The Ultimate Baroque Album

~ Release by Various Artists (see all versions of this release, 2 available)

Tracklist

1▼CD
#TitleArtistRatingLength
1The Four Seasons, Spring, Violin Concerto in E Major, RV 269, Op. 8 No. 1: I. Allegro
executive producer:
Dr. Andreas Holschneider
producer:
Dr. Gerd Ploebsch (in 1981-10)
editor:
Reinhild Schmidt (Sound engineer and producer for Deutsche Grammophon)
harpsichord:
Trevor Pinnock (conductor / harpsichord) (from 1981-10-20 until 1981-10-23)
violin:
Simon Standage (English violinist and conductor) (from 1981-10-20 until 1981-10-23)
orchestra:
The English Concert (from 1981-10-20 until 1981-10-23)
conductor:
Trevor Pinnock (conductor / harpsichord) (from 1981-10-20 until 1981-10-23)
balance engineer:
Hans‐Peter Schweigmann (engineer) (in 1981-10)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 1981-10-20 until 1981-10-23)
recording of:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera”: I. Allegro (from 1981-10-20 until 1981-10-23)
composer:
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
part of:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera” (Concerto in E major, op. 8 no. 1, RV 269 “Spring”)
Antonio Vivaldi, Simon Standage, The English Concert & Trevor Pinnock3:20
2Brandenburg Concerto No. 2 in F, BWV 1047: 3. Allegro assai
orchestra:
Chamber Orchestra of Europe
conductor:
Douglas Boyd (oboist and conductor)
recording of:
Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047: III. Allegro assai
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047 (Brandenburg Concerto No. 2 in F major, BWV 1047)
Johann Sebastian Bach, Chamber Orchestra of Europe, Mark Bennett, Thierry Fischer, Douglas Boyd & Marieke Blankestijn2:43
3Oboe Concerto in D Minor S.Z799: 2. Adagio
recorded in:
Dresden, Sachsen (Saxony), Germany (in 1972-05)
harpsichord:
Christiane Jaccottet (harpsichord) (in 1972-05)
oboe:
Heinz Holliger (Swiss oboist, composer, and conductor) (in 1972-05)
orchestra:
Members of the Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1972-05)
conductor:
Vittorio Negri (conductor) (in 1972-05)
recording of:
Concerto per oboe, archi e continuo in re minore: II. Adagio (Concerto for oboe, strings and continuo in D minor: II. Adagio) (in 1972-05)
composer:
Alessandro Marcello
part of:
Concerto per oboe, archi e continuo in re minore, S D935 (Concerto for Oboe and Strings in D minor)
Alessandro Marcello, Heinz Holliger, Members of the Staatskapelle Dresden & Vittorio Negri4:52
4Partita No. 3 for Solo Violin in E Major, BWV 1006: I. Preludio
violin:
Shlomo Mintz (violinist, violist and conductor) (in 1983-01)
recorded at:
Nikolauskloster in Jüchen, Nordrhein-Westfalen (North Rhine-Westphalia), Germany (in 1983-01)
recording of:
Violin Partita no. 3 in E major, BWV 1006.1/1006: I. Preludio (in 1983-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1720)
part of:
Violin Partita No. 3 in E major, BWV 1006.1/1006
Johann Sebastian Bach & Shlomo Mintz3:57
5Orchestral Suite No. 3 in D Major, BWV 1068: II. Air
producer:
Michael Bremner (producer/engineer)
harpsichord:
Thurston Dart (conductor and keyboard player) (in 1970-12)
orchestra:
Academy of St. Martin-in-the-Fields (Academy of St Martin in the Fields) (in 1970-12)
conductor:
Neville Marriner (conductor) (in 1970-12)
balance engineer:
Stanley Goodall (engineer) (in 1970-12)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1971)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1970-12)
recording of:
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (Orchestral Suite no. 3 in D major, BWV 1068: II. Air, Air on the G string) (in 1970-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1730)
part of:
Orchestersuite Nr. 3 D-Dur, BWV 1068 (Orchestral Suite no. 3 in D major, BWV 1068)
Johann Sebastian Bach, Academy of St. Martin in the Fields & Sir Neville Marriner5:14
6Toccata & Fugue in D Minor, BWV 565: I. Toccata
executive producer:
Charlotte Kriesch and Dr. Gerd Ploebsch
producer:
Dr Gerd Ploebsch
organ:
Simon Preston (organist, conductor, composer) (in 1988-09)
balance engineer:
Hans‐Peter Schweigmann (engineer) (in 1988-09)
recorded at:
Kreuzbergkirche in Bonn, Nordrhein-Westfalen (North Rhine-Westphalia), Germany (in 1988-09)
recording of:
Toccata und Fuge d-Moll, BWV 565: I. Toccata (in 1988-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Classic 100: Piano (2025) (number: 30)
part of:
Toccata und Fuge d-Moll, BWV 565 (Toccata and Fugue in D minor, BWV 565)
Johann Sebastian Bach & Simon Preston2:29
7Toccata & Fugue in D Minor, BWV 565: II. Fugue
executive producer:
Charlotte Kriesch and Dr. Gerd Ploebsch
organ:
Simon Preston (organist, conductor, composer) (in 1988-09)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1989)
recorded at:
Kreuzbergkirche in Bonn, Nordrhein-Westfalen (North Rhine-Westphalia), Germany (in 1988-09)
recording of:
Toccata und Fuge d-Moll, BWV 565: II. Fuge (in 1988-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Toccata und Fuge d-Moll, BWV 565 (Toccata and Fugue in D minor, BWV 565)
Johann Sebastian Bach & Simon Preston5:56
8Trumpet Voluntary
trumpet:
John Wilbraham (trumpet player) (from 1971-08-09 until 1971-08-11)
orchestra:
Academy of St Martin in the Fields (from 1971-08-09 until 1971-08-11)
conductor:
Sir Neville Marriner (conductor) (from 1971-08-09 until 1971-08-11)
recorded at:
Brent Town Hall (Wembley Town Hall) in Brent (London Borough of Brent), London (Greater London), England, United Kingdom (from 1971-08-09 until 1971-08-11)
recording of:
The Prince of Denmark’s March (erroneously called “Trumpet Voluntary”) (from 1971-08-09 until 1971-08-11)
composer:
Jeremiah Clarke (English baroque composer and organist) (in 1700)
Jeremiah Clarke, John Wilbraham, Academy of St. Martin in the Fields & Sir Neville Marriner2:19
9Canon & Gigue in D Major, P. 37 (Orch. Seiffert)
executive producer:
Dr. Andreas Holschneider
producer:
Wolfgang Mitlehner
harpsichord:
Andreas Staier (in 1983-04)
instruments and orchestra:
Musica Antiqua Köln (Musica Antiqua Cologne) (in 1983-04)
violin:
Hajo Bäß (viola player) (in 1983-04) and Reinhard Goebel (violinist and conductor) (in 1983-04)
conductor:
Reinhard Goebel (violinist and conductor) (in 1983-04)
balance engineer:
Jörg Iwaschuta
recorded at:
Zentralsaal in Bamberg, Bayern (Bavaria), Germany (in 1983-04)
recording of:
Canon and Gigue in D major, P. 37, T. 337 (in 1983-04)
composer:
Johann Pachelbel (composer)
part of:
Thematic Catalogue of the Musical Works of Johann Pachelbel (Pachelbel catalogue by Jean M. Perreault) (number: P. 37), Johann Pachelbel: Organist, Teacher, Composer, A Critical Reexamination of His Life, Works, and Historical Significance (Pachelbel catalogue by Kathryn Janes Welter) (number: PC. 358) and Archive of Johann Pachelbel’s Works (Pachelbel catalogue by Hideo Tsukamoto) (number: T. 337)
Johann Pachelbel, Musica Antiqua Köln & Reinhard Goebel4:43
10Fugue in G minor, BWV 578 "The Little" (Arr. By Ronald Romm)
producer:
Hein Dekker (recording producer)
French horn:
David Ohanian
trombone:
Eugene Watts
trumpet:
Frederic Mills (trumpet player and arranger for Canadian Brass) and Ronald Romm (trumpet player)
tuba:
Charles Daellenbach
performer:
Canadian Brass (in 1990-08)
arranger:
Ronald Romm (trumpet player)
recorded at:
Church of St. Mary Magdalene in Toronto, Ontario, Canada (in 1990-08)
recording of:
Fugue in G minor, BWV 578 (catch-all for arrangements) (in 1990-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Fugue in G minor, BWV 578 ("Little")
recording of:
Fugue in G minor, BWV 578 ("Little")
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach Compendium (number: BC J 66) and Bach-Werke-Verzeichnis (number: BWV 578)
Johann Sebastian Bach & Canadian Brass3:30
11Fanfares in D Major (Suite No. 1): I. [Rondeau]
organ:
Simon Preston (organist, conductor, composer)
timpani:
Norbert Schmitt (timpani)
trumpet:
Bernhard Läubin (trumpeter), Hannes Läubin (trumpeter) and Wolfgang Läubin (trumpeter)
arranger:
Friedrich Held (Classical trumpeter & trombonist)
recording of:
Suite de Symphonies no. 1: I. Rondeau
composer:
Jean‐Joseph Mouret (composer)
part of:
Suite de Symphonies no. 1
Jean-Joseph Mouret, Hannes Läubin, Wolfgang Läubin, Bernhard Läubin, Norbert Schmitt & Simon Preston1:56
12The Art of Fugue, BWV 1080 - Edition prepared by Sir Neville Marriner & Andrew Davis: Contrapunctus 9 a 4 alla Duodecima
producer and balance engineer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips)
bassoon:
Cecil James (bassoonist) (from 1974-07-17 until 1974-07-21)
cello:
Kenneth Heath (cellist) (from 1974-07-17 until 1974-07-21)
cor anglais:
Celia Nicklin (oboist) (from 1974-07-17 until 1974-07-21)
oboe:
Neil Black (oboist) (from 1974-07-17 until 1974-07-21) and Tess Miller (oboist) (from 1974-07-17 until 1974-07-21)
viola:
Stephen Shingles (from 1974-07-17 until 1974-07-21)
violin:
Carmel Caine (violinist) (from 1974-07-17 until 1974-07-21) and Malcolm Latchem (violinist) (from 1974-07-17 until 1974-07-21)
violone:
John Gray (contemporary violone player) (from 1974-07-17 until 1974-07-21)
orchestra:
Members of the Academy of St. Martin in the Fields (Academy of St Martin in the Fields) (from 1974-07-17 until 1974-07-21)
conductor:
Sir Neville Marriner (conductor) (from 1974-07-17 until 1974-07-21)
phonographic copyright (℗) by:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (from 1975 to present)
recorded at:
Brent Town Hall (Wembley Town Hall) in Brent (London Borough of Brent), London (Greater London), England, United Kingdom (from 1974-07-17 until 1974-07-21)
recording of:
Die Kunst der Fuge, BWV 1080: IX. Contrapunctus 9 a 4 alla Duodecima (from 1974-07-17 until 1974-07-21)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 1080/9)
part of:
Die Kunst der Fuge, BWV 1080 (The Art of Fugue, BWV 1080)
part of:
Die Kunst der Fuge, BWV 1080.1 (1742 autograph)
Johann Sebastian Bach, Carmel Kaine, Malcolm Latchem, Stephen Shingles, Neil Black, Tess Miller, Celia Nicklin, Cecil James, Kenneth Heath, John Gray, Academy of St Martin in the Fields, Members & Sir Neville Marriner2:59
13Concerto in D major (after RV93) - Arr. for guitar by Siegfried Behrend: 2. Andante largo
recorded in:
Vevey, Vaud (Canton of Vaud), Switzerland (in 1968-09)
acoustic guitar [Gitarre]:
Siegfried Behrend (guitarist and composer) (in 1968-09)
guitar:
Siegfried Behrend (guitarist and composer)
orchestra:
I Musici (in 1968-09)
guitar arranger:
Siegfried Behrend (guitarist and composer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1969)
recording of:
Concerto for Lute in D major, RV 93: II. Largo (in 1968-09)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Concerto for Lute in D major, RV 93
recording of:
Concerto for Lute in D major, RV 93: II. Largo (catch-all for arrangements)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
arrangement of:
Concerto for Lute in D major, RV 93: II. Largo
part of:
Concerto for Lute in D major, RV 93 (catch-all for arrangements)
Antonio Vivaldi, Siegfried Behrend & I Musici3:23
14Solomon, HWV 67, Act III: The Arrival of the Queen of Sheba
recording of:
Solomon, HWV 67: Act III. Sinfonia “The Arrival of the Queen of Sheba”
composer:
George Frideric Handel (German‐British baroque composer) (in 1748)
publisher:
Hallische Händel‐Ausgabe der Georg‐Friedrich‐Händel‐Gesellschaft and Public Domain (refers to works that are in the public domain)
part of:
Solomon, HWV 67: Act III
George Frideric Handel, Academy of St. Martin in the Fields & Sir Neville Marriner3:01
15Herz und Mund und Tat und Leben, Cantata BWV 147: Jesu, Joy Of Man's Desiring, BWV147
orchestra:
Stuttgarter Kammerorchester (Stuttgart Chamber Orchestra) (in 1977-10)
conductor:
Karl Münchinger (German conductor) (in 1977-10)
arranger:
Lucien Cailliet and Karl Münchinger (German conductor)
recorded at:
Evangelisches Schloßkirche (Schloss Ludwigsburg) in Ludwigsburg, Baden-Württemberg, Germany (in 1977-10)
recording of:
Kantate, BWV 147 “Herz und Mund und Tat und Leben”: Teil II, X. Choral “Jesus bleibet meine Freude” (Jesu, Joy of Man’s Desiring; catch‐all for arrangements and unknown orchestrations) (in 1977-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, X. Choral „Jesus bleibet meine Freude“ (Jesu, Joy of Man’s Desiring)
Johann Sebastian Bach, Stuttgart Chamber Orchestra & Karl Münchinger3:04
16Water Music Suite No. 2 in D Major, HWV 349: XII. Alla hornpipe
recording engineer:
Stephan Schellmann (classical music engineer, co-founded Tritonus Musikproduktion)
executive producer:
Dr. Steven Paul (classical arranger/producer for Deutsche Grammophon)
producer:
Wolf Erichson (engineer/producer)
orchestra:
Orpheus Chamber Orchestra (US orchestra) (in 1990-12)
balance engineer:
Stephan Schellmann (classical music engineer, co-founded Tritonus Musikproduktion) (in 1990-12)
concertmaster:
Guillermo Figueroa (in 1990-12)
recorded at:
State University of New York at Purchase, Performing Arts Center (Purchase College) in Purchase, Harrison, New York, United States (in 1990-12)
recording of:
Water Music, Suite no. 2 in D major, HWV 349: 12. Alla hornpipe (in 1990-12)
composer:
George Frideric Handel (German‐British baroque composer) (in 1717)
part of:
Water Music Suite no. 2 in D major, HWV 349
George Frideric Handel & Orpheus Chamber Orchestra2:44
17Abdelazer: Rondeau
orchestra:
Academy of St Martin in the Fields (from 1971-08-09 until 1971-08-11)
conductor:
Sir Neville Marriner (conductor) (from 1971-08-09 until 1971-08-11)
recorded at:
Brent Town Hall (Wembley Town Hall) in Brent (London Borough of Brent), London (Greater London), England, United Kingdom (from 1971-08-09 until 1971-08-11)
recording of:
Incidental Music for Abdelazer, or, the Moor’s Revenge, Z 570: II. Rondeau (from 1971-08-09 until 1971-08-11)
composer:
Henry Purcell (Baroque composer)
part of:
Incidental Music for Abdelazer, or, the Moor's Revenge, Z 570
Henry Purcell, Academy of St. Martin in the Fields & Sir Neville Marriner1:38
18Prélude from "Te Deum", H.146
organ:
Peter Hurford (organist)
performer:
Michael Laird Brass Ensemble
arranger:
Chris Hazell
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1991)
recording of:
Te Deum, H. 146: Prélude
composer:
Marc‐Antoine Charpentier (composer)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
part of:
Te Deum, H. 146
Marc-Antoine Charpentier, The Michael Laird Brass Ensemble & Peter Hurford2:14
19Adagio for Strings and Organ in G minor
pipe organ:
Maria Teresa Garatti (keyboardist) (in 1960-11)
orchestra:
I Musici (in 1960-11)
recorded at:
Aula la magna de l'ateneo Antoniano in Roma (Rome), Roma, Lazio, Italy (in 1960-11)
recording of:
Adagio for Strings and Organ in G minor (in 1960-11)
composer:
Remo Giazotto
previously attributed to:
Tomaso Giovanni Albinoni (Italian Baroque composer)
publisher:
Ricordi London (Casa Ricordi sublabel for Classical music) and Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing)
Tomaso Albinoni, Remo Giazotto, Maria Teresa Garatti & I Musici6:58
20Messiah, HWV 56 / Pt. 2: XLII. "Hallelujah"
sound engineer:
Hans‐Peter Schweigmann (engineer)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Dr. Gerd Ploebsch
editor:
Ulrich Vette (engineer)
choir vocals:
The English Concert Choir (in 1988-01)
orchestra:
The English Concert (in 1988-01)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1988-01)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1988)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1988-01)
recording of:
Messiah, HWV 56: Part II, no. 44. Chorus “Hallelujah” (in 1988-01)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
librettist:
Charles Jennens
part of:
Messiah, HWV 56: Part II
George Frideric Handel, The English Concert, Trevor Pinnock & The English Concert Choir4:01