The Best of Julie London

~ Release by Julie London (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleRatingLength
1Come On-A My House
engineer:
Eddie Brackett and Jim Economides
producer:
Snuff Garrett (aka.Tommy Garrett, singer, songwriter, producer and disc jockey)
vocals:
Julie London (in 1958-10)
cover recording of:
Come On‐a My House (in 1958-10)
writer:
Ross Bagdasarian (Sr.; creator of Alvin and the Chipmunks) and William Saroyan
publisher:
Adam Bagdasarian Music, Bagdasarian Productions, Carol Bagdasarian Music, EMI Music Publishing France, Peter Maurice Music, Ross Bagdasarian Music, Stanford University Library for Saroyan, The Saroyan Company, Universal Duchess Music Corp., Universal MCA Music Publishing (France), Universal Music Corp. (USA, affiliated with ASCAP), Universal Music Publishing Group Japan (work publisher – do NOT use as a release label), Universal/MCA Music Ltd. (not for release label use!), Universal/MCA Music Publishing GmbH and シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.)
2:39
2In the Wee Small Hours of the Morning
engineer:
John Kraus (1950s US engineer)
producer:
Si Waronker
vocals:
Julie London (in 1960-08)
conductor:
Dick Reynolds (musician, songwriter, and trombonist best known as arranger for the Four Freshmen) (in 1960-08)
arranger:
Dick Reynolds (musician, songwriter, and trombonist best known as arranger for the Four Freshmen)
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (in 1960-08)
cover recording of:
In the Wee Small Hours of the Morning (in 1960-08)
lyricist:
Bob Hilliard
composer:
David Mann (American songwriter)
publisher:
Better Half Music Company, Bourne Co. (not for release label use, this is a music publisher), Bourne Music Ltd., Redd Evans Music Company and Rytvoc, Inc. (ASCAP)
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) and 日音 Synch事業部 (NICHION, INC. Synch Division)
included in:
The Real Book (compilation of jazz standards, volume I)
52:51
3Slightly Out of Tune (Desafinado)
engineer:
David Hassinger
producer:
Snuff Garrett (aka.Tommy Garrett, singer, songwriter, producer and disc jockey)
vocals:
Julie London (in 1962)
conductor:
Ernie Freeman (in 1962)
arranger:
Ernie Freeman
cover recording of:
Slightly Out of Tune (Hendricks/Cavanaugh version) (in 1962)
lyricist:
Jessie Cavanaugh (songwriting pseudonym used by Howie Richmond) and Jon Hendricks
composer:
Antônio Carlos Jobim
publisher:
Bendig Music Corp., Corcovado Music Corp. and Hollis Music, Inc.
translated version of:
Desafinado
2:09
4I Loves You Porgy
engineer:
Eddie Brackett and Jim Economides
producer:
Snuff Garrett (aka.Tommy Garrett, singer, songwriter, producer and disc jockey)
vocals:
Julie London (in 1962-03)
cover recording of:
I Loves You, Porgy (use this for non-operatic performances) (in 1962-03)
lyricist:
Ira Gershwin and DuBose Heyward
composer:
George Gershwin (composer)
publisher:
Chappell & Co., New Dawn Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Holland BV, Warner/Chappell North America and Gershwin Publishing Corp (in 1935)
version of:
Porgy and Bess: Act II, Scene III. “I loves you, Porgy”
2:44
5Hot Toddy
engineer:
Ted Keep (in 1958-07)
producer:
Bobby Troup
vocals:
Julie London (in 1958-07)
cover recording of:
Hot Toddy (in 1958-07)
writer:
Ralph Flanagan (Band leader, songwriter) and Herb Hendler
publisher:
Carlin Music Corporation, Hill & Range Songs, Inc. (publisher) and Valley Entertainment Enterprises
11:53
6Cry Me a River
engineer:
John Kraus (1950s US engineer) (in 1955-08)
producer:
Bobby Troup
double bass [bass]:
Ray Leatherwood
guitar:
Barney Kessel
vocals:
Julie London (in 1955-08)
phonographic copyright (℗) by:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1957)
recorded at and mixed at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom
part of:
Dave Marsh: The Best of the Top 40 Singles: 1955 (number: 15)
recording of:
Cry Me a River (in 1955-08)
lyricist and composer:
Arthur Hamilton
publisher:
Chappell & Co., Inc. (USA), Chappell Music Co. Inc., Harmony Grace Publishing, Saunders Publications Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., 1968‐09‐19–1999‐11‐09), Daksel Music Corp. (in 1982) and Song and Dance Music Co. (in 1982)
sub-publisher:
Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division) and Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
4.653:02
7More (Theme From “Mondo Cane”)
recording of:
More (English translation)
lyricist:
Marcello Ciorciolini (Italian screenwriter, director, playwright, television/radio author & lyricist)
composer:
Nino Oliviero (Italian musician and composer) and Riz Ortolani (songwriter, film music composer and music director)
translator:
Norman Newell
publisher:
C.A.M. Creazioni Artistiche Musicali (company, do not use as label), Ortolani Creative Team Inc. and Sugar Song Publications, Inc.
part of:
The 36th Academy Award for Best Original Song (number: 2)
translated version of:
Ti guarderò nel cuore
2:49
8Our Day Will Come
engineer:
David Hassinger
producer:
Snuff Garrett (aka.Tommy Garrett, singer, songwriter, producer and disc jockey)
vocals:
Julie London
conductor:
Ernie Freeman
arranger:
Ernie Freeman
cover recording of:
Our Day Will Come
lyricist:
Bob Hilliard
composer:
Mort Garson (Canadian-born composer, arranger, songwriter, and pioneer of electronic music)
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Better Half Music Company, Bourne Co. (not for release label use, this is a music publisher), Bourne Music Ltd., Francis, Day & Hunter, Leeds Music Corp., Universal Music Corp. (USA, affiliated with ASCAP), Universal‐MCA Music Publishing (US), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) and 日音 Synch事業部 (NICHION, INC. Synch Division)
part of:
Baby It’s You! (jukebox musical, book by Floyd Mutrux and Colin Escott)
2:25
9A Taste of Honey
engineer:
Eddie Brackett
producer:
Snuff Garrett (aka.Tommy Garrett, singer, songwriter, producer and disc jockey)
vocals:
Julie London
conductor:
Ernie Freeman
arranger:
Ernie Freeman
recording of:
A Taste of Honey
lyricist:
Ric Marlow (in 1960)
composer:
Bobby Scott (vocals, piano, US musician & producer) (in 1960)
publisher:
Ambassador Music Ltd. and Songfest Music Corp.
3:24
10My Heart Belongs to Daddy
producer:
Richard Bock (record producer)
double bass:
Monty Budwig (on 1965-07-12)
drums (drum set) and membranophone:
Colin Bailey (drummer) (on 1965-07-12)
guitar:
Joe Pass (jazz guitarist) (on 1965-07-12)
instruments:
The Bud Shank Quintet (on 1965-07-12)
piano:
Russ Freeman (pianist) (on 1965-07-12)
woodwind:
Bud Shank (on 1965-07-12)
vocals:
Julie London (on 1965-07-12)
arranger:
Russ Freeman (pianist)
recorded at:
Pacific Jazz Studios in Los Angeles, California, United States (on 1965-07-12)
cover recording of:
My Heart Belongs to Daddy (on 1965-07-12)
lyricist and composer:
Cole Porter (composer) (in 1938)
publisher:
Chappell (library/production music), Chappell & Co. and Chappell Music Ltd.
2:49
11Love Letters
engineer:
Eddie Brackett and Jim Economides
producer:
Snuff Garrett (aka.Tommy Garrett, singer, songwriter, producer and disc jockey)
vocals:
Julie London (in 1962-03)
cover recording of:
Love Letters (in 1962-03)
lyricist:
Edward Heyman
composer:
Victor Young (American composer, arranger, violinist & conductor)
publisher:
BMG Music Publishing Ltd., Famous Chappell, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Sony/ATV Harmony and Warner/Chappell Music Ltd. (1996–2019)
part of:
The 18th Academy Award for Best Original Song (number: 2)
2:55
12Midnight Sun
2:31
13Must Be Catchin’
vocals:
Julie London
cover recording of:
Love Must Be Catchin’
lyricist and composer:
Merle Travis
publisher:
American Music, Inc. and Cross Music Ltd.
recording of:
Love Must Be Catchin’
lyricist and composer:
Merle Travis
publisher:
American Music, Inc. and Cross Music Ltd.
2:11
14Black Coffee
engineer:
John Kraus (1950s US engineer)
producer:
Si Waronker
vocals:
Julie London (in 1960-08)
conductor:
Dick Reynolds (musician, songwriter, and trombonist best known as arranger for the Four Freshmen) (in 1960-08)
arranger:
Dick Reynolds (musician, songwriter, and trombonist best known as arranger for the Four Freshmen)
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (in 1960-08)
cover recording of:
Black Coffee (1948 song) (in 1960-08)
lyricist:
Paul Francis Webster (in 1948)
composer:
Sonny Burke (Joseph Francis Burke, producer, songwriter and Big Band leader) (in 1948)
publisher:
BMG Music Publishing (NYC‐based headquarters, with national subsidiaries under it), Chelsea Music Publishing Co., Ltd., Sondot Music Corp. and Webster Music Co.
43:00
15Daddy
engineer:
Ted Keep
producer:
Felix Slatkin and Bobby Troup
vocals:
Julie London (in 1957-10)
orchestra:
The Jimmy Rowles Orchestra (in 1957-10)
conductor:
Jimmy Rowles (in 1957-10)
cover recording of:
Daddy (in 1957-10)
lyricist and composer:
Robert W. Troup, Jr.
42:16
16Blue Moon
engineer:
Ted Keep (in 1958-07)
producer:
Bobby Troup
vocals:
Julie London (in 1958-07)
cover recording of:
Blue Moon (in 1958-07)
lyricist:
Lorenz Hart (in 1934)
composer:
Richard Rodgers (composer) (in 1934)
publisher:
EMI Catalogue Partnership, EMI Music Publishing (do not use as a release label!), EMI Robbins Catalog Inc. (ASCAP), EMI United Partnership Ltd., J. Albert & Son P/L, J. Albert & Son Pty. Ltd., Robbins Music Corporation, SBK United Partnership Ltd., フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
sub-publisher:
EMI Music Publishing Belgium NV and Francis Day Editions (SABAM)
part of:
New York, New York (1977 musical film soundtrack)
52:35
17Baby, Won’t You Please Come Home
engineer:
Chuck Britz and Joe Sidore
producer:
Calvin Carter
vocals:
Julie London
arranger:
Don Bagley
cover recording of:
Baby Won’t You Please Come Home
writer:
Charles Warfield and Clarence Williams (US jazz pianist, composer, singer and bandleader)
publisher:
Redwood Music Ltd. (Carlin), Universal‐MCA Music Publishing (US) and Universal/MCA Music Ltd. (not for release label use!)
2:16
18Sway
vocals:
Julie London
recording of:
Sway
lyricist:
Norman Gimbel
composer:
Pablo Beltrán Ruiz
publisher:
Latin-American Music Publishing Co. Ltd.
version of:
¿Quién será?
4.52:38
19Never on Sunday
recording of:
Never on Sunday
lyricist:
Manos Hadjidakis (Manos Hatzidakis, Greek composer) and Billy Towne (movie/musical composer)
composer:
Manos Hadjidakis (Manos Hatzidakis, Greek composer)
translator:
Billy Towne (movie/musical composer)
publisher:
EMI Catalogue Partnership, EMI Unart Catalog Inc. and EMI United Partnership Ltd.
part of:
The 33rd Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1960 winner)
arrangement of:
Τα παιδιά του Πειραιά
translated version of:
Τα παιδιά του Πειραιά
2:25
20Fascination
engineer:
Eddie Brackett and Jim Economides
producer:
Snuff Garrett (aka.Tommy Garrett, singer, songwriter, producer and disc jockey)
vocals:
Julie London (in 1962-03)
cover recording of:
Fascination (English version) (in 1962-03)
lyricist:
Maurice de Féraudy (in 1905)
composer:
Fermo Dante Marchetti (in 1904)
translator:
Dick Manning (American songwriter)
translated version of:
Fascination (original French version)
1:58