Complete Recordings on Deutsche Grammophon

~ Release by Rafael Kubelík (see all versions of this release, 1 available)

Annotation

2022-11-14
Added release with copy/paste from Booklet.
Scan, TOCs and booklet uploaded.

Would need a review as accentued characters were not recognized + some others (ex: l instead of i, a instead of o, B instead of ß, ...). I tried to fix but there are good odds I missed some (especially Operas discs and ones in German).

Then before adding works recordings should be merged to existing ones.
For instance TOCs from below discs match existing releases: 6,7,8,14,15,16,17,18,19,22,26,27,28,29,30,31,32,33,34,35,44,45,46,47,49,50,51,52,53,55,56,57,58,59,60,62,63

Annotation last modified on 2022-11-14 13:10 UTC.

Tracklist

1▶CD: Bartók: Concerto for Orchestra / Tcherepnin: Piano Concertos nos. 2 & 5
2▶CD: Beethoven: Symphonies nos. 1 & 3 “Eroica”
3▶CD: Beethoven: Symphonies nos. 2 & 7
4▶CD: Beethoven: Symphonies nos. 4 & 5
5▶CD: Beethoven: Symphony no. 6 “Pastoral”
6▶CD: Beethoven: Symphonies nos. 7 & 8
7▶CD: Beethoven: Symphony no. 6 “Choral”
8▶CD: Berg: Violin Concerto / Martinon: Violin Concerto no. 2
9▶CD: Dvořák: Symphony no. 1 “The Bells of Zlonice”
10▶CD: Dvořák: Symphony no. 2
11▶CD: Dvořák: Symphonies nos. 3 & 5
12▶CD: Dvořák: Symphonies nos. 4 & 7
13▶CD: Dvořák: Symphony no. 6 / Scherzo capriccioso
14▶CD: Dvořák: Symphonies nos. 8 & 9 “From the New World”
15▶CD: Dvořák: Overtures
16▶CD: Dvořák: Symphonic poems
17▶CD: Dvořák: Slavonic Dances op. 46 & op. 72
18▶CD: Dvořák: Stabat Mater(1)
19▶CD: Dvořák: Stabat Mater(2) / Legends
20▶CD: Dvořák: Serenade for Strings / Kubelík: Quattro forme per archo
21▶CD: Falla: Noches en los jardines de Espana / Martinů: Piano Concerto no. 5
22▶CD: Handel: Water Music / Music for the Royal Fireworks
23▶CD: Hartmann: Symphonies nos. 4 & 8 / Stravinsky: Scherzo à la russe / Circus Polka
24▶CD: Haydn: Missa in tempore belli / Handel: Arias from Xerxes / Gluck: arias from lphigenie auf Tauris
25▶CD: Janáček: Concertino / Capriccio / Sinfonietta / Taras Bulba
26▶CD: Janáček: Glagolltlc Mass / The Diary of One Who Disappeared
27▶CD: Mahler: Symphony no. 1 / Lieder elnes fahrenden Gesellen
28▶CD: Mahler: Symphony no. 2 “Resurrection”
29▶CD: Mahler: Symphony no. 3(1)
30▶CD: Mahler: Symphony no. 3(2) / Symphony no. 10
31▶CD: Mahler: Symphony no. 4
32▶CD: Mahler: Symphony no. 5
33▶CD: Mahler: Symphony no. 6
34▶CD: Mahler: Symphony no. 7
35▶CD: Mahler: Symphony no. 8
36▶CD: Mahler: Symphony no. 9
37▶CD: Mendelssohn: Overture to A Midsummer Night’s Dream(rehearsal) / A Midsummer Night's Dream
38▶CD: Mozart: Serenade in D major “Haffner”
39▶CD: Mozart: Coronation Mass / Missa brevis
40▶CD: Mozart & Weber: Clarinet Concertos
41▶CD: Orff: Oedipus der Tyrann(1)
42▶CD: Orff: Oedipus der Tyrann(2)
43▶CD: Orff: Oedipus der Tyrann(3)
44▶CD: Pfitzner: Palestrina(1)
45▶CD: Pfitzner: Palestrina(2)
46▼CD: Pfitzner: Palestrina(3)
#TitleArtistRatingLength
1Palestrina: Zweiter Akt. “Den Heil’gen Geist, der die Konzilien leitet” (Morone, Die Väter, Budoja, Severolus, Graf Luna)
engineer:
Heinz Wildhagen (engineer, producer)
executive producer:
Dr. Rudolf Werner (producer at Deutsche Grammophon)
producer:
Hans Weber (producer/engineer)
baritone vocals [Luna]:
Hermann Prey (baritone) (in 1973-02)
baritone vocals [Morone]:
Bernd Weikl (baritone) (in 1973-02)
bass-baritone vocals [Severolus]:
Gerd Nienstedt (bass-baritone) (in 1973-02)
choir vocals:
Chor des Bayerischen Rundfunks (Bavarian Radio Choir) (in 1973-02)
tenor vocals [Budoja]:
Friedrich Lenz (tenor) (in 1973-02)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra) (in 1973-02)
conductor:
Rafael Kubelík (conductor) (in 1973-02)
chorus master:
Josef Schmidhuber (chorus master) (in 1973-02)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1973-02)
partial recording of:
Palestrina: 2. Akt (in 1973-02)
composer and librettist:
Hans Pfitzner (German composer)
part of:
Palestrina
Hans Pfitzner9:34
2Palestrina: Zweiter Akt. “lhr wisst, von des Kaisers Propositionen” (Morone, Die Väter, Avosmediano von Cadix, Severolus, Kardinal von Lothringen, Novagerio, Brus, Madruscht, Budoja, Borromeo)
engineer:
Heinz Wildhagen (engineer, producer)
executive producer:
Dr. Rudolf Werner (producer at Deutsche Grammophon)
producer:
Hans Weber (producer/engineer)
baritone vocals [Borromeo]:
Dietrich Fischer‐Dieskau (German lyric baritone and conductor) (in 1973-02)
baritone vocals [Morone]:
Bernd Weikl (baritone) (in 1973-02)
bass vocals [Lorraine]:
Victor von Halem (operatic bass) (in 1973-02)
bass vocals [Madruscht]:
Karl Ridderbusch (operatic bass) (in 1973-02)
bass vocals [Müglitz]:
Peter Meven (operatic bass) (in 1973-02)
bass-baritone vocals [Avosmediano]:
Franz Mazura (bass / baritone) (in 1973-02)
bass-baritone vocals [Severolus]:
Gerd Nienstedt (bass-baritone) (in 1973-02)
choir vocals:
Chor des Bayerischen Rundfunks (Bavarian Radio Choir) (in 1973-02)
tenor vocals [Budoja]:
Friedrich Lenz (tenor) (in 1973-02)
tenor vocals [Novagerio]:
Heribert Steinbach (tenor) (in 1973-02)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra) (in 1973-02)
conductor:
Rafael Kubelík (conductor) (in 1973-02)
chorus master:
Josef Schmidhuber (chorus master) (in 1973-02)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1973-02)
partial recording of:
Palestrina: 2. Akt (in 1973-02)
composer and librettist:
Hans Pfitzner (German composer)
part of:
Palestrina
Hans Pfitzner4:26
3Palestrina: Zweiter Akt. “Darf ich die Frage stellen, warum nicht nach der Reih” (Brus, Spanischer Bischof, Severolus, Morone, Novagerio, Graf Luna, Kardinal von Lothringen, Spanische Geistliche, Budoja, Avosmediano, ltalienische Geistliche, Die Väter, Abdisu)
engineer:
Heinz Wildhagen (engineer, producer)
executive producer:
Dr. Rudolf Werner (producer at Deutsche Grammophon)
producer:
Hans Weber (producer/engineer)
baritone vocals [Luna]:
Hermann Prey (baritone) (in 1973-02)
baritone vocals [Morone]:
Bernd Weikl (baritone) (in 1973-02)
bass vocals [Lorraine]:
Victor von Halem (operatic bass) (in 1973-02)
bass vocals [Müglitz]:
Peter Meven (operatic bass) (in 1973-02)
bass vocals [spanish bishop]:
Paul Hansen (Bass vocalist) (in 1973-02)
bass-baritone vocals [Avosmediano]:
Franz Mazura (bass / baritone) (in 1973-02)
bass-baritone vocals [Severolus]:
Gerd Nienstedt (bass-baritone) (in 1973-02)
choir vocals:
Chor des Bayerischen Rundfunks (Bavarian Radio Choir) (in 1973-02)
tenor vocals [Abdisu]:
John van Kesteren (tenor) (in 1973-02)
tenor vocals [Budoja]:
Friedrich Lenz (tenor) (in 1973-02)
tenor vocals [Novagerio]:
Heribert Steinbach (tenor) (in 1973-02)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra) (in 1973-02)
conductor:
Rafael Kubelík (conductor) (in 1973-02)
chorus master:
Josef Schmidhuber (chorus master) (in 1973-02)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1973-02)
partial recording of:
Palestrina: 2. Akt (in 1973-02)
composer and librettist:
Hans Pfitzner (German composer)
part of:
Palestrina
Hans Pfitzner7:05
4Palestrina: Zweiter Akt. “In der Verfassung des Gemüts” (Morone)
engineer:
Heinz Wildhagen (engineer, producer)
executive producer:
Dr. Rudolf Werner (producer at Deutsche Grammophon)
producer:
Hans Weber (producer/engineer)
baritone vocals [Morone]:
Bernd Weikl (baritone) (in 1973-02)
tenor vocals [Budoja]:
Friedrich Lenz (tenor) (in 1973-02)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra) (in 1973-02)
conductor:
Rafael Kubelík (conductor) (in 1973-02)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1973-02)
partial recording of:
Palestrina: 2. Akt (in 1973-02)
composer and librettist:
Hans Pfitzner (German composer)
part of:
Palestrina
Hans Pfitzner2:35
5Palestrina: Zweiter Akt. “Was nun! Was nun! Glaubt lhr noch dran” (Morone, Novagerio, Budoja)
engineer:
Heinz Wildhagen (engineer, producer)
executive producer:
Dr. Rudolf Werner (producer at Deutsche Grammophon)
producer:
Hans Weber (producer/engineer)
baritone vocals [Morone]:
Bernd Weikl (baritone) (in 1973-02)
tenor vocals [Budoja]:
Friedrich Lenz (tenor) (in 1973-02)
tenor vocals [Novagerio]:
Heribert Steinbach (tenor) (in 1973-02)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra) (in 1973-02)
conductor:
Rafael Kubelík (conductor) (in 1973-02)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1973-02)
partial recording of:
Palestrina: 2. Akt (in 1973-02)
composer and librettist:
Hans Pfitzner (German composer)
part of:
Palestrina
Hans Pfitzner2:16
6Palestrina: Zweiter Akt. “Habt ihr’s gesehn?” (Spanische, ltalienische, Deutsche Diener, Madruscht)
engineer:
Heinz Wildhagen (engineer, producer)
executive producer:
Dr. Rudolf Werner (producer at Deutsche Grammophon)
producer:
Hans Weber (producer/engineer)
bass vocals [Madruscht]:
Karl Ridderbusch (operatic bass) (in 1973-02)
choir vocals:
Chor des Bayerischen Rundfunks (Bavarian Radio Choir) (in 1973-02)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra) (in 1973-02)
conductor:
Rafael Kubelík (conductor) (in 1973-02)
chorus master:
Josef Schmidhuber (chorus master) (in 1973-02)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1973-02)
partial recording of:
Palestrina: 2. Akt (in 1973-02)
composer and librettist:
Hans Pfitzner (German composer)
part of:
Palestrina
Hans Pfitzner2:42
7Palestrina: Dritter Akt. Vorspiel
engineer:
Heinz Wildhagen (engineer, producer)
executive producer:
Dr. Rudolf Werner (producer at Deutsche Grammophon)
producer:
Hans Weber (producer/engineer)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra) (in 1973-02)
conductor:
Rafael Kubelík (conductor) (in 1973-02)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1973-02)
recording of:
Palestrina: 3. Akt. Vorspiel (in 1973-02)
composer:
Hans Pfitzner (German composer)
part of:
Palestrina: 3. Akt
Hans Pfitzner5:13
8Palestrina: Dritter Akt. “Wie lange sie bleiben” (Fünf Kapellsänger von Santa Maria Maggiore, Palestrina, lghino)
engineer:
Heinz Wildhagen (engineer, producer)
executive producer:
Dr. Rudolf Werner (producer at Deutsche Grammophon)
producer:
Hans Weber (producer/engineer)
bass vocals [choristers]:
Theodor Nicolai (bass) (in 1973-02) and Peter Schranner (in 1973-02)
bass-baritone vocals [choristers]:
Nikolaus Hillebrand (Bass-baritone vocalist) (in 1973-02)
soprano vocals [Ighino]:
Helen Donath (soprano) (in 1973-02)
tenor vocals [choristers]:
Albert Gassner (tenor) (in 1973-02) and Heinrich Weber (tenor) (in 1973-02)
tenor vocals [Palestrina]:
Nicolai Gedda (tenor) (in 1973-02)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra) (in 1973-02)
conductor:
Rafael Kubelík (conductor) (in 1973-02)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1973-02)
partial recording of:
Palestrina: 3. Akt (in 1973-02)
composer and librettist:
Hans Pfitzner (German composer)
part of:
Palestrina
Hans Pfitzner5:20
9Palestrina: Dritter Akt. “Als sie dich griffen und banden” (Ighino)
engineer:
Heinz Wildhagen (engineer, producer)
executive producer:
Dr. Rudolf Werner (producer at Deutsche Grammophon)
producer:
Hans Weber (producer/engineer)
soprano vocals [Ighino]:
Helen Donath (soprano) (in 1973-02)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra) (in 1973-02)
conductor:
Rafael Kubelík (conductor) (in 1973-02)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1973-02)
partial recording of:
Palestrina: 3. Akt (in 1973-02)
composer and librettist:
Hans Pfitzner (German composer)
part of:
Palestrina
Hans Pfitzner4:02
10Palestrina: Dritter Akt. “Evviva Palestrina, der Retter der Musik!” (Chor, Die päpstlichen Kapellsänger)
engineer:
Heinz Wildhagen (engineer, producer)
executive producer:
Dr. Rudolf Werner (producer at Deutsche Grammophon)
producer:
Hans Weber (producer/engineer)
choir vocals:
Chor des Bayerischen Rundfunks (Bavarian Radio Choir) (in 1973-02) and Tölzer Knabenchor (Tölz Boys’ Choir) (in 1973-02)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra) (in 1973-02)
conductor:
Rafael Kubelík (conductor) (in 1973-02)
chorus master:
Josef Schmidhuber (chorus master) (in 1973-02) and Gerhard Schmidt‐Gaden (conductor) (in 1973-02)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1973-02)
partial recording of:
Palestrina: 3. Akt (in 1973-02)
composer and librettist:
Hans Pfitzner (German composer)
part of:
Palestrina
Hans Pfitzner1:53
11Palestrina: Dritter Akt. “Wie einst im himmlischen Zion” (Papst Pius IV.)
engineer:
Heinz Wildhagen (engineer, producer)
executive producer:
Dr. Rudolf Werner (producer at Deutsche Grammophon)
producer:
Hans Weber (producer/engineer)
bass vocals [Pope Pius]:
Karl Ridderbusch (operatic bass) (in 1973-02)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra) (in 1973-02)
conductor:
Rafael Kubelík (conductor) (in 1973-02)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1973-02)
partial recording of:
Palestrina: 3. Akt (in 1973-02)
composer and librettist:
Hans Pfitzner (German composer)
part of:
Palestrina
Hans Pfitzner3:56
12Palestrina: Dritter Akt. “Die Messe – ach, der Messe süßes Licht” (Borromeo, Palestrina)
engineer:
Heinz Wildhagen (engineer, producer)
executive producer:
Dr. Rudolf Werner (producer at Deutsche Grammophon)
producer:
Hans Weber (producer/engineer)
baritone vocals [Borromeo]:
Dietrich Fischer‐Dieskau (German lyric baritone and conductor) (in 1973-02)
tenor vocals [Palestrina]:
Nicolai Gedda (tenor) (in 1973-02)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra) (in 1973-02)
conductor:
Rafael Kubelík (conductor) (in 1973-02)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1973-02)
partial recording of:
Palestrina: 3. Akt (in 1973-02)
composer and librettist:
Hans Pfitzner (German composer)
part of:
Palestrina
Hans Pfitzner3:23
13Palestrina: Dritter Akt. “O Vater, wirst du nun auch wieder froh?” (lghino, Palestrina)
engineer:
Heinz Wildhagen (engineer, producer)
executive producer:
Dr. Rudolf Werner (producer at Deutsche Grammophon)
producer:
Hans Weber (producer/engineer)
soprano vocals [Ighino]:
Helen Donath (soprano) (in 1973-02)
tenor vocals [Palestrina]:
Nicolai Gedda (tenor) (in 1973-02)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra) (in 1973-02)
conductor:
Rafael Kubelík (conductor) (in 1973-02)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1973-02)
partial recording of:
Palestrina: 3. Akt (in 1973-02)
composer and librettist:
Hans Pfitzner (German composer)
part of:
Palestrina
Hans Pfitzner3:00
14Palestrina: Dritter Akt. “Evviva Palestrina! Der Retter der Musik!” (Chor, lghino, Palestrina)
engineer:
Heinz Wildhagen (engineer, producer)
executive producer:
Dr. Rudolf Werner (producer at Deutsche Grammophon)
producer:
Hans Weber (producer/engineer)
choir vocals:
Chor des Bayerischen Rundfunks (Bavarian Radio Choir) (in 1973-02) and Tölzer Knabenchor (Tölz Boys’ Choir) (in 1973-02)
soprano vocals [Ighino]:
Helen Donath (soprano) (in 1973-02)
tenor vocals [Palestrina]:
Nicolai Gedda (tenor) (in 1973-02)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra) (in 1973-02)
conductor:
Rafael Kubelík (conductor) (in 1973-02)
chorus master:
Josef Schmidhuber (chorus master) (in 1973-02) and Gerhard Schmidt‐Gaden (conductor) (in 1973-02)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1973-02)
partial recording of:
Palestrina: 3. Akt (in 1973-02)
composer and librettist:
Hans Pfitzner (German composer)
part of:
Palestrina
Hans Pfitzner2:26
15Palestrina: Dritter Akt. “Nun schmiede mich, den letzten Stein” (Palestrina, Chor)
engineer:
Heinz Wildhagen (engineer, producer)
executive producer:
Dr. Rudolf Werner (producer at Deutsche Grammophon)
producer:
Hans Weber (producer/engineer)
choir vocals:
Chor des Bayerischen Rundfunks (Bavarian Radio Choir) (in 1973-02) and Tölzer Knabenchor (Tölz Boys’ Choir) (in 1973-02)
tenor vocals [Palestrina]:
Nicolai Gedda (tenor) (in 1973-02)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra) (in 1973-02)
conductor:
Rafael Kubelík (conductor) (in 1973-02)
chorus master:
Josef Schmidhuber (chorus master) (in 1973-02) and Gerhard Schmidt‐Gaden (conductor) (in 1973-02)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1973-02)
partial recording of:
Palestrina: 3. Akt (in 1973-02)
composer and librettist:
Hans Pfitzner (German composer)
part of:
Palestrina
Hans Pfitzner2:25
47▶CD: Schönberg: Gurre‐Lieder(1)
48▶CD: Schönberg: Gurre‐Lieder(2) / Piano Concerto / Violin Concerto
49▶CD: Schumann: Symphonies nos. 1 “Spring” & 2 / Genoveva Overture
50▶CD: Schumann: Symphonies nos. 3 “Rhenish” & 4 / Manfred Overture
51▶CD: Schumann & Grieg: Piano Concertos
52▶CD: Schumann: Piano Concerto / Introduction and Allegro appassionato
53▶CD: Smetana: Má vlast
54▶CD: Smetana: Richard III / Hakon Jarl / Prager Karneval / Wallensteins Lager
55▶CD: Verdi: Rigoletto(1)
56▶CD: Verdi: Rigoletto(2)
57▶CD: Wagner: Orchestral excerpts from Operas
58▶CD: Wagner: Lohengrin(1)
59▶CD: Wagner: Lohengrin(2)
60▶CD: Wagner: Lohengrin(3)
61▶CD: Weber: Overtures
62▶CD: Weber: Oberon(1)
63▶CD: Weber: Oberon(2)
64▶CD: Interview with Rafael Kubelík about Mahler
65▶DVD-Video
66▶DVD-Video