Sarah Vaughan Vol.2 (Eight Classic Albums)

~ Release by Sarah Vaughan (see all versions of this release, 1 available)

Annotation

List of subparts
CD1 tracks 1 to 9: No Count Sarah (1958)
CD1 tracks 10 to 20: Vaughan & Violins (1958)
CD2 tracks 1 to 12: Dreamy (1960)
CD2 tracks 13 to 23: The Divine One (1960)
CD3 tracks 1 to 11: Count Basie / Sarah Vaughan (1961)
CD3 tracks 12 to 22: After Hours (1961)
CD4 tracks 1 to 12: You're Mine You (1962)
CD4 tracks 13 to 23: Sarah + 2 (1962)

Issued in a "fat boy" jewel case.

Other Identifiers
Rights Society (Logo): mcps

Annotation last modified on 2025-04-23 21:18 UTC.

Tracklist

1▼CD
#TitleRatingLength
1Smoke Gets in Your Eyes
baritone saxophone:
Charlie Fowlkes (baritone saxophonist) (on 1958-12-15)
double bass:
Richard Davis (American jazz bassist) (on 1958-12-15)
drums (drum set):
Sonny Payne (on 1958-12-15)
guitar:
Freddie Green (on 1958-12-15)
piano:
Ronnell Bright (on 1958-12-15)
reeds:
Marshall Royal (on 1958-12-15)
tenor saxophone:
Frank Foster (saxophonist) (from 1958-12-01 until 1958-12-15) and Billy Mitchell (US jazz saxophonist) (on 1958-12-15)
trombone:
Henry Coker (jazz trombonist) (on 1958-12-15), Benny Powell (jazz trombonist) (on 1958-12-15) and Al Grey (trombone) (on 1958-12-23)
trumpet:
Wendell Culley (jazz trumpeter) (on 1958-12-15), Eugene Young (on 1958-12-15) and Thad Jones (American jazz trumpeter) (on 1958-12-23)
woodwind:
Frank Wess (on 1958-12-15)
vocals:
Sarah Vaughan (on 1958-12-15)
cover recording of:
Smoke Gets in Your Eyes (on 1958-12-15)
lyricist:
O. Harbach
composer:
J. Kern
publisher:
Chappell & Co Ltd., Chappell & Co., Chappell Music (UK), Chappell Music Ltd., PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998), PolyGram Music Publishing Ltd., Redwood Music, T.B. Harms Co., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
part of:
Roberta
3:59
2Doodlin'
baritone saxophone:
Charlie Fowlkes (baritone saxophonist) (on 1958-01-05)
bass:
Richard Davis (American jazz bassist)
double bass:
Richard Davis (American jazz bassist) (on 1958-01-05)
drums (drum set):
Sonny Payne (on 1958-01-05)
guitar:
Freddie Green (on 1958-01-05)
piano:
Ronnell Bright (on 1958-01-05)
reeds:
Marshall Royal (on 1958-01-05)
saxophone:
Frank Foster (saxophonist), Charlie Fowlkes (baritone saxophonist), Billy Mitchell (US jazz saxophonist), Marshall Royal and Frank Wess
tenor saxophone:
Frank Foster (saxophonist) (on 1958-01-05) and Billy Mitchell (US jazz saxophonist) (on 1958-01-05)
trombone:
Henry Coker (jazz trombonist) (on 1958-01-05), Al Grey (trombone) (on 1958-01-05) and Benny Powell (jazz trombonist) (on 1958-01-05)
trumpet:
Wendell Culley (jazz trumpeter) (on 1958-01-05), Eugene Young (on 1958-01-05) and Thad Jones (American jazz trumpeter) (on 1958-01-05)
woodwind:
Frank Wess (on 1958-01-05)
vocals:
Sarah Vaughan (on 1958-01-05)
cover recording of:
Doodlin’ (vocal version, lyrics by Jon Hendricks) (on 1958-01-05)
lyricist:
Jon Hendricks
composer:
Horace Silver
publisher:
Silhouette Music Corp.
version of:
Doodlin’ (original instrumental version)
4:36
3Darn That Dream
bass:
Richard Davis (American jazz bassist)
guitar:
Freddie Green
membranophone:
Sonny Payne
piano:
Ronnell Bright
saxophone:
Frank Foster (saxophonist), Charlie Fowlkes (baritone saxophonist), Billy Mitchell (US jazz saxophonist), Marshall Royal and Frank Wess
trombone:
Henry Coker (jazz trombonist), Al Grey (trombone) and Benny Powell (jazz trombonist)
trumpet:
Wendell Culley (jazz trumpeter), Eugene Young and Thad Jones (American jazz trumpeter)
vocals:
Sarah Vaughan
cover recording of:
Darn That Dream
lyricist:
Eddie DeLange (in 1939)
composer:
Jimmy Van Heusen (in 1939)
publisher:
Scarsdale Music Corp. (ASCAP)
part of:
Swingin’ the Dream
3:45
4Just One of Those Things
alto saxophone, flute and woodwind:
Frank Wess (on 1958-12-23)
baritone saxophone:
Charlie Fowlkes (baritone saxophonist) (on 1958-12-23)
clarinet and reeds:
Marshall Royal (on 1958-12-23)
double bass:
Richard Davis (American jazz bassist) (on 1958-12-23)
drums (drum set):
Sonny Payne (on 1958-12-23)
guitar:
Freddie Green (on 1958-12-23)
piano:
Ronnell Bright (on 1958-12-23)
tenor saxophone:
Frank Foster (saxophonist) (on 1958-12-23) and Billy Mitchell (US jazz saxophonist) (on 1958-12-23)
trombone:
Henry Coker (jazz trombonist) (on 1958-12-23), Al Grey (trombone) (on 1958-12-23) and Benny Powell (jazz trombonist) (on 1958-12-23)
trumpet:
Wendell Culley (jazz trumpeter) (on 1958-12-23), Eugene Young (on 1958-12-23) and Thad Jones (American jazz trumpeter) (on 1958-12-23)
vocals:
Sarah Vaughan (on 1958-12-23)
cover recording of:
Just One of Those Things (on 1958-12-23)
lyricist and composer:
Cole Porter (composer) (in 1935)
publisher:
Burke-Van Heusen, Inc., Chappell Music Ltd., Warner/Chappell (Warner/Chappell Music, Inc.) and Warner Bros., Inc. (not for release label use!) (in 1929)
part of:
Can‐Can (1960 musical film)
part of:
High Society (stage musical)
part of:
Jubilee
part of:
Panama Hattie (1942 film)
2:32
5Moonlight in Vermont
baritone saxophone:
Charlie Fowlkes (baritone saxophonist) (on 1958-12-23)
double bass:
Richard Davis (American jazz bassist) (on 1958-12-23)
drums (drum set):
Sonny Payne (on 1958-12-23)
guitar:
Freddie Green (on 1958-12-23)
piano:
Ronnell Bright (on 1958-12-23)
reeds:
Marshall Royal (on 1958-12-23)
tenor saxophone:
Frank Foster (saxophonist) (on 1958-12-23) and Billy Mitchell (US jazz saxophonist) (on 1958-12-23)
trombone:
Henry Coker (jazz trombonist) (on 1958-12-23), Al Grey (trombone) (on 1958-12-23) and Benny Powell (jazz trombonist) (on 1958-12-23)
trumpet:
Wendell Culley (jazz trumpeter) (on 1958-12-23), Eugene Young (on 1958-12-23) and Thad Jones (American jazz trumpeter) (on 1958-12-23)
woodwind:
Frank Wess (on 1958-12-23)
vocals:
Sarah Vaughan (on 1958-12-23)
cover recording of:
Moonlight in Vermont (on 1958-12-23)
lyricist:
John Blackburn (songwriter)
composer:
Karl Suessdorf
publisher:
Chappell, Johnny R. Music, Michael H. Goldsen Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
3:20
6No Count Blues
bass:
Richard Davis (American jazz bassist)
guitar:
Freddie Green
membranophone:
Sonny Payne
piano:
Ronnell Bright
saxophone:
Frank Foster (saxophonist), Charlie Fowlkes (baritone saxophonist), Billy Mitchell (US jazz saxophonist), Marshall Royal and Frank Wess
trombone:
Henry Coker (jazz trombonist), Al Grey (trombone) and Benny Powell (jazz trombonist)
trumpet:
Wendell Culley (jazz trumpeter), Eugene Young and Thad Jones (American jazz trumpeter)
vocals:
Sarah Vaughan
5:28
7Cheek to Cheek
bass:
Richard Davis (American jazz bassist)
guitar:
Freddie Green
membranophone:
Sonny Payne
piano:
Ronnell Bright
saxophone:
Frank Foster (saxophonist), Charlie Fowlkes (baritone saxophonist), Billy Mitchell (US jazz saxophonist), Marshall Royal and Frank Wess
trombone:
Henry Coker (jazz trombonist), Al Grey (trombone) and Benny Powell (jazz trombonist)
trumpet:
Wendell Culley (jazz trumpeter), Eugene Young and Thad Jones (American jazz trumpeter)
vocals:
Sarah Vaughan
cover recording of:
Cheek to Cheek (from “Top Hat”)
lyricist and composer:
Irving Berlin (in 1935)
publisher:
Irving Berlin (England) Music Ltd., Irving Berlin Music Company, Irving Berlin Music Corp., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
part of:
Academy Award for Best Original Song (number: 1935 nominee)
part of:
Top Hat (1935 film)
5:09
8Starlight
3:18
9Missing You
bass:
Richard Davis (American jazz bassist)
guitar:
Freddie Green
membranophone:
Sonny Payne
piano:
Ronnell Bright
saxophone:
Frank Foster (saxophonist), Charlie Fowlkes (baritone saxophonist), Billy Mitchell (US jazz saxophonist), Marshall Royal and Frank Wess
trombone:
Henry Coker (jazz trombonist), Al Grey (trombone) and Benny Powell (jazz trombonist)
trumpet:
Wendell Culley (jazz trumpeter), Eugene Young and Thad Jones (American jazz trumpeter)
vocals:
Sarah Vaughan
recording of:
Missing You
writer:
Ronnell Bright
3:28
10Please Be Kind
alto saxophone:
Marcel Hrasko (on 1958-07-07)
baritone saxophone:
William Boucaya (on 1958-07-07) and Jo Hrasko (on 1958-07-07)
drums (drum set):
Kenny Clarke (on 1958-07-07)
guitar:
Pierre Cullaz (on 1958-07-07)
piano:
Ronnell Bright (on 1958-07-07)
tenor saxophone:
Zoot Sims (US jazz saxophonist) (on 1958-07-07)
vibraphone:
Michel Hausser (on 1958-07-07)
arranger:
Quincy Jones
recorded at:
Studio Hoche (Barclay) in 8e arrondissement de Paris, Paris, Île-de-France, France (on 1958-07-07)
cover recording of:
Please Be Kind (on 1958-07-07)
lyricist:
Sammy Cahn (in 1938)
composer:
Saul Chaplin (in 1938)
publisher:
Harms, Inc.
3:13
11The Midnight Sun Will Never Set
alto saxophone:
Marcel Hrasko (on 1958-07-07)
baritone saxophone:
William Boucaya (on 1958-07-07) and Jo Hrasko (on 1958-07-07)
drums (drum set):
Kenny Clarke (on 1958-07-07)
guitar:
Pierre Cullaz (on 1958-07-07)
piano:
Ronnell Bright (on 1958-07-07)
tenor saxophone:
Zoot Sims (US jazz saxophonist) (on 1958-07-07)
vibraphone:
Michel Hausser (on 1958-07-07)
arranger:
Quincy Jones
recorded at:
Studio Hoche (Barclay) in 8e arrondissement de Paris, Paris, Île-de-France, France (on 1958-07-07)
recording of:
The Midnight Sun Will Never Set (Sarah Vaughan) (on 1958-07-07)
lyricist:
Dorcas Cochran
composer:
Quincy Jones and Henri Salvador
2:49
12Live for Love
alto saxophone:
Marcel Hrasko (on 1958-07-07)
baritone saxophone:
William Boucaya (on 1958-07-07) and Jo Hrasko (on 1958-07-07)
drums (drum set):
Kenny Clarke (on 1958-07-07)
guitar:
Pierre Cullaz (on 1958-07-07)
piano:
Ronnell Bright (on 1958-07-07)
tenor saxophone:
Zoot Sims (US jazz saxophonist) (on 1958-07-07)
vibraphone:
Michel Hausser (on 1958-07-07)
arranger:
Quincy Jones
recorded at:
Studio Hoche (Barclay) in 8e arrondissement de Paris, Paris, Île-de-France, France (on 1958-07-07)
recording of:
Live for Love (on 1958-07-07)
lyricist:
Paul Misraki
composer:
Paul Misraki and Carl Sigman
3:22
13Misty
alto saxophone:
Marcel Hrasko (on 1958-07-07)
baritone saxophone:
William Boucaya (on 1958-07-07) and Jo Hrasko (on 1958-07-07)
drums (drum set):
Kenny Clarke (on 1958-07-07)
guitar:
Pierre Cullaz (on 1958-07-07)
piano:
Ronnell Bright (on 1958-07-07)
tenor saxophone:
Zoot Sims (US jazz saxophonist) (on 1958-07-07)
vibraphone:
Michel Hausser (on 1958-07-07)
orchestra:
Quincy Jones and His Orchestra
arranger:
Quincy Jones
recorded at:
Studio Hoche (Barclay) in 8e arrondissement de Paris, Paris, Île-de-France, France (on 1958-07-07)
cover recording of:
Misty (on 1958-07-07)
lyricist:
Johnny Burke (American lyricist, 1908–1964)
composer:
Erroll Garner
publisher:
BMG Songs, Inc., Marke Music Publishing Co., Inc., My Dad’s Songs, Inc., Octave Music Publishing Corp., Pocketful of Dreams Music, Reganesque Music Company, Spirit Two Music Inc., The Songwriters Guild, Vernon Music Inc., Warner/Chappell Music Ltd. (1996–2019) and WB Music Corp. (1929–2019)
is based on:
Misty (original instrumental work)
33:00
14I'm Lost
alto saxophone:
Marcel Hrasko (on 1958-07-07)
baritone saxophone:
William Boucaya (on 1958-07-07) and Jo Hrasko (on 1958-07-07)
drums (drum set):
Kenny Clarke (on 1958-07-07)
guitar:
Pierre Cullaz (on 1958-07-07)
piano:
Ronnell Bright (on 1958-07-07)
tenor saxophone:
Zoot Sims (US jazz saxophonist) (on 1958-07-07)
vibraphone:
Michel Hausser (on 1958-07-07)
recorded at:
Studio Hoche (Barclay) in 8e arrondissement de Paris, Paris, Île-de-France, France (on 1958-07-07)
cover recording of:
I’m Lost (on 1958-07-07)
lyricist and composer:
Otis René
3:38
15Love Me
alto saxophone:
Marcel Hrasko (on 1958-07-07)
baritone saxophone:
William Boucaya (on 1958-07-07) and Jo Hrasko (on 1958-07-07)
drums (drum set):
Kenny Clarke (on 1958-07-07)
guitar:
Pierre Cullaz (on 1958-07-07)
piano:
Ronnell Bright (on 1958-07-07)
tenor saxophone:
Zoot Sims (US jazz saxophonist) (on 1958-07-07)
vibraphone:
Michel Hausser (on 1958-07-07)
recorded at:
Studio Hoche (Barclay) in 8e arrondissement de Paris, Paris, Île-de-France, France (on 1958-07-07)
recording of:
Love Me (on 1958-07-07)
writer:
Johnny Lehmann and John Lewis (pianist, member of Modern Jazz Quartet)
3:10
16That's All
alto saxophone:
Marcel Hrasko (on 1958-07-07)
baritone saxophone:
William Boucaya (on 1958-07-07) and Jo Hrasko (on 1958-07-07)
drums (drum set):
Kenny Clarke (on 1958-07-07)
guitar:
Pierre Cullaz (on 1958-07-07)
piano:
Ronnell Bright (on 1958-07-07)
tenor saxophone:
Zoot Sims (US jazz saxophonist) (on 1958-07-07)
vibraphone:
Michel Hausser (on 1958-07-07)
recorded at:
Studio Hoche (Barclay) in 8e arrondissement de Paris, Paris, Île-de-France, France (on 1958-07-07)
cover recording of:
That’s All (on 1958-07-07)
lyricist:
Alan Brandt
composer:
Alan Brandt and Bob Haymes
publisher:
Mixed Bag Music Inc. and Travis Music
3:29
17Day by Day
drums (drum set):
Kansas Fields (in 1958-07)
piano:
Maurice Vander (jazz musician and conductor, not the lyricist) (in 1958-07)
vocals:
Sarah Vaughan (on 1958-07-12)
recorded at:
Studio Hoche (Barclay) in 8e arrondissement de Paris, Paris, Île-de-France, France (from 1958-07-07 until 1958-07-12)
cover recording of:
Day by Day (on 1958-07-12)
lyricist:
Sammy Cahn
composer:
Axel Stordahl and Paul Weston
publisher:
Barton Music Corp. and Hanover Music Corp.
3:08
18Gone With the Wind
drums (drum set):
Kansas Fields (in 1958-07)
piano:
Maurice Vander (jazz musician and conductor, not the lyricist) (in 1958-07)
vocals:
Sarah Vaughan (on 1958-07-12)
recorded at:
Studio Hoche (Barclay) in 8e arrondissement de Paris, Paris, Île-de-France, France (from 1958-07-07 until 1958-07-12)
cover recording of:
Gone With the Wind (on 1958-07-12)
lyricist:
Herb Magidson
composer:
Herb Magidson and Allie Wrubel (US composer and songwriter)
publisher:
Bourne Co. (not for release label use, this is a music publisher)
3:25
19I'll Close My Eyes
drums (drum set):
Kansas Fields (on 1958-07-12)
piano:
Maurice Vander (jazz musician and conductor, not the lyricist) (in 1958-07)
vocals:
Sarah Vaughan (on 1958-07-12)
recorded at:
Studio Hoche (Barclay) in 8e arrondissement de Paris, Paris, Île-de-France, France (from 1958-07-07 until 1958-07-12)
cover recording of:
I’ll Close My Eyes (on 1958-07-12)
lyricist:
Buddy Kaye
composer:
Billy Reid (UK orchestra leader and songwriter)
publisher:
Colgems-EMI Music Inc. and Peter Maurice Music
3:38
20The Thrill Is Gone
baritone saxophone:
William Boucaya
drums (drum set):
Kansas Fields (in 1958-07)
piano:
Maurice Vander (jazz musician and conductor, not the lyricist) (in 1958-07)
recorded at:
Studio Hoche (Barclay) in 8e arrondissement de Paris, Paris, Île-de-France, France (from 1958-07-07 until 1958-07-12)
cover recording of:
The Thrill Is Gone (Henderson/Brown song, first performed in 1931) (in 1958-07)
lyricist:
Lew Brown
composer:
Ray Henderson
publisher:
DeSylva, Brown and Henderson, Inc. and Redwood Music Ltd. (Carlin)
2:25
2▶CD
3▶CD
4▶CD

Credits

Release group

part of:… Classic Albums (Real Gone Jazz) (order: 31)
Discogs:https://www.discogs.com/master/3301729 [info]