Made for TV: Official Soundtrack to Season 1 of the Monkees

~ Release by The Monkees (see all versions of this release, 1 available)

Annotation

Copyright: ℗ 2026 Rhino Entertainment Company. All Rights Reserved.

Annotation last modified on 2026-08-14 19:46 UTC.

Tracklist

1▶Digital Media
2▼Digital Media
#TitleRatingLength
1(Theme From) The Monkees [original stereo version]
producer:
Tommy Boyce (US songwriter of Boyce and Hart), Bobby Hart and Jack Keller
bass:
Larry Taylor (US bassist) (from 1966-07-05 until 1966-07-19)
drums (drum set):
Billy Lewis (drummer) (from 1966-07-05 until 1966-07-19)
guitar:
Wayne Erwin (from 1966-07-05 until 1966-07-19), Gerry McGee (from 1966-07-05 until 1966-07-19) and Louie Shelton (from 1966-07-05 until 1966-07-19)
organ:
Bobby Hart (from 1966-07-05 until 1966-07-19)
percussion:
Gene Estes (from 1966-07-05 until 1966-07-19)
background vocals:
Tommy Boyce (US songwriter of Boyce and Hart) (from 1966-07-05 until 1966-07-19), Wayne Erwin (from 1966-07-05 until 1966-07-19), Bobby Hart (from 1966-07-05 until 1966-07-19) and Ron Hicklin (from 1966-07-05 until 1966-07-19)
lead vocals:
Micky Dolenz (from 1966-07-05 until 1966-07-19)
recorded at:
RCA Victor Studio A (Hollywood) in Hollywood, Los Angeles, California, United States (on 1966-07-05, on 1966-07-19)
recording of:
(Theme From) The Monkees (from 1966-07-05 until 1966-07-19)
written in:
Los Angeles, California, United States
writer:
Tommy Boyce (US songwriter of Boyce and Hart) and Bobby Hart
publisher:
Screen Gems–Columbia Music, Inc. and Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
4.352:19
2This Just Doesn't Seem to Be My Day (original stereo version)
producer:
Tommy Boyce (US songwriter of Boyce and Hart), Bobby Hart and Jack Keller
cello:
Joseph DiTullio (cellist) (on 1966-07-06)
drums (drum set):
Billy Lewis (drummer) (on 1966-07-06)
electric bass guitar:
Larry Taylor (US bassist) (on 1966-07-06)
guitar:
Wayne Erwin (on 1966-07-06), Gerry McGee (on 1966-07-06) and Louie Shelton (on 1966-07-06)
percussion:
Gene Estes (on 1966-07-06)
lead vocals:
Davy Jones (The Monkees member) (on 1966-07-06)
recorded at:
RCA Victor Studios (Hollywood) in Hollywood, Los Angeles, California, United States (on 1966-07-09)
recording of:
This Just Doesn’t Seem to Be My Day (on 1966-07-06)
writer:
Tommy Boyce (US songwriter of Boyce and Hart) and Bobby Hart
publisher:
Screen Gems–Columbia Music, Inc. and Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
2:07
3Take a Giant Step (original stereo version)
producer:
Tommy Boyce (US songwriter of Boyce and Hart), Bobby Hart and Jack Keller
acoustic guitar:
Tommy Boyce (US songwriter of Boyce and Hart) (on 1966-07-09)
bass:
Larry Taylor (US bassist) (on 1966-07-09)
drums (drum set):
Billy Lewis (drummer) (on 1966-07-09)
electric guitar:
Wayne Erwin (on 1966-07-09), Gerry McGee (on 1966-07-09) and Louie Shelton (on 1966-07-09)
harpsichord:
Michel Rubini (on 1966-07-09)
oboe:
Bob Cooper (US jazz saxophonist) (on 1966-07-09)
percussion:
Gene Estes (on 1966-07-09)
piano:
Jack Keller (on 1966-07-09)
lead vocals:
Micky Dolenz (on 1966-07-09)
recorded at:
RCA Victor Studio A (Hollywood) in Hollywood, Los Angeles, California, United States (on 1966-07-09)
recording of:
Take a Giant Step (on 1966-07-09)
lyricist:
Gerry Goffin
composer:
Carole King (US singer-songwriter)
publisher:
Screen Gems–Columbia Music, Inc. and Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
2:31
4Last Train to Clarksville (original stereo version)
producer:
Tommy Boyce (US songwriter of Boyce and Hart) and Bobby Hart
acoustic guitar:
Tommy Boyce (US songwriter of Boyce and Hart) (on 1966-07-25)
bass:
Larry Taylor (US bassist) (on 1966-07-25)
drums (drum set):
Billy Lewis (drummer) (on 1966-07-25)
electric guitar:
Wayne Erwin (on 1966-07-25), Gerry McGee (on 1966-07-25) and Louie Shelton (on 1966-07-25)
percussion:
Gene Estes (on 1966-07-25) and David Walters (session musician for The Monkees) (on 1966-07-25)
tambourine:
Gene Estes (on 1966-07-25)
background vocals:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (on 1966-07-25)
lead vocals:
Micky Dolenz (on 1966-07-25)
recorded at:
RCA Studio A (Hollywood) in Hollywood, Los Angeles, California, United States (on 1966-07-25)
recording of:
Last Train to Clarksville (on 1966-07-25)
writer:
Tommy Boyce (US songwriter of Boyce and Hart) and Bobby Hart
publisher:
Screen Gems–Columbia Music, Inc. and Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
4.62:44
5Tomorrow's Gonna Be Another Day (original stereo version)
producer:
Tommy Boyce (US songwriter of Boyce and Hart) and Bobby Hart
acoustic guitar:
Tommy Boyce (US songwriter of Boyce and Hart) (from 1966-07-23 until 1966-07-26)
bass:
Larry Taylor (US bassist) (from 1966-07-23 until 1966-07-26)
drums (drum set):
Billy Lewis (drummer) (from 1966-07-23 until 1966-07-26)
electric guitar:
Wayne Erwin (from 1966-07-23 until 1966-07-26), Gerry McGee (from 1966-07-23 until 1966-07-26) and Louie Shelton (from 1966-07-23 until 1966-07-26)
harmonica:
Keith Allison (from 1966-07-23 until 1966-07-26)
tambourine:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (from 1966-07-23 until 1966-07-26)
lead vocals:
Micky Dolenz (from 1966-07-23 until 1966-07-26)
recorded at:
RCA Victor Studio A (Hollywood) in Hollywood, Los Angeles, California, United States (on 1966-07-23, on 1966-07-26)
recording of:
Tomorrow’s Gonna Be Another Day (from 1966-07-23 until 1966-07-26)
writer:
Tommy Boyce (US songwriter of Boyce and Hart) and Steve Venet (arranger, songwriter, producer and musician)
publisher:
Screen Gems–Columbia Music, Inc. and Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
42:42
6Saturday's Child (original stereo version)
producer:
Tommy Boyce (US songwriter of Boyce and Hart), Bobby Hart and Jack Keller
bass:
Larry Taylor (US bassist) (on 1966-07-09)
drums (drum set):
Billy Lewis (drummer) (on 1966-07-09)
guitar:
Wayne Erwin (on 1966-07-09), Gerry McGee (on 1966-07-09) and Louie Shelton (on 1966-07-09)
organ:
Bobby Hart (on 1966-07-09)
tambourine:
Gene Estes (on 1966-07-09)
background vocals:
Tommy Boyce (US songwriter of Boyce and Hart) (on 1966-07-09), Wayne Erwin (on 1966-07-09), Bobby Hart (on 1966-07-09) and Ron Hicklin (on 1966-07-09)
lead vocals:
Micky Dolenz (on 1966-07-09)
recorded at:
RCA Victor Studio A (Hollywood) in Hollywood, Los Angeles, California, United States (on 1966-07-09)
recording of:
Saturday’s Child (on 1966-07-09)
lyricist and composer:
David Gates (singer/songwriter, lead singer of Bread)
publisher:
Screen Gems–Columbia Music, Inc. and Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
42:41
7Let's Dance On (original stereo version)
producer:
Tommy Boyce (US songwriter of Boyce and Hart), Bobby Hart and Jack Keller
bass:
Larry Taylor (US bassist) (from 1966-07-05 until 1966-07-16)
drums (drum set):
Billy Lewis (drummer) (from 1966-07-05 until 1966-07-16)
guitar:
Wayne Erwin (from 1966-07-05 until 1966-07-16), Gerry McGee (from 1966-07-05 until 1966-07-16) and Louie Shelton (from 1966-07-05 until 1966-07-16)
maracas, percussion and tambourine:
Gene Estes (from 1966-07-05 until 1966-07-16)
organ:
Bobby Hart (from 1966-07-05 until 1966-07-16)
background vocals:
Tommy Boyce (US songwriter of Boyce and Hart) (from 1966-07-05 until 1966-07-16), Micky Dolenz (from 1966-07-05 until 1966-07-16), Wayne Erwin (from 1966-07-05 until 1966-07-16), Bobby Hart (from 1966-07-05 until 1966-07-16), Ron Hicklin (from 1966-07-05 until 1966-07-16) and Peter Tork (from 1966-07-05 until 1966-07-16)
lead vocals:
Micky Dolenz (from 1966-07-05 until 1966-07-16)
recorded at:
RCA Victor Studio A (Hollywood) in Hollywood, Los Angeles, California, United States (on 1966-07-05, on 1966-07-09, on 1966-07-16)
recording of:
Let’s Dance On (from 1966-07-05 until 1966-07-16)
writer:
Tommy Boyce (US songwriter of Boyce and Hart) and Bobby Hart
publisher:
Screen Gems–Columbia Music, Inc. and Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
42:29
8(I'm Not Your) Steppin' Stone
producer:
Tommy Boyce (US songwriter of Boyce and Hart) and Bobby Hart
bass:
Larry Taylor (US bassist) (on 1966-07-26)
drums (drum set):
Billy Lewis (drummer) (on 1966-07-26)
guitar:
Wayne Erwin (on 1966-07-26), Gerry McGee (on 1966-07-26) and Louie Shelton (on 1966-07-26)
organ:
Bobby Hart (on 1966-07-26)
percussion:
Henry Levy (on 1966-07-26)
background vocals:
Tommy Boyce (US songwriter of Boyce and Hart) (on 1966-07-26) and Bobby Hart (on 1966-07-26)
lead vocals:
Micky Dolenz (on 1966-07-26)
arranger:
Tommy Boyce (US songwriter of Boyce and Hart) and Bobby Hart
recorded at:
Western Recorders, Studio 1 in Hollywood, Los Angeles, California, United States (on 1966-07-26)
cover recording of:
(I’m Not Your) Steppin’ Stone (on 1966-07-26)
writer:
Tommy Boyce (US songwriter of Boyce and Hart) and Bobby Hart
4.352:24
9The Kind of Girl I Could Love (original stereo version)
producer:
Michael Nesmith
drums (drum set):
Hal Blaine (U.S. studio drummer and percussionist) (on 1966-06-25) and Jim Gordon (US drummer with Derek and the Dominos) (on 1966-06-25)
electric bass guitar:
Larry Knechtel (on 1966-06-25) and Bob West (US session bassist, producer & songwriter) (on 1966-06-25)
guitar:
James Burton (guitarist) (on 1966-06-25), Glen Campbell (US country singer, guitarist & actor) (on 1966-06-25), Al Casey (US rock & roll/rockabilly/surf guitarist/session musician) (on 1966-06-25) and Don Peake (on 1966-06-25)
percussion:
Gary Coleman (US percussionist) (on 1966-06-25)
lead vocals:
Michael Nesmith (on 1966-06-25)
arranger:
Don Peake
recorded at:
RCA Victor Studios (Hollywood) in Hollywood, Los Angeles, California, United States (on 1966-06-25)
recording of:
The Kind of Girl I Could Love (on 1966-06-25)
writer:
Roger Atkins and Michael Nesmith
1:52
10All the King's Horses
recording of:
All the King’s Horses
writer:
Michael Nesmith
2:17
11I Wanna Be Free (original stereo version)
producer:
Tommy Boyce (US songwriter of Boyce and Hart) and Bobby Hart
acoustic guitar:
Wayne Erwin (from 1966-07-19 until 1966-07-24), Gerry McGee (from 1966-07-19 until 1966-07-24) and Louie Shelton (from 1966-07-19 until 1966-07-24)
cello:
Frederick Seykora (from 1966-07-19 until 1966-07-24)
harpsichord:
Michel Rubini (from 1966-07-19 until 1966-07-24)
viola:
Myra Kestenbaum (from 1966-07-19 until 1966-07-24)
violin:
Bonnie Douglas (from 1966-07-19 until 1966-07-24) and Paul Shure (from 1966-07-19 until 1966-07-24)
lead vocals:
Davy Jones (The Monkees member) (from 1966-07-19 until 1966-07-24)
recorded at:
RCA Victor Studio A (Hollywood) in Hollywood, Los Angeles, California, United States (on 1966-07-19, on 1966-07-24)
recording of:
I Wanna Be Free (from 1966-07-19 until 1966-07-24)
writer:
Tommy Boyce (US songwriter of Boyce and Hart) and Bobby Hart
publisher:
Screen Gems–Columbia Music, Inc., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (from 2021-07-01 to present)
4.52:24
12Sweet Young Thing (original stereo version)
recorded in:
RCA Victor Studio A, Los Angeles, California, United States (on 1966-07-27)
producer:
Michael Nesmith
bass:
Bob West (US session bassist, producer & songwriter) (from 1966-07-18 until 1966-07-27)
drums (drum set):
Jim Gordon (US drummer with Derek and the Dominos) (on 1966-07-18) and Hal Blaine (U.S. studio drummer and percussionist) (from 1966-07-18 until 1966-07-27)
electric bass guitar [Dano bass] and guitar:
James Burton (guitarist) (from 1966-07-18 until 1966-07-27), Glen Campbell (US country singer, guitarist & actor) (from 1966-07-18 until 1966-07-27), Al Casey (US rock & roll/rockabilly/surf guitarist/session musician) (from 1966-07-18 until 1966-07-27), Mike Deasy (from 1966-07-18 until 1966-07-27) and Peter Tork (from 1966-07-18 until 1966-07-27)
percussion:
Gary Coleman (US percussionist) (from 1966-07-18 until 1966-07-27) and Frank DeVito (american jazz drummer) (from 1966-07-18 until 1966-07-27)
piano:
Larry Knechtel (from 1966-07-18 until 1966-07-27)
violin:
Jimmy Bryant (country music guitarist & composer) (from 1966-07-18 until 1966-07-27)
background vocals:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (from 1966-07-18 until 1966-07-27), Micky Dolenz (from 1966-07-18 until 1966-07-27) and Peter Tork (from 1966-07-18 until 1966-07-27)
lead vocals:
Michael Nesmith (from 1966-07-18 until 1966-07-27)
recorded at:
RCA Victor Studio A (Hollywood) in Hollywood, Los Angeles, California, United States (on 1966-07-18)
recording of:
Sweet Young Thing (from 1966-07-18 until 1966-07-27)
lyricist:
Gerry Goffin
writer:
Michael Nesmith
composer:
Carole King (US singer-songwriter)
publisher:
Screen Gems–Columbia Music, Inc. and Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
31:56
13Papa Gene's Blues (original stereo version)
producer:
Michael Nesmith
bass:
Bill Pitman (from 1966-07-07 until 1966-07-30)
drums (drum set):
Hal Blaine (U.S. studio drummer and percussionist) (from 1966-07-07 until 1966-07-30) and Frank DeVito (american jazz drummer) (from 1966-07-07 until 1966-07-30)
guitar:
James Burton (guitarist) (from 1966-07-07 until 1966-07-30), Glen Campbell (US country singer, guitarist & actor) (from 1966-07-07 until 1966-07-30), Al Casey (US rock & roll/rockabilly/surf guitarist/session musician) (from 1966-07-07 until 1966-07-30), Don Peake (from 1966-07-07 until 1966-07-30), Jim Helms (US TV composer and session musician (guitar/banjo)) (from 1966-07-07 until 1966-07-30) and Peter Tork (from 1966-07-07 until 1966-07-30)
percussion:
Gary Coleman (US percussionist) (from 1966-07-07 until 1966-07-30) and Jim Gordon (US drummer with Derek and the Dominos) (from 1966-07-07 until 1966-07-30)
vibraslap:
Jim Gordon (US drummer with Derek and the Dominos) (from 1966-07-07 until 1966-07-30)
background vocals [harmony vocals]:
Micky Dolenz (from 1966-07-07 until 1966-07-30)
lead vocals:
Michael Nesmith (from 1966-07-07 until 1966-07-30)
conductor:
Don Peake
recorded at:
Western Recorders, Studio 2 in Hollywood, Los Angeles, California, United States (on 1966-07-07), RCA Victor Studio A (Hollywood) in Hollywood, Los Angeles, California, United States (on 1966-07-16) and RCA Victor Studios (Hollywood) in Hollywood, Los Angeles, California, United States (on 1966-07-30)
recording of:
Papa Gene’s Blues (from 1966-07-07 until 1966-07-30)
lyricist and composer:
Michael Nesmith
publisher:
Screen Gems–Columbia Music, Inc. and Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
32:00
14You Just May Be the One
engineer:
Hank Cicalo
producer:
Douglas Farthing Hatlelid
12 string guitar [electric 12 string guitar], acoustic guitar and lead vocals:
Michael Nesmith (from 1967-03-02 until 1967-03-16)
bass:
Peter Tork (from 1967-03-02 until 1967-03-16)
drums (drum set) and background vocals [harmony vocals]:
Micky Dolenz (from 1967-03-02 until 1967-03-16)
tambourine:
Davy Jones (The Monkees member) (from 1967-03-02 until 1967-03-16)
background vocals:
Micky Dolenz (from 1967-03-02 until 1967-03-16), Chip Douglas (from 1967-03-02 until 1967-03-16), Davy Jones (The Monkees member) (from 1967-03-02 until 1967-03-16) and Peter Tork (from 1967-03-02 until 1967-03-16)
recorded at:
RCA Victor, Studio C in Hollywood, Los Angeles, California, United States (on 1967-03-02, on 1967-03-16)
recording of:
You Just May Be the One (from 1967-03-02 until 1967-03-16)
lyricist and composer:
Michael Nesmith
2:04
15I Wanna Be Free (fast version)
recording of:
I Wanna Be Free
writer:
Tommy Boyce (US songwriter of Boyce and Hart) and Bobby Hart
publisher:
Screen Gems–Columbia Music, Inc., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (from 2021-07-01 to present)
2:45
16She (original stereo version)
producer:
Tommy Boyce (US songwriter of Boyce and Hart) and Bobby Hart
bass:
Larry Taylor (US bassist) (on 1966-08-15)
drums (drum set):
Billy Lewis (drummer) (on 1966-08-15)
guitar:
Wayne Erwin (on 1966-08-15), Gerry McGee (on 1966-08-15) and Louie Shelton (on 1966-08-15)
organ:
Bobby Hart (on 1966-08-15)
percussion:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (on 1966-08-15) and Norm Jefferies (on 1966-08-15)
background vocals:
Tommy Boyce (US songwriter of Boyce and Hart) (on 1966-08-15), Micky Dolenz (on 1966-08-15), Wayne Erwin (on 1966-08-15), Bobby Hart (on 1966-08-15), Ron Hicklin (on 1966-08-15), Davy Jones (The Monkees member) (on 1966-08-15) and Peter Tork (on 1966-08-15)
lead vocals:
Micky Dolenz (on 1966-08-15)
recorded at:
RCA Studio A (Hollywood) in Hollywood, Los Angeles, California, United States (on 1966-08-15)
recording of:
She (on 1966-08-15)
writer:
Tommy Boyce (US songwriter of Boyce and Hart) and Bobby Hart
42:39
17Gonna Buy Me a Dog (original stereo version)
producer:
Tommy Boyce (US songwriter of Boyce and Hart), Tommy Boyce & Bobby Hart and Bobby Hart
bass and electric bass guitar:
Larry Taylor (US bassist) (on 1966-07-23)
drums (drum set):
Billy Lewis (drummer) (on 1966-07-23)
guitar:
Wayne Erwin (on 1966-07-23), Gerry McGee (on 1966-07-23) and Louie Shelton (on 1966-07-23)
organ:
Bobby Hart (on 1966-07-23)
lead vocals:
Micky Dolenz (on 1966-07-23) and Davy Jones (The Monkees member) (on 1966-07-23)
vocals:
Micky Dolenz (on 1966-07-23) and Davy Jones (The Monkees member) (on 1966-07-23)
recorded at:
RCA Studio 1 in Hollywood, Los Angeles, California, United States (on 1966-07-23)
recording of:
Gonna Buy Me a Dog (on 1966-07-23)
writer:
Tommy Boyce (US songwriter of Boyce and Hart) and Bobby Hart
publisher:
Screen Gems–Columbia Music, Inc. and Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
12:41
18Mary, Mary (original stereo version)
producer:
Michael Nesmith
bass:
Larry Knechtel and Bob West (US session bassist, producer & songwriter)
drums (drum set):
Hal Blaine (U.S. studio drummer and percussionist) and Jim Gordon (US drummer with Derek and the Dominos)
guitar:
James Burton (guitarist), Glen Campbell (US country singer, guitarist & actor), Al Casey (US rock & roll/rockabilly/surf guitarist/session musician), Mike Deasy and Don Peake
percussion:
Gary Coleman (US percussionist)
piano:
Michael Cohen
lead vocals:
Micky Dolenz
arranger:
Don Peake
recording of:
Mary, Mary (on 1966-07-25)
lyricist and composer:
Michael Nesmith
2:18
19I'm a Believer
recorded in:
New York, New York, United States (from 1966-10-15 until 1966-10-23)
producer:
Jeff Barry
acoustic guitar:
Neil Diamond (from 1966-10-15 until 1966-10-23)
bass:
Dick Romoff (from 1966-10-15 until 1966-10-23)
drums (drum set):
Buddy Salzman (from 1966-10-15 until 1966-10-23)
guitar:
Al Gorgoni (guitarist, composer, arranger, and producer) (from 1966-10-15 until 1966-10-23) and Sal Ditroia (from 1966-10-15 until 1966-10-23)
organ:
Artie Butler (from 1966-10-15 until 1966-10-23)
piano and tambourine:
Jeff Barry (from 1966-10-15 until 1966-10-23)
background vocals:
Davy Jones (The Monkees member) (from 1966-10-15 until 1966-10-23) and Peter Tork (from 1966-10-15 until 1966-10-23)
background vocals and lead vocals:
Micky Dolenz (from 1966-10-15 until 1966-10-23)
arranger:
Jeff Barry
phonographic copyright (℗) by:
Rhino Entertainment Company (not for release label use!) (in 1966) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1966, in 1967)
part of:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Billboard: The 500 Best Pop Songs (as of October 2023) (number: 65) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 341)
cover recording of:
I’m a Believer (from 1966-10-15 until 1966-10-23)
lyricist and composer:
Neil Diamond (in 1966)
publisher:
Colgems-EMI Music Inc., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing (do not use as a release label!), Foray Music, Rondor Music (London) Ltd., Screen Gems–Columbia Music, Screen Gems–EMI Music Ltd., Sony Music Publishing Ltd., Sony/ATV Music Publishing, Sony/ATV Music Publishing (UK) Ltd. and Stonebridge Music (publisher)
recording of:
I’m a Believer
lyricist and composer:
Neil Diamond (in 1966)
publisher:
Colgems-EMI Music Inc., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing (do not use as a release label!), Foray Music, Rondor Music (London) Ltd., Screen Gems–Columbia Music, Screen Gems–EMI Music Ltd., Sony Music Publishing Ltd., Sony/ATV Music Publishing, Sony/ATV Music Publishing (UK) Ltd. and Stonebridge Music (publisher)
4.62:47
20I'll Be Back Up on My Feet
drums (drum set):
Earl Palmer
electric bass guitar:
Max Bennett (US jazz bassist and session musician)
guitar:
Dennis Budimir, Al Casey (US rock & roll/rockabilly/surf guitarist/session musician) and Mike Deasy
harpsichord:
Michael Melvoin
percussion:
Milt Holland and Stan Levey
saxophone:
Bill Hood (Jazz multi-instrumentalist)
trombone:
Lou Blackburn and Lew McCreary
trumpet:
Buddy Childers (American jazz trumpeter & composer) and Ollie Mitchell
vocals:
Micky Dolenz
arranger:
Shorty Rogers (trumpet)
recorded at:
RCA Victor Studios (Hollywood) in Hollywood, Los Angeles, California, United States (from 1968-03-09 until 1968-03-14)
recording of:
I’ll Be Back Up on My Feet (from 1968-03-09 until 1968-03-14)
writer:
Sandy Linzer and Denny Randell
2:27
21Your Auntie Grizelda (original stereo version)
engineer:
Richard Podolor
producer:
Jeff Barry and Jack Keller
lead vocals:
Peter Tork (on 1966-10-23)
recorded at:
American Studio in Studio City, Los Angeles, California, United States (on 1966-10-23)
recording of:
Your Auntie Grizelda (on 1966-10-23)
writer:
Diane Hildebrand (singer and songwriter) and Jack Keller
2:31
22Laugh (original stereo version)
producer:
Jeff Barry
bass:
Ray Pohlman (on 1966-10-28)
drums (drum set):
Hal Blaine (U.S. studio drummer and percussionist) (on 1966-10-28)
guitar:
Al Casey (US rock & roll/rockabilly/surf guitarist/session musician) (on 1966-10-28) and Carol Kaye (on 1966-10-28)
harpsichord and organ:
Don Randi (on 1966-10-28) and Michel Rubini (on 1966-10-28)
percussion:
Frank Capp (on 1966-10-28) and Julius Wechter (on 1966-10-28)
background vocals:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (on 1966-10-28), Jeff Barry (on 1966-10-28) and Davy Jones (The Monkees member) (on 1966-10-28)
lead vocals:
Davy Jones (The Monkees member) (on 1966-10-28)
arranger:
Jeff Barry
recorded at:
RCA Studios in Hollywood, Los Angeles, California, United States (on 1966-10-28)
recording of:
Laugh (on 1966-10-28)
writer:
Mitch Margo (singer and songwriter), Hank Medress, Phil Margo (singer, songwriter) and Jay Siegel
2:30
23Sometime in the Morning (original stereo version)
recorded in:
New York, New York, United States (on 1966-10-13, on 1966-10-25)
producer:
Jeff Barry, Gerry Goffin and Carole King (US singer-songwriter)
background vocals:
Micky Dolenz (from 1966-10-13 until 1966-10-25) and Carole King (US singer-songwriter) (from 1966-10-13 until 1966-10-25)
lead vocals:
Micky Dolenz (from 1966-10-13 until 1966-10-25)
recording of:
Sometime in the Morning (from 1966-10-13 until 1966-10-25)
writer:
Gerry Goffin and Carole King (US singer-songwriter)
2:31
24Valleri
producer:
The Monkees
bass and electric bass guitar:
Joe Osborn (American bass guitar player, session musician and songwriter) (from 1967-12-26 until 1967-12-28)
drums (drum set):
Billy Lewis (from 1967-12-26 until 1967-12-28) and Billy Lewis (drummer) (from 1967-12-26 until 1967-12-28)
guitar:
Gerry McGee (from 1967-12-26 until 1967-12-28) and Louie Shelton (from 1967-12-26 until 1967-12-28)
saxophone:
Jim Horn (saxophonist, hornist, flutist and oboist) (from 1967-12-26 until 1967-12-28) and Jay Migliori (from 1967-12-26 until 1967-12-28)
tambourine:
Billy Lewis (from 1967-12-26 until 1967-12-28)
trombone:
Lew McCreary (from 1967-12-26 until 1967-12-28)
trumpet:
Oliver Mitchell (trumpeter) (from 1967-12-26 until 1967-12-28) and Roy V. Caton (trumpet player) (from 1967-12-26 until 1967-12-28)
lead vocals:
Davy Jones (The Monkees member) (from 1967-12-26 until 1967-12-28)
horn arranger:
Don McGinnis
recorded at:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (from 1967-12-26 until 1967-12-28)
recording of:
Valleri (from 1967-12-26 until 1967-12-28)
writer:
Tommy Boyce (US songwriter of Boyce and Hart) and Bobby Hart
publisher:
Piccadilly Music Corporation and Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
52:21
25Look Out (Here Comes Tomorrow) [original stereo version]
recorded in:
New York, New York, United States (on 1966-10-15, on 1966-10-23)
producer:
Jeff Barry
acoustic guitar:
Neil Diamond (from 1966-10-15 until 1966-10-23)
drums (drum set):
Buddy Salzman (from 1966-10-15 until 1966-10-23)
organ:
Maurgan Cheff (from 1966-10-15 until 1966-10-23)
percussion:
Kauren Seguer (from 1966-10-15 until 1966-10-23)
background vocals:
Micky Dolenz (from 1966-10-15 until 1966-10-23), Davy Jones (The Monkees member) (from 1966-10-15 until 1966-10-23) and Peter Tork (from 1966-10-15 until 1966-10-23)
lead vocals:
Davy Jones (The Monkees member) (from 1966-10-15 until 1966-10-23)
recording of:
Look Out (Here Comes Tomorrow) (from 1966-10-15 until 1966-10-23)
lyricist and composer:
Neil Diamond
52:16
26The Girl I Knew Somewhere
producer:
Chip Douglas
12 string guitar:
Michael Nesmith
12 string guitar and bass:
John London
drums (drum set) and lead vocals:
Micky Dolenz
harpsichord:
Peter Tork
percussion:
Gene Pello
tambourine:
Davy Jones (The Monkees member)
background vocals:
Davy Jones (The Monkees member), Michael Nesmith and Peter Tork
recording of:
The Girl I Knew Somewhere (from 1967-01-19 until 1967-02-23)
lyricist and composer:
Michael Nesmith
2:33
27Words
producer:
Chip Douglas
bass:
Chip Douglas
bell tree and chimes and background vocals:
Davy Jones (The Monkees member)
drums (drum set):
Eddie Hoh
electric guitar:
Michael Nesmith
organ:
Peter Tork
vocals:
Micky Dolenz and Peter Tork
recording of:
Words (on 1967-06-14)
writer:
Tommy Boyce (US songwriter of Boyce and Hart) and Bobby Hart
42:51
28A Little Bit Me, a Little Bit You
producer:
Jeff Barry
bass:
Louis Mauro (on 1967-01-21) and James Tyrrell (on 1967-01-21)
drums (drum set):
Herb Lovelle (on 1967-01-21)
guitar:
Al Gorgoni (guitarist, composer, arranger, and producer) (on 1967-01-21), Hugh McCracken (on 1967-01-21) and Don Thomas (US guitarist, singer songwriter) (on 1967-01-21)
organ:
Artie Butler (on 1967-01-21)
piano:
Stan Free (on 1967-01-21)
tambourine:
Thomas Cerone (on 1967-01-21)
lead vocals:
Davy Jones (The Monkees member) (on 1967-01-21)
arranger:
Jeff Barry
recording of:
A Little Bit Me, a Little Bit You (on 1967-01-21)
lyricist and composer:
Neil Diamond
4.52:48