Rave On!

~ Release by Buddy Holly (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleRatingLength
1Don’t Come Back Knockin’
recorded in:
Nashville, Tennessee, United States (on 1956-01-26)
producer:
Owen Bradley
bass:
Don Guess (best known for his association with Buddy Holly) (on 1956-01-26)
guitar [lead guitar]:
Sonny Curtis (on 1956-01-26)
guitar [rhythm guitar]:
Grady Martin (country/rockabilly guitarist) (on 1956-01-26)
percussion:
Doug Kirkham (on 1956-01-26)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1956-01-26)
recording of:
Don’t Come Back Knockin’ (on 1956-01-26)
writer:
Buddy Holly (1950s rock & roll singer‐songwriter) and Sue Parrish
publisher:
BMG Platinum Songs US, Palace Music, Unichappell Music, Inc. and Valley Publishers, Inc. (not to be confused with Valley Pub. Inc)
2:16
2Blue Days, Black Nights
recorded in:
Nashville, Tennessee, United States (on 1956-01-26)
producer:
Owen Bradley
bass:
Don Guess (best known for his association with Buddy Holly) (on 1956-01-26)
guitar [lead guitar]:
Sonny Curtis (on 1956-01-26)
guitar [rhythm guitar]:
Grady Martin (country/rockabilly guitarist) (on 1956-01-26)
percussion:
Doug Kirkham (on 1956-01-26)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1956-01-26)
recording of:
Blue Days, Black Nights (on 1956-01-26)
lyricist and composer:
Ben Hall (Texas based singer, songwriter, label owner, active 1950s/60s; studio owner through 1990s)
publisher:
Palace Music, Unichappell Music, Inc. and Valley Publishers, Inc. (not to be confused with Valley Pub. Inc)
42:08
3I’m Changing All Those Changes
recording of:
I’m Changing All These Changes
lyricist and composer:
Buddy Holly (1950s rock & roll singer‐songwriter)
publisher:
Cedarwood Music and Cedarwood Pub. Co., Inc.
2:17
4Girl on My Mind
recorded in:
Nashville, Tennessee, United States (on 1956-07-22)
producer:
Owen Bradley
bass:
Don Guess (best known for his association with Buddy Holly) (on 1956-07-22)
drums (drum set):
Jerry Allison (on 1956-07-22)
guitar:
Sonny Curtis (on 1956-07-22) and Buddy Holly (1950s rock & roll singer‐songwriter) (on 1956-07-22)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1956-07-22)
phonographic copyright (℗) by:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1958)
recording of:
Girl on My Mind (on 1956-07-22)
writer:
Don Guess (best known for his association with Buddy Holly)
publisher:
Cedarwood Pub. Co., Inc., Southern Music (publisher) and Universal Cedarwood Publishing
52:21
5Rock Around With Ollie Vee
recording of:
Rock Around With Ollie Vee
writer:
Sonny Curtis
publisher:
Palace Music, Skol Music (BMI-affiliated) and Valley Publishers, Inc. (not to be confused with Valley Pub. Inc)
2:21
6You Are My One Desire
producer:
Owen Bradley
bass:
Don Guess (best known for his association with Buddy Holly)
guitar:
Grady Martin (country/rockabilly guitarist)
piano:
Floyd Cramer
tenor saxophone:
Dutch McMillin (saxophonist)
phonographic copyright (℗) by:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1956) and UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1956)
recording of:
You Are My One Desire
writer:
Don Guess (best known for his association with Buddy Holly) and Jack Neal
publisher:
Palace Music, Unichappell Music, Inc. and Valley Music Ltd (publisher)
2:25
7That’ll Be the Day
recording of:
That’ll Be the Day
writer:
Jerry Allison, Buddy Holly (1950s rock & roll singer‐songwriter) and Norman Petty
publisher:
MPL Communications Inc. (Paul McCartney‐related, NYC‐based company), Nor-Va-Jak Music, Inc, Peermusic (UK) Limited, Southern Music (publisher), Wren Music Co. and MPL Communications (not for release label use! Paul McCartney-related, London-based company) (in 1976)
2:19
8Mailman, Bring Me No More Blues
producer:
Norman Petty
bass:
Joe B. Mauldin (on 1957-04-08)
drums (drum set):
Jerry Allison (on 1957-04-08)
guitar:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1957-04-08)
piano:
Vi Petty (on 1957-04-08)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1957-04-08)
recorded at:
Norman Petty Studios in Clovis, New Mexico, United States (on 1957-04-08)
cover recording of:
Mailman, Bring Me No More Blues (on 1957-04-08)
writer:
Bill Katz, Ruth Roberts and Bob Thiele (producer & songwriter)
publisher:
Peermusic (UK) Limited and Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic)
42:15
9Everyday
producer:
Norman Petty
bass:
Joe B. Mauldin (on 1957-05-29)
celesta:
Vi Petty (on 1957-05-29)
guitar and lead vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1957-05-29)
percussion [cardboard box percussion]:
Jerry Allison (on 1957-05-29)
background vocals:
Jerry Allison (on 1957-05-29), Buddy Holly (1950s rock & roll singer‐songwriter) (on 1957-05-29) and Niki Sullivan (on 1957-05-29)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1957-05-29)
phonographic copyright (℗) by:
Geffen Records (in 1957) and MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1957)
recorded at:
Norman Petty Studios in Clovis, New Mexico, United States (on 1957-05-29)
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 236)
recording of:
Everyday (on 1957-05-27)
writer:
Buddy Holly (1950s rock & roll singer‐songwriter) and Norman Petty
publisher:
Peer International Corporation (BMI) and Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic)
4.852:11
10Little Baby
producer:
Norman Petty
bass:
Joe B. Mauldin (on 1957-12-19)
drums (drum set):
Jerry Allison (on 1957-12-19)
guitar:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1957-12-19)
piano:
C. W. Kendall (on 1957-12-19)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1957-12-19)
recorded at:
Norman Petty Studios in Clovis, New Mexico, United States (from 1957-05 until 1957-07)
recording of:
Little Baby (from 1957-05 until 1957-07)
writer:
Buddy Holly (1950s rock & roll singer‐songwriter), C. W. Kendall and Norman Petty
publisher:
BMG Platinum Songs US, Mellin Music, Peer International Corporation (BMI) and Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
51:58
11Tell Me How
recording of:
Tell Me How
writer:
Jerry Allison, Buddy Holly (1950s rock & roll singer‐songwriter) and Norman Petty
publisher:
BMG Platinum Songs US and Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
2:02
12Peggy Sue
producer:
Norman Petty
bass:
Joe B. Mauldin (on 1957-07-01)
drums (drum set):
Jerry Allison (on 1957-07-01)
guitar:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1957-07-01) and Niki Sullivan (on 1957-07-01)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1957-07-01)
phonographic copyright (℗) by:
Geffen Records (in 1957) and MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1957)
recorded at:
Norman Petty Studios in Clovis, New Mexico, United States (on 1957-07-01)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1957 (number: 5), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 194) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 370)
recording of:
Peggy Sue (from 1957-06-29 until 1957-07-01)
writer:
Jerry Allison, Buddy Holly (1950s rock & roll singer‐songwriter) and Norman Petty
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), McCartney Music, Melody Lane Publications Inc., MPL Communications Inc. (Paul McCartney‐related, NYC‐based company), MPL Musik Verlags GmbH, Peermusic (UK) Limited, Southern Music (publisher) and Wren Music Co.
4.52:33
13Listen to Me
producer:
Norman Petty
bass:
Joe B. Mauldin (on 1957-07-01)
drums (drum set):
Jerry Allison (on 1957-07-01)
guitar:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1957-07-01) and Niki Sullivan (on 1957-07-01)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1957-07-01)
phonographic copyright (℗) by:
Geffen Records (in 1958) and MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1969)
recorded at:
Norman Petty Studios in Clovis, New Mexico, United States (on 1957-07-01)
recording of:
Listen to Me (from 1957-06-29 until 1957-07-01)
lyricist and composer:
Buddy Holly (1950s rock & roll singer‐songwriter)
writer:
Norman Petty
publisher:
MPL Communications Inc. (Paul McCartney‐related, NYC‐based company), Southern Music (publisher) and Wren Music Co.
3.52:23
14Send Me Some Lovin’
producer:
Norman Petty
bass:
Joe B. Mauldin
drums (drum set):
Jerry Allison
guitar:
Buddy Holly (1950s rock & roll singer‐songwriter) and Niki Sullivan
background vocals:
The Picks (American vocal Quartet that backed Buddy Holly)
lead vocals:
Buddy Holly (1950s rock & roll singer‐songwriter)
phonographic copyright (℗) by:
Geffen Records (in 1957)
cover recording of:
Send Me Some Lovin’
lyricist:
Leo Price
composer:
John Marascalco
publisher:
ATV Music Corp., Robin Hood Music Co. and Sony/ATV Songs LLC
2:38
15Maybe, Baby
producer:
Norman Petty
bass:
Joe B. Mauldin (on 1957-09-29)
drums (drum set):
Jerry Allison (on 1957-09-29)
guitar:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1957-09-29) and Niki Sullivan (on 1957-09-29)
background vocals:
Bob Lapham (from 1957-10-12 until 1957-10-14), Bill Pickering (from 1957-10-12 until 1957-10-14) and John Pickering (vocalist and leader of The Picks) (from 1957-10-12 until 1957-10-14)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1957-09-29)
phonographic copyright (℗) by:
Geffen Records (in 1957) and MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1957)
recorded at:
Officers Club (Tinker Air Force Base) in Oklahoma City, Oklahoma, United States (on 1957-09-29) and Norman Petty Studios in Clovis, New Mexico, United States (from 1957-10-12 until 1957-10-14)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1958 (recordings) (number: 14)
recording of:
Maybe Baby (from 1957-09-29 until 1957-10-14)
lyricist and composer:
Buddy Holly (1950s rock & roll singer‐songwriter) and Norman Petty
publisher:
Melody Lane Pub and MPL Communications Inc. (Paul McCartney‐related, NYC‐based company)
3.752:04
16Rock Me, My Baby
recording of:
Rock Me My Baby
writer:
Susan Heather and Shorty Long (1950s country/rockabilly artist)
publisher:
Wren Music
1:52
17You’re So Square
cover recording of:
(You’re So Square) Baby I Don’t Care
lyricist:
Jerry Leiber (in 1957)
composer:
Mike Stoller (in 1957)
publisher:
Belinda (London) Ltd. (publisher), Carlin Music Corporation, Elvis Presley Music Inc., Gladys Music, Jerry Leiber Music, Mike Stoller Music (ASCAP), Sony/ATV Songs LLC and WB Music Corp. (1929–2019)
1:39
18Rave On!
recorded in:
New York, New York, United States (on 1958-01-25)
producer:
Milton DeLugg, Norman Petty and Bob Thiele (producer & songwriter)
bass:
Joe B. Mauldin (on 1958-01-25, on 1958-01-26)
drums (drum set):
Jerry Allison (on 1958-01-25, on 1958-01-26)
guitar:
Donald Amone (on 1958-01-25), Al Caiola (on 1958-01-25) and Buddy Holly (1950s rock & roll singer‐songwriter) (on 1958-01-26)
piano:
Norman Petty (on 1958-01-25, on 1958-01-26)
background vocals:
Robert Bollinger (on 1958-01-25), Robert Harter (on 1958-01-25), Abby Hoffer (on 1958-01-25), William Marine (on 1958-01-25) and Merril Ostrus (on 1958-01-25)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1958-01-25, on 1958-01-26)
phonographic copyright (℗) by:
Geffen Records (in 1958) and MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1958)
recorded at:
Bell Sound Studios in New York, New York, United States (on 1958-01-26)
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 154)
cover recording of:
Rave On (on 1958-01-26)
writer:
Norman Petty, Bill Tilghman (songwriter) and Sonny West (American songwriter and musician Joseph “Sonny” West)
publisher:
Melody Lane Publications Inc., Nor-Va-Jak Music, Southern Music (publisher) and Wren Music Co.
4.21:51
19Well… All Right!
producer:
Norman Petty
bass:
Joe B. Mauldin (on 1958-02-12)
cymbal:
Jerry Allison (on 1958-02-12)
guitar:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1958-02-12)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1958-02-12)
phonographic copyright (℗) by:
Geffen Records (in 1958) and MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1958)
recorded at:
Norman Petty Studios in Clovis, New Mexico, United States (on 1958-02-12)
recording of:
Well… All Right (on 1958-02-12)
writer:
Jerry Allison, Buddy Holly (1950s rock & roll singer‐songwriter), Joe B. Mauldin and Norman Petty
publisher:
MPL Communications Inc. (Paul McCartney‐related, NYC‐based company) and MPL Music Publishing Inc.
42:16
20Fool’s Paradise
recorded in:
Clovis, New Mexico, United States (on 1958-02-13, on 1958-02-19)
producer:
Norman Petty
bass:
Joe B. Mauldin (on 1958-02-13)
guitar:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1958-02-13)
organ:
Norman Petty (on 1958-02-13)
percussion [cardboard box]:
Jerry Allison (on 1958-02-13)
piano:
Vi Petty (on 1958-02-19)
background vocals:
The Roses (on 1958-02-19)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1958-02-13)
cover recording of:
Fool’s Paradise (from 1958-02-13 until 1958-02-19)
writer:
Sonny LeGlaire, Horace Linsley (songwriter) and Norman Petty
publisher:
McCartney Music, Inc. and Southern Music Publ. Co. Ltd.
2:32
21Now We’re One
recorded in:
New York, New York, United States (on 1958-06-19)
producer:
Dick Jacobs (arranger, musician and bandleader)
bass:
Sanford Bloch (Bass player) (on 1958-06-19)
drums (drum set):
Philip Kraus (on 1958-06-19)
guitar:
George Barnes (on 1958-06-19)
piano:
Ernest Hayes (American pianist, organist and arranger) (on 1958-06-19)
tenor saxophone:
Sam “The Man” Taylor (US jazz/blues saxophonist 1916-1990) (on 1958-06-19)
background vocals:
The Helen Way Singers (on 1958-06-19)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1958-06-19)
performer:
Al Chernet (on 1958-06-19) and Panama Francis (US swing jazz drummer) (on 1958-06-19)
phonographic copyright (℗) by:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1958)
cover recording of:
Now We’re One (on 1958-06-19)
lyricist and composer:
Bobby Darin
publisher:
Portrait
52:08
22It’s So Easy
recording of:
It’s So Easy
writer:
Buddy Holly (1950s rock & roll singer‐songwriter) and Norman Petty
publisher:
Melody Lane Publications Inc., Wren Music Co. and MPL Communications Inc. (Paul McCartney‐related, NYC‐based company) (in 1958)
2:12
23Lonesome Tears
recorded in:
Clovis, New Mexico, United States (on 1958-05-25)
bass:
Joe B. Mauldin (on 1958-05-25)
drums (drum set):
Jerry Allison (on 1958-05-25)
guitar:
Tommy Allsup (on 1958-05-25) and Buddy Holly (1950s rock & roll singer‐songwriter) (on 1958-05-25)
background vocals:
The Roses (on 1958-05-27)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1958-05-25)
recording of:
Lonesome Tears (from 1958-05-25 until 1958-05-27)
lyricist and composer:
Buddy Holly (1950s rock & roll singer‐songwriter)
1:49
24Oh, You Beautiful Doll
recording of:
Oh, You Beautiful Doll
lyricist:
Seymour Brown (in 1911)
composer:
Nat D. Ayer (in 1911)
part of:
For Me and My Gal (1942 movie)
1:20