner (classical violinist) (from 1987-11 until 1987-12) and Maurice Whitaker (Violinist) (from 1987-11 until 1987-12)
orchestra:
The English Concert (from 1987-11 until 1987-12)
conductor:
Trevor Pinnock (conductor / harpsichord) (from 1987-11 until 1987-12)
balance engineer:
Hans‐Peter Schweigmann (engineer)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 1987-11 until 1987-12)
recording of:
Concerto in F major, op. 10 no. 1, RV 433 "La tempesta di mare": III. Presto (from 1987-11 until 1987-12)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Concerto in F major, op. 10 no. 1, RV 433 "La tempesta di mare"
Lisa Beznosiuk, The English Concert, Trevor Pinnock2:07
2Concerto for Violin and Strings in D , op. 6/4 , RV 216: 3. Allegro
producer:
Chris Sayers (producer)
violin:
Andrew Manze (violinist and conductor) (from 1996-07-10 until 1996-07-29)
orchestra:
Academy of Ancient Music (from 1996-07-10 until 1996-07-29)
conductor:
Christopher Hogwood (conductor, harpsichordist) (from 1996-07-10 until 1996-07-29)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 1996-07-10 until 1996-07-29)
recording of:
Violin Concerto in D major, op. 6 no. 4, RV 216: III. Allegro (from 1996-07-10 until 1996-07-29)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Violin Concerto in D major, op. 6 no. 4, RV 216
Christopher Hogwood, Academy of Ancient Music, Andrew Manze2:16
3Concerto in G major, op. 10, no. 4, RV 435: 3. Allegro
soprano recorder:
Michala Petri (recorder player)
orchestra:
Academy of St Martin in the Fields
conductor:
Kenneth Sillito (violinist)
recording of:
Concerto for Recorder in C major, op. 3 no. 1: I. Allegro
composer:
William Babell (composer)
part of:
Concerto for Recorder in C major, op. 3 no. 1
Michala Petri, Academy of St. Martin in the Fields, Iona Brown2:14
4Violin Concerto in D major, op. 7/11, RV 208a: 2. Grave
solo violin:
Stanley Ritchie (violinist) (in 1987-05)
orchestra:
The Bach Ensemble (US baroque ensemble founded by Joshua Rifkin) (in 1987-05)
conductor:
Joshua Rifkin (in 1987-05)
recorded at:
The American Academy of Arts and Letters in Washington Heights, New York, New York, United States (in 1987-05)
recording of:
Concerto for Violin in D major, RV 208 "Grosso Mogul": II. Recitativo: Grave (in 1987-05)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Concerto for Violin in D major, RV 208 "Grosso Mogul"
Stanley Ritchie, The Bach-Ensemble, Joshua Rifkin2:17
5Galop Marquis, KK IVc/13
piano:
Vladimir Ashkenazy (Russian‐Icelandic conductor and pianist)
recording of:
Galop in A‐flat major, KK IV/c13 “Marquis”
composer:
Fryderyk Chopin (Frédéric Chopin, composer)
part of:
Chopin National Edition: WN Catalogue (number: WN 59)
Vladimir Ashkenazy0:47
63 Ecossaises, op. 72 no. 3: no. 2 in G major
piano:
Nikita Magaloff (pianist)
Nikita Magaloff0:36
724 Preludes, op. 28: no. 11 in B major. Vivace (recorded 1974)
Maurizio Pollini0:33
8Waltz no. 19 in A minor, KK IVb/11
piano:
Vladimir Ashkenazy (Russian‐Icelandic conductor and pianist) (in 1976-04)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1977)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1976-04)
recording of:
Waltz no. 6 in D‐flat major, op. 64 no. 1 “Minute Waltz” (in 1976-04)
composer:
Frédéric Chopin (composer) (from 1846 until 1847)
part of:
Katalog Dzieł Fryderyka Chopina (Catalogue of the Works of Frédéric Chopin, Chomiński Catalogue) (number: C. 212)
part of:
Waltzes, op. 64
Vladimir Ashkenazy1:49
9Mazurka no. 19 in B minor, op. 30 no. 2. Allegretto
producer:
James Walker (ballet/opera conductor, classical recordings producer for Decca)
piano:
Vladimir Ashkenazy (Russian‐Icelandic conductor and pianist) (in 1982-06)
balance engineer:
John Dunkerley (engineer) (in 1982-06)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1982-06)
recording of:
Mazurka no. 19 in B minor, op. 30 no. 2 (in 1982-06)
composer:
Fryderyk Chopin (Frédéric Chopin, composer)
part of:
Katalog Dzieł Fryderyka Chopina (Catalogue of the Works of Frédéric Chopin, Chomiński Catalogue) (number: C. 69)
part of:
Mazurkas, op. 30
Vladimir Ashkenazy1:09
102 Bourrees, B160b: no. 2 In A major
engineer:
Hans‐Ulrich Bastin
executive producer:
Marion Thiem
producer:
Werner Mayer (classical producer)
piano:
Anatol Ugorski (pianist) (in 1999-03)
recording of:
Bourrée in A major, B. 160a no. 2 (in 1999-03)
composer:
Fryderyk Chopin (Frédéric Chopin, composer)
Anatol Ugorski0:30
11Mazurka in B‐flat major, KK IVb/1 “Wołowska”. Allegretto
Vladimir Ashkenazy1:01
12Mazurka no. 9 in C major, op. 7 no. 5. Vivo
Nikita Magaloff0:42
13Waltz no. 11 in G‐flat major, op. 70 no. 1 (Pt. 3)
piano:
Jean‐Marc Luisada (pianist)
Jean-Marc Luisada0:48
14Impromptu no. 1 in A‐flat, op. 29 (Pt. 2)
Mikhail Pletnev0:33
15Three Ecossaises op. post 72, no. 3 (1, 2 + 3: no. 3 In D‐flat major)
piano:
Anatol Ugorski (pianist)
recording of:
Écossaises, op. 72 no. 3: No. 3 in D‐flat major
composer:
Fryderyk Chopin (Frédéric Chopin, composer)
part of:
Katalog Dzieł Fryderyka Chopina (Catalogue of the Works of Frédéric Chopin, Chomiński Catalogue) (number: C. 13)
part of:
3 Écossaises, op. posth. 72/3
Anatol Ugorski0:45
1624 Préludes, op. 28: no. 7 in A major. Andantino (2011 recording)
recording engineer:
Klaus Hiemann (engineer/producer)
executive producer:
Alexander Buhr
producer:
Christopher Alder (editor/engineer/producer)
piano:
Maurizio Pollini (pianist) (from 2011-05 until 2011-06)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 2011-05 until 2011-06)
recording of:
Prélude no. 7 in A major, op. 28: Andantino (from 2011-05 until 2011-06)
composer:
Fryderyk Chopin (Frédéric Chopin, composer) (in 1836)
part of:
Chopin: An Index of His Works in Chronological Order (The Brown Catalogue) (number: B. 100) and Katalog Dzieł Fryderyka Chopina (Catalogue of the Works of Frédéric Chopin, Chomiński Catalogue) (number: C. 172)
part of:
24 Préludes pour le piano, op. 28
Maurizio Pollini0:35
17Prelude in A‐flat major, KK IVb/7. Presto con leggierezza
Adam Harasiewicz0:41
1824 Preludes, op. 28: no. 14 in E‐flat minor. Allegro (recorded 1974)
recording engineer:
Klaus Hiemann (engineer/producer)
executive producer:
Alexander Buhr
producer:
Christopher Alder (editor/engineer/producer)
piano:
Maurizio Pollini (pianist) (from 2011-05 until 2011-06)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 2011-05 until 2011-06)
recording of:
Prélude no. 14 in E‐flat minor, op. 28: Allegro (from 2011-05 until 2011-06)
composer:
Fryderyk Chopin (Frédéric Chopin, composer) (from 1836 until 1839)
part of:
Chopin: An Index of His Works in Chronological Order (The Brown Catalogue) (number: B. 107) and Katalog Dzieł Fryderyka Chopina (Catalogue of the Works of Frédéric Chopin, Chomiński Catalogue) (number: C. 179)
part of:
24 Préludes pour le piano, op. 28
Maurizio Pollini0:30
193 Ecossaises, op. 72 no. 3: no. 3 in D‐flat major
piano:
Nikita Magaloff (pianist) (in 1978-02)
recorded at:
Musica Théâtre (1837-2003) in La Chaux-de-Fonds, Neuchâtel (Canton of Neuchâtel), Switzerland (in 1978-02)
recording of:
Écossaises, op. 72 no. 3: No. 3 in D‐flat major (in 1978-02)
composer:
Fryderyk Chopin (Frédéric Chopin, composer)
part of:
Katalog Dzieł Fryderyka Chopina (Catalogue of the Works of Frédéric Chopin, Chomiński Catalogue) (number: C. 13)
part of:
3 Écossaises, op. posth. 72/3
Nikita Magaloff0:38
20Waltz no. 3 in A minor, op. 34 no. 2 (Pt. 6)
Mikhail Pletnev0:36
213 Ecossaises, op. 72 no. 3: no. 3 in D‐flat major
Mikhail Pletnev0:41
2224 Préludes, op. 28: no. 5 in D major
piano:
Martha Argerich (Argentine pianist)
Martha Argerich0:30
233 Ecossaises, op. 72 no. 3: no. 2 in G major
Mikhail Pletnev0:32
2424 Préludes, op. 28, C. 166–189: 10 in C‐sharp minor
Alicia de Larrocha0:30
25Variations on a Rococo Theme, op. 33: Theme. Moderato semplice
recording engineer:
Wolf‐Dieter Karwatky
executive producer:
Dr. Marion Thiem and Ewald Markl
producer:
Christian Gansch (conductor)
cello:
Mischa Maisky (cellist) (in 1996-04)
orchestra:
Orpheus Chamber Orchestra (US orchestra) (in 1996-04)
balance engineer:
Andrew Wedman (producer and engineer)
recorded at:
Performing Arts Center: Recital Hall (Purchase College) in Purchase, Harrison, New York, United States (in 1996-04)
recording of:
Variations on a Rococo Theme for Cello and Orchestra, op. 33: Tema. Moderato semplice (standard Fitzenhagen version) (in 1996-04)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (from 1876-12 until 1877-03)
revised by:
Wilhelm Fitzenhagen (German cellist and composer)
part of:
Variations on a Rococo Theme for Cello and Orchestra, op. 33 (standard Fitzenhagen version)
Mischa Maisky, Orpheus Chamber Orchestra1:30
2618 Pieces, op. 72: no. 16, Valse a cinq temps (live)
piano:
Михаил Плетнёв (Mikhail Pletnev, pianist & conductor) (in 2004-06)
recorded at:
Tonhalle (Kongresshaus Zürich) in Zurich (Zürich), Zürich (Canton of Zürich), Switzerland (in 2004-06)
live recording of:
18 Pieces, op. 72: XVI. Valse à cinq temps (in 2004-06)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (in 1893)
dedicated to:
Николай Ленц
part of:
18 Pieces for Piano, op. 72
Mikhail Pletnev1:36
27Swan Lake, op. 20 (Mariinsky Version), Act I: no. 4, Pas de trois: Var. 1. Allegro semplice
recording engineer:
Philip Siney (sound engineer) (from 2006-05-28 until 2006-06-04)
producer:
Andrew Cornall (engineer / producer)
editor:
Ian Watson (editor/engineer/producer) and Jenni Whiteside (engineer)
orchestra:
Orchestra of the Mariinsky Theatre (Mariinsky Theatre Orchestra, fka Kirov Orchestra till 1992) (from 2006-05-28 until 2006-06-04)
conductor:
Valery Gergiev (conductor) (from 2006-05-28 until 2006-06-04)
recorded at:
Mariinsky Theatre (Mariinsky Theatre) in Sankt-Peterburg (Saint Petersburg), Russia (from 2006-05-28 until 2006-06-04)
recording of:
Swan Lake, op. 20: Act I, no. 4: Pas de trois: III. Allegro semplice (from 2006-05-28 until 2006-06-04)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
Swan Lake, op. 20: Act I, no. 4: Pas de trois
part of:
Swan Lake, op. 20: Act I: No. 2 Pas de trois (ed. Drigo)
Mariinsky Orchestra, Valery Gergiev1:16
28The Sleeping Beauty, op. 66, TH.13 (Prologue: 3h. Pas de six: Variation VI (Lilac Fairy)(Waltz))
producer:
Michael Woolcock (producer)
orchestra:
Orchestre symphonique de Montréal (Montreal Symphony Orchestra) (on 1992-10-29)
conductor:
Charles Dutoit (conductor) (on 1992-10-29)
balance engineer:
Stanley Goodall (engineer) (on 1992-10-29)
recorded at:
L’Église de St. Eustache in Saint-Eustache, Québec (Quebec), Canada (on 1992-10-29)
recording of:
The Sleeping Beauty, op. 66: Prolog. No. 3 Pas de six: Var. VI: La Fee des Lilas (on 1992-10-29)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
The Sleeping Beauty, op. 66: Prologue
Orchestre symphonique de Montréal, Charles Dutoit1:05
29Piano Trio in A minor, op. 50: IIa. Tema con Variazioni: d. Var. 3. Allegro moderato (live)
recording engineer:
Takashi Sakurai (engineer)
assistant engineer:
斉藤裕司郎
executive producer:
Ewald Markl
producer:
Helmut Mühle
editor:
Gudrun Maurer
cello:
Mischa Maisky (cellist) (in 1998-05)
piano:
Martha Argerich (Argentine pianist) (in 1998-05)
violin:
Gidon Kremer (violinist) (in 1998-05)
recorded at:
Sumida Triphony Hall in Kinshi, Sumida (Sumida-ku), Tokyo, Japan (in 1998-05)
live recording of:
Piano Trio in A minor, op. 50 “In Memory of a Great Artist”: II. Tema con variazioni (in 1998-05)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (from 1881-12 until 1882-01)
part of:
Piano Trio in A minor, op. 50 “In Memory of a Great Artist”
Martha Argerich, Gidon Kremer, Mischa Maisky0:48
30Swan Lake, op. 20 (Mariinsky version), Act III: no. 29, Final Scene: a. Andante
recording engineer:
Philip Siney (sound engineer) (from 2006-05-28 until 2006-06-04)
producer:
Andrew Cornall (engineer / producer)
editor:
Ian Watson (editor/engineer/producer) and Jenni Whiteside (engineer)
orchestra:
Orchestra of the Mariinsky Theatre (Mariinsky Theatre Orchestra, fka Kirov Orchestra till 1992) (from 2006-05-28 until 2006-06-04)
conductor:
Valery Gergiev (conductor) (from 2006-05-28 until 2006-06-04)
recorded at:
Mariinsky Theatre (Mariinsky Theatre) in Sankt-Peterburg (Saint Petersburg), Russia (from 2006-05-28 until 2006-06-04)
recording of:
Swan Lake, op. 20: Act IV: Scène finale. Andante (ed. Drigo) (from 2006-05-28 until 2006-06-04)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
revised by:
Riccardo Drigo (composer)
part of:
Swan Lake, op. 20: Act IV (ed. Drigo)
revision of:
Swan Lake, op. 20: Act IV, no. 29: Scene finale: Andante - Allegro agitato - Alla breve. Moderato e maestoso
Mariinsky Orchestra, Valery Gergiev0:57
31Children’s Album, op. 39, TH 141: 20. Baba Yaga the Witch
recording of:
Children’s Album, op. 39: No. 20. The Sorcerer (for piano)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (from 1878-05 until 1878-07)
part of:
Children’s Album, op. 39 (for piano)
Olli Mustonen0:36
32Variations on a Rococo Theme, op. 33, TH.57: Var. I. Tempo del Tema
Nemanja Radulović, Double Sens, Stéphanie Fontanarosa0:44
33Children’s Album, op. 39, TH 141: 9. Waltz
recording of:
Children’s Album, op. 39: No. 8. Waltz (for piano)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (from 1878-05 until 1878-07)
part of:
Children’s Album, op. 39 (for piano)
Olli Mustonen0:58
34The Sleeping Beauty, op. 66, TH.13 ,Act 3: 25d. Pas de quatre: Coda
engineer:
Stanley Goodall (engineer) (in 1992-10)
producer:
Michael Woolcock (producer) (in 1992-10)
orchestra:
Orchestre symphonique de Montréal (Montreal Symphony Orchestra) (in 1992-10)
conductor:
Charles Dutoit (conductor) (in 1992-10)
recorded at:
Église de Saint-Eustache in Saint-Eustache, Québec (Quebec), Canada (in 1992-10)
Orchestre symphonique de Montréal, Charles Dutoit1:26
35The Nutcracker, op. 71, TH 14, Act 2: 14d. Pas de deux: Coda
piano:
Valentina Lisitsa (pianist)
Valentina Lisitsa1:10
3650 Russian Folk Songs, TH 176: 27. Upon the Sea so Blue
piano:
Alexei Kuznetsoff (pianist) and Valentina Lisitsa (pianist)
recording of:
Fifty Russian Folk Songs, TH 176 no. 27: Upon the Sea So Blue, ČW 377 (for piano duet)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (from 1869-08 until 1869-09)
part of:
Thematic and Bibliographical Catalogue of P. I. Čajkovskij's Works (number: ČW 377)
part of:
Fifty Russian Folk Songs, TH 176, ČW 351–400 (for piano duet)
Valentina Lisitsa, Alexei Kuznetsoff0:56
37Children’s Corner, CD 119: V. The Little Shepherd
piano:
Nelson Freire (pianist)
Nelson Freire1:59
38Children’s Corner, CD 119: IV. The Snow Is Dancing
producer:
Werner Mayer (classical producer)
piano:
Alexis Weissenberg (from 1985-01 until 1985-02)
balance engineer:
Klaus Hiemann (engineer/producer)
recorded at:
Friedrich-Ebert-Halle in Hamburg, Germany (from 1985-01 until 1985-02)
recording of:
Children’s Corner, L. 113: IV. The Snow is Dancing (original piano version) (from 1985-01 until 1985-02)
composer:
Claude Debussy (French composer) (from 1906 until 1908-07)
part of:
Children’s Corner, L. 113, CD 119 (original piano version)
Alexis Weissenberg1:51
39Children’s Corner, CD 119: III. Serenade for the Doll
piano:
Dino Ciani (Italian pianist)
Dino Ciani2:47
40Children’s Corner, L. 113: Doctor Gradus ad Parnassum
producer:
Christopher Pope (producer)
editor:
Matthew Hutchinson (engineer / editor)
oboe:
Theodore Baskin
orchestra:
Orchestre symphonique de Montréal (Montreal Symphony Orchestra) (in 1994-05)
conductor:
Charles Dutoit (conductor) (in 1994-05)
balance engineer:
John Dunkerley (engineer) (in 1994-05) and Philip Siney (sound engineer) (in 1994-05)
recorded at:
Église de Saint-Eustache in Saint-Eustache, Québec (Quebec), Canada (in 1994-05)
recording of:
Children's Corner: I. Doctor Gradus ad Parnassum (André Caplet orchestration) (in 1994-05)
orchestrator:
André Caplet (French composer) (in 1910)
composer:
Claude Debussy (French composer) (from 1906 until 1908-07)
orchestration of:
Children’s Corner, L. 113: I. Doctor Gradus ad Parnassum (original piano version)
part of:
Children’s Corner (André Caplet orchestration)
Orchestre symphonique de Montréal, Charles Dutoit2:35
41Préludes, Book 1, L.117: 1. Danseuses de Delphes
piano:
Kocsis Zoltán (pianist, conductor)
Zoltán Kocsis2:51
42Morceau de concours, CD 117
producer:
Christopher Pope (producer)
piano:
Jean‐Yves Thibaudet (pianist) (from 1994-10-15 until 1994-10-18)
recorded at:
Saint George’s, Bristol (Brandon Hill) in Bristol, England, United Kingdom (from 1994-10-15 until 1994-10-18)
recording of:
Morceau de concours, L. 108, CD 117 (for piano) (from 1994-10-15 until 1994-10-18)
composer:
Claude Debussy (French composer) (in 1904)
publisher:
Musica (French magazine) (in 1905-01) and Éditions Durand (1947–present) (in 1980)
was commissioned by:
Musica (French magazine)
part of:
Catalogue François Lesure des œuvres de Claude Debussy (Version de 1977 “L.”) (number: L. 108) and Catalogue François Lesure des œuvres de Claude Debussy (Version révisée en 2001 “CD”) (number: CD 117)
Jean-Yves Thibaudet0:44
43Etudes, CD 143: VI. Pour les huit doigts
piano:
内田光子 (Mitsuko Uchida, pianist)
Mitsuko Uchida1:31
44Hommage à Haydn, L.115
piano:
Jean‐Yves Thibaudet (pianist)
Jean-Yves Thibaudet1:49
45Orchestral Suite no. 2 in B minor, BWV 1067: VII. Badinerie
orchestra:
Deutsches Symphonie‐Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993)
conductor:
Lorin Maazel (conductor)
recording of:
Orchestersuite Nr. 2 h-Moll, BWV 1067: VII. Badinerie (Orchestral Suite no. 2 in B minor, BWV 1067: VII. Badinerie)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Orchestersuite Nr. 2 h-Moll, BWV 1067 (Orchestral Suite no. 2 in B minor, BWV 1067)
Radio-Symphonie-Orchester Berlin, Lorin Maazel1:33
46Suite no. 3 in D major, BWV 1068: IV. Bourrée
recording engineer:
Reinhard Lagemann
executive producer:
Dr. Peter Czornyi and Charlotte Kriesch
producer:
Arend Prohmann (producer / editor)
harpsichord:
Trevor Pinnock (conductor / harpsichord) (in 1994-11)
orchestra:
The English Concert (in 1994-11)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1994-11)
balance engineer:
Hans‐Peter Schweigmann (engineer)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1994-11)
recording of:
Orchestersuite Nr. 3 D-Dur, BWV 1068: IV. Bourrée (in 1994-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Orchestersuite Nr. 3 D-Dur, BWV 1068 (Orchestral Suite no. 3 in D major, BWV 1068)
The English Concert, Trevor Pinnock1:12
4712 Ländler, D. 790: no. 3 in D major
piano:
Mitsuko Uchida (pianist) (in 2001-08)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 2001-08)
recording of:
12 Ländler, D. 790: Nr. 3 in D-Dur (in 2001-08)
composer:
Franz Schubert (composer)
part of:
12 Ländler, D. 790
Mitsuko Uchida0:58
48Water Music Suite no. 1, HWV 348: VIII. Hornpipe. Allegro
Vienna State Opera Orchestra. Hermann Scherchen2:01
4912 Contredanses, WoO 14: no. 1
recorded in:
London (Greater London), England, United Kingdom (from 1978-05-26 until 1978-05-30)
producer and balance engineer:
Vittorio Negri (conductor)
orchestra:
Academy of St Martin in the Fields (from 1978-05-26 until 1978-05-30)
conductor:
Sir Neville Marriner (conductor) (from 1978-05-26 until 1978-05-30)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 1978-05-26 until 1978-05-30)
recording of:
12 Contredances for Orchestra, WoO 14: No. 1 in C major (from 1978-05-26 until 1978-05-30)
composer:
Ludwig van Beethoven (German composer) (from 1791 until 1801)
part of:
12 Contredances for Orchestra, WoO 14
Academy of St. Martin in the Fields, Sir Neville Marriner0:34
50Flute Concerto in G minor, RV 439 “La notte”: 2. Presto (Fantasmi)
recording engineer:
John Dunkerley (engineer)
producer:
Peter Wadland (producer)
flute:
Stephen Preston (flutist) (in 1976-07)
orchestra:
Academy of Ancient Music (in 1976-07)
conductor:
Christopher Hogwood (conductor, harpsichordist) (in 1976-07)
recorded at:
All Saints’ Church (Petersham) in Richmond upon Thames, London (Greater London), England, United Kingdom (in 1976-07)
recording of:
Concerto in G minor, op. 10 no. 2, RV 439 “La notte”: II. Presto “Fantasmi” (in 1976-07)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Concerto in G minor, op. 10 no. 2, RV 439 “La notte”
recording of:
Concerto in G minor, op. 10 no. 2, RV 439 “La notte”: III. Largo (in 1976-07)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Concerto in G minor, op. 10 no. 2, RV 439 “La notte”
Stephen Preston, Academy of Ancient Music, Christopher Hogwood2:11
51Allegretto quasi andante in G minor, WoO 61a
producer:
Sid McLauchlan (engineer/producer)
piano:
Gianluca Cascioli (pianist) (in 1996-08)
balance engineer:
Stephan Flock
recorded at:
Friedrich-Ebert-Halle in Hamburg, Germany (in 1996-08)
recording of:
Allegretto quasi andante for Piano, WoO 61a (in 1996-08)
composer:
Ludwig van Beethoven (German composer) (in 1825)
part of:
Kinsky catalogue (Beethoven WoO works) (number: WoO 61a)
Gianluca Cascioli0:38
52Mazurka no. 19 in B minor, op. 30 no. 2
Paul von Schilhawsky1:14
53Orchestral Suite no. 2 in B minor, BWV 1067: VI. Menuet
recording engineer:
Tony Faulkner (recording engineer)
producer:
Martin Compton (producer)
flute:
Rachel Brown (flutist) (from 1990-11-22 until 1990-12-14)
orchestra:
The Brandenburg Consort (from 1990-11-22 until 1990-12-14)
conductor:
Roy Goodman (conductor and violinist) (from 1990-11-22 until 1990-12-14)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1991)
recording of:
Orchestersuite Nr. 2 h-Moll, BWV 1067: VI. Menuet (Orchestral Suite no. 2 in B minor, BWV 1067: VI. Menuet) (from 1990-11-22 until 1990-12-14)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Orchestersuite Nr. 2 h-Moll, BWV 1067 (Orchestral Suite no. 2 in B minor, BWV 1067)
Rachel Brown, The Brandenburg Consort, Roy Goodman1:17
54Orchestral Suite no. 3 in D major, BWV 1068: IV. Bourrée
executive producer:
Dr. Andreas Holschneider
producer:
Dr. Gerd Ploebsch
cello:
Anthony Pleeth (cellist) (in 1978-06)
harpsichord:
Trevor Pinnock (conductor / harpsichord) (in 1978-06)
transverse flute:
Stephen Preston (flutist) (in 1978-06)
viola:
Trevor Jones (British violist, ex. Salomon Quartet) (in 1978-06)
violin:
Monica Huggett (violinist) (in 1978-06) and Simon Standage (English violinist and conductor) (in 1978-06)
violone:
Richard Webb (cellist) (in 1978-06)
orchestra:
The English Concert (in 1978-06)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1978-06)
balance engineer:
Karl-August Naegler (balance engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1979)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1978-06)
recording of:
Orchestersuite Nr. 3 D-Dur, BWV 1068: IV. Bourrée (in 1978-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Orchestersuite Nr. 3 D-Dur, BWV 1068 (Orchestral Suite no. 3 in D major, BWV 1068)
The English Concert, Trevor Pinnock1:12
55Prélude in A minor, M. 65
piano:
Angela Hewitt (Canadian classical pianist)
recording of:
Prélude, M. 65
composer:
Maurice Ravel (French composer) (in 1913)
dedicated to:
Jeanne Leleu (French pianist and composer)
part of:
Catalogue Marcel Marnat des œuvres de Maurice Ravel (number: M. 65)
Pascal Rogé1:31
56Valses nobles et sentimentales, M. 61: I. Modéré, très franc
piano:
Friedrich Gulda (Austrian pianist and composer) (from 1957-09-30 until 1957-10-05)
recorded at:
Conway Hall in London (Greater London), England, United Kingdom (from 1957-09-30 until 1957-10-05)
recording of:
Valses nobles et sentimentales: I. Modéré - Très franc (for piano) (from 1957-09-30 until 1957-10-05)
composer:
Maurice Ravel (French composer)
part of:
Valses nobles et sentimentales (for piano)
Jean-Yves Thibaudet1:11
57Pièce pour piano (Morceau de concours) (L. 108)
producer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips) and Hermine Sterringa
piano:
Kocsis Zoltán (pianist, conductor) (in 1997-02)
phonographic copyright (℗) by:
Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1998)
recorded at:
Instituto Italiano di Cultura (Italian Institute of Culture) in Budapest, Hungary (in 1997-02)
recording of:
Morceau de concours, L. 108, CD 117 (for piano) (in 1997-02)
composer:
Claude Debussy (French composer) (in 1904)
publisher:
Musica (French magazine) (in 1905-01) and Éditions Durand (1947–present) (in 1980)
was commissioned by:
Musica (French magazine)
part of:
Catalogue François Lesure des œuvres de Claude Debussy (Version de 1977 “L.”) (number: L. 108) and Catalogue François Lesure des œuvres de Claude Debussy (Version révisée en 2001 “CD”) (number: CD 117)
Zoltán Kocsis0:49
58Children’s Album, op. 39, TH 141: 3. Mama
recording of:
Children’s Album, op. 39: No. 4. Mama (for piano)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (from 1878-05 until 1878-07)
part of:
Children’s Album, op. 39 (for piano)
Olli Mustonen1:02
596 Variations for Violin and Piano on “Hélas, j’ai perdu mon amant”, K. 360: Var. 1
recorded in:
La Chaux-de-Fonds, Neuchâtel (Canton of Neuchâtel), Switzerland (from 1981-09-21 until 1981-09-30)
producer:
Volker Straus (producer/engineer)
piano:
Walter Klien (pianist) (from 1981-09-21 until 1981-09-30)
violin:
Arthur Grumiaux (Belgian violinist) (from 1981-09-21 until 1981-09-30)
recording of:
6 Variations for Violin & Piano in G major, K. 374b/360 "Hélas, j'ai perdu mon amant": II. Variazione I (from 1981-09-21 until 1981-09-30)
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
6 Variations for Violin & Piano in G major, K. 374b/360 "Hélas, j'ai perdu mon amant"
Arthur Grumiaux, Walter Klien0:56
603 German Dances, K. 605: no. 2 in G major
engineer:
C. Robert Fine (on 1965-08-04)
producer:
Wilma Cozart
orchestra:
Festival Chamber Orchestra (on 1965-08-04)
conductor:
Antal Doráti (conductor) (on 1965-08-04)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (on 1965-08-04)
recording of:
3 German Dances for Orchestra, K. 605: No. 2 in G major. German Dance & Trio (on 1965-08-04)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
3 German Dances for Orchestra, K. 605
Festival Chamber Orchestra, Antal Doráti1:55
616 Variations for Violin and Piano on “Hélas, j’ai perdu mon amant”, K. 360: Var. 6. minore
recorded in:
La Chaux-de-Fonds, Neuchâtel (Canton of Neuchâtel), Switzerland (from 1981-09-21 until 1981-09-30)
producer:
Volker Straus (producer/engineer)
piano:
Walter Klien (pianist) (from 1981-09-21 until 1981-09-30)
violin:
Arthur Grumiaux (Belgian violinist) (from 1981-09-21 until 1981-09-30)
recording of:
6 Variations for Violin & Piano in G major, K. 374b/360 "Hélas, j'ai perdu mon amant": VII. Variazione VI (from 1981-09-21 until 1981-09-30)
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
6 Variations for Violin & Piano in G major, K. 374b/360 "Hélas, j'ai perdu mon amant"
Arthur Grumiaux, Walter Klien1:02
62Nell, op. 18, no. 1
piano:
Jung-Won Shin (from 2008-05-30 until 2008-06-02)
soprano vocals:
Amy Yeung (from 2008-05-30 until 2008-06-02)
recording of:
3 Songs for Voice and Piano, op. 18: No. 1 Nell (from 2008-05-30 until 2008-06-02)
lyricist:
Leconte de Lisle
composer:
Gabriel Fauré (French composer) (in 1878)
publisher:
Éditions Alphonse Leduc
part of:
3 Songs for Voice and Piano, op. 18
Alan Feinberg2:10
63Moods, op. 73: V. Étude “Hommage à Chopin”
piano:
Daniil Trifonov (pianist) (in 2016-04)
recorded at:
Friedrich-Ebert-Halle in Hamburg, Germany (in 2016-04)
recording of:
Stemninger, op. 73: No. 5. Studie (Hommage à Chopin) (in 2016-04)
composer:
Edvard Grieg (composer)
part of:
Stemninger, op. 73
Daniil Trifonov1:51
6424 Préludes, op. 28: no. 10 in C‐Sharp minor
recording engineer:
Pierre Lavoix (engineer) (from 1975-07 until 1975-12)
producer:
Michel Garcin (French producer) (from 1975-07 until 1975-12)
editor:
Françoise Garcin (editor) (from 1975-07 until 1975-12)
piano:
Maria João Pires (pianist) (from 1975-07 until 1975-12)
recorded at:
Eglise Notre-Dame des Roses in Grisy-Suisnes, Seine-et-Marne, Île-de-France, France (from 1975-07 until 1975-12)
recording of:
Prélude no. 10 in C‐sharp minor, op. 28: Molto allegro (from 1975-07 until 1975-12)
composer:
Fryderyk Chopin (Frédéric Chopin, composer)
part of:
Chopin: An Index of His Works in Chronological Order (The Brown Catalogue) (number: B. 123) and Katalog Dzieł Fryderyka Chopina (Catalogue of the Works of Frédéric Chopin, Chomiński Catalogue) (number: C. 175)
part of:
24 Préludes pour le piano, op. 28
Maria João Pires0:40
65Orchestral Suite no. 2 In B minor, BWV 1067: VII. Badinerie
recording engineer:
Walter Alfred Wettler
executive producer:
Prof. Dr. Hans Hickmann
producer:
Karl-Heinz Schneider (producer)
flute:
Aurèle Nicolet (flutist) (in 1960-06)
orchestra:
Munich Bach Orchestra (in 1960-06)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1960-06)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1961)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1960-06)
recording of:
Orchestersuite Nr. 2 h-Moll, BWV 1067: VII. Badinerie (Orchestral Suite no. 2 in B minor, BWV 1067: VII. Badinerie) (in 1960-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Orchestersuite Nr. 2 h-Moll, BWV 1067 (Orchestral Suite no. 2 in B minor, BWV 1067)
recording of:
Orchestral Suite no. 2 in B minor, BWV 1067: Badinerie (orch. Mahler) (in 1960-06)
orchestrator:
Gustav Mahler (Austro‐Bohemian Romantic composer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
orchestration of:
Orchestersuite Nr. 2 h-Moll, BWV 1067: VII. Badinerie (Orchestral Suite no. 2 in B minor, BWV 1067: VII. Badinerie)
part of:
Suite from Orchestral Works of Bach (orch. Mahler)
Aurèle Nicolet, Münchener Bach‐Orchester, Karl Richter1:31
66Water Music Suite no. 1 in F major, HWV 348: VIII. Hornpipe
harpsichord:
Leslie Pearson (pianist, harpsichordist, organist, composer and arranger) (in 1970-01)
orchestra:
English Chamber Orchestra (in 1970-01)
conductor:
Raymond Leppard (conductor and harpsichordist) (in 1970-01)
recording of:
Water Music, Suite no. 1 in F major, HWV 348: VIII. Hornpipe (in 1970-01)
composer:
George Frideric Handel (German‐British baroque composer) (in 1717)
part of:
Water Music Suite no. 1 in F major, HWV 348
English Chamber Orchestra, Leslie Pearson, Raymond Leppard1:18
67Orchestral Suite no. 3 in D major, BWV 1068: IV. Bourrée
producer:
Hans Weber (producer/engineer)
harpsichord:
Edith Picht‐Axenfeld (pianist / harpsichordist) (from 1964-08-17 until 1964-08-24)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1964-08-17 until 1964-08-24)
conductor:
Herbert von Karajan (conductor) (from 1964-08-17 until 1964-08-24)
balance engineer:
Günter Hermanns (producer/engineer) (from 1964-08-17 until 1964-08-24)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1965)
recorded at:
Victoria Konzertsaal in St. Moritz, Graubünden, Switzerland (from 1964-08-17 until 1964-08-24)
recording of:
Orchestersuite Nr. 3 D-Dur, BWV 1068: IV. Bourrée (from 1964-08-17 until 1964-08-24)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Orchestersuite Nr. 3 D-Dur, BWV 1068 (Orchestral Suite no. 3 in D major, BWV 1068)
Berliner Philharmoniker, Herbert von Karajan11:18
6812 Études, op. 25: no. 9 in G‐flat major “Butterfly Wings”
Maurizio Pollini1:02
69Orchestral Suite no. 3 in D major, BWV 1068: IV. Bourrée
recording engineer:
Walter Alfred Wettler
executive producer:
Prof. Dr. Hans Hickmann
producer:
Karl-Heinz Schneider (producer)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1960-06)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1960-06)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1961)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1960-06)
recording of:
Orchestersuite Nr. 3 D-Dur, BWV 1068: IV. Bourrée (in 1960-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Orchestersuite Nr. 3 D-Dur, BWV 1068 (Orchestral Suite no. 3 in D major, BWV 1068)
Münchener Bach‐Orchester, Karl Richter1:15
705 Polonaisen Wq. 190: 4. Polonaise in A minor
Ensemble Eduard Melkus, Eduard Melkus1:18
71Concerto in G minor, op. 10, no. 2, RV 439 “ La notte”: 2/3. Fantasmi (Presto) (Largo)
soprano recorder:
Michala Petri (recorder player) (in 1980-07)
orchestra:
Academy of St Martin in the Fields (in 1980-07)
conductor:
Iona Brown (violinist and director of the Academy of St Martin in the Fields) (in 1980-07)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1980-07)
recording of:
Concerto in G minor, op. 10 no. 2, RV 439 “La notte”: II. Presto “Fantasmi” (in 1980-07)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Concerto in G minor, op. 10 no. 2, RV 439 “La notte”
recording of:
Concerto in G minor, op. 10 no. 2, RV 439 “La notte”: III. Largo (in 1980-07)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Concerto in G minor, op. 10 no. 2, RV 439 “La notte”
Michala Petri, Academy of St. Martin in the Fields, Iona Brown2:00
7212 Contredanses, WoO 14: no. 9
Bayerische Kammerphilharmonie, Karl Anton Rickenbacher0:34
733 German Dances, K. 605: no. 2 in G major
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra)
conductor:
Erich Kleiber (conductor)
recording of:
3 German Dances for Orchestra, K. 605: No. 2 in G major. German Dance & Trio
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
3 German Dances for Orchestra, K. 605
Berliner Philharmoniker, Erich Kleiber1:28
74Orchestral Suite no. 2 in B minor, BWV 1067: VI. Menuet
producer:
Hans Weber (producer/engineer)
flute:
Karlheinz Zöller (flutist) (from 1964-08-17 until 1964-08-24)
harpsichord:
Edith Picht‐Axenfeld (pianist / harpsichordist) (from 1964-08-17 until 1964-08-24)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1964-08-17 until 1964-08-24)
conductor:
Herbert von Karajan (conductor) (from 1964-08-17 until 1964-08-24)
balance engineer:
Günter Hermanns (producer/engineer) (from 1964-08-17 until 1964-08-24)
recorded at:
Victoria Konzertsaal in St. Moritz, Graubünden, Switzerland (from 1964-08-17 until 1964-08-24)
recording of:
Orchestersuite Nr. 2 h-Moll, BWV 1067: VI. Menuet (Orchestral Suite no. 2 in B minor, BWV 1067: VI. Menuet) (from 1964-08-17 until 1964-08-24)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Orchestersuite Nr. 2 h-Moll, BWV 1067 (Orchestral Suite no. 2 in B minor, BWV 1067)
Berliner Philharmoniker, Herbert von Karajan1:24
7512 German Dances, WoO 8: no. 10 in D major
recorded in:
London (Greater London), England, United Kingdom (from 1978-05-26 until 1978-05-30)
producer and balance engineer:
Vittorio Negri (conductor)
orchestra:
Academy of St Martin in the Fields (from 1978-05-26 until 1978-05-30)
conductor:
Sir Neville Marriner (conductor) (from 1978-05-26 until 1978-05-30)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 1978-05-26 until 1978-05-30)
recording of:
12 German Dances, WoO 8: No. 10 in D major (from 1978-05-26 until 1978-05-30)
composer:
Ludwig van Beethoven (German composer) (in 1795)
part of:
12 German Dances, WoO 8
Academy of St. Martin in the Fields, Sir Neville Marriner1:24
76Les petits riens, K.app.10 (ballet): no. 12 Gavotte. Allegro
producer:
Arend Prohmann (producer / editor)
orchestra:
Concerto Köln (in 2005-11)
conductor:
Anton Steck (violinist and conductor) (in 2005-11)
balance engineer:
Andrew Wedman (producer and engineer) (in 2005-11)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2006)
engineered at:
Deutschlandradio Studios in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (in 2005-11)
recording of:
Les petits riens, K. 299b: No. 12. Gavotte. Allegro (in 2005-11)
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Ballet Music in C major, K. 299b / KV Anh 10 "Les petits riens"
Concerto Köln, Anton Steck1:21
775 Polonaisen Wq. 190: 5. Polonaise in D major
Ensemble Eduard Melkus, Eduard Melkus1:23
78Les petits riens, K.app.10 (ballet): no. 11 Larghetto
producer:
Arend Prohmann (producer / editor)
orchestra:
Concerto Köln (in 2005-11)
conductor:
Anton Steck (violinist and conductor) (in 2005-11)
balance engineer:
Andrew Wedman (producer and engineer) (in 2005-11)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2006)
engineered at:
Deutschlandradio Studios in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (in 2005-11)
recording of:
Les petits riens, K. 299b: No. 11. Larghetto (in 2005-11)
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Ballet Music in C major, K. 299b / KV Anh 10 "Les petits riens"
Concerto Köln & Anton Steck1:15
79Lieder ohne Worte, op. 19: no. 6 in G minor (Andante sostenuto) “Venetian Gondola Song”, MWV U78
recording engineer:
Florian Faber (engineer)
producer:
Stephan Flock
piano:
Jan Lisiecki (pianist) (in 2018-08)
piano technician:
Daniel Brech (piano technician)
recorded at:
Polskie Radio: Studio S2 in Warsaw, Mazowieckie (Masovian Voivodeship), Poland (in 2018-08)
recording of:
Lied ohne Worte g-Moll, op. 19b Nr. 6 (Song Without Words in G minor, Op. 19b No. 6) (in 2018-08)
composer:
Felix Mendelssohn (composer) (from 1829 until 1830)
part of:
Felix Mendelssohn Bartholdy: Thematisch-systematisches Verzeichnis der musikalischen Werke (MWV) (number: MWV U 78)
part of:
Lieder ohne Worte, op. 19b (Songs Without Words, op. 19b)
Jan Lisiecki1:58
80Rondo capriccioso in E major, op. 14, MWV U67: I. Andante
recording engineer:
Florian Faber (engineer)
producer:
Stephan Flock
piano:
Jan Lisiecki (pianist) (in 2018-08)
piano technician:
Daniel Brech (piano technician)
recorded at:
Polskie Radio: Studio S2 in Warsaw, Mazowieckie (Masovian Voivodeship), Poland (in 2018-08)
recording of:
Rondo capriccioso in E major, op. 14: Andante (in 2018-08)
composer:
Felix Mendelssohn (composer)
part of:
Rondo capriccioso, op. 14
Jan Lisiecki2:14