La Discotheque Idéale

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1▶CD: Bach: Goldberg Variations BWV 988
2▶CD: Bach: Motets BWV225-230
3▶CD: Bach: Suites for Solo Cello
4▶CD: Bach: Suites for Solo Cello
5▶CD: Biber: Requiem a 15 / Steffani: Stabat Mater
6▶CD: Boccherini - Cello Concertos, Sinfonias
7▶CD: Caccini - Le Nuove Musiche
8▶CD: Couperin - La Sultane
9▶CD: Frescobaldi - Messa Della Domenica
10▶CD: Frescobaldi: Messa Della Madonna
11▶CD: Purcell: Dioclesian Suite / Handel: Concerto Grosso Op.6 No.6, Amarilli Vezzosa
12▼CD: Lassus - Requiem a 5, Magnificat
#TitleArtistRatingLength
1Requiem a 5: I. Introitus
miscellaneous support:
Dr. Alfred Krings (task: recording supervision) and Hubert Kübler (producer) (task: recording supervision)
bass vocals:
Mark Brown (operatic bass, early music singer, conductor, and producer) (in 1971-04), Brian Etheridge (operatic bass) (in 1971-04), William Mason (opera bass) (in 1971-04) and David Thomas (British operatic bass) (in 1971-04)
choir vocals:
Pro Cantione Antiqua (UK early music vocal ensemble) (in 1971-04)
countertenor vocals:
Keith Davis (doo wop artist) (in 1971-04), John Elwes (tenor) (in 1971-04), Paul Esswood (countertenor) (in 1971-04), Geoffrey Mitchell (in 1971-04) and Kevin Smith (english counter-tenor) (in 1971-04)
tenor vocals:
James Griffett (tenor) (in 1971-04), James Lewington (in 1971-04) and Ian Thompson (tenor) (in 1971-04)
orchestra:
Pro Cantione Antiqua (UK early music vocal ensemble) (in 1971-04)
conductor and chorus master:
Bruno Turner (musicologist, choral conductor) (in 1971-04)
recorded at:
Pfarrkirche Schleiden/Eifel in Schleiden, Nordrhein-Westfalen (North Rhine-Westphalia), Germany (in 1971-04)
recording of:
Missa Pro defunctis (Requiem) à 5, H. vi, 135: Introitus (in 1971-04)
composer:
Orlande de Lassus (Franco-Flemish Renaissance composer)
part of:
Missa Pro defunctis (Requiem) à 5, H. vi, 135 (One of Lassus' 3 requiems)
Orlande de Lassus6:28
2Requiem a 5: II. Kyrie
miscellaneous support:
Dr. Alfred Krings (task: recording supervision) and Hubert Kübler (producer) (task: recording supervision)
bass vocals:
Mark Brown (operatic bass, early music singer, conductor, and producer) (in 1971-04), Brian Etheridge (operatic bass) (in 1971-04), William Mason (opera bass) (in 1971-04) and David Thomas (British operatic bass) (in 1971-04)
choir vocals:
Pro Cantione Antiqua (UK early music vocal ensemble) (in 1971-04)
countertenor vocals:
Keith Davis (doo wop artist) (in 1971-04), John Elwes (tenor) (in 1971-04), Paul Esswood (countertenor) (in 1971-04), Geoffrey Mitchell (in 1971-04) and Kevin Smith (english counter-tenor) (in 1971-04)
tenor vocals:
James Griffett (tenor) (in 1971-04), James Lewington (in 1971-04) and Ian Thompson (tenor) (in 1971-04)
orchestra:
Pro Cantione Antiqua (UK early music vocal ensemble) (in 1971-04)
conductor and chorus master:
Bruno Turner (musicologist, choral conductor) (in 1971-04)
recorded at:
Pfarrkirche Schleiden/Eifel in Schleiden, Nordrhein-Westfalen (North Rhine-Westphalia), Germany (in 1971-04)
recording of:
Missa Pro defunctis (Requiem) à 5, H. vi, 135: Kyrie (in 1971-04)
composer:
Orlande de Lassus (Franco-Flemish Renaissance composer)
part of:
Missa Pro defunctis (Requiem) à 5, H. vi, 135 (One of Lassus' 3 requiems)
Orlande de Lassus3:19
3Requiem a 5: III. Graduale (Cantus Gregorianus)
miscellaneous support:
Dr. Alfred Krings (task: recording supervision) and Hubert Kübler (producer) (task: recording supervision)
bass vocals:
Mark Brown (operatic bass, early music singer, conductor, and producer) (in 1971-04), Brian Etheridge (operatic bass) (in 1971-04), William Mason (opera bass) (in 1971-04) and David Thomas (British operatic bass) (in 1971-04)
choir vocals:
Pro Cantione Antiqua (UK early music vocal ensemble) (in 1971-04)
countertenor vocals:
Keith Davis (doo wop artist) (in 1971-04), John Elwes (tenor) (in 1971-04), Paul Esswood (countertenor) (in 1971-04), Geoffrey Mitchell (in 1971-04) and Kevin Smith (english counter-tenor) (in 1971-04)
tenor vocals:
James Griffett (tenor) (in 1971-04), James Lewington (in 1971-04) and Ian Thompson (tenor) (in 1971-04)
orchestra:
Pro Cantione Antiqua (UK early music vocal ensemble) (in 1971-04)
conductor and chorus master:
Bruno Turner (musicologist, choral conductor) (in 1971-04)
recorded at:
Pfarrkirche Schleiden/Eifel in Schleiden, Nordrhein-Westfalen (North Rhine-Westphalia), Germany (in 1971-04)
recording of:
Graduale (in 1971-04)
composer:
Orlande de Lassus (Franco-Flemish Renaissance composer)
part of:
Missa Pro defunctis (Requiem) à 5, H. vi, 135 (One of Lassus' 3 requiems)
Orlande de Lassus3:25
4Requiem a 5: IV. Tractus 'Absolve Domine'
miscellaneous support:
Dr. Alfred Krings (task: recording supervision) and Hubert Kübler (producer) (task: recording supervision)
bass vocals:
Mark Brown (operatic bass, early music singer, conductor, and producer) (in 1971-04), Brian Etheridge (operatic bass) (in 1971-04), William Mason (opera bass) (in 1971-04) and David Thomas (British operatic bass) (in 1971-04)
choir vocals:
Pro Cantione Antiqua (UK early music vocal ensemble) (in 1971-04)
countertenor vocals:
Keith Davis (doo wop artist) (in 1971-04), John Elwes (tenor) (in 1971-04), Paul Esswood (countertenor) (in 1971-04), Geoffrey Mitchell (in 1971-04) and Kevin Smith (english counter-tenor) (in 1971-04)
tenor vocals:
James Griffett (tenor) (in 1971-04), James Lewington (in 1971-04) and Ian Thompson (tenor) (in 1971-04)
orchestra:
Pro Cantione Antiqua (UK early music vocal ensemble) (in 1971-04)
conductor and chorus master:
Bruno Turner (musicologist, choral conductor) (in 1971-04)
recorded at:
Pfarrkirche Schleiden/Eifel in Schleiden, Nordrhein-Westfalen (North Rhine-Westphalia), Germany (in 1971-04)
recording of:
Missa Pro defunctis (Requiem) à 5, H. vi, 135: Tractus: Absolve Domine (in 1971-04)
composer:
Orlande de Lassus (Franco-Flemish Renaissance composer)
part of:
Missa Pro defunctis (Requiem) à 5, H. vi, 135 (One of Lassus' 3 requiems)
Orlande de Lassus4:55
5Requiem a 5: V. Offertorium 'Domine Jesu Christe'
miscellaneous support:
Dr. Alfred Krings (task: recording supervision) and Hubert Kübler (producer) (task: recording supervision)
bass vocals:
Mark Brown (operatic bass, early music singer, conductor, and producer) (in 1971-04), Brian Etheridge (operatic bass) (in 1971-04), William Mason (opera bass) (in 1971-04) and David Thomas (British operatic bass) (in 1971-04)
choir vocals:
Pro Cantione Antiqua (UK early music vocal ensemble) (in 1971-04)
countertenor vocals:
Keith Davis (doo wop artist) (in 1971-04), John Elwes (tenor) (in 1971-04), Paul Esswood (countertenor) (in 1971-04), Geoffrey Mitchell (in 1971-04) and Kevin Smith (english counter-tenor) (in 1971-04)
tenor vocals:
James Griffett (tenor) (in 1971-04), James Lewington (in 1971-04) and Ian Thompson (tenor) (in 1971-04)
orchestra:
Pro Cantione Antiqua (UK early music vocal ensemble) (in 1971-04)
conductor and chorus master:
Bruno Turner (musicologist, choral conductor) (in 1971-04)
recorded at:
Pfarrkirche Schleiden/Eifel in Schleiden, Nordrhein-Westfalen (North Rhine-Westphalia), Germany (in 1971-04)
recording of:
Missa Pro defunctis (Requiem) à 5, H. vi, 135: Offertorium: Domine Jesu Christe (in 1971-04)
composer:
Orlande de Lassus (Franco-Flemish Renaissance composer)
part of:
Missa Pro defunctis (Requiem) à 5, H. vi, 135 (One of Lassus' 3 requiems)
Orlande de Lassus6:50
6Requiem a 5: VI. Sanctus - Benedictus
miscellaneous support:
Dr. Alfred Krings (task: recording supervision) and Hubert Kübler (producer) (task: recording supervision)
bass vocals:
Mark Brown (operatic bass, early music singer, conductor, and producer) (in 1971-04), Brian Etheridge (operatic bass) (in 1971-04), William Mason (opera bass) (in 1971-04) and David Thomas (British operatic bass) (in 1971-04)
choir vocals:
Pro Cantione Antiqua (UK early music vocal ensemble) (in 1971-04)
countertenor vocals:
Keith Davis (doo wop artist) (in 1971-04), John Elwes (tenor) (in 1971-04), Paul Esswood (countertenor) (in 1971-04), Geoffrey Mitchell (in 1971-04) and Kevin Smith (english counter-tenor) (in 1971-04)
tenor vocals:
James Griffett (tenor) (in 1971-04), James Lewington (in 1971-04) and Ian Thompson (tenor) (in 1971-04)
orchestra:
Pro Cantione Antiqua (UK early music vocal ensemble) (in 1971-04)
conductor and chorus master:
Bruno Turner (musicologist, choral conductor) (in 1971-04)
recorded at:
Pfarrkirche Schleiden/Eifel in Schleiden, Nordrhein-Westfalen (North Rhine-Westphalia), Germany (in 1971-04)
recording of:
Missa Pro defunctis (Requiem) à 5, H. vi, 135: Sanctus - Benedictus (in 1971-04)
composer:
Orlande de Lassus (Franco-Flemish Renaissance composer)
part of:
Missa Pro defunctis (Requiem) à 5, H. vi, 135 (One of Lassus' 3 requiems)
Orlande de Lassus3:33
7Requiem a 5: VII. Angus Dei
miscellaneous support:
Dr. Alfred Krings (task: recording supervision) and Hubert Kübler (producer) (task: recording supervision)
bass vocals:
Mark Brown (operatic bass, early music singer, conductor, and producer) (in 1971-04), Brian Etheridge (operatic bass) (in 1971-04), William Mason (opera bass) (in 1971-04) and David Thomas (British operatic bass) (in 1971-04)
choir vocals:
Pro Cantione Antiqua (UK early music vocal ensemble) (in 1971-04)
countertenor vocals:
Keith Davis (doo wop artist) (in 1971-04), John Elwes (tenor) (in 1971-04), Paul Esswood (countertenor) (in 1971-04), Geoffrey Mitchell (in 1971-04) and Kevin Smith (english counter-tenor) (in 1971-04)
tenor vocals:
James Griffett (tenor) (in 1971-04), James Lewington (in 1971-04) and Ian Thompson (tenor) (in 1971-04)
orchestra:
Pro Cantione Antiqua (UK early music vocal ensemble) (in 1971-04)
conductor and chorus master:
Bruno Turner (musicologist, choral conductor) (in 1971-04)
recorded at:
Pfarrkirche Schleiden/Eifel in Schleiden, Nordrhein-Westfalen (North Rhine-Westphalia), Germany (in 1971-04)
recording of:
Missa Pro defunctis (Requiem) à 5, H. vi, 135: Agnus Dei (in 1971-04)
composer:
Orlande de Lassus (Franco-Flemish Renaissance composer)
part of:
Missa Pro defunctis (Requiem) à 5, H. vi, 135 (One of Lassus' 3 requiems)
Orlande de Lassus3:31
8Requiem a 5: VIII. Communio 'Lux Aeterna'
miscellaneous support:
Dr. Alfred Krings (task: recording supervision) and Hubert Kübler (producer) (task: recording supervision)
bass vocals:
Mark Brown (operatic bass, early music singer, conductor, and producer) (in 1971-04), Brian Etheridge (operatic bass) (in 1971-04), William Mason (opera bass) (in 1971-04) and David Thomas (British operatic bass) (in 1971-04)
choir vocals:
Pro Cantione Antiqua (UK early music vocal ensemble) (in 1971-04)
countertenor vocals:
Keith Davis (doo wop artist) (in 1971-04), John Elwes (tenor) (in 1971-04), Paul Esswood (countertenor) (in 1971-04), Geoffrey Mitchell (in 1971-04) and Kevin Smith (english counter-tenor) (in 1971-04)
tenor vocals:
James Griffett (tenor) (in 1971-04), James Lewington (in 1971-04) and Ian Thompson (tenor) (in 1971-04)
orchestra:
Pro Cantione Antiqua (UK early music vocal ensemble) (in 1971-04)
conductor and chorus master:
Bruno Turner (musicologist, choral conductor) (in 1971-04)
recorded at:
Pfarrkirche Schleiden/Eifel in Schleiden, Nordrhein-Westfalen (North Rhine-Westphalia), Germany (in 1971-04)
recording of:
Missa Pro defunctis (Requiem) à 5, H. vi, 135: Communio: Lux aeterna (in 1971-04)
composer:
Orlande de Lassus (Franco-Flemish Renaissance composer)
part of:
Missa Pro defunctis (Requiem) à 5, H. vi, 135 (One of Lassus' 3 requiems)
Orlande de Lassus2:55
9O Bone Jesus
miscellaneous support:
Dr. Alfred Krings (task: recording supervision) and Hubert Kübler (producer) (task: recording supervision)
bass vocals:
Mark Brown (operatic bass, early music singer, conductor, and producer) (in 1971-04), Brian Etheridge (operatic bass) (in 1971-04), William Mason (opera bass) (in 1971-04) and David Thomas (British operatic bass) (in 1971-04)
choir vocals:
Pro Cantione Antiqua (UK early music vocal ensemble) (in 1971-04)
countertenor vocals:
Keith Davis (doo wop artist) (in 1971-04), John Elwes (tenor) (in 1971-04), Paul Esswood (countertenor) (in 1971-04), Geoffrey Mitchell (in 1971-04) and Kevin Smith (english counter-tenor) (in 1971-04)
tenor vocals:
James Griffett (tenor) (in 1971-04), James Lewington (in 1971-04) and Ian Thompson (tenor) (in 1971-04)
orchestra:
Pro Cantione Antiqua (UK early music vocal ensemble) (in 1971-04)
conductor and chorus master:
Bruno Turner (musicologist, choral conductor) (in 1971-04)
recorded at:
Pfarrkirche Schleiden/Eifel in Schleiden, Nordrhein-Westfalen (North Rhine-Westphalia), Germany (in 1971-04)
recording of:
O bone Jesu, S. i, 69 (in 1971-04)
composer:
Orlande de Lassus (Franco-Flemish Renaissance composer)
part of:
Orlando di Lasso: Sämtliche Werke (S.) (number: S. i/69)
Orlande de Lassus3:49
10Magnificat "Praeter Rerum Seriem"
additional instruments:
Hamburger Bläserkreis für Alte Musik Instrumental-Ensemble (in 1973)
instruments:
Hamburger Bläserkreis für Alte Musik Instrumental-Ensemble (in 1973)
bass vocals:
Mark Brown (operatic bass, early music singer, conductor, and producer) (in 1973), Brian Etheridge (operatic bass) (in 1973), William Mason (opera bass) (in 1973) and David Thomas (British operatic bass) (in 1973)
choir vocals:
Pro Cantione Antiqua (UK early music vocal ensemble) (in 1973)
countertenor vocals:
Keith Davis (doo wop artist) (in 1973), John Elwes (tenor) (in 1973), Paul Esswood (countertenor) (in 1973), Geoffrey Mitchell (in 1973) and Kevin Smith (english counter-tenor) (in 1973)
tenor vocals:
James Griffett (tenor) (in 1973), James Lewington (in 1973) and Ian Thompson (tenor) (in 1973)
orchestra:
Collegium Aureum (in 1973)
conductor and chorus master:
Bruno Turner (musicologist, choral conductor) (in 1973)
recorded at:
Schloss Kirchheim in Kirchheim unter Teck, Baden-Württemberg, Germany (in 1973)
recording of:
Magnificat secundi toni, LV 1070 "Praeter rerum seriem" (in 1973)
composer:
Orlande de Lassus (Franco-Flemish Renaissance composer)
is based on:
Praeter rerum seriem (a 6)
Orlande de Lassus13:42
11Alma Redemptoris Mater
additional instruments:
Hamburger Bläserkreis für Alte Musik Instrumental-Ensemble (in 1973)
instruments:
Hamburger Bläserkreis für Alte Musik Instrumental-Ensemble (in 1973)
bass vocals:
Mark Brown (operatic bass, early music singer, conductor, and producer) (in 1973), Brian Etheridge (operatic bass) (in 1973), William Mason (opera bass) (in 1973) and David Thomas (British operatic bass) (in 1973)
choir vocals:
Pro Cantione Antiqua (UK early music vocal ensemble) (in 1973)
countertenor vocals:
Keith Davis (doo wop artist) (in 1973), John Elwes (tenor) (in 1973), Paul Esswood (countertenor) (in 1973), Geoffrey Mitchell (in 1973) and Kevin Smith (english counter-tenor) (in 1973)
tenor vocals:
James Griffett (tenor) (in 1973), James Lewington (in 1973) and Ian Thompson (tenor) (in 1973)
orchestra:
Pro Cantione Antiqua (UK early music vocal ensemble) (in 1973)
conductor and chorus master:
Bruno Turner (musicologist, choral conductor) (in 1973)
recorded at:
Schloss Kirchheim in Kirchheim unter Teck, Baden-Württemberg, Germany (in 1973)
recording of:
Alma Redemptoris mater a 6, S. xiii, 108 (One of the four by Lassus) (in 1973)
composer:
Orlande de Lassus (Franco-Flemish Renaissance composer)
part of:
Orlando di Lasso: Sämtliche Werke (S.) (number: S. xiii/108)
Orlande de Lassus4:14
12Ave Maria
additional instruments:
Hamburger Bläserkreis für Alte Musik Instrumental-Ensemble (in 1974)
instruments:
Hamburger Bläserkreis für Alte Musik Instrumental-Ensemble (in 1974)
bass vocals:
Mark Brown (operatic bass, early music singer, conductor, and producer) (in 1974), Brian Etheridge (operatic bass) (in 1974), William Mason (opera bass) (in 1974) and David Thomas (British operatic bass) (in 1974)
choir vocals:
Pro Cantione Antiqua (UK early music vocal ensemble) (in 1974)
countertenor vocals:
Keith Davis (doo wop artist) (in 1974), John Elwes (tenor) (in 1974), Paul Esswood (countertenor) (in 1974), Geoffrey Mitchell (in 1974) and Kevin Smith (english counter-tenor) (in 1974)
tenor vocals:
James Griffett (tenor) (in 1974), James Lewington (in 1974) and Ian Thompson (tenor) (in 1974)
orchestra:
Pro Cantione Antiqua (UK early music vocal ensemble) (in 1974)
conductor and chorus master:
Bruno Turner (musicologist, choral conductor) (in 1974)
recorded at:
Schloss Kirchheim in Kirchheim unter Teck, Baden-Württemberg, Germany (in 1974)
recording of:
Ave Maria Gratia Plena À 5 (in 1974)
composer:
Orlande de Lassus (Franco-Flemish Renaissance composer)
part of:
Orlando di Lasso: Sämtliche Werke (S.) (number: S. v/118)
Orlande de Lassus2:43
13▶CD: Lully - Divertissements
14▶CD: Marais: Fantaisie Champetre, Pieces in Trio
15▶CD: Monteverdi: Vespro Della Beata Vergine
16▶CD: Monteverdi: Vespro Della Beata Vergine
17▶CD: Pergolesi - La Serva Padrona
18▶CD: Rameau - Suite Pour Orchestre de Hippolyte Et Aricie
19▶CD: Sainte Colombe: Pieces Pour Viole de Gambe
20▶CD: Scarlatti - Passio Secundum Ioannem
21▶CD: Telemann: Concertos for Woodwind Instruments
22▶CD: The Violoncello in the 17th Century
23▶CD: Vivaldi: Sinfonie 'Avanti L'Opera' E Concerti
24▶CD: Vivaldi: Le Quattro Stagione
25▶CD: Zelenka: Missa Dei Filii ZWV 20