Kuschelrock 14

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, 3 vorhanden)

Titelliste

1▼CD
Nr.TitelKünstlerBewertungLänge
1I'm Your Angel
vocals:
R. Kelly
Interpret(in):
Céline Dion und R. Kelly
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment (Canada) Inc. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1998)
Musikvideos:
I’m Your Angel von Céline Dion duet with R. Kelly
recording of:
I’m Your Angel
Verfasser(in):
R. Kelly
publisher:
Universal Music–Z Songs, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Céline Dion & R. Kelly35:30
2Summer Moved On (radio edit)
Produzent(in):
Boogieman (producer) und Roland Spremberg
Schlagzeug:
Elmar Walljasper
recording of:
Summer Moved On
Texter und Komponist(in):
Paul Waaktaar-Savoy (guitarist, songwriter and singer)
a‐ha44:03
3You'll Be in My Heart (Phil version)
recording engineer:
Elliot Scheiner
Programmierung:
Kim Bullard und Carmen Rizzo
Produzent(in):
Rob Cavallo und Phil Collins (of Genesis)
Mix:
Chris Lord‐Alge
Akustikgitarre:
Rob Cavallo
E-Bass:
John Pierce (US session bassist)
Gitarre:
Mark Goldenberg, Tim Pierce (US session guitarist) und Michael Thompson (session guitarist)
Keyboard und Klavier:
Jamie Mohuberac
Perkussion:
Luis Conte (percussionist)
zusätzlich Perkussion:
Will Donovan
Sologesang:
Phil Collins (of Genesis)
vocals:
Phil Collins (of Genesis)
Saiteninstrumente arranger:
David Campbell (US‐based Canadian violinist, composer, conductor and arranger)
recording of:
You’ll Be in My Heart
Texter und Komponist(in):
Phil Collins (of Genesis)
publisher:
Walt Disney Music Company (music publisher, do not use as release label)
Teil von:
The 72nd Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 1999 winner)
Phil Collins3.24:18
4Supergirl (single version)
Produzent(in):
Steve Lyon (audio recording engineer and record producer)
phonographisches Urheberrecht (℗) von:
Virgin Schallplatten GmbH (not for release label use! for copyrights use only, former German division of Virgin Records Ltd.) (in 2000)
recording of:
Supergirl
Verfasser(in):
Uwe Bossert, Rea Garvey, Mike Gommeringer, Sebastian Padotzke und Philipp Rauenbusch
publisher:
Arabella Musikverlag GmbH (ARABELLA MUSIC EDITION MUENCHEN) und B612 Publishing
Reamonn53:49
5She's the One
recording engineer und Mix:
Steve Power
Programmierung:
Steve McNichol und Steve Power
zusätzliche Programmierung:
Richard Flack (producer/engineer), Nick Hannan und James Brumby (UK engineer)
assistierende(r) Techniker(in):
Richard Hinton und Nick Kirkland
zusätzliche(r) Techniker(in):
Stuart Epps, Richard Flack (producer/engineer), James Brumby (UK engineer), Matt Oliver (UK engineer) und Steve Price (UK recording engineer/producer/orchestrator/arranger)
Produzent(in):
Guy Chambers (English songwriter and record producer) und Steve Power
Akustikgitarre und E-Gitarre:
Steve McEwan (Scottish-born South African songwriter, artist and musician)
Bassgitarre:
David Catlin‐Birch (UK bassist and guitarist)
Klavier:
Guy Chambers (English songwriter and record producer)
Schlagzeug:
Chris Sharrock
Hintergrundgesang:
Steve McEwan (Scottish-born South African songwriter, artist and musician) und Gary Nuttall
Orchester:
The London Session Orchestra
conductor:
Gavyn Wright (UK violinist, conductor)
arranger:
Guy Chambers (English songwriter and record producer)
Orchestrator(in):
Nick Ingman
cover recording of:
She’s the One
Texter und Komponist(in):
Karl Wallinger
publisher:
Universal/Polygram Music Publishing
Robbie Williams2.654:19
6Against All Odds (Take a Look at Me Now)
membranophone-Programmierung:
Xavier Smith (US engineer)
assistierende(r) Techniker(in):
Alessandro R.A. Benedetti, Manuel Farolfi, Xavier Smith (US engineer) und Brad Yost
Techniker(in):
Dana Jon Chappelle und Steve Hodge (engineer and producer)
Produzent(in):
Mariah Carey, Jam & Lewis und Steve Mac (British pop producer/songwriter Steve McCutcheon)
Mix:
Steve Hodge (engineer and producer) und Steve Mac (British pop producer/songwriter Steve McCutcheon)
Bratsche / Viola:
Alice Preves und Tamas Strasser
Cello:
Josh Koestenbaum und Daryl Skobba (classical cellist)
Geige / Violine:
John Kennedy (violinist), Thomas Kornacker, Brenda Mickens, David Mickens, Elsa Nilsson (classical violinist), James Riccardo (classical violinist) und Michal Sobieski (Classical violinist)
Gitarre:
Paul Gendler und Mike Scott (funk and R&B guitarist)
Instrumente:
Jam & Lewis, Jimmy Jam (James Harris of Jam & Lewis) und Terry Lewis (US hip-hop/soul songwriter, producer & label owner)
Keyboard:
Steve Mac (British pop producer/songwriter Steve McCutcheon) und James Wright (US producer, musician, singer and songwriter aka Big Jim)
Saiteninstrumente:
Richard Niles
Hintergrundgesang:
Westlife
Hintergrundgesang und Sologesang:
Mariah Carey
zusätzlich Hintergrundgesang:
Wayne Hector und Mary Ann Tatum
Saiteninstrumente arranger:
Lee Blaske
vocals arranger:
Mariah Carey
aufgenommen bei:
Capri Digital Studios in Capri, Napoli, Campania (Kampanien), Italien und Flyte Tyme Studios in Edina, Minnesota, Vereinigte Staaten
mixed at:
Flyte Tyme Studios in Edina, Minnesota, Vereinigte Staaten
cover recording of:
Against All Odds (Take a Look at Me Now)
Texter und Komponist(in):
Phil Collins (of Genesis)
publisher:
Concord Music GmbH, Concord Sounds, EMI April Music Inc., EMI Entertainment World Inc US, EMI Golden Torch Music Corp., EMI Music Publishing (do not use as a release label!), EMI Worldtrax Music Inc., Filmtrax Copyright Holdings Inc, Imagem CV, Imagem Sounds Collins, Philip Collins Ltd., Effectsound Ltd. (publisher) (in 1984), EMI Music Publishing Ltd. (PRS‐affiliated) (in 1984), Golden Torch Music Corp. (in 1984) und Hit & Run Music (Publishing) Ltd (in 1984)
sub-publisher:
EMI Music Publishing Germany GmbH (2008–today), Imagem Music GmbH (subsidiary of Dutch music publishers Imagem), Sony Music Publishing (Japan) Inc. (song publisher, never a release label), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), コンソーシアム音楽出版 C・F事業部 (Consortium Music Publishing, CF Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (vom 2021-07-01 bis heute)
Teil von:
The 57th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1984 nominee)
Mariah Carey43:25
7On a Day Like Today
recorded in:
Saint Ann (Saint Ann Parish), Jamaika (von 1998-06 bis 1998-08)
recording engineer:
Randy Staub (von 1998-06 bis 1998-08)
zusätzlich recording engineer:
Dean Maher (von 1998-06 bis 1998-08), Phil Thornalley (von 1998-06 bis 1998-08) und Phil Western (Canadian electronic musician) (von 1998-06 bis 1998-08)
sonstige Unterstützung:
Ron Vermeulen (technical assistance) (Aufgabe: technical assistance)
Programmierung:
Olle Romo (Swedish music producer, songwriter, and drummer)
Produzent(in):
Bryan Adams (Canadian singer/songwriter) und Phil Thornalley
assistierende(r) Mix:
Dean Maher
Mix:
Bob Clearmountain
Bass und Gitarre:
Phil Thornalley (von 1998-06 bis 1998-08)
Gitarre [guitars]:
ba (Canadian singer/songwriter) (von 1998-06 bis 1998-08)
Saiteninstrumente:
Vancouver Orchestra (von 1998-06 bis 1998-08)
Schlagzeug [drums]:
Mickey Curry (von 1998-06 bis 1998-08)
vocals:
BA (Canadian singer/songwriter) (von 1998-06 bis 1998-08)
conductor:
Bob Buckley (von 1998-06 bis 1998-08)
Saiteninstrumente arranger:
David Munday und Phil Thornalley
arranger:
Bryan Adams (Canadian singer/songwriter)
phonographisches Urheberrecht (℗) von:
A&M Records, Inc. (in 1998), Badman Limited (in 1998) und UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1998)
aufgenommen bei:
The Warehouse Studio in Vancouver, British Columbia, Kanada (von 1998-06 bis 1998-08) und The Warehouse Studio Mobile Unit (von 1998-06 bis 1998-08)
mixed at:
The Warehouse Studio in Vancouver, British Columbia, Kanada
Teil von:
The Downloader’s Music Source Book (Nummer: 170)
recording of:
On a Day Like Today (von 1998-06 bis 1998-08)
Verfasser(in):
Bryan Adams (Canadian singer/songwriter) und Phil Thornalley
publisher:
BMG Music Publishing Ltd., badams music ltd. (in 1998) und BMG Songs, Inc. (in 1998)
Bryan Adams3.653:30
8Runaway (album version)
recording engineer:
David Reitzas
Koproduzent(in):
Jim Corr
Produzent(in):
David Walter Foster (Canadian music producer, arranger and composer)
assistierende(r) Mix:
Ryan Freeland
Mix:
Bob Clearmountain und David Reitzas
arranger:
Jim Corr
aufgenommen bei:
Chartmaker Studios in Malibu, California (Kalifornien), Vereinigte Staaten
mixed at:
Mix This! in Pacific Palisades, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Runaway
Verfasser(in):
Andrea Corr, Caroline Corr, Jim Corr und Sharon Corr
publisher:
PolyGram Music Publishing
The Corrs3.654:25
9When You Say Nothing at All
Programmierung und Produzent(in):
Stephen Lipson
Techniker(in) und Mix:
Heff Moraes
accordion und Trillerpfeife:
James McNally
Bass:
Stephen Lipson
Gitarre:
Dominic Miller (guitarist)
Keyboard:
Peter-John Vettese (British keyboardist, songwriter, arranger and record producer)
Schlagzeug:
Andy Duncan (UK drummer and producer)
Hintergrundgesang:
Tessa Niles und Miriam Stockley
vocals:
Ronan Keating
phonographisches Urheberrecht (℗) von:
Polydor Ltd. (aka Polydor Ltée, Canadian manufacturer and distributor from 1966–1978, may show maple-leaf logo) (in 1999) und Polygram Ireland Ltd. (in 1999)
aufgenommen bei:
Metropolis (London) in London (Greater London), England, Vereinigtes Königreich und The Aquarium (Studio) in London (Greater London), England, Vereinigtes Königreich
mixed at:
The Aquarium (Studio) in London (Greater London), England, Vereinigtes Königreich
cover recording of:
When You Say Nothing at All
Verfasser(in):
Paul Overstreet (country singer and songwriter) und Don Schlitz
Ronan Keating2.84:14
10I Saved the World Today
phonographisches Urheberrecht (℗) von:
BMG Entertainment International UK & Ireland Ltd. (for © & ℗ copyright use only; file no releases here!) (in 1999)
Remaster:
I Saved the World Today von Eurythmics
recording of:
I Saved the World Today
Texter und Komponist(in):
Annie Lennox (Scottish singer-songwriter, member of Eurythmics and The Tourists) und Dave Stewart (UK guitarist/singer for Eurythmics)
publisher:
Eligible Music Ltd. und La Lennoxa Music Co. Ltd.
Eurythmics3.654:53
11Dear Lie (radio edit)
recording of:
Dear Lie
Verfasser(in):
Babyface (R&B musician Kenny Edmonds) und Tionne “T‐Boz” Watkins
TLC3:57
12Brothers in Arms
Produzent(in):
Neil Dorfsman und Mark Knopfler
phonographisches Urheberrecht (℗) von:
Phonogram Ltd. (London) (company name, NOT a label!) (in 1988) und Warner Records Inc. (not for release label use; fka Warner Bros. Records Inc. until 2019) (in 1988, in 2022)
recording of:
Brothers in Arms
Texter und Komponist(in):
Mark Knopfler
publisher:
Chariscourt Ltd., Rondor Music (London) Ltd. und Straitjacket Songs Ltd
Dire Straits3.454:49
13I Turn to You (radio edit)
cover recording of:
I Turn to You
Texter und Komponist(in):
Diane Warren (US songwriter)
publisher:
Realsongs, Warner Olive Music LLC und WB Music Corp. (1929–2019)
recording of:
I Turn to You
Texter und Komponist(in):
Diane Warren (US songwriter)
publisher:
Realsongs, Warner Olive Music LLC und WB Music Corp. (1929–2019)
Christina Aguilera3:59
14More Than Words
recording of:
More Than Words
Verfasser(in):
Nuno Bettencourt und Gary Cherone
publisher:
Almo Music Corp. (USA, affiliated with ASCAP) und Funky Metal Publishing
Extreme53:43
15I Wanna Love You Forever
recording of:
I Wanna Love You Forever
Verfasser(in):
Louis Biancaniello und Sam Watters
Jessica Simpson3:55
16Show Me the Meaning of Being Lonely
Techniker(in):
Bo Reimer
Produzent(in):
Kristian Lundin (in 1999) und Max Martin (Swedish record producer) (in 1999)
Mix:
Kristian Lundin und Max Martin (Swedish record producer)
Bratsche / Viola:
Åsa Stove Paulsson, Torbjörn Bernhardsson (violist), Elisabeth Arnberg Ranmo, Ulf Forsberg (violinist), Hans Åkeson (violist) und Svein H. Martinsen
Cello:
Åsa Forsberg und Samuli Örnströmer
E-Bass [bass]:
Tomas Lindberg (Swedish bass player)
Geige / Violine:
Tomas Andersson (Swedish classical violinist), Annette Mannheimer und Monika Stanikoliska
Gitarre:
Jojje Wadenius (guitarist, bassist, keyboardist, singer, composer, producer) und Esbjörn Öhrwall
Kontrabass:
Michael Karlsson (double bassist)
vocals:
Alexander James “A.J.” McLean (US singer, songwriter, actor, dancer & model), Brian “B-Rok” Littrell (from the Backstreet Boys), Nick Carter (US pop singer & Backstreet Boy), Howard “Howie D.” Dorough (from the Backstreet Boys) und Kevin Richardson (from the Backstreet Boys)
Orchester:
SNYKO (Stockholm Chamber Orchestra)
conductor:
Henrik Janson und Ulf Janson
Saiteninstrumente arranger:
Henrik Janson und Ulf Janson
phonographisches Urheberrecht (℗) von:
Zomba Recording Corporation (not strictly a label - avoid adding releases here) (in 1999) und RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 2025)
produced for:
Cheiron Productions (in 1999)
aufgenommen bei und mixed at:
Cheiron Studios in Stockholm, Stockholms län (Stockholm county), Schweden
zusätzlich aufgenommen bei:
Polar Studios in Stockholm, Stockholms län (Stockholm county), Schweden
recording of:
Show Me the Meaning of Being Lonely
Verfasser(in):
Herbert Crichlow und Max Martin (Swedish record producer)
publisher:
Grantsville Publishing Ltd., GV-MXM, Megasong Publishing A/S, Zomba Enterprises, Inc. und Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing)
Backstreet Boys3.23:55
17Back at One
Assistent recording engineer:
Mary Ann Souza
recording engineer:
Tommy Vicarri und Chris Wood (recording engineer)
drum machine-Programmierung:
Brian McKnight
leitende(r) Produzent(in):
Bruce Carbone, Kedar Massenburg und Herb Trawick
Produzent(in):
Brian McKnight
assistierende(r) Mix:
Tom Bender (engineer)
Mix:
Mick Guzauski
Bass, Keyboard, Perkussion, Hintergrundgesang und Sologesang:
Brian McKnight
arranger:
Brian McKnight
Orchestrator(in):
Bill K. Meyers (pianist, composer, producer, arranger, and conductor)
aufgenommen bei:
Capital Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
mixed at:
Barking Doctor in Mount Kisco, New York, Vereinigte Staaten
recording of:
Back at One
Texter, Verfasser(in) und Komponist(in):
Brian McKnight
publisher:
Cancelled Lunch Music, PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998) und Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
Brian McKnight3:23
18Wonderful Tonight (album version)
recording of:
Wonderful Tonight
Texter und Komponist(in):
Eric Clapton
publisher:
E.C. Music (UK work publisher for Eric Clapton), Throat Music, Throat Music Ltd., Unichappell Music, Inc. und Warner Chappell Music Ltd. (no slash; used 1988–1996)
Eric Clapton5:12
2▶CD

Nennungen

Veröffentlichungsgruppe

Teil von:Kuschelrock (Nummer: 14) (Reihenfolge: 40)
Discogs:https://www.discogs.com/master/355700 [Info]
Allmusic:https://www.allmusic.com/album/mw0000456686 [Info]