Jesu, Joy of Man’s Desiring & The Immortal Music of J.S. Bach

~ Pubblicazione di Johann Sebastian Bach (visualizza tutte le versioni di questa pubblicazione: 3 disponibili)

Elenco tracce

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#TitoloValutazioneDurata
1Brandenburg Concerto no. 3, BWV 1048: Allegro
violino :
J. Brezina (violinist, probably fictitious)
orchestra:
Camerata Labacensis (Slovenian chamber orchestra), Camerata Romana (an Alfred Scholz pseudonym), The English Philharmonic Orchestra (an Alfred Scholz pseudonym assocated with Simon Addison, not the orchestra founded in 1998), Musici di San Marco (an Alfred Scholz pseudonym), Oregon Bach Festival Chamber Orchestra, Oregon Bach Festival Orchestra, Philharmonia Slavonia (Alfred Scholz pseudonym) e Südwest-Studioorchester (an Alfred Scholz pseudonym)
direttore d'orchestra:
Simon Addison (probably an Alfred Scholz pseudonym), Karel Brazda (an Alfred Scholz pseudonym), Eugen Duvier (conductor, an Alfred Scholz pseudonym), Francesco Macci (an Alfred Scholz pseudonym), Heribert Münchner (conductor, pseudonym for Alfred Scholz), Rudolf Pribil (pseudonym for Alfred Scholz) e Helmuth Rilling (conductor)
registrazione di:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048: III. Allegro
compositore:
Johann Sebastian Bach (German Baroque period composer & musician)
parte di:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048 (Brandenburg Concerto No. 3 in G major, BWV 1048)
parte di:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048 (Brandenburg Concerto No. 3 in G major, BWV 1048, Hillborg version with new 2nd mvt)
3:23
2Air on a 'G' String, BWV 1068
orchestra:
The English Philharmonic Orchestra (an Alfred Scholz pseudonym assocated with Simon Addison, not the orchestra founded in 1998), London Festival Orchestra (Alfred Scholz pseudonym) e Philharmonic Orchestra London (Alfred Scholz pseudonym)
direttore d'orchestra:
Simon Addison (probably an Alfred Scholz pseudonym)
registrazione di:
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (Orchestral Suite no. 3 in D major, BWV 1068: II. Air, Air on the G string)
compositore:
Johann Sebastian Bach (German Baroque period composer & musician) (nel 1730)
parte di:
Orchestersuite Nr. 3 D-Dur, BWV 1068 (Orchestral Suite no. 3 in D major, BWV 1068)
3:19
3Concerto in D minor for 2 Violins, BWV 1043: Allegro
violino :
Joseph Brezina (violinist, probably fictitious), Feliz Elias (violinist, probably fictitious), Alberto Tozzi (violinist, probably fictitious Alfred Scholz related) e Tomasco Vecchi (violinist, probably fictitious)
orchestra:
Camerata Labacensis (Slovenian chamber orchestra), Camerata Romana (an Alfred Scholz pseudonym) e Musici di San Marco (an Alfred Scholz pseudonym)
direttore d'orchestra:
Eugen Duvier (conductor, an Alfred Scholz pseudonym) e Francesco Macci (an Alfred Scholz pseudonym)
registrazione di:
Concerto for 2 Violins in D minor, BWV 1043: III. Allegro
compositore:
Johann Sebastian Bach (German Baroque period composer & musician) (dal 1730 al 1731)
parte di:
Concerto for 2 Violins in D minor, BWV 1043
5:14
4Prelude in C, BWV 846
organo :
Philip Brunelle (organist and conductor)
registrazione di:
Prelude in C minor, BWV 999 (catch-all for arrangements)
compositore:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangiamento di:
Prelude in C minor, BWV 999 (original for lute)
registrazione di:
The Well-Tempered Clavier, Book I: Prelude and Fugue no. 1 in C major, BWV 846: Prelude
compositore:
Johann Sebastian Bach (German Baroque period composer & musician) (nel 1722)
parte di:
Notebook for Anna Magdalena Bach (1725) (numero: 29)
parte di:
The Well-Tempered Clavier, Book I: Prelude and Fugue no. 1 in C major, BWV 846
revisione di:
Prelude and Fugue no. 1 in C major, BWV 846.1/846a: I. Prelude (early version)
2:59
5Brandenburg Concerto no. 2, BWV 1047: Allegro assai
tromba :
Rolf Quinque (trumpet player)
violino :
J. Brezina (violinist, probably fictitious)
orchestra:
Camerata Labacensis (Slovenian chamber orchestra), Camerata Rhenania (an Alfred Scholz pseudonym), Camerata Romana (an Alfred Scholz pseudonym), The English Philharmonic Orchestra (an Alfred Scholz pseudonym assocated with Simon Addison, not the orchestra founded in 1998), Hamburger Symphoniker, Musici di San Marco (an Alfred Scholz pseudonym), Philharmonia Slavonia (Alfred Scholz pseudonym) e Südwest-Studioorchester (an Alfred Scholz pseudonym)
direttore d'orchestra:
Simon Addison (probably an Alfred Scholz pseudonym), Karel Brazda (an Alfred Scholz pseudonym), Eugen Duvier (conductor, an Alfred Scholz pseudonym), Hanspeter Gmür (fictitious conductor, Alfred Scholz pseudonym), Francesco Macci (an Alfred Scholz pseudonym), Heribert Münchner (conductor, pseudonym for Alfred Scholz) e Gabor Ötvös (Hungarian conductor)
registrazione di:
Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047: III. Allegro assai
compositore:
Johann Sebastian Bach (German Baroque period composer & musician)
parte di:
Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047 (Brandenburg Concerto No. 2 in F major, BWV 1047)
3:25
6Arioso in F
ottoni :
St. Louis Brass Quintet
orchestra:
Royal Philharmonic Orchestra
direttore d'orchestra:
Alberto Delande (fictitious conductor, Alfred Scholz pseudonym)
registrazione di:
Kantate, BWV 156 "Ich steh mit einem Fuß im Grabe": I. Sinfonia ("Arioso", catch-all for arrangements)
compositore:
Johann Sebastian Bach (German Baroque period composer & musician) (nel 1729)
arrangiamento di:
Kantate, BWV 156 “Ich steh mit einem Fuß im Grabe”: I. Sinfonia
3:42
7Sinfonia in G, The Christmas Oratorio, BWV 248
orchestra:
Stuttgart Radio Symphony (Stuttgart Radio Symphony Orchestra)
direttore d'orchestra:
Garcia Navarro (conductor)
diritti fonografici (℗) detenuti da:
Mediaphon (for copyrights use only – this is the short name used in legal notices by Mediaphon GmbH, aka Mediaphon-Musikproduktion und Verlag GmbH) (dal 1986 a oggi)
registrazione di:
Weihnachts-Oratorium, BWV 248: Teil II, X. Sinfonia
eseguita per la prima volta a:
Leipzig, Sachsen (Saxony), Germania (il 1734-12-26)
ha composto a:
Leipzig, Sachsen (Saxony), Germania (dal 1734 al 1735)
compositore:
Johann Sebastian Bach (German Baroque period composer & musician)
parte di:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
6:08
8In Dulci Jubilo, BWV 729
organo :
Philip Brunelle (organist and conductor)
registrazione di:
In dulci jubilo, BWV 729
compositore:
Johann Sebastian Bach (German Baroque period composer & musician)
parte di:
Bach-Werke-Verzeichnis (numero: BWV 729)
versione di:
In dulci iubilo (original traditional version in macaronic alteration of medieval German and Latin, use also for unspecified versions)
2:20
9Jesu, Joy of Man’s Desiring, BWV 147
ottoni :
St. Louis Brass Quintet
orchestra:
St. Louis Brass Quintet
registrazione di:
Kantate, BWV 147 “Herz und Mund und Tat und Leben”: Teil II, X. Choral “Jesus bleibet meine Freude” (Jesu, Joy of Man’s Desiring; catch‐all for arrangements and unknown orchestrations)
compositore:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangiamento di:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, X. Choral „Jesus bleibet meine Freude“ (Jesu, Joy of Man’s Desiring)
3:55
10Toccata and Fugue in D minor, BWV 565
organo :
Hans-Christoph Becker-Foss (organist and choir leader)
diritti fonografici (℗) detenuti da:
Mediaphon (for copyrights use only – this is the short name used in legal notices by Mediaphon GmbH, aka Mediaphon-Musikproduktion und Verlag GmbH) (dal 1982 a oggi)
registrata presso:
Marktkirche St. Nicolai (Beckerath-Organ, Hameln) in Hamelin, Niedersachsen (Lower Saxony), Germania
registrazione di:
Toccata und Fuge d-Moll, BWV 565 (Toccata and Fugue in D minor, BWV 565)
compositore:
Johann Sebastian Bach (German Baroque period composer & musician)
parte di:
Bach-Werke-Verzeichnis (first edition, 1950, BWV¹) (numero: BWV 565) e Bach Compendium (numero: BC J 37)
48:07