Deutsche Harmonia Mundi: 50 Jahre: 1958–2008

~ Release by Various Artists (see all versions of this release, 1 available)

Annotation

CD 21 a.k.a. "Missa cum jubilo" due to the Kyrie. This does not appear to be a complete recording of the mass, due to the missing Kyrie and Christe settings. Tracks 19 and 20 are gregorian chants alternated with works from Frescobaldi's second book of toccatas.

Annotation last modified on 2011-08-10 02:38 UTC.

Tracklist

1▶CD: Balthasar-Neumann-Chor & Freiburger Barockorchester feat. conductor: Thomas Hengelbrock
2▶CD: Camerata Köln
3▶CD: feat. harpsichord: Gustav Leonhardt
4▶CD: Barthold Kuijken et al.
5▶CD: Cantus Cölln feat. conductor: Konrad Junghänel
6▶CD: Bach: Messe in H-Moll
7▶CD: Bach: Messe in H-Moll
8▶CD: Bach, Vivaldi
9▶CD: Bach, Cello-Suiten
10▶CD: Bach, Cello-Suiten
11▶CD: Barroco Espagñol Vol. 2
12▶CD: Das Violoncello im 17. Jahrhundert
13▶CD: Biber: Requiem à 15, Steffani: Stabat mater
14▶CD: Boccherini: Cello Concertos, Sinfonias
15▶CD: Buxtehude: Abendmusik
16▶CD: Caccini
17▶CD: Couperin: La Sultane
18▶CD: Facco: 6 Concerti, Op. 1 / Vivaldi, Concerto RV 157
19▶CD: Forqueray: Pièces de viole
20▶CD: Messa della Domenica
21▶CD: Messa della Madonna
22▶CD: Gluck: Le Cinesi
23▶CD: De Lassus
24▼CD: De Lassus
#TitleArtistRatingLength
1Requiem à 5: I. Introitus
miscellaneous support:
Dr. Alfred Krings (task: recording supervision) and Hubert Kübler (producer) (task: recording supervision)
bass vocals:
Mark Brown (operatic bass, early music singer, conductor, and producer) (in 1971-04), Brian Etheridge (operatic bass) (in 1971-04), William Mason (opera bass) (in 1971-04) and David Thomas (British operatic bass) (in 1971-04)
choir vocals:
Pro Cantione Antiqua (UK early music vocal ensemble) (in 1971-04)
countertenor vocals:
Keith Davis (doo wop artist) (in 1971-04), John Elwes (tenor) (in 1971-04), Paul Esswood (countertenor) (in 1971-04), Geoffrey Mitchell (in 1971-04) and Kevin Smith (english counter-tenor) (in 1971-04)
tenor vocals:
James Griffett (tenor) (in 1971-04), James Lewington (in 1971-04) and Ian Thompson (tenor) (in 1971-04)
orchestra:
Pro Cantione Antiqua (UK early music vocal ensemble) (in 1971-04)
conductor and chorus master:
Bruno Turner (musicologist, choral conductor) (in 1971-04)
recorded at:
Pfarrkirche Schleiden/Eifel in Schleiden, Nordrhein-Westfalen (North Rhine-Westphalia), Germany (in 1971-04)
recording of:
Missa Pro defunctis (Requiem) à 5, H. vi, 135: Introitus (in 1971-04)
composer:
Orlande de Lassus (Franco-Flemish Renaissance composer)
part of:
Missa Pro defunctis (Requiem) à 5, H. vi, 135 (One of Lassus' 3 requiems)
Orlande de Lassus6:28
2Requiem à 5: II. Kyrie
miscellaneous support:
Dr. Alfred Krings (task: recording supervision) and Hubert Kübler (producer) (task: recording supervision)
bass vocals:
Mark Brown (operatic bass, early music singer, conductor, and producer) (in 1971-04), Brian Etheridge (operatic bass) (in 1971-04), William Mason (opera bass) (in 1971-04) and David Thomas (British operatic bass) (in 1971-04)
choir vocals:
Pro Cantione Antiqua (UK early music vocal ensemble) (in 1971-04)
countertenor vocals:
Keith Davis (doo wop artist) (in 1971-04), John Elwes (tenor) (in 1971-04), Paul Esswood (countertenor) (in 1971-04), Geoffrey Mitchell (in 1971-04) and Kevin Smith (english counter-tenor) (in 1971-04)
tenor vocals:
James Griffett (tenor) (in 1971-04), James Lewington (in 1971-04) and Ian Thompson (tenor) (in 1971-04)
orchestra:
Pro Cantione Antiqua (UK early music vocal ensemble) (in 1971-04)
conductor and chorus master:
Bruno Turner (musicologist, choral conductor) (in 1971-04)
recorded at:
Pfarrkirche Schleiden/Eifel in Schleiden, Nordrhein-Westfalen (North Rhine-Westphalia), Germany (in 1971-04)
recording of:
Missa Pro defunctis (Requiem) à 5, H. vi, 135: Kyrie (in 1971-04)
composer:
Orlande de Lassus (Franco-Flemish Renaissance composer)
part of:
Missa Pro defunctis (Requiem) à 5, H. vi, 135 (One of Lassus' 3 requiems)
Orlande de Lassus3:21
3Requiem à 5: III. Graduale (Cantus gregorianus)
miscellaneous support:
Dr. Alfred Krings (task: recording supervision) and Hubert Kübler (producer) (task: recording supervision)
bass vocals:
Mark Brown (operatic bass, early music singer, conductor, and producer) (in 1971-04), Brian Etheridge (operatic bass) (in 1971-04), William Mason (opera bass) (in 1971-04) and David Thomas (British operatic bass) (in 1971-04)
choir vocals:
Pro Cantione Antiqua (UK early music vocal ensemble) (in 1971-04)
countertenor vocals:
Keith Davis (doo wop artist) (in 1971-04), John Elwes (tenor) (in 1971-04), Paul Esswood (countertenor) (in 1971-04), Geoffrey Mitchell (in 1971-04) and Kevin Smith (english counter-tenor) (in 1971-04)
tenor vocals:
James Griffett (tenor) (in 1971-04), James Lewington (in 1971-04) and Ian Thompson (tenor) (in 1971-04)
orchestra:
Pro Cantione Antiqua (UK early music vocal ensemble) (in 1971-04)
conductor and chorus master:
Bruno Turner (musicologist, choral conductor) (in 1971-04)
recorded at:
Pfarrkirche Schleiden/Eifel in Schleiden, Nordrhein-Westfalen (North Rhine-Westphalia), Germany (in 1971-04)
recording of:
Graduale (in 1971-04)
composer:
Orlande de Lassus (Franco-Flemish Renaissance composer)
part of:
Missa Pro defunctis (Requiem) à 5, H. vi, 135 (One of Lassus' 3 requiems)
Orlande de Lassus3:27
4Requiem à 5: IV. Tractus "Absolve Domine"
miscellaneous support:
Dr. Alfred Krings (task: recording supervision) and Hubert Kübler (producer) (task: recording supervision)
bass vocals:
Mark Brown (operatic bass, early music singer, conductor, and producer) (in 1971-04), Brian Etheridge (operatic bass) (in 1971-04), William Mason (opera bass) (in 1971-04) and David Thomas (British operatic bass) (in 1971-04)
choir vocals:
Pro Cantione Antiqua (UK early music vocal ensemble) (in 1971-04)
countertenor vocals:
Keith Davis (doo wop artist) (in 1971-04), John Elwes (tenor) (in 1971-04), Paul Esswood (countertenor) (in 1971-04), Geoffrey Mitchell (in 1971-04) and Kevin Smith (english counter-tenor) (in 1971-04)
tenor vocals:
James Griffett (tenor) (in 1971-04), James Lewington (in 1971-04) and Ian Thompson (tenor) (in 1971-04)
orchestra:
Pro Cantione Antiqua (UK early music vocal ensemble) (in 1971-04)
conductor and chorus master:
Bruno Turner (musicologist, choral conductor) (in 1971-04)
recorded at:
Pfarrkirche Schleiden/Eifel in Schleiden, Nordrhein-Westfalen (North Rhine-Westphalia), Germany (in 1971-04)
recording of:
Missa Pro defunctis (Requiem) à 5, H. vi, 135: Tractus: Absolve Domine (in 1971-04)
composer:
Orlande de Lassus (Franco-Flemish Renaissance composer)
part of:
Missa Pro defunctis (Requiem) à 5, H. vi, 135 (One of Lassus' 3 requiems)
Orlande de Lassus4:56
5Requiem à 5: V. Offertorium "Domine Jesu Christe"
miscellaneous support:
Dr. Alfred Krings (task: recording supervision) and Hubert Kübler (producer) (task: recording supervision)
bass vocals:
Mark Brown (operatic bass, early music singer, conductor, and producer) (in 1971-04), Brian Etheridge (operatic bass) (in 1971-04), William Mason (opera bass) (in 1971-04) and David Thomas (British operatic bass) (in 1971-04)
choir vocals:
Pro Cantione Antiqua (UK early music vocal ensemble) (in 1971-04)
countertenor vocals:
Keith Davis (doo wop artist) (in 1971-04), John Elwes (tenor) (in 1971-04), Paul Esswood (countertenor) (in 1971-04), Geoffrey Mitchell (in 1971-04) and Kevin Smith (english counter-tenor) (in 1971-04)
tenor vocals:
James Griffett (tenor) (in 1971-04), James Lewington (in 1971-04) and Ian Thompson (tenor) (in 1971-04)
orchestra:
Pro Cantione Antiqua (UK early music vocal ensemble) (in 1971-04)
conductor and chorus master:
Bruno Turner (musicologist, choral conductor) (in 1971-04)
recorded at:
Pfarrkirche Schleiden/Eifel in Schleiden, Nordrhein-Westfalen (North Rhine-Westphalia), Germany (in 1971-04)
recording of:
Missa Pro defunctis (Requiem) à 5, H. vi, 135: Offertorium: Domine Jesu Christe (in 1971-04)
composer:
Orlande de Lassus (Franco-Flemish Renaissance composer)
part of:
Missa Pro defunctis (Requiem) à 5, H. vi, 135 (One of Lassus' 3 requiems)
Orlande de Lassus6:53
6Requiem à 5: VI. Sanctus - Benedicts
miscellaneous support:
Dr. Alfred Krings (task: recording supervision) and Hubert Kübler (producer) (task: recording supervision)
bass vocals:
Mark Brown (operatic bass, early music singer, conductor, and producer) (in 1971-04), Brian Etheridge (operatic bass) (in 1971-04), William Mason (opera bass) (in 1971-04) and David Thomas (British operatic bass) (in 1971-04)
choir vocals:
Pro Cantione Antiqua (UK early music vocal ensemble) (in 1971-04)
countertenor vocals:
Keith Davis (doo wop artist) (in 1971-04), John Elwes (tenor) (in 1971-04), Paul Esswood (countertenor) (in 1971-04), Geoffrey Mitchell (in 1971-04) and Kevin Smith (english counter-tenor) (in 1971-04)
tenor vocals:
James Griffett (tenor) (in 1971-04), James Lewington (in 1971-04) and Ian Thompson (tenor) (in 1971-04)
orchestra:
Pro Cantione Antiqua (UK early music vocal ensemble) (in 1971-04)
conductor and chorus master:
Bruno Turner (musicologist, choral conductor) (in 1971-04)
recorded at:
Pfarrkirche Schleiden/Eifel in Schleiden, Nordrhein-Westfalen (North Rhine-Westphalia), Germany (in 1971-04)
recording of:
Missa Pro defunctis (Requiem) à 5, H. vi, 135: Sanctus - Benedictus (in 1971-04)
composer:
Orlande de Lassus (Franco-Flemish Renaissance composer)
part of:
Missa Pro defunctis (Requiem) à 5, H. vi, 135 (One of Lassus' 3 requiems)
Orlande de Lassus3:36
7Requiem à 5: VII. Agnus Dei
miscellaneous support:
Dr. Alfred Krings (task: recording supervision) and Hubert Kübler (producer) (task: recording supervision)
bass vocals:
Mark Brown (operatic bass, early music singer, conductor, and producer) (in 1971-04), Brian Etheridge (operatic bass) (in 1971-04), William Mason (opera bass) (in 1971-04) and David Thomas (British operatic bass) (in 1971-04)
choir vocals:
Pro Cantione Antiqua (UK early music vocal ensemble) (in 1971-04)
countertenor vocals:
Keith Davis (doo wop artist) (in 1971-04), John Elwes (tenor) (in 1971-04), Paul Esswood (countertenor) (in 1971-04), Geoffrey Mitchell (in 1971-04) and Kevin Smith (english counter-tenor) (in 1971-04)
tenor vocals:
James Griffett (tenor) (in 1971-04), James Lewington (in 1971-04) and Ian Thompson (tenor) (in 1971-04)
orchestra:
Pro Cantione Antiqua (UK early music vocal ensemble) (in 1971-04)
conductor and chorus master:
Bruno Turner (musicologist, choral conductor) (in 1971-04)
recorded at:
Pfarrkirche Schleiden/Eifel in Schleiden, Nordrhein-Westfalen (North Rhine-Westphalia), Germany (in 1971-04)
recording of:
Missa Pro defunctis (Requiem) à 5, H. vi, 135: Agnus Dei (in 1971-04)
composer:
Orlande de Lassus (Franco-Flemish Renaissance composer)
part of:
Missa Pro defunctis (Requiem) à 5, H. vi, 135 (One of Lassus' 3 requiems)
Orlande de Lassus3:33
8Requiem à 5: VIII. Communio "Lux aeterna"
miscellaneous support:
Dr. Alfred Krings (task: recording supervision) and Hubert Kübler (producer) (task: recording supervision)
bass vocals:
Mark Brown (operatic bass, early music singer, conductor, and producer) (in 1971-04), Brian Etheridge (operatic bass) (in 1971-04), William Mason (opera bass) (in 1971-04) and David Thomas (British operatic bass) (in 1971-04)
choir vocals:
Pro Cantione Antiqua (UK early music vocal ensemble) (in 1971-04)
countertenor vocals:
Keith Davis (doo wop artist) (in 1971-04), John Elwes (tenor) (in 1971-04), Paul Esswood (countertenor) (in 1971-04), Geoffrey Mitchell (in 1971-04) and Kevin Smith (english counter-tenor) (in 1971-04)
tenor vocals:
James Griffett (tenor) (in 1971-04), James Lewington (in 1971-04) and Ian Thompson (tenor) (in 1971-04)
orchestra:
Pro Cantione Antiqua (UK early music vocal ensemble) (in 1971-04)
conductor and chorus master:
Bruno Turner (musicologist, choral conductor) (in 1971-04)
recorded at:
Pfarrkirche Schleiden/Eifel in Schleiden, Nordrhein-Westfalen (North Rhine-Westphalia), Germany (in 1971-04)
recording of:
Missa Pro defunctis (Requiem) à 5, H. vi, 135: Communio: Lux aeterna (in 1971-04)
composer:
Orlande de Lassus (Franco-Flemish Renaissance composer)
part of:
Missa Pro defunctis (Requiem) à 5, H. vi, 135 (One of Lassus' 3 requiems)
Orlande de Lassus2:59
9O bone Jesu
miscellaneous support:
Dr. Alfred Krings (task: recording supervision) and Hubert Kübler (producer) (task: recording supervision)
bass vocals:
Mark Brown (operatic bass, early music singer, conductor, and producer) (in 1971-04), Brian Etheridge (operatic bass) (in 1971-04), William Mason (opera bass) (in 1971-04) and David Thomas (British operatic bass) (in 1971-04)
choir vocals:
Pro Cantione Antiqua (UK early music vocal ensemble) (in 1971-04)
countertenor vocals:
Keith Davis (doo wop artist) (in 1971-04), John Elwes (tenor) (in 1971-04), Paul Esswood (countertenor) (in 1971-04), Geoffrey Mitchell (in 1971-04) and Kevin Smith (english counter-tenor) (in 1971-04)
tenor vocals:
James Griffett (tenor) (in 1971-04), James Lewington (in 1971-04) and Ian Thompson (tenor) (in 1971-04)
orchestra:
Pro Cantione Antiqua (UK early music vocal ensemble) (in 1971-04)
conductor and chorus master:
Bruno Turner (musicologist, choral conductor) (in 1971-04)
recorded at:
Pfarrkirche Schleiden/Eifel in Schleiden, Nordrhein-Westfalen (North Rhine-Westphalia), Germany (in 1971-04)
recording of:
O bone Jesu, S. i, 69 (in 1971-04)
composer:
Orlande de Lassus (Franco-Flemish Renaissance composer)
part of:
Orlando di Lasso: Sämtliche Werke (S.) (number: S. i/69)
Orlande de Lassus3:52
10Magnificat "Praeter rerum seriem"
additional instruments:
Hamburger Bläserkreis für Alte Musik Instrumental-Ensemble (in 1973)
instruments:
Hamburger Bläserkreis für Alte Musik Instrumental-Ensemble (in 1973)
bass vocals:
Mark Brown (operatic bass, early music singer, conductor, and producer) (in 1973), Brian Etheridge (operatic bass) (in 1973), William Mason (opera bass) (in 1973) and David Thomas (British operatic bass) (in 1973)
choir vocals:
Pro Cantione Antiqua (UK early music vocal ensemble) (in 1973)
countertenor vocals:
Keith Davis (doo wop artist) (in 1973), John Elwes (tenor) (in 1973), Paul Esswood (countertenor) (in 1973), Geoffrey Mitchell (in 1973) and Kevin Smith (english counter-tenor) (in 1973)
tenor vocals:
James Griffett (tenor) (in 1973), James Lewington (in 1973) and Ian Thompson (tenor) (in 1973)
orchestra:
Collegium Aureum (in 1973)
conductor and chorus master:
Bruno Turner (musicologist, choral conductor) (in 1973)
recorded at:
Schloss Kirchheim in Kirchheim unter Teck, Baden-Württemberg, Germany (in 1973)
recording of:
Magnificat secundi toni, LV 1070 "Praeter rerum seriem" (in 1973)
composer:
Orlande de Lassus (Franco-Flemish Renaissance composer)
is based on:
Praeter rerum seriem (a 6)
Orlande de Lassus13:46
11Alma Redemptoris mater
additional instruments:
Hamburger Bläserkreis für Alte Musik Instrumental-Ensemble (in 1973)
instruments:
Hamburger Bläserkreis für Alte Musik Instrumental-Ensemble (in 1973)
bass vocals:
Mark Brown (operatic bass, early music singer, conductor, and producer) (in 1973), Brian Etheridge (operatic bass) (in 1973), William Mason (opera bass) (in 1973) and David Thomas (British operatic bass) (in 1973)
choir vocals:
Pro Cantione Antiqua (UK early music vocal ensemble) (in 1973)
countertenor vocals:
Keith Davis (doo wop artist) (in 1973), John Elwes (tenor) (in 1973), Paul Esswood (countertenor) (in 1973), Geoffrey Mitchell (in 1973) and Kevin Smith (english counter-tenor) (in 1973)
tenor vocals:
James Griffett (tenor) (in 1973), James Lewington (in 1973) and Ian Thompson (tenor) (in 1973)
orchestra:
Pro Cantione Antiqua (UK early music vocal ensemble) (in 1973)
conductor and chorus master:
Bruno Turner (musicologist, choral conductor) (in 1973)
recorded at:
Schloss Kirchheim in Kirchheim unter Teck, Baden-Württemberg, Germany (in 1973)
recording of:
Alma Redemptoris mater a 6, S. xiii, 108 (One of the four by Lassus) (in 1973)
composer:
Orlande de Lassus (Franco-Flemish Renaissance composer)
part of:
Orlando di Lasso: Sämtliche Werke (S.) (number: S. xiii/108)
Orlande de Lassus4:17
12Ave Maria
additional instruments:
Hamburger Bläserkreis für Alte Musik Instrumental-Ensemble (in 1974)
instruments:
Hamburger Bläserkreis für Alte Musik Instrumental-Ensemble (in 1974)
bass vocals:
Mark Brown (operatic bass, early music singer, conductor, and producer) (in 1974), Brian Etheridge (operatic bass) (in 1974), William Mason (opera bass) (in 1974) and David Thomas (British operatic bass) (in 1974)
choir vocals:
Pro Cantione Antiqua (UK early music vocal ensemble) (in 1974)
countertenor vocals:
Keith Davis (doo wop artist) (in 1974), John Elwes (tenor) (in 1974), Paul Esswood (countertenor) (in 1974), Geoffrey Mitchell (in 1974) and Kevin Smith (english counter-tenor) (in 1974)
tenor vocals:
James Griffett (tenor) (in 1974), James Lewington (in 1974) and Ian Thompson (tenor) (in 1974)
orchestra:
Pro Cantione Antiqua (UK early music vocal ensemble) (in 1974)
conductor and chorus master:
Bruno Turner (musicologist, choral conductor) (in 1974)
recorded at:
Schloss Kirchheim in Kirchheim unter Teck, Baden-Württemberg, Germany (in 1974)
recording of:
Ave Maria Gratia Plena À 5 (in 1974)
composer:
Orlande de Lassus (Franco-Flemish Renaissance composer)
part of:
Orlando di Lasso: Sämtliche Werke (S.) (number: S. v/118)
Orlande de Lassus2:43
25▶CD: De Literes: Los Elementos
26▶CD: Lully: Divertisements
27▶CD: Machaut, Magnus
28▶CD: Knüpfer, Schelle, Kuhnau
29▶CD: Marais: "Fantasie Champestre"
30▶CD: Monteverdi / Farina
31▶CD: Claudio Monteverdi: Vespro della Beata Vergine
32▶CD: Claudio Monteverdi: Vespro della Beata Vergine
33▶CD: Pachelbel, Bach: Motets
34▶CD: Palestrina
35▶CD: Pergolesi: La Serva Padrona
36▶CD: Purcell: Orchestral Suite from "Dioclesian" / Händel: Concerto grosso Op. 6 No. 6 / "Il duello amoroso"
37▶CD: Delight in Disorder: The English Consort of Two Parts 1640-1680
38▶CD: Rameau: Hippolyte et Aricie, suite pour orchestre
39▶CD: Rameau: Suites from Platée and Dardanus
40▶CD: Rameau: Pygmalion
41▶CD: Jean-Féry Rebel: "Tombeau"
42▶CD: Sainte Colombe: Pièces pour viole de gambe
43▶CD: Alessandro Scarlatti: Cantatas
44▶CD: Alessandro Scarlatti: St. John Passion
45▶CD: Georg Philipp Telemann: Concertos for Woodwind Instruments
46▶CD: Antonio Vivaldi: Le Quattro Stagione
47▶CD: Antonio Vivaldi: Sinfonie "Avanti l'Opera" e Concerti
48▶CD: Antonio Vivaldi: Six Sonatas for Violoncello and Basso Continuo
49▶CD: Jan Dismas Zelenka: Missa Dei Filii
50▶CD: Jan Dismas Zelenka and Johan Georg Pisendel: Concerti et al.