Mozart 111

~ Release by Wolfgang Amadeus Mozart (see all versions of this release, 1 available)

Tracklist

1▶CD: Symphonies 25, 26 & 29 - Pinnock
2▶CD: Symphonies 28, 31, 33 & 34 - Levine
3▶CD: Symphonies 32, 35 & 36 - Karajan
4▶CD: Symphonies 38 & 39 - Pinnock
5▶CD: Symphonies 40 & 41 - Minkowski
6▶CD: Piano Concertos 6, 17 & 21 - Anda
7▶CD: Piano Concerto 27 - Concerto for 2 Pianos - Gilels
8▶CD: Piano Concertos 19 & 23 - Pollini
9▶CD: Piano Concertos 20 & 24 - Bilson
10▶CD: Piano Concertos 14 & 26 - Pires
11▶CD: Violin Concertos 3-5 - Perlman
12▶CD: Sinfonia concertante - Perlman - Zukerman
13▶CD: Clarinet & Horn Concertos - Neidich - Jolley
14▶CD: Wind Concertos - Purvis - Wolfgang - Morelli
15▶CD: Flute & Harp Concertos - Palma - Allen
16▶CD: Serenade K 361 "Gran Partita" - Orpheus
17▶CD: Wind Serenades K 375 & K 388 - Orpheus
18▶CD: Divertimento K 334 - Serenata K 239 - Karajan
19▶CD: "Haffner" Serenade - Böhm
20▶CD: "Posthorn" Serenade - Eine kleine Nachtmusik - Levine
21▶CD: "Haydn" Quartets - Hagen (1)
22▶CD: "Haydn" Quartets - Hagen (2)
23▶CD: "Haydn" Quartets - Hagen (3)
24▶CD: String Quintet K 515 - Divertimento K 563 - Amadeus
25▶CD: String Quintets K 516 & K 593 - Amadeus
26▶CD: Quartets & Quintets with Winds - Amadeus
27▶CD: Piano & wind Chamber Music - .Levine - Wien-Berlin
28▶CD: Piano Quartets - Fauré Quartett
29▶CD: Violin Sonatas K 301, 304, 378, 379 - Dumay - Pires
30▶CD: Violin Sonatas K 454, 481, 526 - Perlman - Barenboim
31▶CD: Piano Sonatas K 310, 332, 545 - Pires
32▶CD: Piano Sonatas K 281, 330, 333 - Horowitz
33▶CD: Piano Sonatas K 331, 457 - Gulda
34▶CD: Piano Duets - Eschenbach - Frantz
35▶CD: "Coronation" Mass - Pinnock
36▶CD: C minor Mass - Bernstein
37▶CD: Requiem - Abbado
38▶CD: Concerto Arias - Janowitz
39▶CD: Idomeneo - Gardiner (1)
40▶CD: Idomeneo - Gardiner (2)
41▶CD: Idomeneo - Gardiner (3)
42▼CD: Die Entführung aus dem Serail - Böhm (1)
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1Die Entführung aus dem Serail, K 384: Overture
recording engineer:
Hans‐Peter Schweigmann (engineer) and Claus Strüben (german sound engineer)
executive producer:
Dr. Ellen Hickmann (producer for Deutsche Grammophon)
producer:
Eberhard Geiler
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1973-09)
conductor:
Karl Böhm (Austrian conductor) (in 1973-09)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1973-09)
recording of:
Die Entführung aus dem Serail, K. 384: Ouvertüre (Die Entführung aus dem Serail, K. 384: Overture) (in 1973-09)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1782)
librettist:
Johann Gottlieb Stephanie ('The Younger')
translator:
Pierre-Louis Moline
part of:
Die Entführung aus dem Serail, K. 384 (The Abduction from the Seraglio, K. 384)
part of:
L’Enlèvement du Sérail, K. 384 (French version; tr. Modine, pour le clavecin; arr. Neefe)
4:23
2Die Entführung aus dem Serail, K 384: Act I: (a) "Hier soll ich dich denn sehen" ...
recording engineer:
Hans‐Peter Schweigmann (engineer) and Claus Strüben (german sound engineer)
executive producer:
Dr. Ellen Hickmann (producer for Deutsche Grammophon)
producer:
Eberhard Geiler
tenor vocals [Belmonte]:
Peter Schreier (German tenor and conductor) (in 1973-09)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1973-09)
conductor:
Karl Böhm (Austrian conductor) (in 1973-09)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1973-09)
recording of:
Die Entführung aus dem Serail, K. 384: Akt I, Szene I. No. 1 Arie "Hier soll ich dich denn sehen" (Belmonte) (in 1973-09)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt I
2:42
3Die Entführung aus dem Serail, K 384: Act I: (b) "Aber wie soll ich in den Palast kommen?" ...
recording engineer:
Hans‐Peter Schweigmann (engineer) and Claus Strüben (german sound engineer)
executive producer:
Dr. Ellen Hickmann (producer for Deutsche Grammophon)
producer:
Eberhard Geiler
spoken vocals [Belmonte]:
Hans-Jörn Weber (German actor and voice actor) (in 1973-09)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1973-09)
conductor:
Karl Böhm (Austrian conductor) (in 1973-09)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1973-09)
recording of:
Die Entführung aus dem Serail, K. 384: Akt I, Szene I. Dialog "Aber wie soll ich in den Palast kommen?" (Belmonte) (in 1973-09)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt I
0:08
4Die Entführung aus dem Serail, K 384: Act I: (c) "Wer ein Liebchen hat gefunden" ...
recording engineer:
Hans‐Peter Schweigmann (engineer) and Claus Strüben (german sound engineer)
executive producer:
Dr. Ellen Hickmann (producer for Deutsche Grammophon)
producer:
Eberhard Geiler
bass vocals [Osmin]:
Kurt Moll (operatic bass) (in 1973-09)
tenor vocals [Belmonte]:
Peter Schreier (German tenor and conductor) (in 1973-09)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1973-09)
conductor:
Karl Böhm (Austrian conductor) (in 1973-09)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1973-09)
recording of:
Die Entführung aus dem Serail, K. 384: Akt I, Szene II. No. 2 Lied und Duett "Wer ein Liebchen hat gefunden" (Osmin) / "Verwünscht seist du samt deinem Liede!" (Osmin, Belmonte) (in 1973-09)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384 (The Abduction from the Seraglio, K. 384)
part of:
Die Entführung aus dem Serail, K. 384: Akt I
6:44
5Die Entführung aus dem Serail, K 384: Act I: (d) "Fort ist er" ...
recording engineer:
Hans‐Peter Schweigmann (engineer) and Claus Strüben (german sound engineer)
executive producer:
Dr. Ellen Hickmann (producer for Deutsche Grammophon)
producer:
Eberhard Geiler
spoken vocals [Osmin]:
Wolfgang Dehler (in 1973-09)
spoken vocals [Pedrillo]:
Kurt Hachlicki (German actor and dubbing speaker) (in 1973-09)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1973-09)
conductor:
Karl Böhm (Austrian conductor) (in 1973-09)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1973-09)
recording of:
Die Entführung aus dem Serail, K. 384: Akt I, Szene III. Dialog "Könnt' ich mir doch noch so einen Schurken" (Osmin, Pedrillo) (in 1973-09)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt I
1:02
6Die Entführung aus dem Serail, K 384: Act I: (e) "Solche hergelaufne Laffen" ...
recording engineer:
Hans‐Peter Schweigmann (engineer) and Claus Strüben (german sound engineer)
executive producer:
Dr. Ellen Hickmann (producer for Deutsche Grammophon)
producer:
Eberhard Geiler
bass vocals [Osmin]:
Kurt Moll (operatic bass) (in 1973-09)
tenor vocals [Pedrillo]:
Harald Neukirch (tenor) (in 1973-09)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1973-09)
conductor:
Karl Böhm (Austrian conductor) (in 1973-09)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1973-09)
recording of:
Die Entführung aus dem Serail, K. 384: Akt I, Szene III. No. 3 Arie "Solche hergelauf'ne Laffen" (Osmin) / Akt I, Szene III. Dialog "Was bist du nur für ein Mensch!" (Pedrillo) / Akt I, Szene III. "Erst geköpft, dann gehangen" (Osmin) (in 1973-09)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt I
5:06
7Die Entführung aus dem Serail, K 384: Act I: (f) "Geh nur, verwünschter Kerl" ...
recording engineer:
Hans‐Peter Schweigmann (engineer) and Claus Strüben (german sound engineer)
executive producer:
Dr. Ellen Hickmann (producer for Deutsche Grammophon)
producer:
Eberhard Geiler
spoken vocals [Belmonte]:
Hans-Jörn Weber (German actor and voice actor) (in 1973-09)
spoken vocals [Pedrillo]:
Kurt Hachlicki (German actor and dubbing speaker) (in 1973-09)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1973-09)
conductor:
Karl Böhm (Austrian conductor) (in 1973-09)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1973-09)
recording of:
Die Entführung aus dem Serail, K. 384: Akt I, Szene IV. Dialog "Geh nur, verwünschter Aufpasser!" (Pedrillo, Belmonte) (in 1973-09)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt I
2:01
8Die Entführung aus dem Serail, K 384: Act I: (g) "Konstanze, dich wiederzusehen" ...
recording engineer:
Hans‐Peter Schweigmann (engineer) and Claus Strüben (german sound engineer)
executive producer:
Dr. Ellen Hickmann (producer for Deutsche Grammophon)
producer:
Eberhard Geiler
tenor vocals [Belmonte]:
Peter Schreier (German tenor and conductor) (in 1973-09)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1973-09)
conductor:
Karl Böhm (Austrian conductor) (in 1973-09)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1973-09)
recording of:
Die Entführung aus dem Serail, K. 384: Akt I, Szene V. No. 4 Rezitativ und Arie "Konstanze, dich wieder zu sehen!" (Belmonte) / "O wie ängstlich, o wie feurig" (Belmonte) (in 1973-09)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt I
5:11
9Die Entführung aus dem Serail, K 384: Act I: (h) "Schnell, treten sie beiseite" ...
recording engineer:
Hans‐Peter Schweigmann (engineer) and Claus Strüben (german sound engineer)
executive producer:
Dr. Ellen Hickmann (producer for Deutsche Grammophon)
producer:
Eberhard Geiler
spoken vocals [Belmonte]:
Hans-Jörn Weber (German actor and voice actor) (in 1973-09)
spoken vocals [Pedrillo]:
Kurt Hachlicki (German actor and dubbing speaker) (in 1973-09)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1973-09)
conductor:
Karl Böhm (Austrian conductor) (in 1973-09)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1973-09)
partial recording of:
Die Entführung aus dem Serail, K. 384: Akt I (in 1973-09)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384 (The Abduction from the Seraglio, K. 384)
0:10
10Die Entführung aus dem Serail, K 384: Act I: (i) "Singt dem großen Bassa Lieder" ...
recording engineer:
Hans‐Peter Schweigmann (engineer) and Claus Strüben (german sound engineer)
executive producer:
Dr. Ellen Hickmann (producer for Deutsche Grammophon)
producer:
Eberhard Geiler
choir vocals:
Rundfunkchor Leipzig (in 1973-09)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1973-09)
conductor:
Karl Böhm (Austrian conductor) (in 1973-09)
chorus master:
Horst Neumann (choir master and conductor) (in 1973-09)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1973-09)
recording of:
Die Entführung aus dem Serail, K. 384: Akt I, Szene VI. No. 5b Chor de Janitscharen "Singt dem grossen Bassa Lieder" (Chor und Solisten der Janitscharen) (in 1973-09)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt I
1:39
11Die Entführung aus dem Serail, K 384: Act I: (j) "Nun, Konstanze, immer noch traurig?" ...
recording engineer:
Hans‐Peter Schweigmann (engineer) and Claus Strüben (german sound engineer)
executive producer:
Dr. Ellen Hickmann (producer for Deutsche Grammophon)
producer:
Eberhard Geiler
spoken vocals [Bassa Selim]:
Otto Mellies (in 1973-09)
spoken vocals [Konstanze]:
Regina Jeske (German actress and voice actress) (in 1973-09)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1973-09)
conductor:
Karl Böhm (Austrian conductor) (in 1973-09)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1973-09)
recording of:
Die Entführung aus dem Serail, K. 384: Akt I, Szene VII. Dialog "Immer noch traurig, geliebte Konstanze?" (Selim, Konstanze) (in 1973-09)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt I
0:45
12Die Entführung aus dem Serail, K 384: Act I: (k) "Ach, ich liebte, war so glücklich" ...
recording engineer:
Hans‐Peter Schweigmann (engineer) and Claus Strüben (german sound engineer)
executive producer:
Dr. Ellen Hickmann (producer for Deutsche Grammophon)
producer:
Eberhard Geiler
soprano vocals [Konstanze]:
Arleen Augér (soprano) (in 1973-09)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1973-09)
conductor:
Karl Böhm (Austrian conductor) (in 1973-09)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1973-09)
recording of:
Die Entführung aus dem Serail, K. 384: Akt I, Szene VII. No. 6 Arie "Ach ich liebte, war so glücklich" (Konstanze) (in 1973-09)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384 (The Abduction from the Seraglio, K. 384)
part of:
Die Entführung aus dem Serail, K. 384: Akt I
5:36
13Die Entführung aus dem Serail, K 384: Act I: (l) "Weißt du, was du wagst?" ...
recording engineer:
Hans‐Peter Schweigmann (engineer) and Claus Strüben (german sound engineer)
executive producer:
Dr. Ellen Hickmann (producer for Deutsche Grammophon)
producer:
Eberhard Geiler
spoken vocals [Bassa Selim]:
Otto Mellies (in 1973-09)
spoken vocals [Belmonte]:
Hans-Jörn Weber (German actor and voice actor) (in 1973-09)
spoken vocals [Konstanze]:
Regina Jeske (German actress and voice actress) (in 1973-09)
spoken vocals [Osmin]:
Wolfgang Dehler (in 1973-09)
spoken vocals [Pedrillo]:
Kurt Hachlicki (German actor and dubbing speaker) (in 1973-09)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1973-09)
conductor:
Karl Böhm (Austrian conductor) (in 1973-09)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1973-09)
partial recording of:
Die Entführung aus dem Serail, K. 384: Akt I (in 1973-09)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384 (The Abduction from the Seraglio, K. 384)
2:03
14Die Entführung aus dem Serail, K 384: Act I: (m) "Marsch, marsch, marsch! Trollt euch fort!" ...
recording engineer:
Hans‐Peter Schweigmann (engineer) and Claus Strüben (german sound engineer)
executive producer:
Dr. Ellen Hickmann (producer for Deutsche Grammophon)
producer:
Eberhard Geiler
bass vocals [Osmin]:
Kurt Moll (operatic bass) (in 1973-09)
tenor vocals [Belmonte]:
Peter Schreier (German tenor and conductor) (in 1973-09)
tenor vocals [Pedrillo]:
Harald Neukirch (tenor) (in 1973-09)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1973-09)
conductor:
Karl Böhm (Austrian conductor) (in 1973-09)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1973-09)
recording of:
Die Entführung aus dem Serail, K. 384: Akt I, Szene X. No. 7 Terzett "Marsch, marsch, marsch! Trollt euch fort" (Osmin, Belmonte, Pedrillo) (in 1973-09)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt I
2:21
15Die Entführung aus dem Serail, K 384: Act II: (a) "Oh, das Zanken, Befehlen und Murren" ...
recording engineer:
Hans‐Peter Schweigmann (engineer) and Claus Strüben (german sound engineer)
executive producer:
Dr. Ellen Hickmann (producer for Deutsche Grammophon)
producer:
Eberhard Geiler
spoken vocals [Blonde]:
Helga Piur (in 1973-09)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1973-09)
conductor:
Karl Böhm (Austrian conductor) (in 1973-09)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1973-09)
recording of:
Die Entführung aus dem Serail, K. 384: Akt II, Szene I. Dialog "O, des Zankens, Befehlens und Murrens wird auch kein Ende!" (Blonde) (in 1973-09)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt II
0:21
16Die Entführung aus dem Serail, K 384: Act II: (b) "Durch Zärtlichkeit und Schmeicheln" ...
recording engineer:
Hans‐Peter Schweigmann (engineer) and Claus Strüben (german sound engineer)
executive producer:
Dr. Ellen Hickmann (producer for Deutsche Grammophon)
producer:
Eberhard Geiler
soprano vocals [Blonde]:
Reri Grist (American soprano) (in 1973-09)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1973-09)
conductor:
Karl Böhm (Austrian conductor) (in 1973-09)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1973-09)
recording of:
Die Entführung aus dem Serail, K. 384: Akt II, Szene I. No. 8 Arie "Durch Zärtlichkeit und Schmeicheln" (Blonde) (in 1973-09)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt II
3:16
17Die Entführung aus dem Serail, K 384: Act II: (c) "Zärtlichkeit? Schmeicheln!" ...
recording engineer:
Hans‐Peter Schweigmann (engineer) and Claus Strüben (german sound engineer)
executive producer:
Dr. Ellen Hickmann (producer for Deutsche Grammophon)
producer:
Eberhard Geiler
spoken vocals [Blonde]:
Helga Piur (in 1973-09)
spoken vocals [Osmin]:
Wolfgang Dehler (in 1973-09)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1973-09)
conductor:
Karl Böhm (Austrian conductor) (in 1973-09)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1973-09)
recording of:
Die Entführung aus dem Serail, K. 384: Akt II (in 1973-09)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384 (The Abduction from the Seraglio, K. 384)
1:35
18Die Entführung aus dem Serail, K 384: Act II: (d) "Ich gehe, doch rate ich dir" ...
recording engineer:
Hans‐Peter Schweigmann (engineer) and Claus Strüben (german sound engineer)
executive producer:
Dr. Ellen Hickmann (producer for Deutsche Grammophon)
producer:
Eberhard Geiler
bass vocals [Osmin]:
Kurt Moll (operatic bass) (in 1973-09)
soprano vocals [Blonde]:
Reri Grist (American soprano) (in 1973-09)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1973-09)
conductor:
Karl Böhm (Austrian conductor) (in 1973-09)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1973-09)
recording of:
Die Entführung aus dem Serail, K. 384: Akt II, Szene I. No. 9 Duett "Ich gehe, doch rate ich dir" (Osmin, Blonde) (in 1973-09)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt II
3:54
19Die Entführung aus dem Serail, K 384: Act II: (e) "Welcher Kummer herrscht in meiner Seele... Traurigkeit ward mir zum Lose" ...
recording engineer:
Hans‐Peter Schweigmann (engineer) and Claus Strüben (german sound engineer)
executive producer:
Dr. Ellen Hickmann (producer for Deutsche Grammophon)
producer:
Eberhard Geiler
soprano vocals [Konstanze]:
Arleen Augér (soprano) (in 1973-09)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1973-09)
conductor:
Karl Böhm (Austrian conductor) (in 1973-09)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1973-09)
recording of:
Die Entführung aus dem Serail, K. 384: Akt II, Szene II. No. 10a Rezitativ "Welcher Kummer herrscht in meiner Seele" (Konstanze) (in 1973-09)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt II
recording of:
Die Entführung aus dem Serail, K. 384: Akt II, Szene II. No. 10b Arie "Traurigkeit ward mir zum Lose" (Konstanze) (in 1973-09)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384 (The Abduction from the Seraglio, K. 384)
part of:
Die Entführung aus dem Serail, K. 384: Akt II
8:55
20Die Entführung aus dem Serail, K 384: Act II: (f) "Mein bestes Fräulein!" ...
recording engineer:
Hans‐Peter Schweigmann (engineer) and Claus Strüben (german sound engineer)
executive producer:
Dr. Ellen Hickmann (producer for Deutsche Grammophon)
producer:
Eberhard Geiler
spoken vocals [Bassa Selim]:
Otto Mellies (in 1973-09)
spoken vocals [Blonde]:
Helga Piur (in 1973-09)
spoken vocals [Konstanze]:
Regina Jeske (German actress and voice actress) (in 1973-09)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1973-09)
conductor:
Karl Böhm (Austrian conductor) (in 1973-09)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1973-09)
recording of:
Die Entführung aus dem Serail, K. 384: Akt II, Szene II. Dialog "Ach mein bestes Fräulein" (Blonde, Konstanze) (in 1973-09)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Christoph Friedrich Bretzner
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt II
1:26
21Die Entführung aus dem Serail, K 384: Act II: (g) "Martern aller Arten" ...
recording engineer:
Hans‐Peter Schweigmann (engineer) and Claus Strüben (german sound engineer)
executive producer:
Dr. Ellen Hickmann (producer for Deutsche Grammophon)
producer:
Eberhard Geiler
soprano vocals [Konstanze]:
Arleen Augér (soprano) (in 1973-09)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1973-09)
conductor:
Karl Böhm (Austrian conductor) (in 1973-09)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1973-09)
recording of:
Die Entführung aus dem Serail, K. 384: Akt II, Szene III. No. 11 Arie "Introduktion - Martern aller Arten - Doch du bist entschlossen" (Konstanze) (in 1973-09)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt II
9:12
43▶CD: Die Entführung aus dem Serail - Böhm (2)
44▶CD: Le nozze di Figaro - Harnoncourt (1)
45▶CD: Le nozze di Figaro - Harnoncourt (2)
46▶CD: Le nozze di Figaro - Harnoncourt (3)
47▶CD: Don Giovanni - Abbado (1)
48▶CD: Don Giovanni - Abbado (2)
49▶CD: Don Giovanni - Abbado (3)
50▶CD: Così fan tutte - Levine (1)
51▶CD: Così fan tutte - Levine (2)
52▶CD: Così fan tutte - Levine (3)
53▶CD: Die Zauberflöte - Böhm (1)
54▶CD: Die Zauberflöte - Böhm (2)
55▶CD: A Little Light Music - Orpheus

Credits

Release group

includes:Die Entführung aus dem Serail (1973 studio cast) by Mozart (Wolfgang Amadeus Mozart, classical composer); Arleen Augér (soprano), Reri Grist (American soprano), Peter Schreier (German tenor and conductor), Harald Neukirch (tenor), Kurt Moll (operatic bass), Rundfunkchor Leipzig, Staatskapelle Dresden (Dresden Symphonic Orchestra), Karl Böhm (Austrian conductor)
Symphonies nos. 25 26 29 by Mozart (Wolfgang Amadeus Mozart, classical composer); The English Concert, Trevor Pinnock (conductor / harpsichord)