Centenary Edition 1897-1997

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Anmerkung

performers revealed in customer review here: http://www.amazon.co.uk/dp/B000027JM8

and also here: http://www.amazon.com/Centenary-Edition-1897-1997-Years/dp/tracks/B000002S8V/ref=dp_tracks_all_full#disc_1

CD 11, "A documentary history of EMI Classics" is narrated by Thomas Hampson, with 37 brief extracts from various EMI releases.

Anmerkung zuletzt geändert am 2020-04-10 12:41 UTC.

Titelliste

1▶CD: 1897-1907
2▶CD: 1908-1917
3▶CD: 1918-1927
4▶CD: 1928-1937
5▶CD: 1938-1947
6▶CD: 1948-1957
7▶CD: 1958-1967
8▶CD: 1968-1977
9▼CD: 1978-1987
Nr.TitelKünstlerBewertungLänge
1Adagio for Strings, op. 11
Orchester:
The Philadelphia Orchestra (in 1957, in 1985)
conductor:
Eugene Ormandy (conductor) (in 1957, in 1985)
recording of:
Adagio for Strings (in 1957)
Orchestrator(in):
Samuel Barber (American composer) (in 1938)
Komponist(in):
Samuel Barber (American composer) (in 1936)
uraufgeführt von:
NBC Symphony Orchestra (am 1938-11-05) und Arturo Toscanini (conductor) (am 1938-11-05)
Premiere bei:
[radio broadcast] (1938-11-05)
publisher:
Chappell (Warner/Chappell Music, Inc.) und G. Schirmer Inc.
Teil von:
Classic 100: Greatest of All Time (2026) (Nummer: 10)
Arrangement von:
String Quartet, op. 11: II. Molto adagio
teilweise recording of:
Adagio for Strings
Orchestrator(in):
Samuel Barber (American composer) (in 1938)
Komponist(in):
Samuel Barber (American composer) (in 1936)
uraufgeführt von:
NBC Symphony Orchestra (am 1938-11-05) und Arturo Toscanini (conductor) (am 1938-11-05)
Premiere bei:
[radio broadcast] (1938-11-05)
publisher:
Chappell (Warner/Chappell Music, Inc.) und G. Schirmer Inc.
Teil von:
Classic 100: Greatest of All Time (2026) (Nummer: 10)
Arrangement von:
String Quartet, op. 11: II. Molto adagio
Samuel Barber36:24
2Pagliacci: Atto I. “Recitar!...Vesti la giubba”
Tenor-Gesang [Canio]:
José Carreras (Spanish tenor)
Orchester:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Riccardo Muti (conductor)
recording of:
Pagliacci: Atto I. “Recitar!” … “Vesti la giubba” (Canio) (von 1979-05 bis 1979-06)
Komponist(in) und Librettist:
Ruggero Leoncavallo (Italian composer) (in 1892)
Teil von:
For the First Time (1959 film)
Teil von:
Pagliacci: Atto I (Pagliacci: Act I)
Ruggero Leoncavallo3:55
3Veni sancte spiritus, Sequence in Mode 1
Chorgesang:
Choir of The Benedictine Abbey of Silos
[anonymous]2:47
4String Quartet no. 13 in B-flat major “Lieb”, op. 130: V. Cavatina: Adagio molto espressivo
Produzent(in):
Gerd Berg (producer)
Bratsche / Viola:
Thomas Kakuska (viola player) (in 1982-06)
Cello:
Valentin Erben (cellist) (in 1982-06)
Geige / Violine [violin 1]:
Günter Pichler (violinist) (in 1982-06)
Geige / Violine [violin 2]:
Gerhard Schulz (violinist) (in 1982-06)
Streichquartett:
Alban Berg Quartett (string quartet) (in 1982-06)
Tonmeister(in):
Johann-Nikolaus Matthes (sound engineer)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1983)
aufgenommen bei:
Evangelische Kirche (Seon) in Seon, Aargau (Kanton Aargau), Schweiz (in 1982-06)
recording of:
String Quartet no. 13 in B‐flat major, op. 130: V. Cavatina. Adagio molto espressivo (in 1982-06)
Komponist(in):
Ludwig van Beethoven (German composer) (von 1825 bis 1826)
Teil von:
String Quartet no. 13 in B‐flat major, op. 130
Ludwig van Beethoven7:08
5Così fan tutte: Atto I, scena 6: “Soave sia il vento”
bass-baritone vocals [Don Alfonso]:
José van Dam (Belgian operatic bass-baritone)
Mezzosoprangesang [Dorabella]:
Agnes Baltsa (mezzo-soprano)
Soprangesang [Fiordiligi]:
Margaret Marshall (Scots soprano active in late 20th century)
Orchester:
Vienna Philharmonic Orchestra (Wiener Philharmoniker)
conductor:
Riccardo Muti (conductor)
recording of:
Così fan tutte: Atto I. No. 10 Terzettino “Soave sia il vento” (Fiordligi, Dorabella, Don Alfonso)
Komponist(in):
Wolfgang Amadeus Mozart (classical composer)
Librettist:
Lorenzo Da Ponte
Teil von:
Così fan tutte: Atto I
Wolfgang Amadeus Mozart3:19
6Concerto for harpsichord, strings & continuo in D major, Wq. 18: III. Allegro di molto
Cembalo:
Bob van Asperen (harpsichordist and organist)
recording of:
Concerto in D major, Wq. 18, H. 421: III. Allegro di molto
Komponist(in):
Carl Philipp Emanuel Bach (German classical composer) (in 1745)
Teil von:
Concerto in D major, Wq. 18, H. 421
Carl Philipp Emanuel Bach4:26
7Frottole, libro tertio: El grillo
Produzent(in):
Gerd Berg (producer)
Chorgesang:
The Hilliard Ensemble (British male vocal quartet) (von 1983-02-14 bis 1983-02-16)
vocals:
The Hilliard Ensemble (British male vocal quartet)
conductor:
Paul Hillier (conductor, music director and baritone, specializes in early music and contemporary art music) (von 1983-02-14 bis 1983-02-16)
chorus master:
Paul Hillier (conductor, music director and baritone, specializes in early music and contemporary art music)
Tonmeister(in):
Neville Boyling (engineer)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1984) und Virgin Classics Ltd. (not for release label use! for copyrights use) (in 1996)
aufgenommen bei:
Temple Church in London (Greater London), England, Vereinigtes Königreich (von 1983-02-14 bis 1983-02-16)
recording of:
El grillo (a 4) (von 1983-02-14 bis 1983-02-16)
Texter und Komponist(in):
Josquin des Prez (Franco-Flemish renaissance composer)
Josquin des Prez1:50
8Canzon villanesca alla napolitana: “Vecchie letrose non valete niente”
Orchester:
Hespèrion XX
conductor:
Jordi Savall (viol player, conductor and composer)
recording of:
Canzone villanesche alla napolitana: Vecchie letrose
Komponist(in):
Adriaan Willaert (Adrian Willaert, Flemish Renaissance composer)
Teil von:
Canzone villanesche alla napolitana
Adrian Willaert2:09
9Vespro della beata vergine, SV 206: I. Deus in adjutorium meum intende / II. Domine ad adjuvandum me festina
Orchester:
The Taverner Choir, Consort & Players
conductor:
Andrew Parrott (conductor)
recording of:
Vespro della Beata Vergine, SV 206: I. "Deus in adiutorium" / II. Toccata "Domine ad adiuvandum"
Komponist(in):
Claudio Monteverdi (Italian renaissance and baroque composer, choirmaster and string player)
Teil von:
Vespro della Beata Vergine, SV 206 (for chorus & instruments)
Claudio Monteverdi2:02
10Violin Concerto in E major “The Four Seasons: Spring”, op. 8 no. 1: I. Allegro
Produzent(in):
Peter Alward (EMI producer)
Geige / Violine:
Anne‐Sophie Mutter (violinist) (von 1984-06-18 bis 1984-06-19)
Orchester:
Wiener Philharmoniker (von 1984-06-18 bis 1984-06-19)
conductor:
Herbert von Karajan (conductor) (von 1984-06-18 bis 1984-06-19)
Tonmeister(in):
Wolfgang Gülich (engineer)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1984)
aufgenommen bei:
Zeremoniensaal (Hofburg Palace) in Innere Stadt, Wien, Österreich (von 1984-06-18 bis 1984-06-19)
recording of:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera”: I. Allegro („Die vier Jahreszeiten“: Concerto in E-Dur „Frühling“: Allegro) (von 1984-06-18 bis 1984-06-19)
Komponist(in):
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
Teil von:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera” (Concerto in E major, op. 8 no. 1, RV 269 “Spring”)
Antonio Vivaldi3:20
11Requiem, K. 626: Sequenz: Dies irae
Produzent(in):
Suvi Raj Grubb
Chorgesang:
Chœur de l'Orchestre de Paris (am 1984-07-13)
Orchester:
Orchestre de Paris (am 1984-07-13)
conductor:
Daniel Barenboim (pianist and conductor) (am 1984-07-13)
Tonmeister(in):
Michael Sheady (engineer) (am 1984-07-13)
aufgenommen bei:
Maison de la Mutualité in 5e arrondissement de Paris, Paris, Île-de-France, Frankreich (am 1984-07-13)
recording of:
Requiem in D minor, K. 626: III. Sequenz: a. Dies irae (catch-all for unknown editions) (am 1984-07-13)
Komponist(in):
Wolfgang Amadeus Mozart (classical composer) (in 1791)
Teil von:
Requiem in D minor, K. 626 (catch-all for unknown editions)
Wolfgang Amadeus Mozart1:47
12La Belle Hélène : Acte I. « Amours divins »
Produzent(in):
Eric Macleod (producer)
Soprangesang [Hélène]:
Jessye Norman (soprano) (von 1984-08-16 bis 1984-08-21)
Orchester:
Orchestre national du Capitole de Toulouse (von 1984-08-16 bis 1984-08-21)
conductor:
Michel Plasson (conductor) (von 1984-08-16 bis 1984-08-21)
Tonmeister(in):
Serge Rémy
aufgenommen bei:
Halle aux Grains (Toulouse) in Toulouse, Haute-Garonne, Occitanie (Occitania), Frankreich (von 1984-08-16 bis 1984-08-21)
recording of:
La Belle Hélène : Acte I, Scène 4. Couplets « Amours divins! Ardentes flammes » (Hélène) (von 1984-08-16 bis 1984-08-21)
Komponist(in):
Jacques Offenbach (German-French composer, cellist and impresario)
Librettist:
Ludovic Halévy (French librettist) und Henri Meilhac
Teil von:
La Belle Hélène: Acte I
teilweise recording of:
La Belle Hélène : Acte I, Scène 5. Dialogue « Calchas, restez… » (« Un mot, grand augure ») (Hélène, Calchas, Pâris, Oreste)
Komponist(in):
Jacques Offenbach (German-French composer, cellist and impresario)
Librettist:
Ludovic Halévy (French librettist) und Henri Meilhac
Teil von:
La Belle Hélène: Acte I
Jacques Offenbach3:34
13Clarinet Concertino in E-flat major, op. 26: III. Allegro
Produzent(in):
Christfried Bickenbach und Bernd Runge
Klarinette:
Sabine Meyer (clarinetist) (von 1985-09-09 bis 1985-09-13)
Orchester:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (von 1985-09-09 bis 1985-09-13)
conductor:
Herbert Blomstedt (conductor) (von 1985-09-09 bis 1985-09-13)
Tonmeister(in):
Horst Kunze (balance engineer)
aufgenommen bei:
Lukaskirche Dresden (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen, Deutschland (von 1985-09-09 bis 1985-09-13)
recording of:
Clarinet Concertino in E-flat major, J. 109, op. 26: III. Allegro (von 1985-09-09 bis 1985-09-13)
Komponist(in):
Carl Maria von Weber (composer)
Teil von:
Clarinet Concertino in E-flat major, J. 109, op. 26
Carl Maria von Weber2:16
14Porgy and Bess: Act I, Scene 1. “Summertime”
Produzent(in):
John Fraser (UK producer)
Chorgesang:
The New York Choral Artists (in 1986-06)
Soprangesang:
Dame Kiri Te Kanawa (soprano) (in 1986-06)
Orchester:
New Princess Theater Orchestra (in 1986-06)
conductor:
John McGlinn (American conductor) (in 1986-06)
Orchestrator(in):
George Gershwin (composer)
Tonmeister(in):
John Kurlander (engineer)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1987)
aufgenommen bei:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, Vereinigte Staaten (in 1986-06)
recording of:
Porgy and Bess: Act III, Scene I. “Summertime” (Bess) (in 1986-06)
Texter:
Ira Gershwin und DuBose Heyward
Komponist(in):
George Gershwin (composer)
Teil von:
Porgy and Bess: Act III, Scene I
George Gershwin2:42
15Symphony no. 8 in F major, op. 93: IV. Allegro vivace
Produzent(in):
David R. Murray
Orchester:
London Classical Players (von 1986-07-28 bis 1986-07-30)
conductor:
Sir Roger Norrington (conductor) (von 1986-07-28 bis 1986-07-30)
Tonmeister(in):
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work)
aufgenommen bei:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (von 1986-07-28 bis 1986-07-30)
recording of:
Symphony no. 8 in F major, op. 93: IV. Allegro vivace (von 1986-07-28 bis 1986-07-30)
Komponist(in):
Ludwig van Beethoven (German composer) (in 1812)
Teil von:
Symphony no. 8 in F major, op. 93 (Sinfonie Nr. 8 F-Dur, Op. 93)
Ludwig van Beethoven7:06
16Requiem Mass (Manzoni Requiem): Sanctus
Chorgesang:
Coro del Teatro alla Scala di Milano
Orchester:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan)
conductor:
Riccardo Muti (conductor)
recording of:
Messa da requiem: IV. Sanctus (a doppio coro)
Komponist(in):
Giuseppe Verdi (Italian opera composer) (in 1874)
Teil von:
Messa da requiem (Manzoni requiem)
Giuseppe Verdi2:27
17Show Boat: “Make Believe”
Mezzosoprangesang:
Frederica von Stade (mezzo-soprano)
Tenor-Gesang:
Jerry Hadley (operatic tenor)
Orchester:
London Sinfonietta
conductor:
John McGlinn (American conductor)
recording of:
Make Believe (Show Boat)
Texter:
Oscar Hammerstein II (of Rodgers & Hammerstein)
Komponist(in):
Jerome Kern
publisher:
T.B. Harms Co. (in 1927)
Teil von:
Show Boat (1951 film)
Teil von:
Show Boat: Act I
Jerome Kern4:14
18Romance no. 2 in F major, op. 50
Geige / Violine:
Frank Peter Zimmermann (violinist) (von 1987-11-20 bis 1987-11-21)
Orchester:
English Chamber Orchestra (von 1987-11-20 bis 1987-11-21)
conductor:
Jeffrey Tate (conductor) (von 1987-11-20 bis 1987-11-21)
recording of:
Romance for Violin and Orchestra no. 2 in F major, op. 50 (Romanze für Violine und Orchester No. 2 in F-Dur, Op. 50: Adagio cantabile) (von 1987-11-20 bis 1987-11-21)
Komponist(in):
Ludwig van Beethoven (German composer) (in 1798)
Teil von:
Works of Ludwig van Beethoven by opus number (Nummer: op. 50)
Ludwig van Beethoven8:57
19Symphony no. 8 in E-flat major “Symphony of a Thousand”, Part II: Chorus mysticus: Alles Vergängliche
Produzent(in):
James Mallinson (producer)
Chorgesang:
London Philharmonic Choir (von 1986-04-20 bis 1986-04-24) und Tiffin Boys’ Choir (von 1986-04-20 bis 1986-04-24)
Solo Baritongesang:
Jorma Hynninen (baritone) (von 1986-04-20 bis 1986-04-24)
Solo Bass-Gesang:
Hans Sotin (operatic bass) (von 1986-04-20 bis 1986-04-24)
Solo Hochgesang [Alto I]:
Trudeliese Schmidt (mezzo-soprano) (von 1986-04-20 bis 1986-04-24)
Solo Hochgesang [Alto II]:
Nadine Denize (mezzo-soprano) (von 1986-04-20 bis 1986-04-24)
Solo Soprangesang [Soprano I]:
Elizabeth Connell (soprano) (von 1986-04-20 bis 1986-04-24)
Solo Soprangesang [Soprano II]:
Edith Wiens (soprano) (von 1986-04-20 bis 1986-04-24)
Solo Tenor-Gesang:
Richard Versalle (von 1986-04-20 bis 1986-04-24)
Orchester:
London Philharmonic Orchestra (orchestra founded in 1932 by Sir Thomas Beecham) (von 1986-04-20 bis 1986-04-24)
conductor:
Klaus Tennstedt (conductor) (von 1986-04-20 bis 1986-04-24)
Tonmeister(in):
Tony Faulkner (recording engineer) (von 1986-04-20 bis 1986-04-24) und John Kurlander (engineer) (von 1986-04-20 bis 1986-04-24)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1987)
aufgenommen bei:
Walthamstow Town Hall (Walthamstow Assembly Hall) in London (Greater London), England, Vereinigtes Königreich (von 1986-04-20 bis 1986-04-24)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: p. "Alles Vergängliche ist nur ein Gleichnis" (Chorus Mysticus, soloists) (von 1986-04-20 bis 1986-04-24)
Komponist(in):
Gustav Mahler (Austro‐Bohemian Romantic composer) (in 1906)
Librettist:
Johann Wolfgang von Goethe
Teil von:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (8. Sinfonie in Es-dur “Sinfonie der Tausend”: II. Teil. Schussszene aus Goethes Faust)
Gustav Mahler5:47
10▶CD: 1988-1997
11▶CD: A Documentary History of EMI Classics

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